Tag Archives: Dean Kumpuris

Little Rock Look Back: Groundbreaking of Vogel Schwartz Sculpture Garden

Wayne Salge’s SIZZLING SISTERS, one of the original sculptures installed in the Vogel Schwartz Sculpture Garden

On June 25, 2009, members of the Sculpture at the River Market committee and City leaders broke ground on the Vogel Schwartz Sculpture Garden in Riverfront Park.

The groundbreaking followed an unveiling of the design plans for the new sculpture garden, which will be located east of the Peabody Hotel near the Forever a Rose garden and the Jack Fleischauer Garden.

“As part of the continuing improvements to Riverfront Park, we wanted to put more sculpture into the park to complement the new gardens, Peabody Park, and the upcoming La Petite Roche plaza,” said City Director Dean Kumpuris. “At the 2008 Sculpture at the River Market, six pieces were bought through proceeds from the show and sale to be placed in the park in 2009.”

According to Kumpuris, seven new pieces will join a dozen other sculptures in the park and along President Clinton Avenue that have been installed since 2004.

The sculpture garden features natural terraces and walkways. The design creates a space to host receptions, weddings or other events as well as to allow visitors to enjoy the sculptures in solitude.

The seven pieces which will be installed are “Full of Himself” by Jan Woods, “Cascade” by Chapel, “Bateleur Eagle” by Pete Zaluzec, “Sizzling Sister” by Wayne Salge, “Conversation with Myself” by Lorri Acott,  “First Glance” by Denny Haskew, and “Straight and Narrow” by Lisa Gordon.

“This is only the start,” said Sculpture at the River Market Chair Jane Rogers. “In addition to continuing to place sculpture in Riverfront Park, the committee is discussing ways to place public art throughout the city. In the months to come, we hope to be able to make some more announcements about sculpture and public art in Little Rock.”

The sculpture garden is made possible through the support of the Vogel Schwartz Foundation. Robert Vogel represented the family during the ground-breaking ceremony commending the city of Little Rock on their efforts to support the art community.

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A Sculptural Father’s Day

Today is Father’s Day.   Little Rock has at least five sculptures which reflect the theme of the day.

In Riverfront Park, Jane DeDecker’s THE TIES THAT BIND shows a father helping his son tie his shoes.  It was installed in tribute to longtime Little Rock KATV executive Dale Nicholson.  He had been an active supporter of Sculpture at the River Market.  It is placed near another sculpture by Jane DeDecker, which Nicholson had selected as a memorial to his wife.

Not far from THE TIES THAT BIND is Kevin Kresse’s BREAKING THE CYCLE.  Installed in 2013, it shows a son pushing his father in a wheelbarrow.  At the time of the dedication, Kresse commented the piece is meant to show a father and son who have decided to “switch things up” for a new perspective on life.  Kresse and his son were the models for the piece.

One of the first sculptures placed in Riverfront Park in 2004 was DeDecker’s ANGLERS. It shows a grandfather and granddaughter going off to fish.  This sculpture is located near the Witt Stephens Jr. Central Arkansas Nature Center.

The sculpture was dedicated in November 2004 a few days before the opening of the Clinton Presidential Center.  it was selected, in part, because it paid tribute to the natural habitat of the area.  Since the sculpture was installed, not only has the Nature Center opened, but the Bill Clark Presidential Park Wetlands were created.

Near the Marriott Hotel, in the Vogel Schwartz Sculpture Garden, is C. T. Whitehouse’s HUDSON’S VOYAGE.  This sculpture is a tribute to his father.

Located near the Arkansas River, it reflects not only the boats and barges which travel by it daily, but is also symbolic of Whitehouse’s father’s service in the Navy and the possibilities that opened up for him.

Lastly, Tim Cherry’s RABBIT REACH is located near the Museum of Discovery.  The sculpture is a gift from Whitlow Wyatt and the Carey Cox Wyatt Charitable Foundation. It was given in memory of George Wyatt and Frank Kumpuris.  Those two gentlemen were the fathers of Whitlow Wyatt and Dean & Drew Kumpuris.

Easter Bunnies on Parade

Little Rock has at least four different sculptures of rabbits.  Since today is Easter Sunday and the Easter Bunny is making his rounds, it seems a good day to highlight these sculptures.

RB MonThe newest sculpture is Dan Ostermiller’s R. B. Monument.  A gift to the citizens of Little Rock by the Little Rock Garden Club, it was dedicated in 2017.

Located at the southeast corner of Kavanaugh and Pierce, this rabbit has quickly become a landmark. It is a favorite for kids and adults as they walk or drive by.  The rabbit is situated so that people can easily pose for photos with it, without the photographer having to stand in the street.  At Christmas and Easter, the rabbit has been bedecked with an appropriate wreath to add to its festive nature.

Bun BumIn the Vogel Schwartz Sculpture Garden, Laurel Peterson Gregory’s Bunny Bump has been providing whimsy since 2010.

After she sculpts an animal in wax or oil-based clay, traditional lost-wax casting processes immortalize the design in bronze. One aspect of particular interest to me, and one for which I plan early in the sculpting phase, is the complex and rich patinas that constitute another hallmark of my limited-edition sculptures. Multiple layers of chemicals and oxides are applied to the heated bronze to achieve a range of unique effects, both translucent and opaque, that complement each design.

Two stylized rabbits make for an interesting piece of artwork when they are not only dancing, but also doing the butt bump while dancing. The smooth surface and color of the bronze add to the illusion. This small piece has been placed on a pedestal to elevate more to eye level.

LopsA few yards from the bumping bunnies, James Paulsen’s Lopsided presents a much more laconic rabbit.

Paulsen is a self-taught artist. Alternately studying the wilds of the northern forest, and the open beauty of the American Southwest, he concentrates his work on natural subjects he has grown up with, and is heavily influenced by his family’s artistic background, being raised by an artist-illustrator and an author. In his work, he explores merging the beauty he sees in the natural world with the expressiveness of clay and bronze.

While having most of his work in galleries or private collections across the country, he has recently completed two public commissions

And at the corner of President Clinton Avenue and Sherman Street, Tim Cherry’s Rabbit Reach welcomes visitors to the River Market.

The sculpture is located at the corner of Sherman Street and President Clinton Avenue across from the Museum of Discovery.

The sculpture is a gift from Whitlow Wyatt and the Carey Cox Wyatt Charitable Foundation. It was given in memory of George Wyatt and Frank Kumpuris.  Those two gentlemen were the fathers of Whitlow Wyatt and Dean & Drew Kumpuris.

Cherry’s sculpture was selected for this spot because of its proximity to children at the Museum and in the River Market district.  The design and size of the sculpture encourages children to climb on it and to play around the rabbit.  While some public art is situated so it cannot be touched, this one is situated to be touched as part of the appreciation experience.

Year of the Sculpted Dog

Today marks the Chinese New Year (sometimes called Lunar New Year).  As part of the twelve year cycle, this is the Year of the Dog.

To mark this occasion, here are four sculptures found in Little Rock which feature dogs.  Two are in the Vogel Schwartz Sculpture Garden, one is in the Bill Clark Wetlands, and the other is at the Little Rock Animal Village.

Ken Newman’s FOREVER READY was donated in 2009 by the Sculpture at the River Market.   It is sited in the Vogel Schwartz Sculpture Garden.  Mr. Newman is a member of the National Sculptors’ Guild.  One of Mr. Newman’s specialties is animals.  Cast in bronze, Forever Ready depicts a Labrador.  Here is Mr. Newman’s artist statement on the piece.

Forever Ready is based off my 30 years experiences with and my love of the Lab. The sculpture was created during the absence of a lab in my life, this was important, because I wanted to reflect on all the past labs, not a present companion. So, ‘Forever Ready’ is that reflection of the breed (hunter, companion and teacher)…Capturing its intense nature with discipline and loyalty, I have set the lab on edge so intense, that if not given the command to go, it will just fall off. But, it is able to maintain balance – wet and ready to go again. The lab’s shadow is cast in the water below, for a I cannot think of a lab without water.

A few yards from Forever Ready, another dog stands inquisitively.  Commissioned in 2010 and unveiled in 2011, Dan Glanz’s BORIS is a likeness of Boris Kumpuris, the dog and companion of Mary and Dr. Dean Kumpuris.

Glanz captures the friendly and inquisitive nature of Boris in this work, which can be found in the Vogel Schwarz sculpture garden. Most weekends Boris can be seen with Dean as the two walk through Riverfront Park and the River Market. Boris explores and inspects the park along with Dean. Each year during the Sculpture at the River Market show, Boris visits with Dean and meets all the sculptors.

The sculpture was donated by longtime Kumpuris family friend Margaret Clark. She and her late husband Bill were two of the earliest supporters of sculpture along the Arkansas River. They donated another piece in honor of their grandchildren. A sculpture in memory of Bill was unveiled last year and stands in the wetlands park which bears his name.

 

The Bill Clark Wetlands is actually the location of the third dog.  It is Chloe, Bill Clark’s faithful hunting dog.  She and Bill are part of Clay Enoch’s sculpture STEADY.  Dedicated in 2011, it was a tribute to the man who helped build the Clinton Presidential Library.

This tribute to Clark shows Bill and Chloe in an early morning duck hunt scanning the horizon.  It is also positioned so that Bill is also gazing at the Clinton Presidential Center. His firm was the contractor on that building, and he spent thousands of hours walking in the area looking at the building during the construction.

A portion of the ground he trod during construction has been set aside as the Bill Clark Wetlands, and STEADY is placed in the wetlands as a memorial to Bill.

 

In 2015, the Little Rock Animal Village unveiled Lorri Acott’s WHO RESCUED WHO.  Located at the entrance to the Little Rock Animal Village, it depicts a person and dog looking at each other. They are sharing a bond of respect, admiration and love.

The human figure has Acott’s trademark extended length legs. These represent the ability to overcome obstacles and rise above adversity.  This is even more apt when considering the role that pets can play in our lives, as well as the role humans play in “adopting” rescued pets.

The sculpture is dedicated to the memory of Jack Adcock. It is given by his family, which includes longtime City Director Joan Adcock, their two children, eleven grandchildren, and great-grandchildren.

Little Rock Look Back: Clinton Center opens in 2004

wjc library openingIt has been thirteen years since the Clinton Presidential Center opened on a wet, cold Thursday.

The days leading up to it has been glorious.  And while the weather may have literally dampened spirits a bit, it was still an important day for Little Rock and Arkansas.

The events leading up to the opening included a concert by Aretha Franklin with the Arkansas Symphony Orchestra and an appearance by Senator John Glenn at the Museum of Discovery.  Events were hosted by the Arkansas Arts Center, Arkansas Repertory Theatre, Historic Arkansas Museum, and Old State House Museum.  There were scores of receptions and parties as Hollywood, New York, and DC descended on Little Rock.

November 18 dawned rainy and cool.  As the day continued on the precipitation continued while the temperature did not warm up.  Years of planning for a grand opening ceremony came down to this.  But at the appointed time, festivities began.

On the site of an abandoned warehouse district and unofficial dump which had previously been a train station, many leaders of the free world were gathered.  They rubbed shoulders with thousands of Arkansans from probably every county in the state.

It had been seven years and eleven days since Bill Clinton had announced the site of his presidential library.  It had been five years since artifacts and articles started arriving from Washington DC in Little Rock.  There had been lawsuits, threats of lawsuits, the threat of a Counter-Clinton Library, and countless meetings.

After speeches from Presidents Carter, Bush 41 and Bush 43, remarks from President Clinton and then-Senator Clinton (who was made even wetter by water pouring off an ill-placed umbrella), and even a musical performance by Bono and The Edge, Chelsea Clinton turned over the ceremonial key from the Clinton Foundation to the National Archives to officially open the Clinton Presidential Center.

In his capacity leading the Clinton Foundation, Skip Rutherford oversaw the planning for the Clinton Library and the grand opening festivities.  He, along with the foundation’s Executive Director Stephanie Streett, oversaw a phalanx of volunteers and staff to anticipate every detail.  The 1,000 days countdown sign that had been on the construction site (the brainchild of Tyler Denton) finally reached 0.

Isabelle Rodriguez, Shannon Butler, Mariah Hatta, Jordan Johnson, Lucas Hargraves, and Ben Beaumont — among others — had been putting in twelve plus hour days for months on end to get ready for the opening.  City Manager Bruce T. Moore led a team of City officials who had assisted on the planning and execution of the site preparation and making sure Little Rock was ready to welcome the world.  Moore and City Director Dean Kumpuris had been appointed by Little Rock Mayor Jim Dailey to lead Little Rock’s efforts to land the library.  After Clinton’s announcement of the site, Dailey, Kumpuris and Moore continued to work together to ensure the library would be successful.

While the weather on November 18, 2004, may have been a disappointment, the people who were gathered knew they were witnesses to history.  And thirteen years later, is a day people still talk about.

Little Rock Look Back: Bill Clinton announces LR as site for his library

Refuse on the site where the Clinton Center would be built

On November 7, 1997, President Bill Clinton announced his intentions to locate his presidential library in Little Rock at the end of a warehouse district.

The Little Rock City Board met in a special meeting that day to rename part of Markham Street, which would lead to the site, as President Clinton Avenue.

While the announcement was met with excitement in many quarters, there were still some skeptics who had a hard time envisioning a presidential library and park in the middle of a wasteland worthy of a T. S. Eliot poem.

There would be many hurdles between the November 1997 announcement to the December 2001 groundbreaking. But for the moment, City of Little Rock leaders, celebrated the achievement.  Then Mayor Jim Dailey had appointed City Director Dean Kumpuris and City employee Bruce T. Moore to lead the City’s efforts.  Moore and Kumpuris worked with Skip Rutherford and others to narrow the potential sites.

In September 1997, the Clintons were in town for the 40th anniversary of the integration of Central High School.  They surprised Kumpuris and Moore with a decision for a Sunday afternoon visit to the warehouse district proposed site. Secret Service would not let the limousine drive in part of the property, so the Clintons, Moore, Kumpuris, and Rutherford walked up a path to the roof of the abandoned Arkansas Book Depository.  It was there that the Clintons could see the Little Rock skyline which would be visible from the library.

Of course by the time the library had opened in November 2004, the Little Rock skyline was different. Spurred on by the library, several new highrises had been constructed in downtown.

Sculpture, Bridge dedicated today in memory of Cindy Miller

This afternoon at 4pm, a ceremony will take place for the dedication of the Cindy Coates Miller Bridge and an accompanying angel sculpture in the Clinton Presidential Park on the river trail immediately east of the pedestrian bridge.

Miller, who was the Arkansas representative of the Roy and Christine Sturgis Charitable and Educational Trust for over 20 years, died in 2013.

During her Sturgis career, she played a significant role in awarding grants totaling over $60 million including Sturgis Fellowships at the University of Arkansas, her alma mater; Arkansas Children’s Hospital; UA-Little Rock; Hendrix College; Our House; Heifer International and many other organizations. At the time of her death, she was working on a proposal for the bridge that is now completed and bears her name thanks to a gift from the Sturgis Trust in her memory.

The bridge makes it possible for people to visit and explore an island in the Arkansas River in its untouched state. This island will offer a unique natural experience in the heart of an urban setting.  Walking trails and a fishing pier are planned on the eastern part of the island.

The sculpture, entitled Angel, was designed by Clay Enoch of Loveland, Colorado and paid for by friends of Miller.  This three-quarter, life-sized bronze of a seated angel measures three feet from the bottom of its carnation wreath to the top of its wings with an arrow pointing upward. It is placed on a column of pink granite making the base and angel together 6 1/2 feet tall.

Miller’s husband, Pat; Little Rock City Director Dean Kumpuris; Rev. Danny Schieffler, Rector of St. Mark’s Episcopal Church; and Clinton School Dean Skip Rutherford will participate in the brief dedication ceremony.