15 Highlights of 2015 – Ballet Arkansas performs the Balanchine-Gershwin “Who Cares?”

WhoCares-220x300Ballet Arkansas made Arkansas history in April 2015, when it became the first Arkansas-based dance company licensed to perform a work by George Balanchine.

It took place during Ballet Arkansas’ annual spring mixed repertory show.  The headlining piece, Who Cares?, was choreographed by the father of American ballet George Balanchine and is set to music of the incomparable George Gershwin.  “We at Ballet Arkansas are honored to be able to bring such a wonderful work to our state. This accomplishment speaks volumes for artistic and technical abilities of our twelve professional dancers” noted Artistic Director Michael Bearden. This piece was chosen for its fun, high-energy choreography and audience catching tunes that will delight fans of all dance styles.

The show also includes Hilary Wolfley’s expanded piece, Façade. Hilary, from Orem Utah, was the winner of our August 2014 Visions Choreographic Competition. Excerpts from the tragic tale and classical ballet Raymonda, choreographed by the Marius Petipa which was premiered January 19th, 1898, Maryinsky Theatre, St. Petersburg will be performed as well as the pas de deux from Lady of the Camellias by Val Caniparoli. Lady of the Camellias is set to the music of Chopin and is based on the 19th century French novel by Alexander Dumas. Former Hubbard Street Dance company member Greg Sample has choreographed a contemporary piece titled Rerouting which will round out the show’s line-up.

Ballet Arkansas is supported in part by the Arkansas Arts Council, an agency of the Department of Arkansas Heritage.

Ballet Arkansas headlines spring show with historic performance of Balanchine-Gershwin WHO CARES? this weekend

WhoCares-220x300Ballet Arkansas’ annual spring mixed repertory show will be performed April 17-19 at the Arkansas Repertory Theatre. “This mixed repertory format gives us the ability to entertain and educate our audience with different styles of dance, from classical ballet to contemporary dance to ballet-meets-Broadway” says Karen Bassett, Executive Director.  “There is truly something for everyone in this show”.

The headlining piece, Who Cares?, was choreographed by the father of American ballet George Balanchine and is set to music of the incomparable George Gershwin.  “This will mark the first time an Arkansas based dance company has been licensed to perform a work choreographed by Mr. Balanchine. We at Ballet Arkansas are honored to be able to bring such a wonderful work to our state. This accomplishment speaks volumes for artistic and technical abilities of our twelve professional dancers” says Artistic Director Michael Bearden. This piece was chosen for its fun, high-energy choreography and audience catching tunes that will delight fans of all dance styles.

The show also includes Hilary Wolfley’s expanded piece, Façade. Hilary, from Orem Utah, was the winner of our August 2014 Visions Choreographic Competition. Excerpts from the tragic tale and classical ballet Raymonda, choreographed by the Marius Petipa which was premiered January 19th, 1898, Maryinsky Theatre, St. Petersburg will be performed as well as the pas de deux from Lady of the Camellias by Val Caniparoli. Lady of the Camellias is set to the music of Chopin and is based on the 19th century French novel by Alexander Dumas. Former Hubbard Street Dance company member Greg Sample has choreographed a contemporary piece titled Rerouting which will round out the show’s line-up.

Tickets to the public shows of Who Cares? are available on the Arkansas Repertory Theatre’s website at therep.org or by calling (501) 378-0405.

Ballet Arkansas is supported in part by the Arkansas Arts Council, an agency of the Department of Arkansas Heritage.

Michael Bearden of Ballet Arkansas is featured at Clinton School today at noon

Michael-Bearden-Arkansan-of-the-Year-220x300Today at noon, Ballet Arkansas artistic director Michael Bearden, will discuss the upcoming performance by that company at the Clinton School.

Under the artistic direction of Michael Bearden, Ballet Arkansas will be performing its annual spring mixed repertory show April 17-19, 2015 at the Arkansas Repertory Theater. The show is entitled “Who Cares?” after the finale piece created by world-renowned choreographer George Balanchine with music by George Gershwin.  The entire evening has a line-up of five works.

This show will be groundbreaking for Ballet Arkansas in two ways: Hilary Wolfley, the winner of Ballet Arkansas’s first annual Visions Choreographic Competition will debut the full length version of her award-winning piece and this will be the first time an Arkansas entity will be performing an official Balanchine work.

Bearden will give a presentation on George Balanchine and his impact on the world of dance and what it means in the greater dance world that Ballet Arkansas was authorized by the Balanchine Trust to perform a piece of his work.

Bearden is in his second season as Ballet Arkansas‘ Artistic Director and is currently a Visiting Assistant Professor at the University of Utah Department of Ballet. A native of Searcy, Arkansas, he received his training at the Academy of Ballet Arkansas and went on to have a fourteen year career with Ballet West, in Salt Lake City. As a Principal Dancer at Ballet West, Michael performed leading roles in ballets by some of the world’s greatest choreographers including Balanchine, Ashton, Tudor, Forsythe, Stevenson, Welch, Dove, Tetley, Tharp, Kylian and Christopher Bruce.

With a strong interest in project management, in May 2005, Michael led a team of Ballet West dancers in organizing a special performance to benefit Utah Cancer Foundation. The event, “A Dance for Life” raised more than $20,000. In 2007, he was the project manager for Ballet West‘s 2007 calendar, which highlighted the Artists of Ballet West in some of Utah’s most memorable settings. As a choreographer, Mr. Bearden has created or staged his works for Ballet West, the University of Utah, Brigham Young University, the University of Cincinnati, Belhaven University and Texas Christian University. Michael is grateful for the continued opportunity to give back to the community by helping to guide Ballet Arkansas to new heights.

14ish Cultural Highlights of 2014

2014 was a busy year.  Here are 14 cultural highlights. In no particular order. Except maybe once in while.

The Rep's Bob Hupp and Catherine Hughes flank NEA Chair Jane Chu

The Rep’s Bob Hupp and Catherine Hughes flank NEA Chair Jane Chu

Dr. Jane Chu visits Arkansas. Former Arkadelphia resident Dr. Jane Chu was appointed as the Chairman of the National Endowment for the Arts. In October, she paid a visit to Little Rock and northwest Arkansas. While in the Rock, she participated in a discussion at the Arkansas Repertory Theatre and toured the new Creative Corridor spaces under construction for the Rep, Ballet Arkansas and Arkansas Symphony Orchestra. Dr. Chu was also the guest of honor at a reception hosted by the Arkansas Arts Council. While here, she had the chance to renew old friendships as well as make new ones.

Carroll Cloar exhibit at Arkansas Arts Center. The Arkansas Arts Center featured the works of Arkansas native Carroll Cloar. Much as the Biblical prophet who is ignored in his homeland, Cloar has long been better recognized outside of his native state.  The Cloar exhibit (which included a painting of future Little Rock mayor J. V. Satterfield playing football, a personal favorite of the LRCV) and the outreach by the AAC staff made great strides towards raising Arkansas’ consciousness about the works by the American treasure.

DSCF0011Robinson Center Music Hall closes for renovation. Opening in February 1940 as the Joseph Taylor Robinson Memorial Auditorium, the City’s prime venue for performances and civic gatherings needed an external and internal facelift at 74. The building closed in July 2014 for a two year renovation which will see the reconfiguration of the performance and audience space in the music hall, the creation of a new special events venue overlooking the Arkansas River, and the restoration of this historic main lobby and front façade to 1940 appearance. During this closure tenants such as Ballet Arkansas, the Arkansas Symphony Orchestra and Celebrity Attractions have temporarily relocated to other venues including the Pulaski Academy Connor Performing Arts Center and the Maumelle Performing Arts Center.

Ron Robinson Theater opens. Shortly before one Robinson closed, another opened.  The Central Arkansas Library System’s new Ron Robinson Theater opened. This multi-purpose venue has quickly become home to lectures (by the library, the Clinton School and others), films (in partnership with Arkansas Times, Little Rock Film Festival and others) and music (including the Arkansas Sounds series).  Named for famed Little Rock adman Ron Robinson, the public spaces pay tribute to his love of movies and music about Arkansas.

Music Music Music

  • As noted above, Arkansas Sounds has switched from a concentrated music festival to instead offering a variety of music styles and genres throughout the year at the new Ron Robinson Theatre. The music has ranged from Big Band to Klezmer to Country to Rock to Rap.  This is only one of the new music offerings in Little Rock.
  • South on Main completed its first full year of the weekly Local Live free music series sponsored by the Oxford American and Landers Fiat. South on Main also started a Jazz on Main series as well as increased their bookings of other musicians ranging from Rodney Block to Rodney Crowell.
  • Meanwhile, The Undercroft completed its first full year of (mainly) acoustic music offerings at the corner of Capitol and Scott Streets.

New Works of Art.

  • New sculptures were added to the Vogel-Schwartz Sculpture Garden and Riverfront Park as well as the Bernice Gardens.
  • In what may be the first for any symphony in the US, the musicians of the Arkansas Symphony Orchestra commissioned a new piece in honor of the ASO board of directors. The work, composed by Christopher Theofanidis, was entitled The Wind and Petit Jean.  It was well-received by audience and musicians alike.
  • Ballet Arkansas sponsored a choreography competition “Visions” which featured five choreographers competing to be selected for a full-scale commission.  The winner was Hilary Wolfley whose work will be seen at the spring Ballet Arkansas presentation.
  • Finally, in conjunction with the 175th anniversary of Christ Episcopal Church (the oldest church in Little Rock to be at its original location), a new choral piece was commissioned. Daniel E. Gawthrop’s “Haste the Day” premiered on December 7.

mod delaneyThe Tonight Show with Kevin Delaney. Because Jimmy Fallon is really just a big kid at heart, he wanted to include periodic “cool” science experiments when he took over the “Tonight Show.”  After being contacted by a producer of Fallon’s show and an audition process, the Museum of Discovery’s Kevin Delaney was booked to appear.  He debuted on May 5 performing experiment with Fallon and returned on November 7. When not a guest of NBC, Delaney performs the same types of “Awesome Science” experiments for tens of thousands of children and adults at the Museum of Discovery.

New Festival of Arts. Acansa, a new multi-discplinary, multi-venue arts festival, debuted this year in September.  Over a five day period, ACANSA Arts Festival brought together audiences and cultural resources to present unique and exciting visual and performing works which celebrate the unique influence of the south and champion excellence and innovation in artistry.  There was theatre, dance, instrumental music, choral music, puppetry and visual art.

14 14 4Gridiron Returns. The talk of the return of the Star Wars movie franchise was not the only welcome news of returns. Gridiron, the biennial attorney fundraiser which spoofs politics, current events, sports and everything that is “sacred” to the general populace, returned after a hiatus.  Once again this effort was under the watchful eye of producer Judge Mary McGowan, the creative leadership of Jana Beard, and the writing prowess of the anonymous committee.  As has been the case in the past, many of the targets of the show good-naturedly showed up and laughed along in the audience.

Sculptures Returned.  Gridiron was not the only welcome return. Earlier this year several sculptures were stolen from the Vogel-Schwartz Sculpture Garden in Riverfront Park. After a media blitz about the theft, some people strolling through the park stumbled across a bag containing the missing sculptures. The pieces are in the process of being restored and will be reinstalled soon.

14 14 3Clinton Center turned 10.  Proving that you can come home again, quite a few of the people who were present for the opening of the Clinton Presidential Center in 2004 showed up again in 2014 to take part in celebratory festivities.  Among events included several lectures; a day of service benefiting the Arkansas Food Bank; a barbecue picnic; and a concert featuring Nick Jonas, Kool & the Gang and others which was hosted by Kevin Spacey.  The Clinton School also celebrated 10 years of lectures and innovative programs.

Preservation Concentration – The Quapaw Quarter Association marked the 50th Spring Tour this year. The event was co-chaired by First Lady Ginger Beebe and lifestyle expert P. Allen Smith.  Later in the year, the QQA hosted its first Mid-Century architecture tour highlighting some of Little Rock’s buildings from this style. They ended the year with the news that they had purchased the William E. Woodruff House in east Little Rock. One of Little Rock’s oldest houses, it was built by the founder of the Arkansas Gazette.  They will shore up the building to try to ensure no further decay as the building is readied for its next phase.

Huzzahs

  • 14 14 2Reese Rowland, architect and principal at Polk Stanley Wilcox Architects of Little Rock, was named a fellow of the American Institute of Architects, awarded to fewer than 4 percent of AIA members.
  • Little Rock native Will Trice earned his third Tony Award in three years, this time for producing All The Way, the Best Play of 2014. His previous Tonys were for Porgy and Bess (Musical Revival-2012) and Who’s Afraid of Virginia Woolf? (Play Revival-2013).
  • Arkansas native and frequent Little Rock performer Al Green was one of the 2014 Kennedy Center Honorees.
  • Little Rock’s Creative Corridor continued to rack up honors. The UA’s Community Design Center, which includes faculty and staff members from the school, won a 2014 Honor Award from the American Institute of Architects for its work on the Creative Corridor, on which it collaborated with Marlon Blackwell Architect of Fayetteville. The project also received the American Society of Landscape Architects Honor Award for Analysis and Planning.

Transitions.

  • 14 14Sharon Priest, a longtime cultural advocate as a City Beautiful Commission member, Little Rock City Director, Little Rock Mayor and Arkansas Secretary of State announced her retirement after 12 years as Executive Director of the Downtown Little Rock Partnership.  Over the past dozen years, she has continued her cultural advocacy.
  • One of Priest’s successors as a member of the Little Rock City Board, Stacy Hurst, was named by Gov.-Elect Asa Hutchinson to be his choice to lead the Department of Arkansas Heritage. She will oversee seven agencies including three Little Rock museums: Mosaic Templars Cultural Center, Old State House Museum and Historic Arkansas Museum.
  • Following the closure of Starving Artists Cafe, the weekly Tales from the South program (which originated from there) had to scramble to find a place.  After several weeks of a completely nomadic existence, it is now settling into a rotating list of locations. The Arkansas Arts Center’s Best Impressions restaurant has been designated a “permanent” site for the first Tuesday of each month.
  • The free outdoor Movies in the Park celebrated its 10th season this year. Founders Blake Rutherford, Heather Allmendinger and Ben Beaumont were honored at the start of the season.  A few weeks into the season, the series screened the film Frozen and set a new record for attendance by logging over 7,000 attendees.
  • After the closure of the Riverdale cinema in 2013, the space sat vacant.  In June 2014, Matt Smith moved the Market Street Cinema operations into the Riverdale space. He upgraded the equipment at Riverdale (which was also a vast improvement over the equipment at Market Street).  The new Riverdale 10 shows a mix of first-run blockbusters as well as the independent films for which Market Street had been beloved.
  • The Studio Theatre was launched adjacent to the new Lobby Bar in downtown Little Rock.  In addition to producing its own performances, it is also the new home of the Community Theatre of Little Rock and Precipice Theatre.
  • Weekend Theatre founder Ralph Hyman retired as the Artistic Director of that group. He will continue to direct productions from time to time.

 

Ballet Arkansas kicks off 2014-15 with VISIONS

BA_VISIONS_600x300ad_25july2014Ballet Arkansas kicks off the season tonight with their first annual Visions Choreographic Competition.  It will take place in the CALS Ron Robinson Theater in the River Market at 7:00 pm.

Thirty-six emerging choreographers from around the country competed for five spots in this competition. The winner will receive a commission to create a complete new work on Ballet Arkansas’s company dancers for their 2015 spring show.

The five choreographers  selected for the competition are:

  • Sayoko Knode,  former principal dancer with Idaho Dance Theatre;
  • Jerry Opdenaker, former principal dancer for ballet companies such as Milwaukee Ballet, Pennsylvania Ballet, Kansas City Ballet and Ballet Florida;
  • Brandon Ragland, dancer with the Louisville Ballet;
  • Christopher Stuart dancer with Nashville Ballet;
  • Hilary Fullmer Wolfley who graduated in 2013 from Brigham Young University with a bachelor’s degree in Ballet.

The five pieces will be judged by Adam Sklute, Artistic Director of Ballet West, Rhythm McCarthy with UALR’s Theatre and Dance Program, former Ballet Arkansas Principal Dancer Michael Tidwell with the Tidwell Project and the audience will be the fourth judge.

“I am very pleased with the talent level of our five guest choreographers” said Artistic Director, Michael Bearden “Their abilities in collaboration with our beautiful dancers will make for an evening you won’t want to miss.”

New Works and Old Favorites are part of the Ballet Arkansas 2014-2015 season

BalletArkWhile most people know Ballet Arkansas for its long tradition of The Nutcracker, the organization is so much more and this season’s line up truly demonstrates that.” Artistic Director Michael Bearden, a former Principal Dancer with Ballet West in Salt Lake City, is delighted to announce that, for the first time, an Arkansas dance company has been authorized by the George Balanchine Trust to perform a piece from his extensive, world renown collection of works. “By authorizing Ballet Arkansas to perform one of its works, the George Balanchine Trust has put a stamp of approval on the growth our company has made. This is a huge honor and accomplishment!”

Ballet Arkansas will present three productions this season, starting off with their first annual Visions  Choreographic Competition to be held in the CALS Ron Robinson Theater in the River Market on August 23rd at 7:00 pm. Thirty-six emerging choreographers from around the country competed for five spots in this competition. The winner will receive a commission to create a complete new work on Ballet Arkansas’s company dancers for their 2015 spring show. The five choreographers  selected for the competition are: Sayoko Knode,  former principal dancer with Idaho Dance Theatre; Jerry Opdenaker, former principal dancer for ballet companies such as Milwaukee Ballet, Pennsylvania Ballet, Kansas City Ballet and Ballet Florida; Brandon Ragland, dancer with the Louisville Ballet; Christopher Stuart dancer with Nashville Ballet; and Hilary Fullmer Wolfley who graduated in 2013 from Brigham Young University with a bachelor’s degree in Ballet. The five pieces will be judged by Adam Sklute, Artistic Director of Ballet West, Rhythm McCarthy with UALR’s Theatre and Dance Program, former Ballet Arkansas Principal Dancer Michael Tidwell with the Tidwell Project and the audience will be the fourth judge.

“I am very pleased with the talent level of our five guest choreographers” said Artistic Director, Michael Bearden “Their abilities in collaboration with our beautiful dancers will make for an evening you won’t want to miss.”

In December, Ballet Arkansas joins forces with the Arkansas Symphony Orchestra to present the annual holiday ballet, Tchaikovsky’s The Nutcracker at the Maumelle Performing Arts Center.  With music provided by the Arkansas Symphony Orchestra, a cast of 200+ youth and adult dancers from the central Arkansas area, professional guest artists, Ballet Arkansas company members and Youth Division, The Nutcracker will continue its tradition as a holiday must-see. The Nutcracker performance week includes student matinees for statewide school groups on December 11 & 12, along with the four public performances on December 12, 13 and 14th.  The Nutcracker Tea at the Capital Hotel provides a wonderful complement to the performances.

In April, Ballet Arkansas will present its mixed rep show  titled Who Cares? after the production’s finale piece. Dancers will be performing the concert version of Balanchine’s Who Cares? set to music by George Gershwin on the stage of the Arkansas Repertory Theatre in downtown Little Rock April 17-19, 2015, with student matinees scheduled for April 16 and 17 for statewide school  groups.  The concert will also feature the expanded winning choreography from the Visions competition, an excerpt from Val Caniparoli’s Lady of the Camellias, Raymonda, and a new piece by former Hubbard Street dancer Greg Sample, who will be expanding one of his existing works.

Ballet Arkansas’ performances in the 2014-2015 Season will also include an appearance at the ACANSA Arts Festival on September 28th at Wildwood Performing Arts Center, a joint collaboration with the Arkansas Symphony Youth Orchestra and Ballet Arkansas’s Youth Division at the Albert Pike Scottish Rite Temple November 14 & 15, a Master Class Series featuring Ballet Arkansas’ guest artists offering classes which can be attended by the general public, a gala in the spring of 2015, a  state-wide touring program and a Student Matinee program, including student matinees at tour sites  around the state.