Tonight at 8pm, the Oxford American magazine welcomes Anat Cohen to the South on Main stage to kick off the OA Jazz Series!

Doors open at 6:00 PM, with dinner and drinks available for purchase at that time. This series is made possible by presenting sponsor, the UCA College of Fine Arts & Communication. Additional partners include The Summer Foundation, Arkansas Arts Council, Capital Hotel, Piano Kraft, Rosen Music Company, and FM-89.1 KUAR.

Tickets are $20 (General Admission), $30 (Reserved), and $32 (Premium Reserved). View the South on Main reserved seating map here. Please take a look at this very important ticketing and seating information before purchasing your tickets.

Clarinetist/saxophonist Anat Cohen has won hearts and minds the world over with her expressive virtuosity and delightful stage presence. Anat was born in Tel Aviv, Israel, and raised into a musical family. She began clarinet studies at age twelve and played jazz on clarinet for the first time in the Jaffa Conservatory’s Dixieland Band. At sixteen, she joined the school’s big band and learned to play the tenor saxophone; it was this same year that Anat entered the prestigious “Thelma Yellin” school, where she majored in jazz. After graduation, she discharged her mandatory Israeli military service duty from 1993-1995, playing tenor saxophone in the Israeli Air Force band.

The Jazz Journalists Association has voted Anat as “Clarinetist of the Year” eight years in a row, and she has topped both the Critics and Readers Polls in the clarinet category in DownBeat magazine every year since 2011. That’s not to mention years of being named “Rising Star” in the soprano and tenor saxophone categories in DownBeat, as well as for “Jazz Artist of the Year.” In 2009, ASCAP awarded Anat a Wall of Fame prize for composition and musicianship, among other honors.

In March 2015, Anzic Records releases Luminosa, her seventh album as a bandleader. Luminosa sees Anat play singing, dancing originals, interpret Brazilian classics by the likes of Milton Nascimento, and even re-imagine electronica as acoustica with an ingenious arrangement of a Flying Lotus tune. Luminosaencapsulates the description Jazz Police offered of Anat in full flight: “She becomes a singer, a poet, a mad scientist, laughing—musically—with the delight of reaching that new place, that new feeling, with each chorus.”