Artober – Art that Changed Me. The 1937 Museum of Fine Arts Entrance

October is Arts and Humanities Month nationally and in Little Rock. Americans for the Arts has identified a different arts topic to be posted for each day in the month.  We end today with “Art That Changed Me.”

So many possibilities:  Oliver!, the first production I saw; reading The Comedy of Errors (first Shakespeare play I read); the Missouri State University production of The Normal Heart; seeing George Seurat’s Sunday Afternoon on the Island La Grand Jatte or a Jackson Pollock piece both at the Art Institute of Chicago; Diego Rivera’s Two Women in the Arkansas Arts Center collection; hearing David Belcher play the piano in Rhapsody in Blue or the Arkansas Symphony playing Firebird Suite; the list goes on an on.

I grew up with the arts. I grew up valuing the arts. Art has moved me, made me laugh, made me cry, made me think, pretty much my entire life. All art changes me in some fashion.

So, I’ll cheat and talk about Art that Changed Little Rock.  Again, many choices, but it is easier to be more objective about that.  With the recent re-exposure of the original 1937 facade of the Museum of Fine Arts, that made me think of photos of the original building which were sent to me by Lally Brown. She is a granddaughter of Nettie Robinson, who was the first (and longtime) director of the Museum of Fine Arts.

For many years, this facade was inside a gallery of the Arkansas Arts Center. I have long said this facade was one of my favorite pieces in the Arkansas Arts Center collection. Now, it will once again be a portal through which people will enter and experience the arts.

Photo from the collection of Lally Brown.

The Museum of Fine Arts changed Little Rock. It was the first cultural institution that was an art facility. It provided a place to take classes and started to inspire people to aspire for more and better art.  It served as the foundation for the Arkansas Arts Center and all that it has offered. Most of Little Rock’s performing and visual arts entities can trace their heritage to the Museum of Fine Arts.

It all started here.

Photo by the Arkansas Arts Center

 

Artober – Theatre. Arkansas Repertory Theatre experiences a reprise.

October is Arts and Humanities Month nationally and in Little Rock. Americans for the Arts has identified a different arts topic to be posted for each day in the month. The penultimate feature is Theatre.

At the age of four, my parents took me to the theatre. It was a production of Oliver! A year or two after that, I went to a play produced by the Arkansas Philharmonic Theatre in Hillcrest. (Neither of my parents can remember the title of that production.)

It was this theatre that gave rise, in 1976, to the Arkansas Repertory Theatre.  Cliff Fannin Baker was the founder.  He had first come to Arkansas in the 1960s to work with the theatre program of Arkansas Arts Center School of Art and Theatre. Once that disbanded in 1968, Baker continued to direct theatrical productions for a variety of community and education theatres throughout the state.

Opening on November 11, 1976, the Arkansas Repertory Theatre was Arkansas’ first non-profit professional theatre. It was housed in an old Methodist church building next to MacArthur Park.  Occasionally it would present performances in other spaces including the UA Little Rock theatre or the Arkansas Arts Center theatre.  By the mid 1980s, the Rep was outgrowing its original location.

In 1988, Arkansas Rep moved to Main Street and served as an anchor for a downtown redevelopment project.  While that project may not have taken hold, the Rep did.  Cliff continued to lead it for over a decade on Main Street until his retirement in 1999.  He was succeeded by Bob Hupp, who came to the Rep from Off Broadway’s Jean Cocteau Theatre.

Hupp led the theatre until 2016.  During that time, he also oversaw a refurbishment and renovation of the Rep’s facility on Main Street.  When he left to take over Syracuse Stage in 2016, Baker returned to the Rep to be the Interim Artistic Director.  A few months later, John Miller-Stephany from the Guthrie Theatre came to Arkansas Rep.

By 2018, Arkansas Rep was facing a mounting financial crisis brought on by lagging donations, weakened ticket sales, increasing production costs, and debt related to real estate the theatre owned.  In April 2018, the Rep suspended operations and most of the staff were laid off.

Baker returned again to be an artistic advisor during this period. He worked with two long-time Rep board members who were serving as volunteer staff: Bill Rector and Ruth Shepherd. The community rallied to “Save the Rep” and responded to some challenge matching gifts offered by the Windgate Foundation. In addition, the Rep was able to restructure the debt.

As Baker was starting to consider shows for a rejuvenated Rep, he died while in New York in September 2018.  The Rep pushed forward and announced four shows for the Rep’s “REPrise” season during calendar year 2019.  In January 2019, it was announced that former Rep actor and Tony winning producer Will Trice was coming back to his hometown to assume the role of Executive Artistic Director.

As the Rep is winding down the season of the four shows announced in November 2018, Trice has announced three new shows for the spring and summer of 2020. In September 2020, the Rep will return to the traditional autumn through summer season schedule.

While F. Scott Fitzgerald once observed that “there are no second acts in American lives,” thankfully that does not apply to the Arkansas Repertory Theatre. It is currently in Scene 1 of the Second Act.  Let us hope this act has many many more scenes.

Artober – Spotted. In two senses of the word, Ballet Arkansas dancers during ACANSA 2019

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October is Arts and Humanities Month nationally and in Little Rock. Americans for the Arts has identified a different arts topic to be posted for each day in the month.  Today’s feature is “Spotted.”

Americans for the Arts does not define if that is the adjective or the past-tense verb.  But these photos of Ballet Arkansas dancers at the kick off of ACANSA 2019 fulfills both.

They were spotted (seen) performing in two alleys of the CALS Library Square campus.  And the dancers’ bodies became spotted as they used them to apply paint to four large canvases.

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Artober – Behind the Scenes. An Arkansas Symphony Orchestra rehearsal in 2017

Image may contain: 2 people, people sittingOctober is Arts and Humanities Month nationally and in Little Rock. Americans for the Arts has identified a different arts topic to be posted for each day in the month. Today’s focus is “Behind the Scenes.”

In 2017, I had the rare privilege of sitting on the stage during an Arkansas Symphony Orchestra rehearsal. These are some of the photos I took from that time.  It was exciting to not only hear the music up close but the see the musicians interact with each other on breaks. My appreciation for the ASO musicians (which was already high) grew even more so that evening.

As I was seated next to the violins, most of the photos are of the strings section.  I tried to be as subtle as possible in taking the photos.

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