Pulitzers Play Little Rock: IDIOT’S DELIGHT national tour

IdiotIn 1939, Alfred Lunt and Lynn Fontanne were undertaking two near-simultaneous national tours.  This brought them to Little Rock twice in less than a month.  The first, on February 20, 1939, was for Robert E. Sherwood’s Pulitzer Prize winning Idiot’s Delight.

Set in a European hotel on the eve of World War II, it concerns a group of disparate hotel guests who are trying to make sense of the future.  While the play was directed by Bretaigne Windust, the play carried the billing that the production was “conceived and supervised by Mr. Lunt and Miss Fontanne.”

The cast included many members of the original Broadway company including Richard Whorf, Sydney Greenstreet, Jacqueline Paige, George Meador and Barry Thomson.

The original production had run on Broadway in 1936. Their next Broadway show was Amphitryon ’38 in 1937 and 1938.  In 1939, they took these two shows on tour with their regular group of actors.  (They came back to Little Rock in March with Amphitryon ’38).

The Lunt’s next visit to to Little Rock after March 1939 would be to Robinson Memorial Auditorium in There Shall Be No Night.

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.

Pulitzers Play in Little Rock: Lunt and Fontanne in THERE SHALL BE NO NIGHT

ThereShallBeOn the eve of the US entry into World War II, Alfred Lunt and Lynn Fontanne returned to Little Rock in the national tour of Robert E. Sherwood’s Pulitzer Prize winning There Shall Be No Night.  It played at Robinson Memorial Auditorium on Monday, November 24, 1941.

Set in Finland in the time leading up to and during the start of the Russian invasion, it looked at the impact of impending war on a family.  Between the time it premiered in March 1940 and the tour in 1941, so many European countries experienced the horrors of war as countries were overtaken and troops were either killed or pressed into service by the enemy.  A program note in the playbill outlined much of this and noted how the script had not been updated to reflect the changes in world events.  (When Robinson opened in February 1940, the Russian invasion of Finland was a top international story.)

Joining Alfred Lunt and Lynn Fontanne were many members of the original Broadway cast including Sydney Greenstreet, Thomas Gomez, Elisabeth Fraser, and Maurice Colbourne.  Also from the original cast was a young actor who played the Lunts’ son, Montgomery Clift.

The play was directed by Mr. Lunt.  The sets were by first time Broadway designer Richard Whorf.  He would go on to have an illustrious career as a theatrical designer.  He had been an actor on Broadway and was a member of the unofficial Lunt-Fontanne repertory company of actors.  The costumes were by Valentina, who often designed costumes for Miss Fontanne.

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.

12 Days of Christmas Movies: CHRISTMAS IN CONNECTICUT

Before there was Martha Stewart, there was Gladys Taber of Family Circle magazine. A lifestyle columnist, Ms Taber lived on a farm in Connecticut.

In 1945, Warner Bros. released a comedy which wondered what would happen if a food writer for a magazine really couldn’t cook. Barbara Stanwyck played the domestically-challenged writer who must fake her way through a Christmastime while playing hostess to a WWII veteran as part of a publicity stunt.

Dennis Morgan plays the veteran and Sydney Greenstreet portrays Stanwyck’s editor. Neither visitor has any idea she is a single NYC woman who cannot cook, not the Connecticut housewife and mother her column depicts. As she tried to fake her way through the holidays, much merriment ensues, as does romance.

This light, smart comedy was released in summer 1945 just as the war was ending in Europe and winding down in Japan. It was a combination screwball comedy, wartime distraction, and romance. Stanwyck and Greenstreet were better known for dramas. Morgan had started in a series of war-set movies thoughout WWII. This comedy also gave the actors a chance to be a bit more carefree and represented the optimism Americans were feeling as the war was finally ending.

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