A very special Tales from the South will take place tonight.
Dwight Yoakam’s MVP sideman, Brian Whelan plays the pedal steel, electric guitar, the occasional mandolin (primarily when Dwight wanted to change an arrangement into a bluegrass tune), keys/piano and spot-on harmonies. Brian was both in Dwight’s touring and recording band, and played on the critically acclaimed, 3 Pears (#1 on the Americana charts), and is also currently featured on Dwight’s current release, Second Hand Heart (debuting #2 on the Billboard charts).
Brian recently left Dwight’s band to focus on his own music. With instrumental abilities that made him a key member of Dwight Yoakam’s band, a voice reminiscent of Jackson Brown, and a lyrical streak that makes him seem like he’s been writing hook-laden hits for years, Brian Whelan is poised for a much wider attention with the release of his second album. Produced by fellow Yoakamite drummer Mitch Marien, the new record throws Whelan’s hat into the a ring crowded with the likes of John Fullbright, Sturgill Simpson, Mike Stinson, and Jason Isbell. When Brian Whelan is not touring, he can be found in a Los Angeles studio playing on someone’s album or even producing.
Tonight’s program will take place at Best Impressions restaurant at the Arkansas Arts Center. Music will be provided by The Salty Dogs and bluesman Mark Simpson.
“Tales From the South” is a radio show created and produced by Paula Martin Morell, who is also the show’s host. The show is taped live on Tuesday. The night is a cross between a house concert and a reading/show, with incredible food and great company. Tickets must be purchased before the show, as shows are usually standing-room only.
Dinner is served from 5pm to 6:30pm, the show starts at 7pm. Admission is $15. Dinner can be purchased separately.
You MUST purchase your ticket before the show. Any tickets still available at the door can be purchased for $20.
Previous episodes of “Tales from the South” air on KUAR Public Radio on Thursdays at 7pm. This program will air on June 25.
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