Little Rock Culture Vulture

Cultural events, places and people in the Little Rock area


Open Studios Little Rock today

oslr_logo_goldred_ac-lineThe City of Little Rock Arts+Culture Commission is thrilled to announce its first-ever Open Studios Little Rock.

From 10 a.m. to 5 p.m. on Saturday, June 10, gain exclusive access to 30 artist studios and cultural institutions that will open their doors and give you a firsthand look at their creative process. The lineup of studios visits includes artists working in the visual and performing arts, plus cultural institutions that will open their respective studios for guided tours and demonstrations.

Referred to as a city-wide exhibition, Open Studios gives you unparalleled access to artists living and working in Little Rock. Studio visits are free and open to the public.
To plan your Open Studio visits:

  • Download the Open Studios map (click here)
  • Visit the Open Studios Welcome Booth in the Creative Corridor the day of the event. Complimentary coffee and doughnuts will be provided, plus the opportunity to tour two participating studios – Matt McCleod Fine Art and Arkansas Repertory Theatre’s Education Annex. The Welcome Booth will be located in front of Matt McLeod Fine Art, 108 West 6th Street, 72201.

Artists who are unable to welcome the public into their studios will showcase their work at the Alternative Space hosted at the West Central Community Center, 8616 Colonel Glenn Road, 72204.

During Open Studios, the colorful “Open Studio” signs will alert you to Open Studio spaces.

SALES

Sales are handled by each artist and we do not take a percentage. You may sell prints, other artistic projects and commission customized work for the future. It is suggested that you are equipped to accept credit cards.

Participating Artists (as of 5.15.2017)

  • Adrian Quintanar Pottery
  • Catherine Rodgers Contemporary Art
  • Co-Op Art
  • Elizabeth Weber
  • Felice Farrell
  • Gary Cawood
  • Glenda McCune
  • Ike Garlington
  • Jeff Horton
  • Jennifer Cox Coleman
  • Jennifer Perren
  • Jerry Phillips’ Studio
  • Jimmy Parks
  • Linda Ferstl Watercolors
  • Little Rock Violin Shop
  • Marisa Cook
  • Maritza and Terry Bean Artists
  • Mary Pat Tate
  • Matt McLeod Fine Art
  • MichaelWardArt
  • Michael Warrick
  • New Deal Studios and Gallery, featuring the work of Jeff Waddle
  • Ruth Pasquine
  • Sandy Furrer, Certified Scottish Country Dance Teacher
  • Sandra Sell

Participating Cultural Institutions:

  • Arkansas Arts Center
  • Arkansas Repertory Theatre’s Education Annex
  • Mosaic Templars Cultural Center featuring the work of Nina Robinson


Little Rock Look Back: J. V. Satterfield Jr.

SatterfieldOn May 14, 1902, future Little Rock Mayor John Vines Satterfield, Jr. was born in Marion.   He grew up in Little Rock and Earle. J.V. was a star quarterback for the Earle football team and is featured in a painting of that team by respected painter Carroll Cloar.

Following high school, J.V. taught (including, much to his family’s amusement, a course in penmanship) and coached and sold Fords.  He then moved to Little Rock and sold insurance and later securities.  In 1931 he opened his own business; that same year he built a house at 40 Beverly Place in Little Rock, which would serve as his home until his death.

J. V. Satterfield was elected to serve as Mayor of Little Rock in 1939 and served one term, until 1941.  He was credited with saving the City from bankruptcy because of his fiscal policies. Among his efficiencies were the creation of a central purchasing office and using grass moved from the airport to feed the Zoo animals.  Though as a private citizen he had voted against the creation of a municipal auditorium in 1937, Mayor Satterfield fought valiantly to ensure that Robinson Auditorium opened to the public once he took office.  Shortly after he became Mayor, it was discovered that there were not sufficient funds to finish the construction. After the federal government refused to put in more money, he was able to negotiate with some of the contractors to arrange for the building to be completed. He also oversaw a successful special election to raise the money to finish the project.

Satterfield was a staunch supporter of the airport and worked to expand it.  He would serve as the chair of the first Municipal Airport Commission.  He also established the Little Rock Housing Authority (on which he would later serve on the board).  Mayor Satterfield also served as President of the Arkansas Municipal League in 1941.

Following the outbreak of World War II, Satterfield enlisted in the Army and was given the rank of a Major. He later was promoted to a Colonel and worked in the Pentagon during its early days.

In the late 1940s Satterfield became president of a small Little Rock bank called People’s Bank.  The bank changed its named to First National Bank when it moved into new offices at 3rd and Louisiana in 1953.  By focusing on smaller customers and courting corporate customers, Satterfield grew the bank into one of the state’s largest banks.  He maintained his desk in the lobby of the bank so he could interact with the customers and ensure they were having a positive experience.

Due to chronic health issues, Satterfield retired from the bank in 1964. He died in March 1966.


Little Rock Look Back: Museum of Fine Arts Established

On May 6, 1935, the Little Rock City Council formally established the Museum of Fine Arts by Ordinance 5235.  The ordinance was sponsored by Alderman Henry G. Leiser.

The ordinance authorized the construction of the museum in City Park.  The money for the construction was all privately raised. Once the building was completed, it would become the property of the City.

The ordinance also created the museum’s board. The original members were named by the ordinance.  They were: Fred W. Allsopp (appointed as a life member), Mrs. Frederick Hanger, Mrs. F.B.T. Hollenberg, George B. Rose, Mrs. C.M. Taylor, Mrs. Frank Tillar, and Dr. Frank Vinsonhaler. In addition, the Mayor and President of the Fine Arts Club were ex-officio members.

The building would start construction in 1936. The groundbreaking was in January 1936, and the cornerstone was laid in October 1936. The Museum of Fine Arts opened in October 1937.


Arkansas Gives today from 8am to 8pm

If you are like me, you’ve been receiving notifications about Arkansas Gives Day for months.  Well, today is the day!  From 8am until 8pm, you can help grow the love for Arkansas’s nonprofit organizations by making a donation to the charity of your choice.  The event is sponsored by the Arkansas Community Foundation.

As a special incentive to give, each gift made through ArkansasGives on April 6, 2017, will be matched with additional bonus dollars; the more you give, the more bonus dollars your favorite charity will receive.

Nonprofit organizations and other tax-exempt charitable organizations may participate if they:

  • Are headquartered in Arkansas or have a base of operations in Arkansas.
  • Have 501(c)(3) tax exempt status under IRS code AND are qualified as a 509(a)(1), (a)(2) or (a)(3) organization or as a private operating foundation.

The minimum amount is $25; there is no maximum amount you may give. You may designate up to 10 charities per transaction.

Accepted Forms of Payment: Visa, MasterCard, Discover and American Express credit cards online.
You will receive an email receipt of your gift; please retain it for tax purposes. Unless you choose to remain anonymous, your donor information will be sent to the nonprofits to which you give.

Here is a list of cultural organizations which offer services within the boundaries of the City of Little Rock.

 

There are MANY MANY MANY other worthy nonprofits which are participating. But since this is a culture blog, only the cultural institutions are listed.  But please consider visiting the website and perusing the entire list.


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Women’s History Month – Bernie Babcock

Julia Burnelle “Bernie” Smade Babcock was an author and museum founder.  When her husband died, leaving her with five children, she starting writing for money. She published several temperance novels and later wrote for the Arkansas Democrat.  She also published a magazine, wrote plays which were performed in New York, and authored a poetry anthology.  She later became recognized as an expert on Abraham Lincoln and wrote several books about him, as well as other historical figures.  For her writing skills, she became the first Arkansas woman to be included in Who’s Who in America.

In 1927, after professional curmudgeon H. L. Mencken wrote derisively of Arkansas, she decided to start a museum. The Museum of Natural History and Antiquities was first located in a Main Street storefront.  In 1929, she “gave the City of Little Rock a Christmas present” by giving the museum to the city.  It was relocated to the unfinished third floor of City Hall, with her as its employee. After being closed during part of the Great Depression, she relocated the museum to the Arsenal Building and reopened it as the Museum of Natural History.  She was involved in the efforts to rename City Park in honor of Douglas MacArthur (who had been born there) and welcomed him when he came to Little Rock in 1952.

Following her retirement in 1953, she moved to Petit Jean Mountain where she wrote and painted.

After more name changes and a relocation, her museum is now known as the Museum of Discovery and is an anchor in the River Market district.


Women’s History Month – Louise Loughborough, first female Little Rock Planning Commissioner

louise_loughborough_fLouise Loughborough was the first woman to serve on the Little Rock Planning Commission.  Not only was the she first woman to serve on this body, she was the first to serve on any City commission other than the Board of Censors or Library Board.  Born Louisa Watkins Wright in Little Rock 1881, her ancestors included many early Arkansas leaders including Little Rock Mayor David Fulton.

In 1935, Loughborough was appointed to the Little Rock Planning Commission, and it was in this role that she first heard about the plan to condemn the half-block of houses that she had grown up admiring on Cumberland and East Third streets. Although the neighborhood had fallen on hard times, becoming a red-light district and slum, Loughborough feared the loss of several historic structures, including the Hinderliter House, the oldest building in Little Rock and thought to be Arkansas’s last territorial capitol. She mobilized a group of civic leaders to save these buildings. She enlisted the aid of prominent architect Max Mayer and coined the term “town of three capitols” to try to capture the imagination of potential supporters, grouping the “Territorial Capitol” with the Old State House and the State Capitol.

The Arkansas Territorial Restoration opened on July 19, 1941. The project was the first Arkansas agency committed to both the restoration of structures and the interpretation of their history, and it served as a model and inspiration for historic preservation in the state. Around the same time, she was a moving force behind the creation of a museum at the Old State House as well.  Today both Historic Arkansas Museum (as the Territorial Restoration is now known) and the Old State House Museum are agencies of the Department of Arkansas Heritage.

As founding Chairman of the Arkansas Territorial Restoration Commission, Louise Loughborough provided daily direction for the museum house complex through the first twenty years of its existence. She died in Little Rock on December 10, 1962 and was buried at Mount Holly Cemetery.


Congratulations to the Arkansas Arts Center on being re-accredited by the American Alliance of Museums

arkartsThe Arkansas Arts Center (AAC), the state’s leader in international, visual and performing arts, has again achieved accreditation by the American Alliance of Museums, the highest national recognition afforded the nation’s museums.

“Accredited museums are a community of institutions that have chosen to hold themselves publicly accountable to excellence,” said Laura L. Lott, Alliance president and CEO. “Accreditation is clearly a significant achievement, of which both the institutions and the communities they serve can be extremely proud.”

Alliance Accreditation brings national recognition to a museum for its commitment to excellence, accountability, high professional standards and continued institutional improvement. Developed and sustained by museum professionals for over 45 years, the Alliance’s museum accreditation program is the field’s primary vehicle for quality assurance, self-regulation and public accountability. It strengthens the museum profession by promoting practices that enable leaders to make informed decisions, allocate resources wisely, and remain financially and ethically accountable in order to provide the best possible service to the public.

“Earning accreditation is a milestone for any institution,” said Todd Herman, Executive Director at the AAC. “It’s a very detailed and in-depth process. I am proud of our entire staff and teams whose hard work led us to achieving reaccreditation.”

All museums must undergo a reaccreditation review at least every 10 years to maintain accredited status. Of the nation’s estimated 35,000 museums, more than 1000 are currently accredited. The AAC is one of only five accredited museums in Arkansas. Accreditation signifies excellence to the museum community, to governments, funders, outside agencies, and to the museum-going public.

Accreditation is a very rigorous process that examines all aspects of a museum’s operations. To earn accreditation, a museum first must conduct a year of self-study, and then undergo a site visit by a team of peer reviewers. AAM’s Accreditation Commission, an independent and autonomous body of museum professionals, considers the self-study and visiting committee report to determine whether a museum should receive accreditation.

“We commend the Arts Center for expanding its outreach locally and statewide; this has clearly led to widespread community support and acclaim,” said Burt Logan, chair of the AAM Accreditation Commission and Executive Director and CEO of the Ohio History Commission. “Your accomplishments in fundraising, aligning resources and strengthening your relationship with the City of Little Rock demonstrate the Art Center’s leadership and positive impact on those it serves.”

The peer reviewers reported that management and storage of the AAC permanent collection was impeccable, and the significant gift of 290 drawings and watercolors by the American Modernist John Marin clearly demonstrated the institutional strength of the AAC and will serve as a further catalyst for a planned expansion. The gift makes the AAC the second largest holder of Marin works in the world.

The peer reviewers also found the AAC’s educational outreach programs to be impressive, with many constituents’ initial contact with the AAC through its award-winning Children’s Theatre, the Museum School or statewide travelling education programs, including traveling theatre and the Artmobile. These outreach programs see more than 300,000 visitors per year on average. Combined with the AAC’s more than 300,000 onsite visitors, and the result is an impressive annual attendance of more than 600,000. The peer reviewers stated that for an institution of this size, staffing and level of funding, these statistics were exemplary.

The AAM Accreditation Commission found that with the AAC Foundation’s impressive support, the consistent giving of the AAC Board of Trustees, the growing generosity of the City of Little Rock, and the expression of support recently made by the voters of Little Rock, the AAC appears poised to take the next important step in its institutional life.

“They also have put the museum back on solid footing with its peer institutions, and turned the AAC into a catalyst for community pride and economic redevelopment in downtown Little Rock. It is an impressive turnaround.”