The film screened on Monday in Cannes. Oscar buzz has already started for the film, Nichols and his performers.
Here is what some of the critics had to say:
Vox says that the film’s: “subdued tone delivers a wealth of emotions in the film’s final minutes.” It also declares “Loving is a period piece that feels eerily relevant today.”
“In an impressive body of work accumulated over the past 10 years, Jeff Nichols has emerged as a skilled filmmaker who relishes in the poetry of Southern life. It was only a matter of time of time before he explored its history. With “Loving,” the director moves from the combination of otherworldly lyricism and genre storytelling in “Take Shelter,” “Mud” and “Midnight Special” toward more conventional drama — namely, the backstory of Loving v. Virginia, the 1967 Civil Rights case that overturned laws against interracial marriage. — by exploring the intimate details behind its legacy.”
And also credits “Nichols’ elegant screenplay, which pares down the events so that the emphasis is taken off the legal proceedings and avoids any overdone speechifying.”
Variety calls the movie “a film of utmost sensitivity” and declares, “Though it will inevitably factor heavily in year-end Oscar conversations, Nichols’ film is seemingly less interested in its own glory than in representing what’s right.”
The Hollywood Reporter opines: “writer-director Jeff Nichols takes an appealingly low-key approach to an important American civil rights story in Loving.” It also praises his “way of underplaying racism, even as he firmly notes its constant presence in daily life and makes it the overriding subject of his film, is refreshing as well as rare in the realm of socially conscious cinema,indicating a respect for his audience’s intelligence and a desire not to hit viewers over the head.”
THR concludes its review by stating “Nichols has delivered a timely drama that, unlike most films of its type, doesn’t want to clobber you with its importance. It just tells its story in a modest, even discreet way that well suits the nature of its principal characters.”
The Daily Beast notes “An anguished, but low-key, meditation on race—American’s ongoing obsession—Loving is the most high-minded sort of Oscar bait.”
In The Telegraph, Robbie Collins declares that Nichols “calmly dodges every expectation you have for the genre. Loving is short on grandstanding and hindsight, long on tenderness and honour, and sticks carefully to the historical record.” He also says that, “The film’s determination not to overcook any single scene means the tears it eventually draws feel honestly come by.”
While Cannes tries to focus on art and not awards or commercialism, the positive early reviews for Loving, coupled with Focus Features’ November release date, should poise the film for awards season in late 2016 and early 2017. More importantly, this will continue to raise the profile of Jeff Nichols, who continues to make Little Rock proud.