Falling Off a Tin Roof on Tuesday

At “Tales from the South” the first Tuesday of the month means “Tin Roof Project.”

This month features Monica Staggs, who grew up in North Little Rock.

As she describes her childhood, she was a tomboy practicing how to rouchambeau boys on the playground and playing Charlie’s Angels in the woods behind her house.    During her senior year at college, Monica got to work on a film that came to Little Rock called Shelter where she was the stand in for the lead actress as well as landing a small part. She rode passenger as a car ran off an embankment, crashing through trees before and stopping just before a lake.

Getting a taste for the thrill of the film business, three weeks later, Monica flew to L.A. for the first time and worked on her second film. She fell in love with Los Angeles and everything about it. As soon as she returned to Arkansas she announced she was moving to L.A. and two weeks later she did on the plane, not knowing a soul, with three large duffle bags, a fork, a knife and a bath towel.

After moving to L.A., within three weeks she was lucky enough to land her third film. She began training in other areas of stunt work such as stunt driving, martial arts, stunt fights, and boxing. She has spent the last 20 years working in L.A.

Monica has done stunt work on more than one hundred film and television productions, including Kill Bill 2, Crash, The Italian Job, Bewitched, Starship Troopers II, Charlie’s Angels, Transformers, and many, many more. She has won numerous awards and accolades for her stunt work,  and at the 2005 MTV Movie Awards she was brought to the stage by Quentin Tarantino to share the award for Best Fight in Kill Bill 2. She is a board member of the Stuntwomen’s Association.

Monica still lives in L.A. where she writes sketch comedy and loves to play Texas Hold-Em, enters tournaments regularly and hosts home games where she attempts to take money from her fellow stunt peers. Her other pastimes include watching “South Park,” “Reno 911” and any and all horror movies.

Before her talk, music will be provided by The Salty Dogs and blues guitarist Mark Simpson.  To reserve a ticket go to   www.talesfromthesouth.com.

Starving Artist Cafe’
DATE: Tuesday, April 03, 2012
TIME: Doors open 5pm
Dinner 5pm-6:30pm
Show starts at 7pm
LOCATION: 411 Main Street, North Little Rock

Admission is $5

Dinner is from the special Tales menu.
 Purchase your tickets HERE

Architeaser: April 1

In April, each day there will be an architectural element featured.  Many will be obvious, others may be less visible.  The identification will be listed in the next day’s entry.

Here is April 1.

Sculpture Vulture: Baptist Health Healing Garden

On the grounds of Baptist Health, there is a Healing Garden which features a sculpture by Kevin Kresse.  It depicts a person reaching down to help out another person.  Kresse’s abstract style allows the viewer to determine whether they think it is Jesus Christ helping a fallen man, or just a “Good Samaritan” aiding someone in distress.

The garden, which was designed by P. Allen Smith, also includes a cross on one end and a fountain on the other end.  Cathy Mayton, who was longtime executive vice president of Baptist Health envisioned the Healing Garden, which was supported by Russell Harrington, ceo and president of Baptist Health.  The project was made possible by donations from the Estate of Mary Ann Boyd, Mr. and Mrs. Bob Shell, the Stella Boyle Smith Trust, Mr. and Mrs. Sam Winstead, Gertrude Butler, Mr. and Mrs. R.J. Wills and hospital auxiliaries.

Though many people walk past the Healing Garden without noticing it as they are going in or exiting the hospital, it provides a refuge for countless visitors as well as employees.

A few years ago, I was out there and saw a grandfather and his toddler grandson in the garden.  I have no idea whether they were at the hospital for a joyous reason or a sad reason. But whatever the reason, as they were playing in the garden, they were enjoying themselves and having a time alone – just the two of them – in the midst of the hustle and bustle of life.

This space exemplifies the purpose of public art.  It allows people to have their own unique experience which meets the current need of their life. It allows for interaction, quiet reflection, and personal experiences.

Every time I am there I see a variety of ages, races, and backgrounds sharing the space in a meaningful way.  It is through public art, and the arts in general, that we can come together as a society.   Art allows us to be both an individual and part of a greater being at the same time.