Little Rock Look Back: SPRINGTIME FOR HENRY plays Robinson

On Monday, April 1, 1940, Edward Everett Horton came to Little Rock in the comedy SPRINGTIME FOR HENRY.  This was a play in which he had appeared regularly on tours and in summer stock. He would create productions of it in between film roles from the 1930s to the 1950s.

The play concerned a industrial heir whose dalliances put his family’s business in jeopardy.  It was a boulevard comedy (or a sex comedy—without the sex).  Originally performed on Broadway in 1931, it was written by Benn W. Levy.  He would later serve as a member of Parliament.

By the time Horton arrived in Little Rock, he was an accomplished stage and screen actor.  He was a staple of many Astaire-Rogers films.

The performance at Robinson did not go off without a hitch.  Because Spring had arrived in Little Rock, it was warmer outside.  This necessitated the air conditioner being turned on.   The fans rumbling through the vents made such a noise that it was difficult for the audience to hear the actors.  The air cooler was turned off for the remainder of the performance.  In the days after the performance, the Auditorium staff put buffering in the vents in the muffle the noise.

Easter Bunnies on Parade

Little Rock has at least four different sculptures of rabbits.  Since today is Easter Sunday and the Easter Bunny is making his rounds, it seems a good day to highlight these sculptures.

RB MonThe newest sculpture is Dan Ostermiller’s R. B. Monument.  A gift to the citizens of Little Rock by the Little Rock Garden Club, it was dedicated in 2017.

Located at the southeast corner of Kavanaugh and Pierce, this rabbit has quickly become a landmark. It is a favorite for kids and adults as they walk or drive by.  The rabbit is situated so that people can easily pose for photos with it, without the photographer having to stand in the street.  At Christmas and Easter, the rabbit has been bedecked with an appropriate wreath to add to its festive nature.

Bun BumIn the Vogel Schwartz Sculpture Garden, Laurel Peterson Gregory’s Bunny Bump has been providing whimsy since 2010.

After she sculpts an animal in wax or oil-based clay, traditional lost-wax casting processes immortalize the design in bronze. One aspect of particular interest to me, and one for which I plan early in the sculpting phase, is the complex and rich patinas that constitute another hallmark of my limited-edition sculptures. Multiple layers of chemicals and oxides are applied to the heated bronze to achieve a range of unique effects, both translucent and opaque, that complement each design.

Two stylized rabbits make for an interesting piece of artwork when they are not only dancing, but also doing the butt bump while dancing. The smooth surface and color of the bronze add to the illusion. This small piece has been placed on a pedestal to elevate more to eye level.

LopsA few yards from the bumping bunnies, James Paulsen’s Lopsided presents a much more laconic rabbit.

Paulsen is a self-taught artist. Alternately studying the wilds of the northern forest, and the open beauty of the American Southwest, he concentrates his work on natural subjects he has grown up with, and is heavily influenced by his family’s artistic background, being raised by an artist-illustrator and an author. In his work, he explores merging the beauty he sees in the natural world with the expressiveness of clay and bronze.

While having most of his work in galleries or private collections across the country, he has recently completed two public commissions

And at the corner of President Clinton Avenue and Sherman Street, Tim Cherry’s Rabbit Reach welcomes visitors to the River Market.

The sculpture is located at the corner of Sherman Street and President Clinton Avenue across from the Museum of Discovery.

The sculpture is a gift from Whitlow Wyatt and the Carey Cox Wyatt Charitable Foundation. It was given in memory of George Wyatt and Frank Kumpuris.  Those two gentlemen were the fathers of Whitlow Wyatt and Dean & Drew Kumpuris.

Cherry’s sculpture was selected for this spot because of its proximity to children at the Museum and in the River Market district.  The design and size of the sculpture encourages children to climb on it and to play around the rabbit.  While some public art is situated so it cannot be touched, this one is situated to be touched as part of the appreciation experience.

Pulitzers play Little Rock – HARVEY

harveybrown3

Joe E. Brown in HARVEY

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. It went to Jesse Lynch Williams’ Why Marry?  To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.

First up – an appropriate on Easter Sunday, a look at Mary Chase’s HARVEY.  Though not the Easter bunny, it does revolve around a rabbit—or does it?

The winner of the 1945 Pulitzer came to Little Rock in 1948 on its national tour.  Comedian Joe E. Brown was playing the leading role when the show came to Robinson Auditorium.  That same year, Brown received a special Tony Award for starring in the Harvey tour.