Little Rock Culture Vulture

Cultural events, places and people in the Little Rock area


Sculpture, Bridge dedicated today in memory of Cindy Miller

This afternoon at 4pm, a ceremony will take place for the dedication of the Cindy Coates Miller Bridge and an accompanying angel sculpture in the Clinton Presidential Park on the river trail immediately east of the pedestrian bridge.

Miller, who was the Arkansas representative of the Roy and Christine Sturgis Charitable and Educational Trust for over 20 years, died in 2013.

During her Sturgis career, she played a significant role in awarding grants totaling over $60 million including Sturgis Fellowships at the University of Arkansas, her alma mater; Arkansas Children’s Hospital; UA-Little Rock; Hendrix College; Our House; Heifer International and many other organizations. At the time of her death, she was working on a proposal for the bridge that is now completed and bears her name thanks to a gift from the Sturgis Trust in her memory.

The bridge makes it possible for people to visit and explore an island in the Arkansas River in its untouched state. This island will offer a unique natural experience in the heart of an urban setting.  Walking trails and a fishing pier are planned on the eastern part of the island.

The sculpture, entitled Angel, was designed by Clay Enoch of Loveland, Colorado and paid for by friends of Miller.  This three-quarter, life-sized bronze of a seated angel measures three feet from the bottom of its carnation wreath to the top of its wings with an arrow pointing upward. It is placed on a column of pink granite making the base and angel together 6 1/2 feet tall.

Miller’s husband, Pat; Little Rock City Director Dean Kumpuris; Rev. Danny Schieffler, Rector of St. Mark’s Episcopal Church; and Clinton School Dean Skip Rutherford will participate in the brief dedication ceremony.


An Easter Parade of Bronze Bunnies

Downtown Little Rock has at least three different sculptures of rabbits.  Since today is Easter Sunday and the Easter Bunny is making his rounds, it seems a good day to highlight these sculptures.

In the Vogel Schwartz Sculpture Garden, Laurel Peterson Gregory’s Bunny Bump has been providing whimsy since 2010.

After she sculpts an animal in wax or oil-based clay, traditional lost-wax casting processes immortalize the design in bronze. One aspect of particular interest to me, and one for which I plan early in the sculpting phase, is the complex and rich patinas that constitute another hallmark of my limited-edition sculptures. Multiple layers of chemicals and oxides are applied to the heated bronze to achieve a range of unique effects, both translucent and opaque, that complement each design.

Two stylized rabbits make for an interesting piece of artwork when they are not only dancing, but also doing the butt bump while dancing. The smooth surface and color of the bronze add to the illusion. This small piece has been placed on a pedestal to elevate more to eye level.

A few yards from the bumping bunnies, James Paulsen’s Lopsided presents a much more laconic rabbit.

Paulsen is a self-taught artist. Alternately studying the wilds of the northern forest, and the open beauty of the American Southwest, he concentrates his work on natural subjects he has grown up with, and is heavily influenced by his family’s artistic background, being raised by an artist-illustrator and an author. In his work, he explores merging the beauty he sees in the natural world with the expressiveness of clay and bronze.

While having most of his work in galleries or private collections across the country, he has recently completed two public commissions

And at the corner of President Clinton Avenue and Sherman Street, Tim Cherry’s Rabbit Reach welcomes visitors to the River Market.

The sculpture is located at the corner of Sherman Street and President Clinton Avenue across from the Museum of Discovery.

The sculpture is a gift from Whitlow Wyatt and the Carey Cox Wyatt Charitable Foundation. It was given in memory of George Wyatt and Frank Kumpuris.  Those two gentlemen were the fathers of Whitlow Wyatt and Dean & Drew Kumpuris.

Cherry’s sculpture was selected for this spot because of its proximity to children at the Museum and in the River Market district.  The design and size of the sculpture encourages children to climb on it and to play around the rabbit.  While some public art is situated so it cannot be touched, this one is situated to be touched as part of the appreciation experience.

There will probably be more bunnies on display this weekend when the 10th Sculpture at the River Market Show and Sale takes place on April 22 & 23.  On April 21, there will be a preview party at 6:30pm.

For more information on the show & sale, visit the the show’s website.

 


The Arkansas Arts Center chooses Studio Gang as design architect

The Arkansas Arts Center (AAC) announced on Tuesday the selection of Studio Gang as design architect for its upcoming building project.
“We had a number of highly qualified firms respond to our RFQ, and narrowing this impressive group down to the five finalists was extremely difficult,” said Todd Herman, executive director for the Arkansas Arts Center. “All five finalists were incredibly talented with international reputations and credentials. The Arts Center would have been well served by any one of them. We were in a great position to choose from such an impressive pool of talent.”

The five firms selected as finalists were Allied Works (Portland, Ore./New York), Shigeru Ban (New York/Paris/Tokyo, Japan), Studio Gang (Chicago/New York), Thomas Phifer (New York) and Snohetta (Oslo, Norway/New York/San Francisco).

Herman said the selection committee felt Studio Gang was the best fit for the project, due to the firm’s elegant and smart approach to architecture, their understanding of the issues posed by the AAC’s current facility, their vision for the center as a cultural beacon for Central Arkansas and their commitment to sustainability and strength as urban planners.

Founded by MacArthur Fellow Jeanne Gang, Studio Gang is an award-winning architecture and urbanism practice based out of Chicago and New York. A recipient of the 2013 National Design Award, Jeanne Gang was also named the 2016 Archiitect of the Year by the Architectural Review and the firm was awarded the 2016 Architizer A+ award for Firm of the Year.

Studio Gang is recognized internationally for a design process that foregrounds the relationships between individuals, communities and environments. The firm has extensive knowledge in museum, theatre and artist studio spaces, with projects ranging from the Writers Theatre in Glencoe, Ill. to the Aqua Tower in Chicago to the expansion of the American Museum of Natural History in New York.

“Designing a re-envisioned Arkansas Arts Center is a truly exciting commission,” Gang said. “Its extraordinary collection, historic MacArthur Park setting, and rich mix of programs present a unique opportunity to redefine how the arts can strengthen local communities and surrounding regions. We look forward to working closely with the AAC to discover how architecture can enhance the Center’s important civic and cultural mission by creating new connections between people and the arts in Little Rock and beyond.”

An RFQ for a local architect to collaborate on the project will be issued later this month.

“When the Arkansas Arts Center project is completed, it will not just be a renovated facility, it will be a re-envisioned experience,” Little Rock Mayor Mark Stodola said. “The enhanced building will offer opportunities for an even higher level of exhibits, classes, children’s theatre productions and special events, making the Arkansas Arts Center not only a signature tourist attraction, but an even more important cultural anchor for the arts community in Little Rock.”

“It is well known that businesses looking to locate or expand look at a city’s quality of life offerings,” Stodola said. “An enhanced Arkansas Arts Center will be a showcase which will enable us to attract and retain quality job creators in a variety of sectors.”

Herman said he is looking at the project holistically, including Historic MacArthur Park, and reevaluating how the Arts Center meets the needs of its community.

“This project is about more than just addressing the physical issues of the current building. It requires rethinking how the AAC fits into the downtown fabric,” said Herman. “How can we best serve the community, and how do the AAC and MacArthur Park connect to other social and cultural nodes in downtown Little Rock? We want to do more than build; we want to transform the cultural experience.”

The five finalists presented their firm’s general project approach and design philosophies to the selection committee on November 1, 2016. The presentations took place in the AAC lower lobby lecture hall and were open for public viewing. More than 100 people were in attendance at the presentations, including students, community members and media.

The committee determined their selection at a public meeting on December 6, 2016. The selection committee included: AAC Executive Director Todd Herman; City Director Dean Kumpuris; Director of Little Rock Parks and Recreation Truman Tolefree; AAC Board Chair Mary Ellen Irons; AAC Board members Isabel Anthony, Van Tilbury and Chucki Bradbury; AAC Foundation Chair Bobby Tucker; Little Rock Small Business Development official Chauncey Holloman; and past Director of the Central Arkansas Library System Bobby Roberts.

A technical review panel was responsible for reviewing all proposals and recommending a slate of finalists to the selection committee, based on specialized criteria outlined in an RFQ that reflected the specific needs and goals of the AAC.  The technical review panel included: AAC Executive Director Todd Herman, AAC Chief Curator Brian Lang, Architect Ken Sims, Dean of the Fay Jones School of Architecture Peter MacKeith, Chair of the AAC Buildings and Grounds Committee Kaki Hockersmith and international museum consultant Deborah Frieden.

The leadership phase of a capital campaign to maximize the impact of public dollars dedicated to the project is currently underway.

“Anyone and everyone can participate in the creation of a new Arkansas Arts Center,” Herman said. “The Arts Center is a symbol of the importance that this community ­– and state – places on culture, arts education and quality of life, and all Arkansans will have the opportunity to share in that civic pride.”


Little Rock Look Back: A Dozen Years of the Clinton Library

SkipIt has been twelve years.  Have you warmed up yet?

Many remember November 18, 2004, for the rain and cold wind which greeted visitors to the opening of the William Jefferson Clinton Presidential Center and Park.  In the years which lead up to that day, November 18, 2004, was known simply as “Game Day” for a group of people.  The chief one was Skip Rutherford.

Overseeing the planning for the Clinton Presidential Center and the events surrounding it had been the focus of James L. “Skip” Rutherford for many years. A FOB for decades, he had stayed in Little Rock when so many went to Washington DC in 1993.

He oversaw the planning for the Clinton Library and led the Clinton Foundation.  No detail was too small or insignificant for him to consider. For months leading to the opening he led meetings to help restaurants, hotels, and attractions understand the scope of the opening.

Together with Dean Kumpuris and Bruce Moore on behalf of the City of Little Rock and Stephanie Streett of the Clinton Foundation, he reviewed plans for the Clinton Presidential Park and the streets and neighborhoods around the Clinton Presidential Center.

Skip used his connections with the business community in Little Rock and throughout the state to discuss the importance of a Presidential Library regardless of one’s personal political affiliations.  He withstood critics who second-guessed everything from the cost, the design, the location, the purpose, and even the anticipated tourism and economic impacts.

Finally the big day had come.  If the weather was not ideal, that was almost inconsequential. It was still the culmination of more than seven years hard work.  As he remarked later that evening when discussing the weather “Many who attended today go to events like this all the time.  This is one they won’t forget!”

However, the opening of the Clinton Presidential Center was not the end of the task. It merely was the move from one phase to another. A few years later, Skip’s role would change as he would leave the Foundation and become the second Dean of the Clinton School of Public Service.


Little Rock Look Back: Clinton selects Little Rock as library site

ClintonCenterConstruction-48

Refuse littered the future site of the Clinton Presidential Center

On November 7, 1997, President Bill Clinton announced his intentions to locate his presidential library in Little Rock at the end of a warehouse district.

The Little Rock City Board met in a special meeting that day to rename part of Markham Street, which would lead to the site, as President Clinton Avenue.

While the announcement was met with excitement in many quarters, there were still some skeptics who had a hard time envisioning a presidential library and park in the middle of a wasteland worthy of a T. S. Eliot poem.

There would be many hurdles between the November 1997 announcement to the December 2001 groundbreaking. But for the moment, City of Little Rock leaders, celebrated the achievement.  Then Mayor Jim Dailey had appointed City Director Dean Kumpuris and City employee Bruce T. Moore to lead the City’s efforts.  Moore and Kumpuris worked with Skip Rutherford and others to narrow the potential sites.

In September 1997, the Clintons were in town for the 40th anniversary of the integration of Central High School.  They surprised Kumpuris and Moore with a decision for a Sunday afternoon visit to the warehouse district proposed site. Secret Service would not let the limousine drive in part of the property, so the Clintons, Moore, Kumpuris, and Rutherford walked up a path to the roof of the abandoned Arkansas Book Depository.  It was there that the Clintons could see the Little Rock skyline which would be visible from the library.

Of course by the time the library had opened in November 2004, the Little Rock skyline was different. Spurred on by the library, several new highrises had been constructed in downtown.


Happy Father’s Day with Rabbit Reach

Cherry - Rabbit ReachToday is Father’s Day.  In honor of that, today’s Sculpture Vulture revisits Tim Cherry’s Rabbit Reach.  The sculpture was given in memory of two fathers.

The sculpture is a gift from Whitlow Wyatt and the Carey Cox Wyatt Charitable Foundation. It was given in memory of George Wyatt and Frank Kumpuris.  Those two gentlemen were the fathers of Whitlow Wyatt and Dean & Drew Kumpuris.

The sculpture is located at the corner of Sherman Street and President Clinton Avenue across from the Museum of Discovery.

Cherry’s sculpture was selected for this spot because of its proximity to children at the Museum and in the River Market district.  The design and size of the sculpture encourages children to climb on it and to play around the rabbit.

While some public art is situated so it cannot be touched, this one is situated to be touched as part of the appreciation experience.

Rabbit Reach received national publicity in 2015 when Melissa Joan Hart featured it on her social media while she was in Little Rock filming a movie.


Arkansas Heritage Month – Dr. Dean Kumpuris

Arts Community Development recipient Dean Kumpuris

Arts Community Development recipient Dean Kumpuris

This week as part of Arkansas Heritage Month’s focus on the arts, we will be looking at seven recipients of the Governor’s Arts Awards from Little Rock.

2016 honoree in Arts Community Development, Dr. Dean Kumpuris has spent the last three decades working to improve the cultural and civic life of Little Rock. In particular, he has focused much of his work on the revitalization of downtown, the development of the River Market, and expansion of Riverfront Park.

Through his vision and efforts to place public art downtown, in less than 10 years, nearly 100 sculptures have been installed in the Vogel Schwartz Sculpture Garden, as well as in parks along the Arkansas River and throughout Little Rock. He created the annual fundraiser, Sculpture at the River Market Show and Sale, which attracts thousands of visitors to Little Rock each year and features hundreds of sculptures from internationally recognized artists.

He is a gastroenterologist and has served on the Little Rock City Board of Directors since 1995.