Happy Mother’s Day!
This sculpture is Jane DeDecker’s PATTY CAKE which is located in Riverfront Park. It was donated by the late Dale Nicholson in memory of his wife, Pat.
Category Archives: Public Art
Carol Gold’s INFINITE DANCE wins 2018 Public Monument Sculpture Competition
Carol Gold was named as the recipient of a $60,000 commission on Thursday at the conclusion of the 2018 A Night in the Garden – Where Sculpture Grows. The commission was sponsored by Sculpture at the River Market.
Sculpture at the River Market invited sculptors to submit a proposal for its $60,000 Public Monument Competition. This is the eighth such competition.
Forty-one artists submitted a proposal. After a review by the Sculpture at River Market Committee and voting by ballot, the three finalists were selected. Guests at the Night in the Garden party voted to choose the winner. The other two finalists were Giuseppe Palumbo and Stephen Shachtman.
The piece will be located in a new plaza in the western end of Riverfront Park near the elevated bike and pedestrian ramp which goes from the park up to the Broadway Bridge. It will be installed in April 2019.
Infinite Dance depicts a female figure dancing atop a large ring. The joyfully dancing figure represents the vibrant cultural scene of Riverfront Park. The sculpture’s ring shape ties into the curving bridges surrounding the site. The shape of a circle holds deep symbolism, referring to concepts such as inclusion, unity, wholeness, and infinity.
The cast bronze figure measures 7 feet high, 4.5 feet wide, and 2.5 feet deep. It is securely attached to a stainless steel ring that is 7 feet in diameter. This gives the sculpture an overall height of 14 feet. The stainless steel will be anchored to a concrete footing at, or below, grade. This will allow the viewer to walk through the circle and interact with the sculpture.
Gold’s work has been exhibited throughout the US and Canada. Among numerous awards are those she has received from the National Sculpture Society and the North American Sculpture Exhibition. Gold’s FIESTA was one of the original sculptures installed in Little Rock in November 2004.
Carol Gold’s Infinite Dance will join seven other sculptures that have been recognized previously with the commissions through the Sculpture at the River Market’s Public Art Monument Sculpture Competition.
* The 2011 winner was Chapel, whose work The Center was installed near the Junction Bridge.
* In 2012 the recipient was Bryan Massey’s Nautilus. This was installed to the north of the Marriott Hotel near the new children’s spray fountain.
* The 2013 winner was Ted Schaal for his piece Open Window which was placed near the La Petite Roche plaza and First Security Amphitheatre.
* Lorri Acott’s Peace was the 2014 commission winner; it is sited at the southeast corner of Main and 2nd Streets.
* Michael Warrick’s Mockingbird Tree, the 2015 winner, is located at the corner of Chenal Parkway and Chenal Valley Drive.
* Clay Enoch’s United, which won in 2016, was installed at Central High School in September 2017.
* Stephen Shachtman’s Arkansas A, won in 2017. It was installed earlier this week at the entrance to the Southwest Community Center complex on Baseline Road.
Sculpture Vulture: Michael Warrick’s MOCKINGBIRD TREE installed in 2016
Photo by LRCVB
On April 21, 2016, Michael Warrick’s Mockingbird Tree sculpture was installed at the corner of Chenal Parkway and Chenal Valley Drive.
The piece was commissioned by Sculpture at the River Market after winning the 2015 Public Monument Sculpture competition.
The eighteen (18) foot tall sculpture is made out of stainless steel. It presents a fanciful version of a tree with cloud-like foliage. Nestled in the tree are bronze mockingbirds (Arkansas’ state bird).
Warrick is a professor in the Department of Art at the University of Arkansas Little Rock and has been an artist and educator for 30 years. His work has resulted in more than 150 solo and group exhibitions and has been represented in 29 private collections and 34 public venues.
Sculpture Vulture: Kathleen Caricof’s INFINITY dedicated in 2011
On April 14, 2011, Kathleen Caricof’s Infinity sculpture was dedicated in Riverfront Park. It became the signature sculpture for the Vogel Schwartz Sculpture Garden.
Standing over 10 feet tall, it consists of one inch thick steel which loops around to form a continuous abstract shape. It sits atop a column of grey granite.
Caricof suggested the warm golden yellow hue represented “the warmth of the people of Little Rock.”
Funding for the project came, in part, from the Vogel Schwartz Foundation.
INFINITY amidst snow in 2012
Caricof is a member of the National Sculptors Guild. Her interest in sculpture developed from a background in designing for space. Much of her past work incorporates the theme of community through abstract form. She places a great deal of importance in ‘the gathering’ for mutual support and as a collective celebration of life. Caricof focuses her creative energies on public art because of its shared impact on a wide range of diverse viewers, fueling community involvement and enriching the surrounding environment.
Easter Bunnies on Parade
Little Rock has at least four different sculptures of rabbits. Since today is Easter Sunday and the Easter Bunny is making his rounds, it seems a good day to highlight these sculptures.
The newest sculpture is Dan Ostermiller’s R. B. Monument. A gift to the citizens of Little Rock by the Little Rock Garden Club, it was dedicated in 2017.
Located at the southeast corner of Kavanaugh and Pierce, this rabbit has quickly become a landmark. It is a favorite for kids and adults as they walk or drive by. The rabbit is situated so that people can easily pose for photos with it, without the photographer having to stand in the street. At Christmas and Easter, the rabbit has been bedecked with an appropriate wreath to add to its festive nature.
In the Vogel Schwartz Sculpture Garden, Laurel Peterson Gregory’s Bunny Bump has been providing whimsy since 2010.
After she sculpts an animal in wax or oil-based clay, traditional lost-wax casting processes immortalize the design in bronze. One aspect of particular interest to me, and one for which I plan early in the sculpting phase, is the complex and rich patinas that constitute another hallmark of my limited-edition sculptures. Multiple layers of chemicals and oxides are applied to the heated bronze to achieve a range of unique effects, both translucent and opaque, that complement each design.
Two stylized rabbits make for an interesting piece of artwork when they are not only dancing, but also doing the butt bump while dancing. The smooth surface and color of the bronze add to the illusion. This small piece has been placed on a pedestal to elevate more to eye level.
A few yards from the bumping bunnies, James Paulsen’s Lopsided presents a much more laconic rabbit.
Paulsen is a self-taught artist. Alternately studying the wilds of the northern forest, and the open beauty of the American Southwest, he concentrates his work on natural subjects he has grown up with, and is heavily influenced by his family’s artistic background, being raised by an artist-illustrator and an author. In his work, he explores merging the beauty he sees in the natural world with the expressiveness of clay and bronze.
While having most of his work in galleries or private collections across the country, he has recently completed two public commissions
And at the corner of President Clinton Avenue and Sherman Street, Tim Cherry’s Rabbit Reach welcomes visitors to the River Market.
The sculpture is located at the corner of Sherman Street and President Clinton Avenue across from the Museum of Discovery.
The sculpture is a gift from Whitlow Wyatt and the Carey Cox Wyatt Charitable Foundation. It was given in memory of George Wyatt and Frank Kumpuris. Those two gentlemen were the fathers of Whitlow Wyatt and Dean & Drew Kumpuris.
Cherry’s sculpture was selected for this spot because of its proximity to children at the Museum and in the River Market district. The design and size of the sculpture encourages children to climb on it and to play around the rabbit. While some public art is situated so it cannot be touched, this one is situated to be touched as part of the appreciation experience.
Breakfast with Henry Moore
The John Hughes classic The Breakfast Club takes place on March 24, 1984, a Saturday. Inside the library of the fictional school is a replica of Henry Moore’s Large Standing Figure: Knife Edge.
Earlier this week, the Little Rock City Board of Directors voted to accept the sculpture from the Metrocentre Improvement District in exchange for land. The sculpture (which arrived in Little Rock in 1978) will be moved eventually to MacArthur Park to be placed at the entrance of the Arkansas Arts Center once renovations are complete in 2022.
MacArthur Park will mark the third location for the sculpture in Little Rock. From 1978 to 1999, it stood at the intersection of Main and Capitol Streets as part of the Metrocentre Mall, a pedestrian development. In anticipation of the last remaining portions of that project were reopened to vehicular traffic, it was moved to Capitol and Louisiana.
It was not, contrary to what some on the internet may claim, loaned out for the filming of the movie. The one in The Breakfast Club is either another striking of the sculpture or, more likely, a Papier–mâché (or some other material) reproduction.
Year of the Sculpted Dog
Today marks the Chinese New Year (sometimes called Lunar New Year). As part of the twelve year cycle, this is the Year of the Dog.
To mark this occasion, here are four sculptures found in Little Rock which feature dogs. Two are in the Vogel Schwartz Sculpture Garden, one is in the Bill Clark Wetlands, and the other is at the Little Rock Animal Village.
Ken Newman’s FOREVER READY was donated in 2009 by the Sculpture at the River Market. It is sited in the Vogel Schwartz Sculpture Garden. Mr. Newman is a member of the National Sculptors’ Guild. One of Mr. Newman’s specialties is animals. Cast in bronze, Forever Ready depicts a Labrador. Here is Mr. Newman’s artist statement on the piece.
Forever Ready is based off my 30 years experiences with and my love of the Lab. The sculpture was created during the absence of a lab in my life, this was important, because I wanted to reflect on all the past labs, not a present companion. So, ‘Forever Ready’ is that reflection of the breed (hunter, companion and teacher)…Capturing its intense nature with discipline and loyalty, I have set the lab on edge so intense, that if not given the command to go, it will just fall off. But, it is able to maintain balance – wet and ready to go again. The lab’s shadow is cast in the water below, for a I cannot think of a lab without water.
A few yards from Forever Ready, another dog stands inquisitively. Commissioned in 2010 and unveiled in 2011, Dan Glanz’s BORIS is a likeness of Boris Kumpuris, the dog and companion of Mary and Dr. Dean Kumpuris.
Glanz captures the friendly and inquisitive nature of Boris in this work, which can be found in the Vogel Schwarz sculpture garden. Most weekends Boris can be seen with Dean as the two walk through Riverfront Park and the River Market. Boris explores and inspects the park along with Dean. Each year during the Sculpture at the River Market show, Boris visits with Dean and meets all the sculptors.
The sculpture was donated by longtime Kumpuris family friend Margaret Clark. She and her late husband Bill were two of the earliest supporters of sculpture along the Arkansas River. They donated another piece in honor of their grandchildren. A sculpture in memory of Bill was unveiled last year and stands in the wetlands park which bears his name.
The Bill Clark Wetlands is actually the location of the third dog. It is Chloe, Bill Clark’s faithful hunting dog. She and Bill are part of Clay Enoch’s sculpture STEADY. Dedicated in 2011, it was a tribute to the man who helped build the Clinton Presidential Library.
This tribute to Clark shows Bill and Chloe in an early morning duck hunt scanning the horizon. It is also positioned so that Bill is also gazing at the Clinton Presidential Center. His firm was the contractor on that building, and he spent thousands of hours walking in the area looking at the building during the construction.
A portion of the ground he trod during construction has been set aside as the Bill Clark Wetlands, and STEADY is placed in the wetlands as a memorial to Bill.
In 2015, the Little Rock Animal Village unveiled Lorri Acott’s WHO RESCUED WHO. Located at the entrance to the Little Rock Animal Village, it depicts a person and dog looking at each other. They are sharing a bond of respect, admiration and love.
The human figure has Acott’s trademark extended length legs. These represent the ability to overcome obstacles and rise above adversity. This is even more apt when considering the role that pets can play in our lives, as well as the role humans play in “adopting” rescued pets.
The sculpture is dedicated to the memory of Jack Adcock. It is given by his family, which includes longtime City Director Joan Adcock, their two children, eleven grandchildren, and great-grandchildren.
Little Rock Culture Vulture 