One month left to submit for Arkansas Arts Center’s 61st Annual Delta Exhibition

The deadline to submit art for the Arkansas Arts Center’s 61st Annual Delta Exhibition is February 13. That means there is still one month remaining.

The Annual Delta Exhibition presents a vision of contemporary art in the American South. Founded in 1958, the exhibition provides a unique snapshot of the Delta region.

The Delta Exhibition reflects the region’s strong traditions of craftsmanship and observation, combined with an innovative use of materials and an experimental approach to subject matter.

A guest juror will select the artworks to be exhibited and assign the $2500 Grand Award and two $750 Delta Awards. Additionally, a $250 Contemporaries Award will be selected by the Contemporaries, an auxiliary membership group of the Arkansas Arts Center.

The exhibition is open to all artists who live in or were born in one of the following states: Arkansas, Louisiana, Mississippi, Missouri, Oklahoma, Tennessee, and Texas. Art must be original, completed in the last two years, and not previously exhibited at the Arkansas Arts Center.

For guidelines and the entry form, visit here.

Preservation Conversation tonight – Mason Toms discusses Little Rock’s built environment

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A city’s built environment is a tangible link to the past. Walking the streets of cities can be a lesson in architectural history, if you know where to look. Due to the its economic and cultural prominence, Little Rock boasts the best collection of architectural styles in the state of Arkansas . The first Preservation Conversation of 2019 will explore the multitude of different forms that the architecture of the city has taken on over the last 189 years. Learn about what these styles meant to the people that built them and how they related to each other.

The event will take place in the Mixing Room at the Old Paint Factory in the East Village, 1306 East 6th Street, 72202
What Time: 5:30 pm (reception); 6:00 pm (lecture)
RSVP: The event is free and open to the public, but please RSVP. 
Parking: There is parking directly in front of the doors that are marked “live”, “print”, “meet.” If those spots are taken. park in the parking lot to the right. There is also street parking in front of the building.
Entrance: Enter the event space through the door facing 6th Street marked “Meet.”

Questions? Call 501-371-0075 ext. 3 or email qqa@quapaw.com

Speaker Bio: 

Mason Toms is an architectural historian and preservation designer at the Arkansas Historic Preservation Program. He works within the Main Street Arkansas program to assist building owners in historic downtowns to preserve their facades and storefronts, while still making them visually appealing to the changing demographics of the areas. Mason also works closely with the National Register and Survey staff to research and survey Mid-Century Modern architecture around Arkansas. To get the word out about the many remarkable Modernist structures in Arkansas to the general public, Mason created and continues to administer the Facebook group Mid-Century Modern Arkansas, which features a different Modernist building in the state every Friday.

Mid-Century Modern work of Frank Doughty topic of architecture lecture

Tonight (January 8), the Architecture and Design Network (ADN) continues its 2018/2019 June Freeman lecture series by taking a look at the Mid-Century Modern work of architect Frank Doughty (1930-present), a lecture by Mason Toms, architectural historian and preservation designer at the Arkansas Historic Preservation Program.  The program is entitled “The Unexpected Modernism of Frank Doughty.”

There is a reception starting at 5:30pm followed by the lecture at 6pm. It is in the lecture hall of the Arkansas Arts Center.

Frank L. Doughty was born and raised near Tunica, Mississippi at the dawn of the 1930s. After high school and military service during the Korean Conflict, Doughty attended the University of Arkansas architecture program. After graduating from the program, he went to work for internationally renowned architect and Arkansas native, Edward Durell Stone, in his New York office. This was followed by work in the Fayetteville office of equally renowned architect, E. Fay Jones. Eventually he moved to Boca Rotan, Florida, where he operated his own practice before returning to Arkansas to teach at the University of Arkansas School of Architecture.

Though primarily remembered for his 23 years as an architecture professor at the University of Arkansas, Doughty also created a small but meaningful body of work that injected Modernist architecture into the most unlikely of places in a profound and elegant way. Located mainly in the Arkansas Delta region, Doughty’s work drew inspiration from the work of Frank Lloyd Wright and Edward Durell Stone as well as the surrounding rural landscape. He uniquely designed his buildings in such a way that they simultaneously stood out and blended into their individual settings.  The excellence of construction and high level of architectural skill present in each of the structures has made them hidden gems of Modernist design in predominantly traditional areas.

Mason Toms is an architectural historian and preservation designer at the Arkansas Historic Preservation Program. In college, Mason developed a passion for Mid-Century Modern architecture, but was disappointed to learn that there was little research being done on Mid-Century Modern architects in Arkansas. This led him to work closely with the National Register and Survey staff to find, research, and document Mid-Century Modern architecture around the state.

In an effort to raise awareness of the many remarkable Modernist structures in Arkansas, Mason created and continues to administer the Facebook group Mid-Century Modern Arkansas. The group page features a different Modernist building in the state almost every Friday. Additionally, Mason collaborates with local preservation organizations to create tours and present lectures that center on the significance of Mid-Century Modern architecture in general and the unique examples found here in Arkansas.

Architecture and Design Network lectures are free and open to the public. No reservations are required. Supporters of ADN include the Fay Jones School of Architecture and Design, the Central Section of the Arkansas Chapter of the American Institute of Architects and friends in the community.

Sandwich in History at noon today at St. Luke’s UMC in program sponsored by @SavingARPlaces

The Arkansas Historic Preservation Program each month sponsors a Sandwiching in History tour which familiarize people who live and work in central Arkansas with the historic structures and sites around us.

The tours take place on Fridays at noon, last less than an hour, and participants are encouraged to bring their lunches so that they can eat while listening to a brief lecture about the property and its history before proceeding on a short tour.

Today (January 4) at 12 noon, this month’s tour is at St. Luke’s United Methodist Church, located at 6401 West 32nd Street.

Founded in 1956, St. Luke’s United Methodist was one of the first congregations created in the Broadmoor development of Little Rock.  The sanctuary, bell tower, and prayer chapel are early examples of Frank Lloyd Wright’s Organic Architecture in a church.

The Arkansas Historic Preservation Program is an agency of the Department of Arkansas Heritage.

18 Cultural Events of 2018 – White House Collection of American Crafts: 25th Anniversary Exhibit at the Clinton Center

PIERCED GEODE by Robyn Horn

The White House Collection of American Crafts was commissioned by First Lady Hillary Clinton and President Bill Clinton in 1993 as part of the “Year of American Craft: A Celebration of the Creative Work of the Hand.” The collection includes 73 works of glass, metal, ceramic, fiber, and wood, created by seventy-seven of America’s foremost artists. This 25th anniversary exhibit opened at the Clinton Presidential Center on September 17, 2018 and runs through March 31, 2019. (NOTE: During the government shutdown, the exhibits in the Clinton Center are closed, though the restaurant and museum store remain open.)

The Clintons thought of the White House as the American people’s house and a 200-year-old living museum of American art and history. As First Lady, Hillary Clinton promoted the arts and culture through many initiatives. One of those, The White House Collection of American Crafts, presented a wonderful opportunity to display contemporary American crafts in the formal public rooms of the White House.

The pieces within the collection illustrate the skill, imagination, and vitality
characteristic of craft in the 1990s. Using glass, wood, clay, fiber and metal, these
artisans reveal their ability to manipulate materials in inventive ways, expressing their
creative vision in objects of striking beauty. Despite the increasing emergence of
computer technology and industrial design at the time, the collection displays the
intimate and physical qualities of handmade objects.

The collection features work by 78 artists, ranging from established to emerging in
their mediums in the 1990s, including Dale Chihuly, Cliff Lee, Sam Maloof, and Joan
Mondale, among others. Six Arkansas artisans are part of the collection, including
Michael Haley and Susy Siegele; Robyn Horn; Leon Niehues and Sharon Niehues;
and Ed Pennebaker.

“Mrs. Clinton took her role as First Lady and temporary custodian of America’s house
very seriously,” said Stephanie S. Streett, executive director of the Clinton
Foundation. “She worked tirelessly to make the White House a showplace for the very
best of American artistry. With this exhibition, she hoped to elevate the role and
visibility of American Craft and its artisans. Mrs. Clinton has always believed in the
power of art to uplift and inspire, and I’m thrilled that visitors of all ages will have the
opportunity to see this beautiful collection in its entirety.”

18 Cultural Events from 2018 – 2nd FUSION: Arts+Humanities at Clinton Center

3.  In February , the Clinton Presidential Center presented the second annual Fusion: Arts + Humanities Arkansas, a program that promotes heritage and culture and celebrates human achievement by weaving the arts and humanities together to provide a unique and engaging experience. The theme of Fusion 2018 was Exploring the Louisiana Purchase and its Impact on Arkansas.

There was a public symposium of Fusion: Arts + Humanities Arkansas which featured interactive conversations with historians and subject matter experts; a Cajun-Creole musical performance by Grammy-nominated fiddler, David Greely; and members of the Early Arkansaw Reenactors Association who participated in-character.

An accompanying exhibit, The Great Expedition: Exploring the Louisiana Purchase and its Impact on Arkansas, included original documents from the Louisiana Purchase, and was on display at the Clinton Center from February 2 to March 4, 2018.

The Great Exhibition: Exploring the Louisiana Purchase and its Impact on Arkansas included the following objects which are on loan from the National Archives and Records Administration, unless otherwise noted.

  • The American original of the treaty between the United States of America and the French Republic ceding the province of Louisiana to the United States, signed for the U.S. by Robert Livingston and James Monroe, and for the French by Finance Minister François de Barbé-Marbois
  • The exchange copy of the convention for payment of sums due to U.S. citizens signed by future French emperor Napoleon Bonaparte
  • The American original of the convention for payment of 60 million francs signed for the U.S. by Robert Livingston and James Monroe, and for the French by Finance Minister François de Barbé-Marbois
  • William Dunbar’s journal, eyeglasses, compass, and other objects from the Dunbar-Hunter expedition of Louisiana and Arkansas (on loan from Ouachita Baptist University)
  • Napoleon Bonaparte death mask (On loan from the Tennessee Historical Society Collection at the Tennessee State Museum)
  • A portrait of Napoleon by John C. Grimes (On loan from the Tennessee Historical Society Collection at the Tennessee State Museum)
  • The “Aux Arc” keelboat, which is a forty-foot-long replica of the boat used during the Dunbar-Hunter expedition, will be displayed in the Clinton Center’s fountain (On loan from the Early Arkansaw Reenactors Association)

Additional objects on display in the exhibit were on loan from the Arkansas State Archives, Butler Center for Arkansas Studies, and Historic Arkansas Museum.

FUSION is spearheaded by Kaki Hockersmith and Stephanie S. Streett.

18 Cultural Events from 2018 – Windgate Center for Art + Design opens at UA Little Rock

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Photo of Windgate Center (courtesy UA Little Rock Department of Art and Design)

2. In February, the new WIndgate Center for Art + Design opened on the UA Little Rock campus.  This 65,000 square foot building put, for the first time, all of the art and design programs under the same roof.  In addition to classrooms, it features two gallery spaces.

The Windgate Center of Art + Design building is physically divided into two distinct architectural forms based on the distinctly unique use of the spaces. However both forms are connected and share common building utilities and circulation patterns. The Applied Design area of the building is a single story high bay industrial style space that lends itself to 3 dimensional forms of art. The Visual Arts portion of the building is a 3-story structural steel framed building to house the typical classrooms, galleries, lecture hall, admin area and other miscellaneous spaces that make up the visual arts program.

The Windgate Center of Art + Design building is designed to have a strong community presence to help strengthen the various community partnerships that have been forged over the years. Access for gallery shows, art festivals and other events is an important component in the building design.

Sustainable measures are fully integrated into the building orientation, exterior envelope and support systems to support energy and long-term maintenance efficiencies. The building will pursue LEED Gold and is currently being registered in the LEED Certification program.

As part of the Windgate Foundation’s commitment to the project, the University pledged to raise $3 million in scholarships for art students.

In October of 2018, a new seven foot tall wooden sculpture by Robyn Horn was installed at the entrance to the building and dedicated.