Discover Mystery and History along the SCOTLAND ROAD at UALR Play

ScotRoad1000UALR’s third theatre production of the 2014-15 season opens tonight and runs through February 15.  Jeffrey Hatcher’s Scotland Road plays at 8pm tonight through Saturday and 2:30pm on Sunday in the University Theatre on the UALR campus.

Mystery, history, and human obsession plot the course of Scotland Road.  Reality is called into question when a simply dressed young woman is rescued from a small iceberg in the North Atlantic. All evidence, including her one word to the rescuers, “Titanic,” points to her being a survivor of the world’s worst sea disaster 80 years before.

The play navigates its way through several unexpected twists and turns as the woman is questioned by John Jacob Astor V, great-grandson of one of the Titanic’s most celebrated victims and a man preoccupied with every aspect of the event. Each meeting both unravels and deepens the mystery, and forces Astor to embark on his own voyage of soul searching.

Highly stylized and rich with imagery, the play examines the depths of who we are and brings to the surface the realization that few things, and fewer people, are what they seem.

The show’s director is Dr. Jay E. Raphael, professor and chair of UALR Department of Theatre and Dance.  The cast features Keaton Duersch, Ashley Mahan, Heidee Alsdorf and Stacy Pendergraft.  The creative team includes William Marshall (scenery and lighting), Yslan Hicks (costumes), Jim Spencer (sound) and Karen Harris (props).

Ticket prices are $10 for the general public and $5 for UALR students, faculty, staff, and seniors.  For more information, tickets, and reservations call 501.569.3456.

Black History Month Spotlight – Henri Linton

bhm HenriHenri Linton is a nationally known painter and a well-respected art educator.   Born in Alabama in 1944, he began painting and visiting museums as a young man.  He paid for art supplies by painting signs and shining shoes. After entering a national art contest as a teenager, he won a four-year scholarship to the Columbus College of Art and Design in Ohio. Linton earned a Bachelor of Fine Arts from Boston University and a master’s degree in art from the University of Cincinnati Graduate School of Fine Arts.

In 1969, the chairman of Arkansas AM&N College (later UAPB) art department, John Howard, offered Linton a position on the faculty. With Howard as his mentor, Linton began a career teaching aspiring artists. When Howard retired as chairman in 1980, Linton took the position.

In 1996 and 2000, he was featured in solo shows at the Arkansas Arts Center.  His work is displayed throughout the state, including in public collections at  UAMS, the Winthrop Rockefeller Foundation and the Arkansas Arts Center. He has highlighted some of his works in a book he co-authored, The Art of Henri Linton: Sequences in Time and Space (2003).

Linton also developed UAPB’s University Museum and Cultural Center. Gathering historical photographs, papers, annuals, books, newspaper clippings, tokens, mementos, and a variety of other artifacts, Linton organized, designed, and helped construct all the displays at the museum, which houses Keepers of the Spirit: The L. A. Davis, Sr. Historical Collection, which documents the history of UAPB.

In 2001, Henri Linton was inducted into the Arkansas Black Hall of Fame.  For more on Henri Linton and other inductees into the Arkansas Black Hall of Fame, visit the permanent exhibit at the Mosaic Templars Cultural Center. That museum is an agency of the Department of Arkansas Heritage.

“Making Assumptions” tonight at Tales from the South at the Oyster Bar

talesfromthesouthAs the old saying goes, you know what happens when you make  assume things…..  Tonight, Tales from the South examines the pitfalls and surprises of “Making Assumptions” at the Oyster Bar. The storytellers for this edition are Conrad Shumaker, and B. Wm. Bower, and Colin Edward Woodward.

Music is by Brad Williams & Isaac Alexander as well as blues guitarist Mark Simpson.

“Tales From the South” is a radio show created and produced by Paula Martin Morell, who is also the show’s host. The show is taped live on Tuesday. The night is a cross between a house concert and a reading/show, with incredible food and great company. Tickets must be purchased before the show, as shows are usually standing-room only.

“Tales from the South” is a showcase of writers reading their own true stories. While the show itself is unrehearsed, the literary memoirs have been worked on for weeks leading up to the readings. Stories range from funny to touching, from everyday occurrences to life-altering tragedies.

Dinner is served from 5pm to 6:30pm, the show starts at 7pm.  Admission is $15.  Dinner can be purchased separately.

You MUST purchase your ticket before the show.

Previous episodes of “Tales from the South” air on KUAR Public Radio on Thursdays at 7pm.  This program will air on February 26.

New Dean of UofA Fay Jones School of Architecture to speak tonight

PeterMacKeithAs part of the monthly Architecture & Design Network architecture lecture, Peter MacKeith will discuss Aalto’s Identities tonight.

Dean MacKeith, an internationally recognized design educator, assumed the deanship of the Fay Jones School of Architecture on July 1, 2014. Before joining the Fayetteville school, McKeith was a professor and associate dean at Washington University’s Sam Fox School of Design and Visual Arts, Saint Louis. Prior to his tenure there, he directed the Master of Architecture program at Helsinki University of Technology, now Aalto University.

He will offer an informed perspective on the life and work of Finland’s foremost Twentieth Century architect/designer, Alvar Aalto (1898-1976), an international icon in his own right. Iterations of the furniture, textiles and glassware he designed continue to have a significant presence in American homes and numerous public spaces.

The program will take place tonight at 6pm in the lecture hall of the Arkansas Arts Center. A reception will precede at 5:30.

MacKeith began his tenure at Washington University in 1999 as a faculty member and assistant dean of the School of Architecture. In 2001, he became the associate dean of architecture, and was later named the associate dean of the Sam Fox School in 2006. He also serves as adjunct associate curator of architecture and design at the Mildred Lane Kemper Art Museum.

Before joining the Sam Fox School faculty and administration, MacKeith was the director of the Master of Architecture – International Program at the Helsinki University of Technology (now Aalto University) in Finland. He previously held faculty appointments in architecture at the University of Virginia, the University of Ljubljana in Slovenia, and Yale University.

MacKeith received a bachelor’s degree in English and international relations from the University of Virginia and a master of architecture from Yale University. His architectural teaching has been recognized nationally with two Creative Achievement Awards in architectural education from the Association of Collegiate Schools of Architecture (2007-2008, 2013-2014).

MacKeith has worked in architecture and design practices in both the United States and Finland, notably with the renowned Finnish architect Juhani Pallasmaa. He has written, lectured and published extensively in the United States, Finland, and other Nordic countries on modern and contemporary Finnish and Nordic architecture. His particular emphasis is on the work of Alvar Aalto. In 2012, MacKeith was the curator and designer of “Light Houses: On the Nordic Common Ground,” the exhibition of contemporary Nordic architecture at the Nordic Pavilion at the 13th Venice Architecture Biennale.

MacKeith is the author and editor of Archipelago, Essays on Architecture(2006), the editor of Encounters: Architectural Essays, volumes 1 and 2 – two selections of essays by Pallasmaa (2005, 2012) – and the author of The Dissolving Corporation: Contemporary Architecture and Corporate Identity in Finland (2005) and The Finland Pavilions: Finland at the Universal Expositions 1900-1992 (1993). He is the outgoing editor of The SOM Journal, a professional review of history and criticism, having overseen numbers 8 (“On Teamwork and Collaboration”) and 9 (“On Leadership and Authorship”). He is the recipient of a Fulbright Fellowship to Finland (1990) and research grants from The Graham Foundation for Advanced Studies in the Visual Arts and the Brookings Institution, among others.

In February 2014, MacKeith was recognized by the President of Finland for his contributions to the culture and architecture of Finland with the insignia of Knight, First Class, of the Order of the Lion of Finland.

 

For additional information contact ardenetwork@ icloud.com. Check out ADN on Facebook. Supporters of the Architecture and Design Network (ADN) include the Arkansas Arts Center, the Fay Jones School of Architecture, the Central Arkansas Section of the Arkansas Chapter of the American Institute of Architects and friends in the community.

A Mozart Serenade part of Arkansas Symphony River Rhapsodies tonight

ASO_revThe Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, presents the next concert of its 2014-2015 Landers FIAT River Rhapsodies Chamber Music Series: Mozart: “Gran Partita” Serenade.

The program takes place in the Grand Hall of the Clinton Presidential Center, November 11th, 2014 at 7:00 PM, 1200 President Clinton Ave., Little Rock, AR. A cash bar is open at 6 PM and at intermission, and patrons are invited to carry drinks into the hall. Media sponsor for the Landers FIAT River Rhapsodies Chamber Music Series is KUAR/KLRE.

The program is:
Smetana – String Quartet No. 1 in E minor “From My Life”
Mozart – Serenade No. 10 in Bb “Gran Partita,” K. 361/370a

Tickets are $23; active duty military and student tickets are $10 are can be purchased online atwww.ArkansasSymphony.org; at the Clinton Presidential Center box office beginning 60 minutes prior to a concert; or by phone at 501-666-1761, ext. 100.

The Arkansas Symphony Orchestra celebrates its 49th season in 2014-2015, under the leadership of Music Director Philip Mann. ASO is the resident orchestra of Robinson Center Music Hall, and performs more than sixty concerts each year for more than 165,000 people through its Stella Boyle Smith Masterworks Series, ACXIOM Pops LIVE! Series, Landers FIAT River Rhapsodies Chamber Music Series, and numerous concerts performed around the state of Arkansas, in addition to serving central Arkansas through numerous community outreach programs and bringing live symphonic music education to over 26,000 school children and over 200 schools.

And the Arkansan Grammy Winners Were

grammy-2014Last night was pretty good for Arkansas-related Grammy winners.

The documentary Glen Campbell, I’ll Be Me spawned winners in two different categories.  The Band Perry is won for Best Country Duo/Group Performance for their take on Campbell’s hit “Gentle on My Mind” from the film’s soundtrack.  Campbell himself won his first Grammy since 1968 for co-writing (with Julian Raymond) the song “I’m Not Gonna Miss You” in the Best Country Song category.  The song is also nominated for the Oscars later this month.

Former Arkansan Smokie Norful won his second career Grammy.  He was lauded last night for “No Greater Love” in the Best Gospel Performance/Song category.

Though not an Arkansan, Roseanne Cash comes from Arkansas stock and has been an active supporter of efforts to establish a museum in Dyess, Arkansas in honor of her father Johnny Cash. She is went three for three Grammy Awards last night.  Cash is making room on her mantelpiece for trophies for: Best American Roots Performance (“A Feather’s Not a Bird”), Best American Roots Song (“A Feather’s Not a Bird”), and Best Americana Album (The River & The Thread).

Black History Month Spotlight: Gertrude Hadley Jeannette

bhm gertrudePlaywright, producer, director, and actress of the stage and screen, Gertrude Hadley Jeannette, was born in Urbana, on November 28, 1914, to Willis Lawrence Hadley and Salley Gertrude Crawford Hadley. She attended Dunbar High School in Little Rock. Just before her high school graduation, Jeannette decided that she wanted to get married instead of attending Fisk University, as she had previously planned.  She and Joe Jeannette II, a prizefighter and the president of the Harlem Dusters, a motorcycle club, eloped to New York City in 1934.

In New York City, Jeannette learned to drive; in 1935 she became the first woman to get a license to drive a motorcycle. In 1942, because of the shortage of male taxicab drivers caused by the war, Jeannette became the first woman to drive a cab in New York City. During this time, Jeannette decided to further her education; she took bookkeeping classes in the basement of Abyssinian Baptist Church, and speech classes at the American Negro Theatre in order to remedy her speech impediments.

In 1950, she appeared on television in James Weldon Johnson’s Gods Trombone on CBS’s General Electric Hour; she had replaced Pearl Bailey, who was originally cast in that role. As a result, Jeannette continued to work both in the theatre and in film and television. Some of Jeannette’s film credits included ShaftBlack Girl, and Cotton Comes To Harlem.  Her Broadway credits include Lost in the Stars, The Long Dream, Nobody Loves an Albatross, The Amen Corner, Vieux Carre and a revival of The Skin of Our Teeth.  Off Broadway she starred in To Be Young, Gifted and Black.

In 1979, Jeannette founded the H.A.D.L.E.Y. Players (Harlem Artists Development League Especially for You) in the Harlem neighborhood of New York City. The mission of the H.A.D.L.E.Y. Players was to give artists a chance to develop their talents and skills in the theatre, and to enrich the cultural life in Harlem. Jeannette went on to direct, produce, and write her own plays, as well as the works of other playwrights.

Jeannette was presented with several awards for her work and accomplishments. In 1991, Jeannette was honored as a living legend at the National Black Theatre Festival in Winston-Salem, North Carolina, and in 1998, she was honored with the Lionel Hampton Legacy Award. Jeannette was inducted into the Arkansas Black Hall of Fame in 1999, and in 2002, she received the prestigious Paul Robeson Award from the Actor’s Equity Association. Jeanette, though retired, remained active and celebrated member of the New York theater scene well into her nineties.

For more on Gertrude Hadley Jeannette and other inductees into the Arkansas Black Hall of Fame, visit the permanent exhibit at the Mosaic Templars Cultural Center. That museum is an agency of the Department of Arkansas Heritage.