Tonight at South on Main – John Paul White performs as part of Oxford American music series

John Paul WhiteThe Oxford American is excited to welcome John Paul White back to the South on Main stage tonight, June 5! This is a special addition to the OA’s 2018-19 Concert Series. Doors open at 5:30 PM, with dinner and drinks available for purchase at that time.  The concert starts at 7:30 PM.

Single tickets are $30 (General Admission), $34 (Reserved), and $36 (Premium Reserved).

With The Hurting KindJohn Paul White has crafted a stunning album that draws on the lush, orchestrated music made in Nashville in the early 1960s. Yet these songs retain a modern feel, whether he’s writing about overwhelming love, unraveling relationships, or the fading memory of a loved one.

White grew up in tiny Loretto, Tennessee, and now lives in Florence, Alabama, not far from Muscle Shoals. He has cultivated his career in Nashville for two decades, first as a songwriter for a major publisher, then as half of The Civil Wars—a groundbreaking duo that won four GRAMMY Awards before disbanding in 2012.

Because The Civil Wars were so hard to categorize, White has earned a fan base among indie rock listeners, folk audiences, Americana outlets, and AAA radio. So, what will happen if people hear The Hurting Kind and call it country? “Well, that doesn’t scare me in the least,” he says. “As a matter of fact, it kind of thrills me.”

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2019-2020 OXFORD AMERICAN music series at South on Main

One of the best music series in the South takes place in Little Rock as the Oxford American brings musicians to South on Main. It is actually three different music series: Americana, Jazz, and Archetypes & Troubadours. Tickets are already on sale, and many of the concerts will sell out. So do not delay!

Up first is Amy Helm in the Americana Series. She will perform on Thursday, August 22 at 8:00pm. “One of Americana’s most impassioned, soul-stirring singers.” —Rolling Stone Country

First in the Jazz Series is Peter Martin & Romero Lubambo featuring Erin Bode. They’ll be in Little Rock on Thursday, September 5 at 8:00pm. “One of the most underrated pianists in jazz today … Martin plays with the kind of daring and excitement that marks a distinctive personality on the keyboard.” — Washington Post

The first in the Archetypes & Troubadours Series is Rev. Sekou on Thursday, September 26 at 8:00pm. “Rev. Sekou delivers the spiritual performance we need now.”—Paste

Next in Americana is Chatham County Line on Thursday, October 17 at 8:00pm. “What initially drew me to this Raleigh, North Carolina-based quartet is that in addition to the unique mix of bluegrass, folk and Americana tunes they harmonize so beautifully on is the fact that they typically crowd around a single, large, silver radio microphone. And that’s not the band’s only nod to the past.” — Huffington Post

Marsalis is a name synonymous with jazz. The Jason Marsalis Vibes Quartet is next in the Jazz Series on Thursday, November 14. “[Marsalis’s] playing is eccentric within graceful boundaries, concerned with polyrhythm as science, history and gamesmanship, full of technique used to non-slick ends … Discipline and strategy are written deeply into the band.” — New York Times

Next in the Archetypes & Troubadours Series is Catherine Russell on Thursday, December 5, at 8:00pm. “A wonderfully charismatic performer with a show­stopping voice and an unabashedly old-fashioned repertoire.” — The Washington Post

The Fred Hersch Trio takes the Oxford American stage for the Jazz Series on Thursday, January 30 at 8:00pm. “An elegant force of musical invention, Fred Hersch cannot be discounted in any discussion of the top contemporary jazz pianists.” —LA Times

Jon Cleary is next in the Americana Series.  He’ll be on stage on Thursday, February 20 at 8:00pm. “Cleary embodies the heart and soul of the Crescent City, keeping the sound and the fury of its legendary piano pounders alive and kicking.”— No Depression

John Fullbright will be next in the Archetypes & Troubadours Series on Thursday, March 12 at 8:00pm. “In a short-­attention-­span world overloaded with sensory stimulation, there aren’t many artists who can stop you in your tracks with a single song.” —American Songwriter

The final 2019-2020 Americana Series entry is Mary Gauthier on Thursday, March 26 at 8:00pm.  “…[Mary Gauthier’s] Rifles and Rosary Beads, is not only one of the most arresting American singer-songwriter records in recent years, but one of the most vital pieces of art to come out of those two wars.” — Rolling Stone Country

Ranky Tanky closes out the 2019-2020 Archetypes & Troubadours Series on Thursday, April 16 at 8:00pm. “Ranky Tanky proved that exotic music can be both unfamiliar enough to be surprising, and yet familiar enough to provoke swinging hips and nodding heads. When it works, it’s the best of both worlds.” —Paste

The final Jazz Series concert is on Thursday, April 23 at 8:00pm. It features the Miguel Zenón Quartet. “This young musician and composer is at once reestablishing the artistic, cultural, and social tradition of jazz while creating an entirely new jazz language for the 21st century.” —MacArthur Foundation

Tonight at South on Main – the OXFORD AMERICAN presents UCA Jazz I Ensemble with soloist Dr. Patricia Poulter

An Evening with the UCA Jazz I EnsembleThe Oxford American magazine is excited to welcome the University of Central Arkansas Jazz I Ensemble to the South on Main stage, featuring soloist Dr. Patricia Poulter. This event is free and open to the public.

The Jazz I Ensemble is the top jazz ensemble at the University of Central Arkansas and it is directed by Dr. Gail Robertson – Assistant Professor of Tuba and Euphonium/Jazz.

This performance will feature vocalist Dr. Patricia S. Poulter, UCA’s new provost and executive vice president of Academic Affairs. Also joining Jazz I will be the band’s favorite Little Rock vocalist, Rychy St. Vincent.

Tonight – Oxford American welcomes Peter Bernstein, Larry Goldings & Bill Stewart Trio

Image result for PETER BERNSTEIN, LARRY GOLDINGS & BILL STEWART TRIOThe Oxford American welcomes the Peter Bernstein, Larry Goldings & Bill Stewart Trio to Little Rock! This is the fifth and final show in their 2018-19 Jazz Series. Doors open at 6:00 PM, with dinner and drinks available for purchase at that time.

The series is made possible in part by presenting sponsor UCA College of Fine Arts & Communication.

Additional season partners include Stella Boyle Smith Trust, Chris & Jo Harkins, J. Mark & Christy Davis, EVO Business Environments, Downtown Little Rock Partnership, Stacy Hamilton of Pulaski Heights Realty, Margaret Ferguson Pope, Arkansas Arts Council, Department of Arkansas Heritage, Mosaic Templars Cultural Center, Capital Hotel, Arkansas Symphony Orchestra, Rosen Music Company, and Steinway Piano Gallery of Little Rock.

Tickets are $30 (General Admission), $44 (Reserved), and $46 (Premium Reserved). Please take a look at this very important ticketing and seating information before purchasing your tickets (view reserved seating chart). Full season ticket pricing and options are also available in a consolidated format, here.


Guitarist Peter Bernstein, organist Larry Goldings, and drummer Bill Stewart make up one of the best organ jazz trios of the past two decades. The respect the musicians have for one another comes through in the subtle and intricate manner of their musical conversation on stage. Indeed, you can hear them listening to each other. Drawing mainly on jazz standards, and a few original pieces, they re-imagine the organ jazz trio in a quiet, sensual, and grooving presentation.

All members of the Young Lion jazz movement at the close of the 20th century, and now all firmly established jazz stars, this group has been together for twenty-five years, making multiple recordings that display their distinctive sound, whether exploring the depths of jazz standards, or playing their original compositions. Jazz enthusiasts recognize the trio for charting new ground with hard-swinging, yet thoughtful music. Peter’s warm, feather-light touch and fluid improvisation with Larry Goldings’s warm hum, alongside Bill Stewart’s polyrhythmic and melodic focus, create a vivid combination of synergistic playing. With the trio’s extensive use of the music’s dynamic possibilities, the passion and joy of this amazingly versatile instrumental lineup is there for all to hear.

 

2019 Governor’s Arts Award presented today

Governor Asa Hutchinson and the Arkansas Arkansas Council are presenting the 2019 Governor’s Arts Awards today in a lunchtime ceremony at the Arkansas Governor’s Mansion.

This year’s recipients are:

  • Arts Community Development Award-Steve Clark, Fort Smith
  • Arts in Education Award – The Center for Children and Youth, Fayetteville
  • Corporate Sponsorship of the Arts Award – Murphy USA, El Dorado
  • Folklife Award – Oxford American, Little Rock
  • Individual Artist Award – Marjorie Williams-Smith, Little Rock
  • Judges Recognition Award – Anthony Tidwell, Hot Springs
  • Patron Award – Jim and Joyce Faulkner, Little Rock
  • Lifetime Achievement Award – Billie Jo Starr, Fayetteville

In addition to videos highlighting each of the awardees and acceptance speeches, the program will feature remarks by Governor Hutchinson, Department of Arkansas Heritage Director Stacy Hurst and Arkansas Arts Council Director Patrick Ralston.

The recipients will each be presented with a custom made earthenware jar made by Springdale artist Gailen Hudson.

 

Tonight at South on Main the OXFORD AMERICAN presents Bonerama

The Oxford American’s Concert Series continues Thursday, March 7, with Bonerama. Doors open at 6:00 PM, and the show begins at 8:00 PM. This is the third show in the 2018-19 Archetypes & Troubadours Series, which is made possible in part by presenting sponsors Chris & Jo Harkins and J. Mark & Christy Davis.

Four years since their last recording, New Orleans Brass & RollersBonerama returns with their seventh album Hot Like Fire, their first title to be released by Basin Street Records.

Formed in New Orleans in 1998, by trombone players Mark Mullins and Craig Klein (who, from 1990-2006, were also members of Harry Connick Jr.’s big band), Bonerama bills itself as a brass/funk/rock band, but Bonerama is much more than that. They are a New Orleans musical institution—one of the most genuine, unique, and interesting bands ever to have come out of the Crescent City. Bonerama incorporates jazz, brass, funk, fusion, soul, pop, rock, blues, a touch of alternative, and even a bit of reggae into its one-of-a-kind sound. Three trombones front the band, supported by a sousaphone, guitar, and drums, all delivering a powerful sound that you have to hear to believe.

Known the world over for their incendiary live performances, Bonerama has been bringing its specialized brand of New Orleans music to the masses for over twenty years. The group is currently comprised of Mullins (trombone, electric trombone, and lead vocals), Klein (trombone and lead vocals), Greg Hicks (trombone and vocals), Bert Cotton (guitar), Matt Perrine (sousaphone and electric bass), and Walt Lundy (drums).

Hot Like Fire finds Bonerama developing its dynamic, high-energy, fun, happy, and bold moods further than ever before. The New Orleans stalwarts deliver nine wonderfully brassy musical landscapes—seven of which are original compositions (including the concert staple “Mr. Okra”), along with powerful covers of Radiohead’s “Paranoid Android” and the late Allen Toussaint’s “Basic Lady.” The album was produced by Mark Mullins, Craig Klein, and Tracey Freeman, and it was recorded at Music Shed Recording Studios in New Orleans.

NO TEARS SUITE, commissioned by OXFORD AMERICAN performed today at Little Rock Central High School

In September 2017, Oxford American premiered a 60-minute jazz composition entitled No Tears Suite, written by Little Rock jazz pianist Chris Parker and vocalist Kelley Hurt. The duo created the work in honor of unity on the 60th anniversary of the Little Rock Central High School desegregation crisis.

In this reprisal, Parker and Hurt will again be joined by five exceptional jazz artists, including GRAMMY-winning jazz drummer Brian Blade, who played in the original 2017 ensemble, in addition to fifteen members of the Arkansas Symphony Orchestra who will premiere the new, expanded symphonic arrangements of the No Tears Suite written by GRAMMY-nominated arranger, composer and bassist Rufus Reid.

This FREE performance starts at 3pm in the Roosevelt Thompson Auditorium at Little Rock Central High School.  Tickets may be reserved here.

The artists include:
Geoffrey Robson, conductor
Kelly Hurt, vocalist
Chris Parker, piano/composer
Rufus Reid, bass/arranger
Brian Blade, drums
Bobby LaVell, tenor saxophone
Marc Franklin, trumpet
Chad Fowler, alto and baritone saxophones