Creative Class 2016: Tatiana Roitman Mann

cc16-roitmanPianist Tatiana Roitman Mann has appeared as a soloist and recitalist across North America and Europe.  Last night she appeared with the Arkansas Symphony Orchestra at their River Rhapsodies Chamber Series.  On Friday, October 28, she will be one of the performers at Trinity Cathedral in “A Schubertiade” as part of their Chamber Music Series.

The BBC hailed her performance of  Gershwin’s Rhapsody in Blue with Oxford Pops Orchestra as “formidable…both accurate and with rarely seen joy.” Mann’s radio broadcasts include H.Villa-Lobos’ Mystic Sextet, on NPR’s Performance Today , and B.Bartok’s Contrasts  on New York’s classical music station, WQXR, G. Gershwin’s Rhapsody in Blue on Little Rock’s KLRE.  Tatiana’s recording of the original, big band version of Gershwin’s Rhapsody in Blue was released on Naxos in the album Jazz Nocturne – American Concertos of the Jazz Age.

As a performer of contemporary works, she premiered Speak No Evil by E. McKinley at the American Composer’s Forum, and performed For Don by M. Babbitt, with the composer in attendance, in celebration of his 90th birthday at Tanglewood’s Contemporary Music Festival.  As the recipient of the Peggy Rockefeller Memorial Fellowship at Tanglewood, she worked with James Levine, Dawn Upshaw, Yo-Yo Ma, Charles Rosen and Claude Frank.

Tatiana’s interpretations of solo, concerto and chamber repertoire are characterized by their warmth and emotional intensity. As a versatile artist whose engagements range from concerto, solo and chamber performances to I. Stravinsky’s Petrushka with the San Diego Symphony and the Mainly Mozart education series Joyful Noise, she strongly believes the only way that “art” music can remain pertinent in the 21st century is by conveying and elevating its emotional quintessence.

Tatiana’s recent concerto performances include L. van Beethoven’s Piano Concerto #4 op.58, C. Saint-Saens Concerto #4 op.44 in San Diego, CA, G. Gershwin’s Rhapsody in Blue with Bismarck-Mandan Symphony in ND, L. van Beethoven’s Choral Fantasy in Sydney, Australia, as well as Rhapsody in Blue with the Arkansas Symphony. During the 2016-2017 concert season Mann will return to River Rhapsodies for performances of works by F. Schubert and M. Ravel. Additional engagements include a solo recital in the “Arts and Life” series at Harding University, M. de Falla’s Evenings in the Gardens of Spain with Venice Symphony, FL under the baton of Maestro Imre Pallo, and other performances as a soloist and collaborator with various chamber music groups throughout the US.

Tatiana holds graduate degrees from Manhattan School of Music, the Royal Academy of Music in London and a DMA from University of Minnesota.   

15 Highlights of 2015 – Ballet Arkansas performs the Balanchine-Gershwin “Who Cares?”

WhoCares-220x300Ballet Arkansas made Arkansas history in April 2015, when it became the first Arkansas-based dance company licensed to perform a work by George Balanchine.

It took place during Ballet Arkansas’ annual spring mixed repertory show.  The headlining piece, Who Cares?, was choreographed by the father of American ballet George Balanchine and is set to music of the incomparable George Gershwin.  “We at Ballet Arkansas are honored to be able to bring such a wonderful work to our state. This accomplishment speaks volumes for artistic and technical abilities of our twelve professional dancers” noted Artistic Director Michael Bearden. This piece was chosen for its fun, high-energy choreography and audience catching tunes that will delight fans of all dance styles.

The show also includes Hilary Wolfley’s expanded piece, Façade. Hilary, from Orem Utah, was the winner of our August 2014 Visions Choreographic Competition. Excerpts from the tragic tale and classical ballet Raymonda, choreographed by the Marius Petipa which was premiered January 19th, 1898, Maryinsky Theatre, St. Petersburg will be performed as well as the pas de deux from Lady of the Camellias by Val Caniparoli. Lady of the Camellias is set to the music of Chopin and is based on the 19th century French novel by Alexander Dumas. Former Hubbard Street Dance company member Greg Sample has choreographed a contemporary piece titled Rerouting which will round out the show’s line-up.

Ballet Arkansas is supported in part by the Arkansas Arts Council, an agency of the Department of Arkansas Heritage.

Ballet Arkansas headlines spring show with historic performance of Balanchine-Gershwin WHO CARES? this weekend

WhoCares-220x300Ballet Arkansas’ annual spring mixed repertory show will be performed April 17-19 at the Arkansas Repertory Theatre. “This mixed repertory format gives us the ability to entertain and educate our audience with different styles of dance, from classical ballet to contemporary dance to ballet-meets-Broadway” says Karen Bassett, Executive Director.  “There is truly something for everyone in this show”.

The headlining piece, Who Cares?, was choreographed by the father of American ballet George Balanchine and is set to music of the incomparable George Gershwin.  “This will mark the first time an Arkansas based dance company has been licensed to perform a work choreographed by Mr. Balanchine. We at Ballet Arkansas are honored to be able to bring such a wonderful work to our state. This accomplishment speaks volumes for artistic and technical abilities of our twelve professional dancers” says Artistic Director Michael Bearden. This piece was chosen for its fun, high-energy choreography and audience catching tunes that will delight fans of all dance styles.

The show also includes Hilary Wolfley’s expanded piece, Façade. Hilary, from Orem Utah, was the winner of our August 2014 Visions Choreographic Competition. Excerpts from the tragic tale and classical ballet Raymonda, choreographed by the Marius Petipa which was premiered January 19th, 1898, Maryinsky Theatre, St. Petersburg will be performed as well as the pas de deux from Lady of the Camellias by Val Caniparoli. Lady of the Camellias is set to the music of Chopin and is based on the 19th century French novel by Alexander Dumas. Former Hubbard Street Dance company member Greg Sample has choreographed a contemporary piece titled Rerouting which will round out the show’s line-up.

Tickets to the public shows of Who Cares? are available on the Arkansas Repertory Theatre’s website at therep.org or by calling (501) 378-0405.

Ballet Arkansas is supported in part by the Arkansas Arts Council, an agency of the Department of Arkansas Heritage.

Michael Bearden of Ballet Arkansas is featured at Clinton School today at noon

Michael-Bearden-Arkansan-of-the-Year-220x300Today at noon, Ballet Arkansas artistic director Michael Bearden, will discuss the upcoming performance by that company at the Clinton School.

Under the artistic direction of Michael Bearden, Ballet Arkansas will be performing its annual spring mixed repertory show April 17-19, 2015 at the Arkansas Repertory Theater. The show is entitled “Who Cares?” after the finale piece created by world-renowned choreographer George Balanchine with music by George Gershwin.  The entire evening has a line-up of five works.

This show will be groundbreaking for Ballet Arkansas in two ways: Hilary Wolfley, the winner of Ballet Arkansas’s first annual Visions Choreographic Competition will debut the full length version of her award-winning piece and this will be the first time an Arkansas entity will be performing an official Balanchine work.

Bearden will give a presentation on George Balanchine and his impact on the world of dance and what it means in the greater dance world that Ballet Arkansas was authorized by the Balanchine Trust to perform a piece of his work.

Bearden is in his second season as Ballet Arkansas‘ Artistic Director and is currently a Visiting Assistant Professor at the University of Utah Department of Ballet. A native of Searcy, Arkansas, he received his training at the Academy of Ballet Arkansas and went on to have a fourteen year career with Ballet West, in Salt Lake City. As a Principal Dancer at Ballet West, Michael performed leading roles in ballets by some of the world’s greatest choreographers including Balanchine, Ashton, Tudor, Forsythe, Stevenson, Welch, Dove, Tetley, Tharp, Kylian and Christopher Bruce.

With a strong interest in project management, in May 2005, Michael led a team of Ballet West dancers in organizing a special performance to benefit Utah Cancer Foundation. The event, “A Dance for Life” raised more than $20,000. In 2007, he was the project manager for Ballet West‘s 2007 calendar, which highlighted the Artists of Ballet West in some of Utah’s most memorable settings. As a choreographer, Mr. Bearden has created or staged his works for Ballet West, the University of Utah, Brigham Young University, the University of Cincinnati, Belhaven University and Texas Christian University. Michael is grateful for the continued opportunity to give back to the community by helping to guide Ballet Arkansas to new heights.

On Their Toes – Ballet Arkansas announces 2015-2016 season

BalletArkOn April 17 through 19, Ballet Arkansas will conclude the 2014-2015 season with Who Cares? featuring choreography by George Balanchine and music by George Gershwin.

Not content to rest on their laurels, they have announced their 2015-2016 season.

The season will kick off on August 22 with the second Visions Choreographic Competition.  Several choreographers will be invited to create dance pieces which will be performed that night.  A panel of experts and the audience will select a winner. The winner will be developed further and performed in the spring of 2016.
The annual Nutcracker will take place December 11, 12 and 13 at the Maumelle Performing Arts Center.  (It will return to the re-opened Robinson Center Music Hall in December 2016).
The spring show will be titled Under the Lights and will be at The Rep on May 20-22. Under the Lights is the show’s headline piece set to Johnny Cash music. It was premiered in Nashville recently and now comes full circle to the state of Cash’s birth and boyhood.  Also on the bill for that evening is Glinka Pas de Trois by George Balanchine and Group Therapy by Harrison McEldowney which is a very funny piece.  In addition there will be two new pieces being performed.  Kiyon Gaines, who choreographed a new version of Bolero performed by Ballet Arkansas recently will be back in his first year as the company’s resident choreographer. He will create a new work for a world premiere. The other new piece will be the Visions winner.
Michael Bearden is the Artistic Director of Ballet Arkansas; Karen Bassett serves as Executive Director; Marla Edwards is the Ballet Mistress and Ballet Arkansas Youth Division Director; and Erin Anson is Company & Production Manager.

Little Rock Look Back: President Clinton performs with Arkansas Symphony

Former U.S. President Bill Clinton addresses the audience after reciting Martin Luther King's famous speech, 'I Have A Dream', to the music of Alexander L. Miller at Robinson Auditorium March 25, 2003 in Little Rock, Arkansas. Clinton was the honored guest for a performance by the Arkansas Symphony Orchestra to benefit the William Jefferson Clinton Presidential Foundation. (Photo by Karen E. Segrave/Getty Images)

Former U.S. President Bill Clinton addresses the audience after reciting Martin Luther King’s famous speech, ‘I Have A Dream’, to the music of Alexander L. Miller at Robinson Auditorium March 25, 2003 in Little Rock, Arkansas. Clinton was the honored guest for a performance by the Arkansas Symphony Orchestra to benefit the William Jefferson Clinton Presidential Foundation. (Photo by Karen E. Segrave/Getty Images)

On March 25, 2003, former President Bill Clinton took the stage of Robinson Center Music Hall to perform with the Arkansas Symphony Orchestra. Entitled “Let Freedom Ring – A Patriotic Celebration,” the evening was a joint fundraiser for the Symphony and the Clinton Foundation.

Before a packed house of over 1700, Clinton narrated Aaron Copland’s A Lincoln Portrait which weaves excerpts from Lincoln speeches with Copland’s own unique classical take on American heartland music.  Clinton also narrated Let Freedom Ring, a symphonic setting by Alexander Miller of Martin Luther King’s “I Have A Dream” speech.

The evening also consisted of Broadway veteran and Little Rock favorite Lawrence Hamilton singing “Wheels of a Dream” from the musical Ragtime.  On Broadway and on national tour, Hamilton had previously sung the song.  The Arkansas Symphony Orchestra also performed An American in Paris by George Gershwin and “Jupiter” from The Planets by Gustav Holst.  This final selection was a tribute to the seven astronauts who had died in the crash of the space shuttle Columbia on February 1, 2003.

David Itkin, who was then the musical director of the ASO, conducted the concert.

 

Gershwin Music Featured at Arkansas Symphony this weekend

The Arkansas Symphony Orchestra (ASO), Philip Mann, Music Director and Conductor, presents the fourth concert in the 2014-2015 Acxiom Pops Live! Series: Here to Stay, a Gershwin Experience, on Saturday, March 14, 2015 at 7:30 p.m. and Sunday, March 15, 2015 at 3:00 p.m., at the Pulaski Academy Connor Performing Arts Center, 12701 Hinson Road,

Legendary singer Sylvia McNair and acclaimed pianist Jeffrey Biegel join the ASO in a celebration of the music of George and Ira Gershwin. The program features favorites like “Rhapsody in Blue,” “Someone to Watch Over Me,” I Got Rhythm,” and more. This spectacular musical experience is enhanced by rare video clips, family photos, and state-of-the-art visuals to provide a distinctive and unforgettable offering of the Gershwin brothers’ best.

The Pops Live! Series is sponsored by Acxiom. Media Sponsor for the Acxiom Pops Live! series is The Point 94.1. The concert sponsor is Arkansas Blue Cross and Blue Shield.

Tickets are $19, $35, $49, and $58; active duty military and student tickets are $10 are can be purchased online at http://www.ArkansasSymphony.org; at the Connor Performing Arts Center box office beginning 90 minutes prior to a concert; or by phone at 501-666-1761, ext. 100.

All Arkansas students grades K-12 are admitted to Sunday’s matinee free of charge with the purchase of an adult ticket using the Entergy Kids’ Ticket, downloadable at the ASO website.

ARTISTS:

  • Sylvia McNair, soprano
  • Jeffrey Biegel, piano
  • David Snyder, piano and vocal
  • Danny Gardner, vocals and tap dancer

PROGRAM:

  • Strike Up the Band
  • Embraceable You
  • Rialto Ripples
  • Fascinating Rhythm
  • The Half of it, Dearie, Blues
  • The Man I Love
  • ‘S Wonderful
  • But Not for Me
  • Rhapsody in Blue

INTERMISSION

  • Of Thee I Sing: Overture
  • Slap That Bass
  • Let’s Call the Whole Thing Off
  • They All Laughed
  • Love is Here to Stay
  • Summertime
  • I Got Rhythm
  • Concerto for Piano in F: III. Allegro Agitato