For Poetry Month – Epilogue

Since April is Poetry Month, here is a poem written by the Culture Vulture.  It was inspired by visits to the Old State House Museum and Women’s City Club buildings before they were renovated.

Epilogue

scratched oak floors
plaster peeling off of the walls
banisters smoothed by time’s sandpaper
the chandelier–Arachne’s loom
dank, dusty, musty odors permeate from
the drapes hanging
like Babylon’s gardens
the ballroom is lifeless.

But, stop and listen

Laughter
Strains of music
The rustle of taffeta and satin as
Women practice Terpsichore’s art
Whirling and swirling around with
Men in white tie and tails.
The clinking of glasses
To toast triumphs…and future hopes.

All of these are as much a part of the room as

scratched oak floors
plaster peeling off of the walls
banisters smoothed by time’s sandpaper….

Poetry Month: John Gould Fletcher & “In Mount Holly”

John_Gould_Fletcher poetThe Pulitzer Prizes will be announced tomorrow.  Arkansas poet John Gould Fletcher became the first Arkansan to win a Pulitzer and the first Southern poet to win the Pulitzer for Poetry.

The scion of a leading family of Little Rock, Fletcher was most known for his association with the Imagism movement in poetry.

Below is his 1929 poem “In Mount Holly.”  This cemetery is the final resting place of many members of his family. Fletcher and his wife Charlie May Simon (an award winning children’s author) are buried next to his parents in Mount Holly.

Supporters of Mount Holly will gather next Sunday (April 26) for the Rest in Perpetuity picnic in the cemetery.  It is a fundraiser sponsored by the Mount Holly Cemetery Association.

 

Mount Holly grey“In Mount Holly”

Here beyond hope is all that death shall hold of me,
This brown Arkansas hillside, dreaming through depth of mid-winter, alone in the southland;
Under the dove-grey low-swung cloud come up from the Gulf to scatter
Its benediction of deep rain, endlessly flashing and pouring;
Here, in the drift of the years,
From the seas I have crossed, and the lands I have known, and the struggles
I have faced with the steady river of time marching on through my vitals,
I have come back to this point of repose, to these stones side by side in the grass,
Turning as the earth turns against far Orion’s fierce whirlwind of stars.

They greet me unseeing, these graves,
Mute symbols of life accomplished, made noiselessly perfect,
Quieted by the cold hands of death that suddenly seize on the body
In an hour unexpected, as a thief in the night, running free with the tale of man’s days;
Yet not to be loosed from the soil till the sphere splits its core and is shattered
Like a ripe seed pod crammed full with thick seed of expectancies, memories, and failures;
Their dumb thought trails on in the soil while I in the high world above them
Lift up thin eager hands to the sky and cry to the sun’s dying splendor.

Here beyond hope is all that death shall take of me,
The blood that is mine, and yet theirs, the tower, the base and the framework;
The building not reared by man’s hands, but shaped in the night and the silence,
The framework of the body fashioned as theirs, for the blood through the generations
Repeats the same tale of Eden lost and Paradise darkly forgotten:
When the stars hang low in the sky and two souls become as one body
Straining past hope and despair to a timeless consummation,
Which is as the wedding-song of God mating the stars without number.
Here does the last life wait,
Crouched in its stronghold of bone behind the slow-vanishing sinew,
A spark without issue, a last ache of lust, a slow tide merging and dying
Into the running of quick hidden sap and the thin dumb flame of the grass.

Out of what chasms of fire,
Out of what lavalike torrents life sprung at the outset neither I nor these graves can remember;
They have become turf-covered dumb mouths opening below to the waters under the earth,
Which burst forth but once in the flood, and since then have ever been silent.
Into what dark seas we flow
I know not at all—I remember
Only the sunlight that lays a soft pencil of shadow to sleep on the grass;
The tramp of the black-clad pallbearers, the words spoken or sung, the lowering of the coffin to earth.

Here beyond hope, beyond dreams,
Under this soft and lazy sky dreaming in depth of midwinter,
Where the sweetgum casts to the earth its brown prickly balls, where the holly
Flashes its scarlet clusters, where the feathery pine sways its thin needles,
Where the red haw blazes with berries threaded bright on long outspraying stems,
Where the conelike fount of the magnolia spreads downwards a billion of star-rayed leaves,
Where the acorn lies split on the stone, its yellow sustenance wasted:
Here was I fashioned and made
By those who now sleep in the earth at my feet, as they by others forgotten.
Their speech was my speech, their dream was my dream, it was given
Beyond the cloud’s arbitrament of rain to create, or the slow earth’s power to destroy.
And I pause ere I go,
And stretch out my hands to these worn stones, smoothing them over and over,
Repeating their names which no one but I now remembers,
Praying that they may somehow bless me;
These who have given me life and so many dreams
On this brown Arkansas hillside, quiet in depth of midwinter:
Out of this army of graves facing eastward I single out but these two stones,
I wailingly beseech them
With the tears of the spirit torn against life and its days,
In this place where so many tears have been shed and mortal lives brought to the awe
Of the open portals of death, beyond hope, beyond dreams;
I kneel and weep as a man weeps,
I cry out loud as a man cries,
Let that which is mine and yet yours, this memory transient, this passion,
Marked by the cross of Christ on those stones, marked in my heart by time’s ebbing,
Be with me now forever wherever I go.

Poetry Month: Peggy Vining and “Arkansas, The Natural State”

pviningPeggy Vining is Arkansas’s Poet Laureate.  She was appointed to this position in 2003 by Gov. Mike Huckabee.

Since 1963, Vining has been a member of Poet’s Roundtable of Arkansas (PRA) which is associated with the National Federation of State Poetry Societies.  She attributes her writing success to the “wonderful poets of PRA that mentored, encouraged and inspired me to keep writing”.  Vining has served as state PRA President for three separate terms.  She has been director of the Ozark Creative Writers Conference, the Arkansas Writers Conference and still serves on the official Board of each.  She has also served as state President of Arkansas Penwomen and Arkansas Songwriters Association and is a member of Fiction Writers of Central Arkansas.  Her bio is listed in Who’s Who of Editors, Writers and Poets and several other such books and anthologies.  She is presently compiling a collection of her published works entitled “Tethered to the Moment”.

Loved and appreciated for her artistic abilities and her work with children, Vining has nurtured over 6000 pre-schoolers during her teaching career.  For twenty one years, she was Instructor and Director of the UALR Children’s Center having earned a Masters Degree in Early Childhood Education.  She has also worked with children’s groups at her church for many years.

Married for over 60 years, Vining cherishes her family; She is a mother, grandmother and great-grandmother. other of five (four daughters and one son)and grandmother of eleven and Greatgrandmother of eight. Vining is also active in many other community organizations.  A twenty-seven year cancer survivor, she was honored with a “Point of Light Award” from President Bush for her volunteer work with CARTI.

Arkansas, The Natural State

I stood today on top of Petit Jean
And felt a kindredship to all I found,
And I, intrigued by such a lovely scene,
Was grateful for the beauties that abound.
The spirit of a mountain miss was host,
Her phantom figure hovered, light as wind,
And I became enchanted by her ghost,
As we stood on the ledge at river’s bend.
I asked her of her legend and its truth;
Of how she stowed away to sail from France,
Of how she cropped her hair; became uncouth,
To give her love and lover one more chance.
            “It is all truth; the future will proclaim
            My spirit guards this mount which bears my name.”
 
Then, as we talked, my personage subdued,
And I became, as Petit Jean, a ghost,
And with uncanny knowledge I reviewed
Historic deeds of others who could boast,
Of coming to this great green state to live;
To homestead and to plow their plots of land;
To mine the hills; to hunt the woods and give
Their very lives to make it far more grand.
I spoke to men who also came to look
For ways of life upon the river’s road;
They pushed their crafts to every shallow nook
And rounded bends of hardship with each load.
            The Indians told me their tales of woe,
            Of how they battled as both friend and foe.
 
They told me how De Soto searched for gold
And, trudging through the swamps to look for it,
As upward, through the mountains and the cold,
He traded with the natives, matching wit.
La Salle then came to claim the Arkansas
But left to join another group of men,
De Tonty came to start, as did John Law,
A river post where trading could begin.
These men with whom I talked could really boast
Of being first to settle on this land,
Of fighting long and hard to save the Post
Where then was housed the laws and all command.
            My spirit saw the past and lived it through,
            A vision of the old when it was new.
 
As history passes, the seasons came in view,
And time and space and beauty knew no date.
I saw each month in its most brilliant hue
And gazed at it as if I tempted fate.
 I looked at Spring and thought it surely best,
For everywhere the land was newly green,
The pristine white of dogwood seemed to test
The worthiness and beauty of each scene.
Then summer came with nesting meadowlarks,
And I beheld the golden days of fun,
As tourists came with camping gear to parks,
And found their pleasures under shade and sun.
            I watched the summer visitors with awe,
            They loved this state of mine . . .this Arkansas.
 
Perhaps they liked spelunking in a cave,
Or digging for a diamond at the mine,
Or floating trips that made of them a slave
To mountain streams, to setting out trotline.
Perhaps they liked the baths at old Hot Springs,
Or climbing under rushing waterfalls,
Or smelling the sweet air that summer brings,
Or listening to whippoorwills’ faint calls.
I think they surely liked the little creeks,
That tumble down deep-set against tall bluffs.
I think they liked the deer and quail that seeks
New hideouts when invaders find their roughs.
            The eager tourists came to see our state
            Because the opportunities are great.
 
Then suddenly, as Autumn took her turn,
The Ozark Hills became a brilliant hue.
In blazing reds the forest seemed to burn
Across the valleys, up the mountains too.
In delta lands I saw vast cotton crops,
And harvest fields of rice, bowed down with grain.
The short-leaf pines were green with heavy tops,
And muscadines hung heavy down the lane.
Then winter came attired in snowfall white,
And lovely landscapes suddenly seemed bare.
The prairie sky was filled with ducks in flight,
And sounds of happy hunters filled the air.
            O Arkansas, which season is your best?
            Each one seems far more lovely than the rest.
 
What makes you great?  I wondered as I looked.
Is it your timber, standing straight and tall?
Is it your rivers wide and roughly crooked?
Is it your lovely Ozarks in the fall?
Is it your heritage that makes you grand,
Your opportunities . . . yet still unknown?
Is it your rich oil fields, or delta land
That makes men proud to choose you for their own?
O Arkansas, I see your very breath,
In hazy clouds that skim your vast terrain.
I know about your struggling with death
And I have felt your birth with labored pain.
            O land of mine, I find you truly great,
No wonder you are called “The Natural State”.