Tag Archives: Robert Hupp

New Off Broadway play LITTLE ROCK opens tonight in NYC

Tonight in New York City, the new play Little Rock, about the events in 1957, officially opens.

Written and directed by Rajendra Ramoon Maharaj, eleven years ago, he was in a residency at the Arkansas Repertory Theatre.  During that time, he created It Happened in Little Rock, which was performed at the Rep in September 2007.  It was their contribution the community events commemorating the fiftieth anniversary of the integration of Little Rock Central High.

Though Maharaj’s current production is different from the 2007 Rep production, it was inspired by his time in Little Rock and the connections he made during his residency.

The cast includes Rebekah Brockman, Justin Cunningham, Charlie Hudson III, Ashley Robinson, Stephanie Umoh (who starred in the Arkansas Rep production of Pal Joey), Shanice Williams, Peter O’Connor, Damian Jermaine Thompson (who starred in the Arkansas Rep productions of The Whipping Man and the Scottish Play), Kea Trevett and Anita Welch.

The production officially opens on June 6 and is scheduled for a limited run through September 8.

This production illustrates why theatre is important and Arkansas Repertory Theatre specifically is important.  One, theatre is a chance to explore and explain moments from our past and present.  The Rep saw a role it could play in telling a variety of stories and perspectives while molding a narrative about events in 1957 and progress that had been made (or not) since then.

Additionally, it is important that the Arkansas Repertory Theatre provided an artistic home for a playwright and director to learn.  In addition to working on It Happened in Little Rock, over the years Maharaj directed A Raisin in the Sun, Dreamgirls, and Intimate Apparel for Arkansas Rep.  It was through his experiences in Little Rock in 2004 and 2006, that he was inspired to collaborate with Bob Hupp, Leslie Golden and the Rep staff on It Happened in Little Rock.  Developing a play is not easy, cheap, or quick.  It is vital to the future of theatre to have artistic homes which can support these initiatives.

As the Arkansas Rep is preparing for its “Next Act” it is important to remember the impact it has had artistically and as an agent for community conversation on not only Little Rock but the state of Arkansas.  Sometimes theatre sparks ideas that no other art-form can, or no amount of reading or listening to speeches can.

Repertorium Praeter Theatrum

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New play LITTLE ROCK, inspired by 1957 events, with roots at Arkansas Rep begins performances tonight in NYC

Tonight in New York City, a new play starts previews.  It is entitled Little Rock and is written and directed by Rajendra Ramoon Maharaj.

Eleven years ago, Maharaj was in a residency at the Arkansas Repertory Theatre creating It Happened in Little Rock, which was performed at the Rep in September 2007.  It was their contribution the community events commemorating the fiftieth anniversary of the integration of Little Rock Central High.

Though Maharaj’s current production is different from the 2007 Rep production, it was inspired by his time in Little Rock and the connections he made during his residency.

Here is the official description of Little Rock:

LITTLE ROCK tells the riveting true story of the Little Rock Nine, the first black students to attend their city’s formerly segregated central high school. What began as their quest for a better education soon became a national crisis, igniting the passions of a divided country and sparking a historic fight for justice in the Jim Crow South.

On the cusp of the Civil Rights Movement, a changing world watched as these nine children from Arkansas battled for their rights with only a book and pencil.

The cast includes Rebekah Brockman, Justin Cunningham, Charlie Hudson III, Ashley Robinson, Stephanie Umoh (who starred in the Arkansas Rep production of Pal Joey), Shanice Williams, Peter O’Connor, Damian Jermaine Thompson (who starred in the Arkansas Rep productions of The Whipping Man and the Scottish Play), Kea Trevett and Anita Welch.

The production officially opens on June 6 and is scheduled for a limited run through September 8.

This production illustrates why theatre is important and Arkansas Repertory Theatre specifically is important.  One, theatre is a chance to explore and explain moments from our past and present.  The Rep saw a role it could play in telling a variety of stories and perspectives while molding a narrative about events in 1957 and progress that had been made (or not) since then.

Additionally, it is important that the Arkansas Repertory Theatre provided an artistic home for a playwright and director to learn.  In addition to working on It Happened in Little Rock, over the years Maharaj directed A Raisin in the Sun, Dreamgirls, and Intimate Apparel for Arkansas Rep.  It was through his experiences in Little Rock in 2004 and 2006, that he was inspired to collaborate with Bob Hupp, Leslie Golden and the Rep staff on It Happened in Little Rock.  Developing a play is not easy, cheap, or quick.  It is vital to the future of theatre to have artistic homes which can support these initiatives.

As the Arkansas Rep is preparing for its “Next Act” it is important to remember the impact it has had artistically and as an agent for community conversation on not only Little Rock but the state of Arkansas.  Sometimes theatre sparks ideas that no other art-form can, or no amount of reading or listening to speeches can.

Repertorium Praeter Theatrum

UPDATE – on the afternoon of May 30, the producer announced that due to some technical difficulties, the production was being delayed a few days.

Pulitzers Play Little Rock: PROOF at Arkansas Rep

Proof RepFourteen years after graduating from Little Rock Hall High School, David Auburn received the 2001 Pulitzer Prize in Drama for his play Proof.  In September 2002, Arkansas Repertory Theatre produced Proof while the original Broadway run was in its final months.

The production at Arkansas Rep was directed by Producing Artistic Director Robert Hupp.  The cast featured Amy Tribbey, Scott Barrow, Jessica Henson and Curt Karibalis.  (Barrow met his future wife, the former Amy Sabin, while in Little Rock during the run of this show.)

The set, a very realistic craftsman house back porch, was designed by Mike Nichols.  On opening night he was lauded because the production marked his 20th anniversary with the Rep. (In 2018, Nichols is still serving as Technical Director and Resident Scenic Designer for the Rep.)

Auburn was unable to come to Little Rock to see the production. His wife was set to give birth to a child during the run of the show.

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.

Pulitzers play Little Rock – Arkansas Rep’s 2013 DEATH OF A SALESMAN

Rep SalesmanOne of the seminal plays of the 20th century, Death of a Salesman explored and exploded the post-war view of the American Dream.  Arthur Miller won his only Pulitzer Prize for this play.

In 2013, Robert Hupp directed a production at the Arkansas Repertory Theatre, where he was Producing Artistic Director at the time. It starred TV and stage actor Robert Walden, who was living in Arkansas then, and Broadway veteran Carolyn Mignini.  Avery Clark (who had starred in several Rep productions), Craig Maravich, William Metzo, Jay E Raphael and Joe Menino were also featured in key roles.

Members of the cast and creative team appeared in a panel as part of the Clinton School Speaker Series.  A video of that panel can be viewed here.

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.

Little Rock Look Back: Arkansas Rep’s First Show

rep-firstOn November 11, 1976, the curtain went up on the first Arkansas Repertory Theatre production.  It was the Kurt Weill-Bertolt Brecht musical The Threepenny Opera.  Rep founder Cliff Baker directed the show and played the leading role of Macheath aka Mack the Knife.

Others in the cast included local attorney Herb Rule, Jean Lind, Theresa Glasscock, Connie Gordon and Guy Couch.  Byl Harriell was the technical director and production designer while Donia Crofton was the costume designer.

The production took place in the Rep’s home which was the converted former home of Hunter United Methodist Church on the eastern edge of MacArthur Park.  (Harriell’s business Bylites is now in that location.)

Baker had previously worked at the Arkansas Arts Center theatre when it was attached to a degree granting MFA program. He had also directed shows in other parts of Arkansas.  He returned to Little Rock and founded the Arkansas Philharmonic Theatre which performed in Hillcrest.  The Arkansas Repertory Theatre was a step forward with the establishment of a professional repertory company.

The first season of the Rep would include Company, Suddenly Last Summer, Marat/Sade, and Stop the World–I Want to Get Off. Season tickets for a total of seven shows were $30.

Baker served as Artistic Director of Arkansas Rep from 1976 until 1999.  Earlier this year, he stepped in as Interim Artistic Director between the tenures of Bob Hupp and John Miller-Stephany.  He is currently preparing to direct Sister Act for the Rep in January 2017.

 

Arkansas Heritage Month – Robert Hupp

HuppRobert Hupp is in his final months of his seventeenth and final season as producing artistic director of Arkansas Rep.  In recognition of all of his service and artistic excellence, in 2013 he was the Individual Artists recipient of the Governor’s Arts Awards.

During his tenure in Little Rock, Hupp has overseen continued growth and development at The Rep. Since he assumed the producing artistic director’s position in 1999, the theatre has tripled its budget (currently at $4 million annually), increased contributed income by 100%, completed a successful capital campaign, and broadened the company’s artistic and economic base through co-productions with other nonprofit theatres and partnerships with institutions of higher education and community organizations. Under Hupp’s leadership, the theatre and actor housing apartments underwent a complete renovation in 2011. The Rep also renovated a new downtown scenic construction facility and recently opened The Annex, a black box theatre and education space, in Main Street’s Creative Corridor.

Hupp’s artistic stewardship at The Rep has been marked by seasons that reflect the great diversity of the theatrical canon. Shakespeare and American classics join new and contemporary works, and seasons always include musicals or plays with music. The current season contains the regional theatre premiere of The Bridges of Madison County, a new adaptation of The Little Mermaid, as well as a new comedy, Windfall, directed by Seinfeld’s Jason Alexander. The theatre also recently produced a new musical, Because of Winn Dixie, by Duncan Sheik and Nell Benjamin. Hupp has directed 28 productions while at The Rep, including The Grapes of Wrath, God’s Man in Texas, Les Miserables, August: Osage County, and all of The Rep’s recent Shakespearean productions.

In addition to his duties at The Rep, Hupp has shown a strong commitment to serving the central Arkansas community. He has served on numerous civic committees in Little Rock, including Little Rock’s Arts and Culture Commission, the Advisory Board of the ACANSA Arts Festival, and Vision Little Rock. He has collaborated with the Arkansas Symphony Orchestra, Wildwood Park for the Arts, and the Arkansas Arts Center.  In 2012, he was named “Nonprofit Executive of the Year” at the Arkansas Business of the Year Awards, and also received the Arkansas Public Relations Society of Arkansas (PRSA) Diamond Award. Hupp has also been a panelist and on-site evaluator for the National Endowment for the Arts and has served in various capacities for the Theatre Communications Group, including a term as vice president of the Board of Directors. Hupp has taught and directed at several Arkansas colleges and universities, including Hendrix College, University of Central Arkansas, and University of Arkansas at Little Rock where he also served as the Interim Chair of the Department of Theatre in 2005.

Arkansas Heritage Month – Cliff Baker

cliffCliff Fannin Baker is one of only two people to have been recognized with two Governor’s Arts Awards. He was honored at the first awards in 1991 with an Individual Artist Award and in 1999 with the Lifetime Achievement Award.

He has nearly a half-century of work in the professional theatre.   He was the Founder of Arkansas Repertory Theatre in 1976. He previously was associated with a professional theatre at the Arkansas Arts Center in the 1960s and the Arkansas Philharmonic Theatre in the 1970s prior to his founding the Rep.

Baker has directed over 200 productions of every genre in cities as far flung as Beijing (Peking University) to Portland Center Stage, from Houston’s Alley Theatre to the Theatre of the Open Eye in New York. He has a particular passion for new plays, having directed or produced over thirty world and regional premieres.

For five years, he served as Creative Director of Wildwood Park for the Arts. When not directing, he is a corporate leadership consultant for Goss-Reid Associates in New York. Baker is a member of the Society of Stage Directors and Choreographers and the Dramatists Guild.

Baker will return to the Arkansas Rep in July to be the Interim Artistic Director while a replacement for Bob Hupp is being selected.  He will also serve as the production director for Sister Act in the Rep’s 2016-2017 season.