Each year the Mosaic Templars Cultural Center hosts a free community Juneteenth festival as a celebration of African American freedom and achievement. This year’s event takes place today from 12 noon until 6pm.
Juneteenth is the oldest national commemoration of its kind, dating back to 1865.
Among the musicians scheduled to perform at this year’s free Juneteenth celebration are GRAMMY-nominated recording artist Shanice, Sir the Baptist and special host Larry Dodson of the Bar Kays.
The event will be emceed and co-hosted by Keef Glason of Power 92 FM. Local performers will include 2017 Arkansas Times Musicians Showcase winner Dazz & Brie, ZaeHD, Chris James and Ron Mac, Big Piph and Tomorrow Maybe, Big John Miller Band, Gold and Glitz, Dunbar Middle School Choir and Mabelvale Drum Line.
In addition, other activities will be happening throughout the day, including vendors, food trucks, living history characters and film screenings. A screening of the documentary “Dreamland” will air at 1 p.m. and “Soul Food Junkies” will air at 3 p.m.
A kids zone will feature face painting, a video game truck, laser tag, rock climbing wall, water tinkering station and more!
Visitors are also invited to learn more about Arkansas history through the African American lens while exploring MTCC’s exhibits, including the new display, “Don’t Touch My Crown,” which opened June 14 and examines the role of hair in how African Americans define themselves and are defined by others, from the late 19th century to the present.
Seating at the performance stage is limited; attendees are invited to bring their own chairs and blankets.
MTCC is located at 501 W. Ninth St, Little Rock, AR 72201. For more information, please call (501) 683-3593 or email firstname.lastname@example.org.
MTCC is an agency of the Department of Arkansas Heritage.
For the second year in a row, the Old State House Museum has had an exhibit of gowns worn by winners of the Miss Arkansas title.
While many of the gowns are those worn on the night the winner was crowned, among the collection is a gown worn by Helen Gennings, Miss Arkansas 1968. After her win, Helen went with other pageant winners from across the country to entertain troops in Vietnam. The gown has dirt on the sleeve and hem from Vietnam. As a tribute to the troops, Helen refused to have the dress cleaned.
You can see this and other gowns at the Old State House today from 9am until 5pm.
The Old State House Museum is an agency of the Department of Arkansas Heritage.
On June 12, 1929, Anne Frank was born in Frankfurt, Germany. Through her diary, she has inspired generations with her courage as her family was in hiding from the Nazis. During the two years she and her family were in seclusion, she looked out and saw a white horse chestnut tree from her window.
In 2009, the Anne Frank Center USA announced an initiative to place saplings from the tree at various locations throughout the United States. Little Rock became the only city to receive two saplings. One to be placed at Central High School, the other to be placed at the Clinton Presidential Center.
The Clinton Foundation and the Sisterhood of Congregation B’nai Israel, in conjunction with the Anne Frank Center USA, joined together to create a powerful exhibit, The Anne Frank Tree, located on the grounds of the Clinton Presidential Park. The permanent installation, which surrounds the Anne Frank Tree sapling, was dedicated on October 2, 2015.
Anne’s tree would outlive her by more than 50 years before being weakened by disease and succumbing to a windstorm in 2010. But today, thanks to dozens of saplings propagated in the months before its death, Anne’s tree lives on in cities and towns around the world.
The Anne Frank Tree installation at the Clinton Center consists of five framed, etched glass panels – arranged to evoke the feeling of being inside a room – surrounded by complementary natural landscaping. The two front panels feature quotes from Anne Frank and President Clinton. The three additional panels convey the complex history of human rights in Arkansas through descriptions of the Indian Removal Act of 1830, the internment of Japanese Americans during World War II, and the Little Rock Central High School desegregation crisis of 1957. These panels feature quotes from Chief Heckaton, hereditary chief of the Quapaw during Arkansas’s Indian Removal; George Takei, Japanese-American actor who was interned at the Rohwer Relocation Center in Desha County, Arkansas, in 1942; and Melba Pattillo Beals, of the Little Rock Nine.
In collaboration with the Clinton Foundation, Little Rock landscape architect Cinde Bauer and Ralph Appelbaum Associates, exhibit designer for both the Center and The National Holocaust Museum, assisted in the design of the exhibit. The installation has been made possible thanks to the support of the Ben J. Altheimer Charitable Foundation, TRG Foundation, and other generous partners.
Guests can gain access to over 20 artist studios and cultural institutions that will open their doors and give you a firsthand look at their creative process. The lineup of studios visits includes artists working in the visual and performing arts, plus cultural institutions that will open their respective studios for guided tours and demonstrations.
The public can participate in FREE, self-guided tours of art-related studios, live-in/work studios and homes, galleries, schools, and other creative spaces. (Please note, some of the participating cultural institutions may have admission fees for specific exhibits.)
Referred to as a city-wide exhibition, Open Studios gives you unparalleled access to artists living and working in Little Rock. Studio visits are free and open to the public.
Artists who are unable to welcome the public into their studios will showcase their work at the Alternative Space hosted at the Bobby L. Roberts Library of Arkansas History and Art at 401 President Clinton Ave. A welcome station will also be set up there with maps of all the participating artists and information on them.
During Open Studios, the colorful “Open Studio” signs will alert you to Open Studio spaces.
Co-Op Art – 7509 Cantrell Rd (back side)
Creative Art Studio – 7509 Cantrell Rd (back side)
Jennifer Cox Coleman Fine Art – 2207 Hidden Valley Dr., Suite 203
Amanda Heinbockel – 1701 Louisiana St, Apt 2
The Little Rock Violin Shop – 316 E. 11th St.
McCafferty Academy of Irish Dance – 6805 W 12th Street, Suite D
Daniella Napolitano – 916 Scott St, Apt A
Jenn Perren Studio – 1701 Louisiana St, Apt 4
Catherine Rodgers Contemporary Art – 2207 Hidden Valley Dr., Suite 202
An arts organization in financial crisis.
Summer education programming for students
Staff laid off
A challenge grant from donors
A community fundraising drive
In January 1968, the Arkansas Arts Center made the decision to cease operating a degree-granting education program effective May 31 of that year. Sixteen faculty members lost their jobs, though a couple were retained for other positions within the organization.
After opening in May 1963 and beginning the degree-granting program in September 1964, the Arkansas Arts Center found itself operating at a deficit each year. While Jeannette and Winthrop Rockefeller made up the deficits, it was not a sustainable model. (Mrs. Rockefeller had been the president of the AAC board for several years after she and her husband played leadership roles in the statewide fundraising efforts to establish the AAC.)
Though the degree-granting programs were bringing national recognition to the AAC, they had essentially taken over the entire facility. The theatre was rarely available for children’s programming or community groups. The galleries were given over largely to the displaying the works of the students and faculty. What had been envisioned as a facility melding world-class arts with community arts, was not functioning that way.
As such, the statewide membership program was suffering. Without the creation of programming in Little Rock, it was difficult to take any substantial arts offerings out to the membership clusters throughout the state. This resulted in the decline of memberships being purchased.
Following the announcement of the cessation of the degree-granting program, the AAC Board sought ways to more fully engage the public. Part of this was due to the fact that the Arts Center had a deficit of $295,216 (the equivalent of $2.15 million today). The only profitable part of the AAC operation was the gift shop. With that level of deficit, the permanent closure of the AAC was certainly a possibility on people’s minds.
A committee studying the future of the AAC decided to focus on five (5) areas. (And of course, AAC founding mother Jeane Hamilton was part of this effort.) The areas were Education (community classes for children and adults), Exhibits (a return to a mix of permanent and traveling exhibitions), Theatre (partnerships with Community Theatre of Little Rock and the creation of children and teen theatre productions), State Services (refocusing the Artmobile to include educational instruction), and Membership. This would result in a net budget of $260,000.
In April 1968, a fund drive was announced led by former Little Rock Mayor Byron Morse. The goal was $130,000, to be matched dollar-for-dollar by the Rockefellers. As of May of that year, it had raised $108,731.
There are many parallels between the AAC in 1968 and the Arkansas Repertory Theatre’s current predicament. While the causes of the financial woes may be different, the cures are very much the same.
Then, as now, the citizens of Little Rock and Arkansas had to step up and financially support an arts organization in financial crisis. Whereas the Rockefellers were matching gifts in 1968, the Windgate Foundation is matching gifts now. Just as the Arts Center renewed its focus on the community and redefined the way it did business, the Rep is now facing these same processes and predicaments.
What the future Rep will look like in terms of numbers and types of productions remains to be seen. But the core leadership team is touting a mantra of Professional, Affordable, and Sustainable. All of these are laudable. All are attainable. But all will require continued community commitment year in and year out.
An interesting side note: a key Arts Center Board member in 1968 was William Rector, the father of longtime Rep Board member Bill Rector who is currently part of the interim leadership team at the Rep. Let’s hope Bill has the same success in his endeavor as his father did.
Starting at 9:00 p.m. on May 18, 1963, the Beaux Arts Ball capped off the opening weekend festivities for the Arkansas Arts Center.
Chaired by Jeane Hamilton and Jean Gordon (both of whom are still going strong 55 years later!), the Beaux Arts Ball featured the music of Henry King and his Orchestra as well as a performance by jazz legend Dave Brubeck and his Quartet. King played on the dance floor while Brubeck gave concerts in the theatre at 9:00 p.m., 10:15 p.m., and 11:30 p.m.
Special guests for this black tie event included Oscar winner Joan Fontaine, cartoonist Charles Addams (creator of The Addams Family), and James Rorimer of the Metropolitan Museum of Art.
The event concluded at 1:00 a.m. as exhausted and exhilarated guests made their way home.
On Saturday, May 18, 1963, amidst fanfare and fans of the arts, the Arkansas Arts Center officially opened its doors. (This was thirty-five years and three days after the Fine Arts Club had opened the first permanent art gallery in Arkansas in the Pulaski County Courthouse).
The 11:00 am dedication ceremonies on took place in the Arts Center Theatre and featured U.S. Senator J. William Fulbright (who was in the midst of championing what would soon be known as the John F. Kennedy Center for the Performing Arts), Congressman Wilbur Mills, Governor Orval Faubus, Little Rock Mayor Byron Morse, Winthrop Rockefeller and Jeanette Rockefeller.
The dedication ceremony was chaired by Jane McGehee, now known as Jane McGehee Wilson. Earlier this month she was honored at the Arkansas Arts Center with an outstanding patron award in recognition of her work supporting the Arkansas Arts Center for close to six decades. More information on her work for the AAC can be found here.
Among the exhibits at the Arkansas Arts Center for the grand opening was a special exhibit from the Metropolitan Museum of Art in New York entitled Five Centuries of European Painting. In Little Rock for six months, this exhibit featured works by El Greco, Titian, Claude Monet, Odilon Redon, Pierre Renoir, Paul Signac, Edgar Degas, and Paul Gauguin among many others and spanned from the fifteenth century Early Renaissance era to the nineteenth century.
Prior to the opening, a profile on the Arts Center in The Christian Science Monitor touted the building as one of the first regional arts centers in the country to be completed. Benefiting from national ties of the Rockefeller family, the events in May 1963, set a high standard for the institution, and for other regional art museums.