Nickolas Muray, American (Szeged, Hungary, 1892 – 1965, New York, New York), Frida Kahlo on White Bench, New York (2nd Edition), 1939, color carbon print, 19 x 14 ½ inches. Courtesy of Throckmorton Fine Art, New York, New York.

DePaul Art Museum Director Julie Rodrigues Widholm will examine Kahlo’s continued relevance to international artists who address the performance of gender, issues of national identity, the political body, among other themes. Frida Kahlo is one of the most famous artists in the world.

The program begins at 6pm tonight (March 14) in the Lecture Hall at the Arkansas Arts Center.

Her reputation and persona have grown immensely since her death in 1954, yet posthumously she has been turned into a stereotype of Latin American art. This predicament, along with her celebrity status, often overshadows the confrontational and boldly transgressive nature of her paintings, and ultimately undermines the revolutionary intent of her work.

At the time it was made, Kahlo’s unabashedly intimate portrayal of her physical and psychological experiences and her appropriation of Mexican folk art aesthetics challenged the bourgeois European mainstream. Her work subverted accepted notions of gender, sexuality, social class, and ethnicity, and was prophetic in anticipating the broader cultural concerns—postcolonialism, feminism, civil rights, multiculturalism, and globalization—that reached a crescendo in the 1960s and continue to be relevant today.

Following the lecture, guests are invited to view the galleries, shop in the Museum Shop or enjoy dinner at Watercolor in the Park.

Seating is limited. Tickets are required. Call 501-372-4000 for tickets.