AIN’T NOTHING BUT A THANG continues at the Weekend Theater

2262749picThe Weekend Theatre’s latest production is Marlin T. Tazewell’s Ain’t NothingBut a Thang.  The production opened last weekend and continues this weekend and next.  Performances are at 7:30pm on Fridays and Saturdays.

Tickets are $16 for general admission, and $12 for students and seniors age 65 and older. Tickets can be purchased at www.weekendtheater.org or, based on availability, at the door. For information only, call 501-374-3761.

Director Liz Clarke was searching for a modern play to submit for Black History Month when she found Tazewell’s script last year and was intrigued by the story line. And once she read it, she was convinced it was something she wanted to direct.

Winner of the 1999 National AIDS Fund/CFDA-Vogue Initiative Playwriting Award, this gripping drama is the story of one black family struggling to survive, and remembering that each new curve life throws them “ain’t nothing but a thang” with which all of them must deal.

“The main theme of the play revolves around the decisions we make and the end result of these decisions. There is no ‘bad guy’ in this play,” Clarke says.

Rachel (Kelani Campbell), the mother of the family, struggles with drug use and thoughts that she isn’t good enough, hasn’t done enough, and isn’t loved by her kids. Oldest son Matt (Marquis Bullock) left home to pursue a college degree and better himself; he loves his family, but can’t allow himself to be drawn back in to their drama, no matter how guilty he feels about leaving. Middle son Kintai (Micheal Lowe), styles himself as a “dealer in higher plains of existence” – that is, a dope dealer. The youngest, 14-year-old Amber (Jess Carson), has been promiscuous and because of that, has contracted HIV, and just wants to know if someone cares if she lives or dies.

Also in the Fazes family orbit are Sara (Wendy Darr) Amber’s best friend, and Caveman (Justin Pike), a pal to Matt and Kintai.

And as the drama unfolds, the choices are … not so easy, really. “This play is not black or white – it is muddied shades of gray,” Clarke says. “Everyone in ‘Ain’t Nothing But a Thang’ is presented with a fork in the road and it’s their choice as to which road to take. “

STREETCAR and METAL in LR this weekend

Two Little Rock theatre groups present offerings to heat up cold winter nights this weekend.

THE METAL CHILDRENThe Weekend Theatre, in its 20th anniversary season, presents award winner Adam Rapp’s play Metal Children.  Rapp, who is one of the most prolific playwrights today, tells the story of a small town ripped apart by a debate over a book.

When a young adult novel about teen pregnancy is banned by the local school board, it ignites a fierce and violent debate over abortion, religious beliefs, and modern feminism. A directionless New York City author arrives in town to defend the book and finds that it has inspired a group of local teens to rebel in strange and unexpected ways. The book also inspires a swarm of teenage pregnancies, a horde of pig-masked vigilantes terrorizing the populace, a suicide, and at least one murder attempt. A timely and unforgettable drama about the failure of urban and heartland America to understand each other, The Metal Children explores what happens when fiction becomes a matter of life and death.

The play is directed by Justin A. Pike (who most recently directed Annie for the Royal Players in Benton).   The cast includes Don Bright, Wendy Darr, Anna Findley, Augusta Fitzgerald, Duane Jackson, Grace Lytle, David Monteith, Samantha Porter, Donna Singleton and Evan Tanner.

The production opened last weekend and continues on Fridays and Saturdays through January 26.  The shows take place at the Weekend Theatre located at 7th and Chester.

Precipice Theatre Prepares for Opening of 'A Street Car Named Desire'One of Little Rock’s newest theatre groups, Precipice Theatre, presents Tennessee Williams’ Pulitzer Prize winner A Streetcar Named Desire.  The world of Blanche, Stanley, and STELLLLLLLAAAAA are brought to life amid the sweltering heat of New Orleans. Things are hardly what they seem in a world where a paper lantern is used to transform a plain lightbulb and light may hide more than the darkness.

The show opened last night and continues on through Sunday, January 27.  There are two performances today (2pm and 7:30pm) and a matinee tomorrow at 2pm.  Doors open 30 minutes prior to the performance.   Streetcar is being performed at the Public Theatre located at 616 Center Street.  To reserve tickets, send an email to LRprecipicetheatre@gmail.com and let us know your name, number of seats needed, and which performance you will be attending.

The production has been directed by Paul Seminara, Cory Cotham and Jennifer S. Walker.  The cast includes Heather D. Smith, Ricco Ardemagni, Rachel Bland, Paul Seminara, Brent Wood, Caitlin Selacavich, Jennifer S. Walker, Steve Sullivan, Cory Catham, Andy Stanley and Tracy Crain.

 

Rocky Horror in the Rock

A production of The Rocky Horror Show opens tonight and runs through Halloween.  Performances are at the Unitarian Universalist Church on Reservoir Rd and begin at 7pm from October 24 – 27 and again from October 29 – 31.  There will also be a 10:30pm performance on Halloween.

The cast features Patty Miller-Marshall (Narrator), Jonathan Tatus (Dr. Frank-N-Furter), Jason Willey (Brad Majors), Brittany Sparkles (Janet Weiss), Danette Perry (Rif Raf), Kelani Campbell (Magenta), Rachel Warnick Hampton (Columbia), Anthony James Gerard (Eddie), Duane Jackson (Dr. Scott), Erin Murphey Martinez (Usherette) and Kyle Wigginton (Rocky).  Rounding out the cast are Beth Ross and Libby A. Smith as Phantoms.

The production is co-directed and designed by Liz Clarke, Justin Pike and Danette Perry.  It is choreographed by Lisa Luyet.

Absolutely NO outside items may be brought in to Rocky Horror. This includes, but is not limited to: hotdogs, waterguns, rice, toilet paper, newspaper, noise makers, feathers, lighters, etc.  Prop participation bags will be available at the door.

The show, written by Richard O’Brien, premiered in London in 1973.  A production was mounted on Broadway in 1975 and ran less than a month.  The movie version became a cult classic and kept the show in the public’s eye.  In 2000, a Broadway revival opened and ran for over 400 performances.