Mendacity hangs in the air through any production of Tennessee Williams’ Cat on a Hot Tin Roof. Since it premiered on Broadway in 1955, it has been performed in Little Rock numerous times.
In 2010, the Arkansas Repertory Theatre presented this play in a languid, steaming production. Directed by Robert Hupp, the cast was led by Trista Moldovan, Michael Ellison, and Joe Vincent. Rep favorites Amy Tribbey and Jeff Bailey were in the cast as well as Kathleen Doyle, Brian Wallace, and Roger Jerome.
The design team included Mike Nichols (sets), Margaret A. McKowen (costumes), Matthew Webb (lighting), Jason Pruzin (sound) and Lynda J. Kwallek (props).
2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted. Many of these titles have been produced numerous times. This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.
014, Annie Baker’s The Flick won the Pulitzer Prize for Drama. The play mixes dialogue with long moments of no spoken words as the characters perform tasks on stage.
One of the seminal plays of the 20th century, Death of a Salesman explored and exploded the post-war view of the American Dream. Arthur Miller won his only Pulitzer Prize for this play.
With minimal set needs and only three actors, Alfred Uhry’s Driving Miss Daisy has been popular with theatres of all levels since it premiered in 1987. There have been numerous Little Rock productions over the past thirty years.
Before Robinson Auditorium opened, the stage of Little Rock High School (now Central High) was the prime performance location in Little Rock. In 1933, it welcomed the national tour of the Pulitzer Prize winning musical Of Thee I Sing.
On Monday, April 1, 1940, Edward Everett Horton came to Little Rock in the comedy SPRINGTIME FOR HENRY. This was a play in which he had appeared regularly on tours and in summer stock. He would create productions of it in between film roles from the 1930s to the 1950s.