Little Rock Culture Vulture

Cultural events, places and people in the Little Rock area


20 years of THE LION KING

On November 13, 1997, THE LION KING opened on Broadway.  It would go on to win six 1998 Tony Awards including Best Musical.  Today it celebrates its 20th Birthday!  It has played 8,325 performances on Broadway.

This coming April the entire Serengeti will come to life inside the newly renovated Robinson Performance Hall when Celebrity Attractions brings this Disney production to Little Rock!

More than 90 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular “one of the most breathtaking and beloved productions ever to grace the stage.

THE LION KING brings together one of the most imaginative creative teams on Broadway.  Tony Award®-winning director Julie Taymor brings to life a story filled with hope and adventure set against an amazing backdrop of stunning visuals.  THE LION KING also features the extraordinary work of Tony Award®-winning choreographer Garth Fagan and some of Broadway’s most recognizable music, crafted by Tony Award®-winning artists Elton John and Tim Rice.

Advertisements


Central to Creativity – Ben Piazza

 

benpiazza book coverActor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock, and graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

After graduating from Princeton, he moved to New York City to become an actor.  He made his Broadway debut in 1958 in Winesburg, Ohio.  In April 1959, he starred in Kataki and received a Theatre World Award for his performance.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

In February 1963, he took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? on Broadway.  During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.

In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.  In March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  As the 1970s progressed, he turned his focus to television and movies.

Piazza’s film debut had been in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper in The Hanging Tree.  Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.

In the 1970s and 1980s, his appearances included I Never Promised You a Rose Garden, The Bad News Bears, The Blues Brothers, and Mask.  On TV, he appeared in Dallas, Dynasty, Saint Elsewhere, Barnaby Miller, Moonlighting and Family Ties. 

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.  In 2016, a meeting room in the new Robinson Conference Center was named in his memory.


Central to Creativity – Kathryn Pryor

While she may be a successful attorney by day, Kathryn Pryor, is also an accomplished singer and actor.

Having grown up appearing on stage (including starring in productions while a student at Central High School), it is no surprise she continues to appear in productions throughout Central Arkansas.

In 2016, she reprised her role of Hillary Clinton in the biennial political spoof Gridiron.   Earlier this year, she appeared in Arkansas Rep’s production of SISTER ACT.   Over the years she has also played leading roles on various Little Rock stages in GYPSY, CABARET, SWEENEY TODD, COMPANY, VICTOR/VICTORIA, SOUTH PACIFIC, and MERRILY WE ROLL ALONG.  

In addition, she has appeared in New York in a cabaret act with her brother Will Trice. For the 2015 edition of the Arkansas Arts Center’s Tabriz, she and Will reprised their act.


Central to Creativity – Will Trice

Trice at Tonys

Trice at the 2014 Tony Awards

Tony winning producer Will Trice used his theatrical performing and producing skills while a student at Little Rock Central High School.

In less than a decade on Broadway, Trice has taken home three Tony Awards and earned eight Tony nominations.

He has earned Tony nominations for producing the plays All The Way* and Wolf Hall; play revivals The Best Man, The Glass Menagerie, Who’s Afraid of Virginia Woolf*, and You Can’t Take It With You; and the musical revivals Porgy and Bess* and Fiddler on the Roof.  (An * indicates a Tony win.)

He has worked with playwrights Gore Vidal and Edward Albee in their final Broadway ventures; actors Al Pacino, James Earl Jones, Angela Lansbury, Audra McDonald, Matthew Broderick, Elisabeth Moss, Bryan Cranston, Tracy Letts, Carrie Coon, Elizabeth Ashley, Rose Byrne, Jason Biggs, Marisa Tomei, Bobby Cannavale, Richard Schiff, John C. McGinley, Toni Collette, Michael C. Hall, Cherry Jones and Patti LuPone.

As a producer at Jeffrey Richards Associates, he has also produced national tours and productions in London.


Little Rock Look Back: Ben Piazza

Actor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock.  Piazza graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

Keeping the Tiger as his mascot, Piazza attended college at Princeton University.  While there he continued acting, including an appearance in a Theatre Intime production of Othello.  Following his 1955 graduation, he moved to New York City and studied at the Actor’s Studio.

piazza

Piazza was an understudy in the 1956 play, Too Late the Phalarope at the Belasco Theatre.  In February 1958, he starred in Winesburg, Ohio sharing the National (now Nederlander) Theatre stage with James Whitmore, Dorothy McGuire, and Leon Ames. Other cast members included Claudia McNeil (who originated the part of Lena in A Raisin in the Sun) and Sandra Church (who originated the part of Gypsy Rose Lee in Gypsy).

In April 1959, Piazza starred in Kataki at the Ambassador Theatre. This two actor play also featured Sessue Hayakawa, who played a Japanese soldier who spoke only his native l

anguage.  Therefore, Piazza’s part was largely a very lengthy monologue.  For his performance, Piazza received one of the 1959 Theatre World Awards.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

Piazza started the 1960s on Broadway starring at the Eugene O’Neill Theatre in A Second String with Shirley Booth, Jean-Pierre Aumont, Nina Foch, Cathleen Nesbitt, and Carrie Nye.   Following that, he started his association with Edward Albee by appearing as the title character in The American Dream.  That play opened at the York Playhouse in January 1961.  Later that year, he appeared in Albee’s The Zoo Story opposite original cast member William Daniels at the East End Theatre.

 

Also in 1961 Piazza starred in several plays during a South American tour sponsored by the American Repertory Company.  He played Christopher Isherwood in I Am a Cameraand Chance Wayne in Sweet Bird of Youth.  In 1962, he starred in a series of plays at the Cherry Lane Theatre.  Piazza returned to Broadway to star along with Jane Fonda and Dyan Cannon in The Fun Couple at the Lyceum Theatre. This play had a troubled rehearsal period, which was documented in a short film about Jane Fonda.

Ben Piazza stayed on Broadway and returned to Albee in February 1963.  He took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? when original actor George Grizzard left to play Hamlet at the Guthrie Theatre.  (He had participated in earlier readings of the play prior to it being mounted on Broadway.)

This play was at the Billy Rose Theatre, which marked a return for Piazza. He had acted at this theatre when it was the National while appearing in Winesburg. Piazza played Nick for the remainder of the run and acted with Uta Hagen, Arthur Hill, fellow Arkansan Melinda Dillon, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, Rochelle Oliver and Sheppard Strudwick.

Exact and Very Strange cover

During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.  The Piazza Shoe Store, located on Main Street, was called Gallanti’s.

Following Virginia Woolf, he starred in The Zoo Story at the Cherry Lane Theatre in 1965.  In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.

As Sunday Agreement was opening, Piazza was in rehearsal for his next Broadway opening. He appeared with Alfred Drake in The Song of the Grasshopper in September 1967.  In 1968, he returned to Albee and starred in The Death of Bessie Smith and The Zoo Story in repertory on Broadway at the Billy Rose Theatre.

Later that season, in March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It was directed by future Tony nominee Peter Masterson and starred Louise Lasser, Robert Walden (who starred in the 2013 production of Death of a Salesman at Arkansas Repertory Theatre), Clinton Allmon and Dolores Dorn-Heft, to whom Piazza was married at the time.

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  During this time period he was in productions of Bus Stop, Who’s Afraid of Virginia Woolf?, You Know I Can’t Hear You when the Water’s Running  and Savages.  In 1970, he starred as Stanley Kowalski in a production of A Streetcar Named Desire in New Orleans.  As the 1970s progressed, he turned his focus to television and movies.

BDP early

Piazza’s film debut was in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper, Karl Malden, Maria Schell and George C. Scott in The Hanging Tree.  Though he received positive reviews for his performances, Piazza chose to return to New York and perform in stage and TV productions.

Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.  He had a recurring role during one season of Ben Casey and appeared on the soap opera Love of Life.

In the 1970s, he starred in the films Tell Me That You Love Me, Junie Moon; The Candy Snatchers and I Never Promised You a Rose Garden.  He also starred as the City Councilman who recruits Walter Matthau to coach a baseball team inThe Bad News Bears.

Among his numerous TV appearances in the 1970s were The Waltons, Mannix, Switch, Barnaby Jones, Gunsmoke, Mod Squad and Lou Grant (where he was reunited with Walden).

BDP final

In the 1980s, he appeared in The Blues Brothers, The Rockford Files, Barney Miller, Hart to Hart, Family Ties, The Winds of War, Dallas, Dynasty, Too Close for Comfort, The A Team, Saint Elsewhere, Santa Barbara, The Facts of Life, Mr. Belvedere, Moonlighting and Matlock.

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.

In November 2016, a room at the Robinson Conference Center was dedicated to his memory.


1 Comment

2017 Tony Award predictions

Tony Tony TonyI have struggled with these a lot more this year because so many races are so close.  But here are my thoughts on the 2017 Tony Award potential winners.

Play
A Doll’s House, Part 2, Lucas Hnath
Indecent, Paula Vogel
Oslo, J.T. Rogers
Sweat, Lynn Nottage

Sweat was the early front-runner after picking up the Pulitzer; Oslo has captured every other award since then.  A Doll’s House, Part 2 has run a masterful campaign since the nominations and is likely to be a popular touring vehicle given its cast and set requirements (minimal). There is momentum for Hnath’s play, but Tony voters tend to love Lincoln Center Theater productions, of which Rogers’ play is one.  I think OSLO will triumph.

 

Best Musical
Come From Away
Dear Evan Hansen
Groundhog Day
Natasha, Pierre & The Great Comet of 1812

“Great Comet” could be a spoiler, but the race is likely betwixt Come from Away and Dear Evan Hansen.  This is a case of “important” vs. “populist” though both pull at the emotional heartstrings repeatedly.  As much as I would love to see Come from Away win because a friend from college is in the cast (and I think it handles 9/11 without exploiting it), I suspect DEAR EVAN HANSEN will emerge with the silver medallion.

  

Revival of a Play
Jitney
The Little Foxes
Present Laughter
Six Degrees of Separation

Jitney seems to have the edge on this race.  Since it shares the same producer as The Little Foxes, this is one of those rare Tony races without aggressive campaigning.  This is a chance to recognize the genius that was August Wilson over a decade after his untimely death.  The Tony goes to JITNEY

 

Revival of a Musical
Falsettos
Hello, Dolly!
Miss Saigon

Call on Dolly!  It will be HELLO, DOLLY!

 

Actor in a Play
Denis Arndt, Heisenberg
Chris Cooper, A Doll’s House, Part 2
Corey Hawkins, Six Degrees of Separation
Kevin Kline, Present Laughter
Jefferson Mays, Oslo

While there is an outside chance that Chris Cooper or Jefferson Mays could stage a coup, the award is KEVIN KLINE’s.  He wears the role like a silk dressing gown.

 

Actress in a Play
Cate Blanchett, The Present
Jennifer Ehle, Oslo
Sally Field, The Glass Menagerie
Laura Linney, The Little Foxes
Laurie Metcalf, A Doll’s House, Part 2

The race is really between Metcalf and Linney.  But when it is that tight, there is an opening for an upset – with either Ehle (who Tony voters love) or Field poised to sweep in.  With both Linney and Metcalf having multiple nominations with no wins and a lot of support for their star turns, it is truly splitting hairs to pick a favorite.  Gut says LAURIE METCALF for creating an original role.  Plus, her other nominations have been for outstanding work in mediocre plays, whereas Linney has been recognized for strong work in better productions.  This is a chance to reward Metcalf for being in a better product.

 

Actor in a Musical
Christian Borle, Falsettos
Josh Groban, Natasha, Pierre & The Great Comet of 1812
Andy Karl, Groundhog Day The Musical
David Hyde Pierce, Hello, Dolly!
Ben Platt, Dear Evan Hansen

Andy Karl seems poised to be the 2010s Raul Esparza—that actor who gives it his all and walks away on Tony night empty handed every time.  While he gives it his all (physically) in Groundhog Day the award seems likely to go to wunderkind BEN PLATT who gives it his all (emotionally).

 

Actress in a Musical
Denée Benton, Natasha, Pierre & The Great Comet of 1812
Christine Ebersole, War Paint
Patti LuPone, War Paint
Bette Midler, Hello, Dolly!
Eva Noblezada, Miss Saigon

From the day her casting was announced, the engravers went to work on etching BETTE MIDLER’s name on this award.

 

Featured Actor in a Play
Michael Aronov, Oslo
Danny DeVito, The Price
Nathan Lane, The Front Page
Richard Thomas, The Little Foxes
John Douglas Thompson, Jitney

Lane was the front-runner early in the season, but since has been in London, he hasn’t been around to make the campaign events.  Though Aronov has his supporters DANNY DEVITO steals the play and will likely take home the trophy.

 

Featured Actress in a Play
Johanna Day, Sweat
Jayne Houdyshell, A Doll’s House, Part 2
Cynthia Nixon, The Little Foxes
Condola Rashad, A Doll’s House, Part 2
Michelle Wilson, Sweat

The Sweat and Doll’s House ladies likely cancel each other out.  CYNTHIA NIXON is likely to add a “Fox” Tony next to her “Rabbit” Tony.

 

Featured Actor in a Musical
Gavin Creel, Hello, Dolly!
Mike Faist, Dear Evan Hansen
Andrew Rannells, Falsettos
Lucas Steele, Natasha, Pierre & The Great Comet of 1812
Brandon Uranowitz, Falsettos

Creel, Rannells and Uranowitz are all well-liked, previous nominees.  Steele gives a flashy performance that has “award-winning” written all over it.  But it looks like Tony may be saying “Hello” to GAVIN CREEL

 

Featured Actress in a Musical
Kate Baldwin, Hello, Dolly!
Stephanie J. Block, Falsettos
Jenn Colella, Come From Away
Rachel Bay Jones, Dear Evan Hansen
Mary Beth Peil, Anastasia

Previous nominees Baldwin and Peil do not appear to be in the mix this year.  The race seems to be between Jones and Colella in what could either be a harbinger of the Best Musical winner or a consolation prize.  Block is poised to be the spoiler in a category that often has spoilers.  The ever-so-slight edge seems to go to JENN COLELLA who has been a game campaigner (and been assisted by her real life counterpart).

 

Direction of a Play
Sam Gold, A Doll’s House, Part 2
Ruben Santiago-Hudson, Jitney
Bartlett Sher, Oslo
Daniel Sullivan, The Little Foxes
Rebecca Taichman, Indecent

 A case could be made for any of these. At one point Taichman seemed like the frontrunner. Of late, it seems to be a race between Santiago-Hudson and Sher, revival vs. play.  The fact that Jitney is still so memorable several months after it closed is a testament to Santiago-Hudson’s deft work.  It looks like RUBEN SANTIAGO-HUDSON may add a second August Wilson-related Tony to his collection, this time for directing.

 

Direction of a Musical
Christopher Ashley, Come From Away
Rachel Chavkin, Natasha, Pierre & The Great Comet of 1812
Michael Greif, Dear Evan Hansen
Matthew Warchus, Groundhog Day
Jerry Zaks, Hello, Dolly!

Good to see Jerry Zaks back in the nominee list for the first time in 22 years.  He and previous winner Warchus will likely remain seated tonight.  Though there is a sense that Greif is overdue for a Tony win (and it has been 21 years since his first nomination), RACHEL CHAVKIN has the advantage for her work steering “Great Comet” over the years and transforming it into a Broadway scale show while shattering a proscenium-bound house.

 

Choreography
Andy Blankenbuehler, Bandstand
Peter Darling and Ellen Kane, Groundhog Day
Kelly Devine, Come From Away
Denis Jones, Holiday Inn
Sam Pinkleton, Natasha, Pierre & The Great Comet of 1812

Usually this award goes to either the juggernaut show or the “danciest” show.  Bandstand and Holiday Inn were the two dance shows of the season.  While there is a sense that Pinkleton might win for his working keeping all the Russians moving throughout “Great Comet,” it will most likely be Andy Blankenbuehler picking up his second consecutive (and third overall) Tony for his wartime era dance moves.

 

Book of a Musical
Steven Levenson, Dear Evan Hansen
Dave Malloy, Natasha, Pierre & The Great Comet of 1812
Danny Rubin, Groundhog Day
Irene Sankoff and David Hein, Come From Away

As with Best Musical, it really is a race between “Evan” and “Come.”  There is some thought that Sankoff and Hein might pick this up as a consolation prize, and for creating an appropriate narrative around a 9/11 story.  But Levenson has constructed a book which generates sympathy for a character that could be easily disliked.  With a bullet, the Tony goes to STEVEN LEVENSON.

 

Original Score
Dave Malloy, Natasha, Pierre & The Great Comet of 1812
Tim Minchin, Groundhog Day
Benj Pasek & Justin Paul, Dear Evan Hansen
Irene Sankoff and David Hein, Come From Away

None of the scores are as memorable as last year’s winner Hamilton.  But then, in the 21st century, few of the musicals are “hummable.”  Pasek and Paul have contributed an emotionally powerful but accessible score with pathos and humor (though the same could be said of Sankoff and Hein—except that their score is a bit more pedestrian).  The fact that BENJ PASEK & JUSTIN PAUL are riding the crest of La La Land laurels should deliver them to Tony land.

 

Orchestrations
Bill Elliott and Greg Anthony Rassen, Bandstand
Larry Hochman, Hello, Dolly!
Alex Lacamoire, Dear Evan Hansen
Dave Malloy, Natasha, Pierre & The Great Comet of 1812

This category is always hard to predict unless there is a mega-juggernaut.  Malloy could be recognized here for his work in all three categories in which he is nominated.  Elliott & Rassen made the Big Band era come alive in a Broadway show.  Lacamoire could be a back-to-back winner.  But my money is on LARRY HOCHMAN, since Herman’s tuneful score is not eligible.

 

Scenic Design of a Play
David Gallo, Jitney
Nigel Hook, The Play That Goes Wrong
Douglas W. Schmidt, The Front Page
Michael Yeargan, Oslo

Yeargan’s set is simplicity; Schmidt’s is overstuffed.  Gallo created a seedy 1970s Pittsburgh. But I think the Tonys will go right for NIGEL HOOK’s self-destructive set.

 

Scenic Design of a Musical
Rob Howell, Groundhog Day
David Korins, War Paint
Mimi Lien, Natasha, Pierre & The Great Comet of 1812
Santo Loquasto, Hello, Dolly!

MIMI LIEN turned a proscenium house into an interactive environmental wonderland.  The Tony goes to her.

 

Costume Design of a Play

Jane Greenwood, The Little Foxes
Susan Hilferty, Present Laughter
Toni-Leslie James, Jitney
David Zinn, A Doll’s House, Part 2

Please let this be the year that JANE GREENWOOD finally wins a competitive Tony.  It HAS been 52 years since her first nomination after all.  Plus her costumes were spot-on and gorgeous.

 

Best Costume Design of a Musical
Linda Cho, Anastasia
Santo Loquasto, Hello, Dolly!
Paloma Young, Natasha, Pierre & The Great Comet of 1812
Catherine Zuber, War Paint

While the always reliable (and worthy of recognition) Santo Loquasto may well pick up the Tony for Dolly—the costume design Tony often goes to shows about fashion.  CATHERINE ZUBER has a field day with her clothing for War Paint, and I think that may be the ticket for her to get another Tony.

 

Lighting Design of a Play
Christopher Akerlind, Indecent
Jane Cox, Jitney
Donald Holder, Oslo
Jennifer Tipton, A Doll’s House, Part 2

Lighting plays a key role in the action of Indecent.  I think that will be why CHRISTOPHER AKERLIND will win the Tony.

 

Lighting Design of a Musical
Howell Binkley, Come From Away
Natasha Katz, Hello, Dolly!
Bradley King, Natasha, Pierre & The Great Comet of 1812
Japhy Weideman, Dear Evan Hansen

While I would love to see former Arkansas Rep lighting designer Japhy Weideman pick up his first Tony tonight, I think the multitude of lightbulbs and light fixtures of “Great Comet” will push BRADLEY KING into the winner’s circle.


Open Studios Little Rock today

oslr_logo_goldred_ac-lineThe City of Little Rock Arts+Culture Commission is thrilled to announce its first-ever Open Studios Little Rock.

From 10 a.m. to 5 p.m. on Saturday, June 10, gain exclusive access to 30 artist studios and cultural institutions that will open their doors and give you a firsthand look at their creative process. The lineup of studios visits includes artists working in the visual and performing arts, plus cultural institutions that will open their respective studios for guided tours and demonstrations.

Referred to as a city-wide exhibition, Open Studios gives you unparalleled access to artists living and working in Little Rock. Studio visits are free and open to the public.
To plan your Open Studio visits:

  • Download the Open Studios map (click here)
  • Visit the Open Studios Welcome Booth in the Creative Corridor the day of the event. Complimentary coffee and doughnuts will be provided, plus the opportunity to tour two participating studios – Matt McCleod Fine Art and Arkansas Repertory Theatre’s Education Annex. The Welcome Booth will be located in front of Matt McLeod Fine Art, 108 West 6th Street, 72201.

Artists who are unable to welcome the public into their studios will showcase their work at the Alternative Space hosted at the West Central Community Center, 8616 Colonel Glenn Road, 72204.

During Open Studios, the colorful “Open Studio” signs will alert you to Open Studio spaces.

SALES

Sales are handled by each artist and we do not take a percentage. You may sell prints, other artistic projects and commission customized work for the future. It is suggested that you are equipped to accept credit cards.

Participating Artists (as of 5.15.2017)

  • Adrian Quintanar Pottery
  • Catherine Rodgers Contemporary Art
  • Co-Op Art
  • Elizabeth Weber
  • Felice Farrell
  • Gary Cawood
  • Glenda McCune
  • Ike Garlington
  • Jeff Horton
  • Jennifer Cox Coleman
  • Jennifer Perren
  • Jerry Phillips’ Studio
  • Jimmy Parks
  • Linda Ferstl Watercolors
  • Little Rock Violin Shop
  • Marisa Cook
  • Maritza and Terry Bean Artists
  • Mary Pat Tate
  • Matt McLeod Fine Art
  • MichaelWardArt
  • Michael Warrick
  • New Deal Studios and Gallery, featuring the work of Jeff Waddle
  • Ruth Pasquine
  • Sandy Furrer, Certified Scottish Country Dance Teacher
  • Sandra Sell

Participating Cultural Institutions:

  • Arkansas Arts Center
  • Arkansas Repertory Theatre’s Education Annex
  • Mosaic Templars Cultural Center featuring the work of Nina Robinson