On February 17, 2000, over three thousand people attended the Arkansas Arts Center members preview of the new and renovated galleries as part of a week long celebration. It culminated in Big Art Weekend in which the building was open for 72 hours with around the clock programming.
Donors to the project, media, and Arkansas museum professionals had each received sneak peeks of the new facility earlier in the week. On Friday, February 18, the Big Art Weekend got underway with a gallery tour of a variety of Little Rock galleries. (This was before 2nd Friday Art Night.) Lectures, tours, and other special events populated the building on Saturday and Sunday the 19th and 20th. In addition, the Children’s Theatre was performing Aladdin and the Wonderful Lamp..
The renovation had taken over 18 months and cost $12 million. It added 30,000 square feet of gallery space. The expanded gallery space featured these exhibits: Paul Signac Watercolors and Drawings: Selections from the James T. Dyke Collection; Without Parameters: Selections from the Permanent Collection; Recent Acquisitions; Prophets, Parables and Paradoxes: Recent Drawings by David Bailin; Artistic Processes: Drawing; Living with Form: The Horn Collection of Contemporary Crafts; and European Paintings and Drawings.
The latter exhibit included eight pieces that were promised gifts from the Jackson T. Stephens collection. They were Edgar Degas’ Dance in Blue (Before the Class, Three Dancers (c. late 1880s), Pablo Picasso’s Still Life with Red Bull’s Head (1938), Claude Monet’s Apple Trees Near Vetheuil (1878), Pierre-Auguste Renoir’s Three Partridges (c. 1888-1890), Alfred Sisley’s Road on the Edge of the Loing (1891), Camille Pissarro’s The Raised Terrace of the Pont-Neuf, Place Henri IV in Morning Rain (1902), Berthe Morisot’s The Flute Player (1890) and Bertrand Redon’s Vase of Flowers (c. 1890).