Music inspired by Shakespeare focus of program with youth divisions of ASO and Ballet Arkansas

ballet_and_ASOYEThe future of the arts is on display tonight in downtown Little Rock at the Albert Pike Memorial Temple at 7:30pm

The Arkansas Symphony Youth Orchestra and Ballet Arkansas Preparatory Program present their annual partnership and a celebration of the 400th anniversary of Shakespeare’s death.  The music comes from musical works adapted from Shakespeare’s plays.

The program includes music from Prokofiev’s Romeo and Juliet Suite No. 2, Bernstein’s West Side Story and Mendelssohn’s “A Midsummer Night’s Dream.” ASYO is the premier ensemble of the Arkansas Symphony Youth Ensembles Program.

 

For the 3rd consecutive year, the dancers from Ballet Arkansas’ Preparatory Program under the direction of Kim Nygren Cox join the members of the Arkansas Symphony Youth Orchestra under the direction of Geoffrey Robson for a joint performance.

Don’t miss this delighful collaboration! $20 General Admission, $10 for Students

 

Merry Pranks highlight ASO River Rhapsodies concert at Clinton Center this evening

ASO NewArkansas Symphony Orchestra musicians in three different ensembles present music from Beethoven, Vaughn Williams, and a special arrangement of Strauss’s Till Eulenspiegel, the Merry Prankster at 7pm on Tuesday, November 17 in the beautiful Great Hall of the Clinton Presidential Center.

Tickets are $23.

PROGRAM

Strauss – Till Eulenspiegel – einmal anders
Vaughn Williams – Quintet in D Major
Beethoven – Septet in E-flat Major, Op. 20

The musicians who will be featured tonight are:

  • Kelly Johnson, clarinet
  • Lyle Wong, clarinet
  • Susan León, bassoon
  • David Renfro, horn
  • Liz Deitemyer, horn
  • Kiril Laskarov, violin
  • Trisha McGovern Freeney, violin
  • Ryan Mooney, viola
  • David Gerstein, cello
  • Aaron Ludwig, cello
  • Barron Weir, bass
  • May Tsao-Lim, piano

2015-16 ASO, I.N.C. concerts start tonight with “Something Borrowed”

The Arkansas Symphony Orchestra’s I.N.C. series returns this year, expanding to four offerings.  Tonight’s concert starts at 7pm at Trinity Episcopal Cathedral.
Under the direction of Philip Mann, the concert will feature:
MENDELSSOHN – Nocturno in C for Eleven Winds
SHOSTAKOVICH – Chamber Symphony for Strings
VISCONTI – Storm Windows
BRITTEN – Soirées musicales, Op.9 (after Rossini)

ASO, I.N.C.: Intimate Neighborhood Concerts presents gorgeous and acoustically unique venues and music selected specifically to explore the spaces of the concerts. Patrons can get up-close and personal with musicians in chamber orchestra ensembles performing pieces in the settings intended by the composers.

Happy Birthday Maestro Mann!

philipmannToday is the birthday of Arkansas Symphony Orchestra Music Director/Conductor Philip Mann!

Hailed by the BBC as a “talent to watch out for, who conveys a mature command of his forces,” he has led the Arkansas Symphony Orchestra as Music Director since 2010.  In his tenure the ASO has seen audience and artistic growth, new energy, and financial health under his tenure.

As winner of the Vienna Philharmonic’s Karajan Fellowship at the Salzburg Festival, Mann has relationships with orchestras and operas worldwide: including the Cleveland Orchestra, l’Orchestre symphonique de Québec, Indianapolis Symphony Orchestra, Georgian State Opera, and the National Symphony of Cyprus. His recent Beethoven 9 was described as “Titanic” and his Canadian debut with the OSQ was dubbed by Le Soleil as a “Tour de Force” and led to an immediate reengagement in 2013. Mann has worked with leading artists such as Joshua Bell, Sharon Isbin, Dmitri Alexeev, Midori, and Marvin Hamlisch and has given premiers of major composers including John Corigliano, Jennifer Higdon, Michael Torke, Lucas Richman, and many others. He maintains a lively schedule as a guest conductor having conducted at New York’s Avery Fischer Hall and London’s Barbican Center.

Elected a Rhodes Scholar, Mann studied and taught at Oxford, and has served as assistant conductor to Franz Welser-Möst, Simon Rattle, Leonard Slatkin, Jaime Laredo, Mario Venzago, Bramwell Tovey, Pinchas Zukerman, and many others. At Oxford, he won the annual competition to become principal conductor of the Oxford University Philharmonia. Under his leadership, the Philharmonia’s performances and tours received international press and acclaim.

His complete bio of impressive accomplishments can be read here.

Ludwig & Levis, or Beethoven & Blue Jeans at the Arkansas Symphony this weekend

ASO B&BThe annual audience favorite Beethoven & Blue Jeans concerts are this weekend with the Arkansas Symphony Orchestra!

On the program for this year’s edition are Beethoven’s Symphony No. 8 in F Major, Op. 93; Scott McAllister’s Black Dog; and Tchaikovsky’s Swan Lake Suite, Op. 20a.

Under the direction of music director/conductor Philip Mann, the ASO will feature soloist Kelly Johnson.  She is principal clarinetist with the Arkansas Symphony Orchestra and Associate Professor of Clarinet at the University of Central Arkansas. Johnson has a CD, entitled Child’s Play: Stories, Songs, and Dances.

The concert times are 7:30pm on Saturday and 3pm on Sunday. They will take place at the Maumelle Performing Arts Center.

Again this year, the ASO is teaming up with the Arkansas Foodbank.  Attendees can support the Arkansas Foodbank during the much needed holiday season by dropping off a frozen turkey or other bird  before either concert and as a thank you, turkey donors will receive a pair of free tickets to any future concert from the ASO’s 2015-2016 Season.

 

Support Arkansas Foodbank and get tickets from Arkansas Symphony

Turkey Drive ASO AFBThe Arkansas Symphony Orchestra is holding their popular “Beethoven and Blue Jeans” concert on November 7th and 8th at the Maumelle Performing Arts Center.

Attendees can support the Arkansas Foodbank during the much needed holiday season by dropping off a frozen turkey or other bird  before either concert and as a thank you, turkey donors will receive a pair of free tickets to any future concert from the ASO’s 2015-2016 Season.

The times for the concert are Saturday, November 7, at 7:30pm and Sunday, November 8, at 3pm.  A frozen turkey will help provide a healthy holiday meal to the ONE in FIVE Arkansans struggling with hunger and more importantly help bring families together during this time of year.

Tickets for the “Beethoven & Blue Jeans” concert are available online at www.ArkansasSymphony.org and via phone at 501-666-1761 or at the door. Tickets start at $19.

The Arkansas Symphony Orchestra celebrates its 50th season in 2015-2016, under the leadership of Music Director Philip Mann. ASO is the resident orchestra of Robinson Center Music Hall, and performs more than sixty concerts each year for more than 165,000 people through its Stella Boyle Smith Masterworks Series, ACXIOM Pops LIVE! Series, River Rhapsodies Chamber Music Series, and numerous concerts performed around the state of Arkansas, in addition to serving central Arkansas through numerous community outreach programs and bringing live symphonic music education to over 26,000 school children and over 200 schools.

The Arkansas Foodbank, the largest food bank in Arkansas, is a member of Feeding America and the Arkansas Hunger Relief Alliance. Its warehouse in Little Rock and Warren serve approximately 300 food pantries, soup kitchens, shelters, schools, colleges, and other agencies that provide aid directly to hungry Arkansans. Last year, the Foodbank distributed more than 22 million pounds of food to agencies that help feed the hungry. For more information on how you can fight hunger, visit the Foodbank website at www.arkansasfoodbank.org

250 year old Gagliano violin celebrated at tonight’s ASO River Rhapsodies

drew asoThe Arkansas Symphony Orchestra will showcase Concertmaster Andrew Irvin’s 250 year old Gagliano violin on October 27 as part of the ASO’s 2015-2016 River Rhapsodies Chamber Music series at 7 PM. The program features Mr. Irvin and his exceptional violin in various ensemble settings in the beautiful Great Hall of the Clinton Presidential Center, performing music spanning the quarter-century life of the instrument.

The program includes:

  • Mozart – Sonata for Violin and Piano
  • Shostakovich – String Quartet No. 11 in F minor, Op. 122

A cash bar is open at 6 PM and at intermission, and patrons are invited to carry their drinks into the hall. The media sponsor for the River Rhapsodies Chamber Series is KUAR/KLRE.

General admission tickets are $23; active duty military and student tickets are $10 and can be purchased online at www.ArkansasSymphony.org, at the Clinton Presidential Center box office beginning 60 minutes prior to the concert, or by phone at 501-666-1761, ext. 100

“Great instruments require skilled musician hands to come alive — yet in these hands, they become personified beings that dwell in a realm unshackled from the bonds of time — and in so doing, connect musicians across centuries through the uniquely profound relationship that musicians have with their instruments.  Mr. Irvin’s violin is a direct connection to musical history.  Its previous masters’ preferences are infused in is tone, their gaffes inscribed upon its body, and its surface is a story of centuries of perspiration and effort in service to art. Musicians are merely the caretakers, or curators, of these instruments for a short human lifespan, and this program is a celebration of not only an instrument’s anniversary, but of all the musicians since 1765 who have made it possible.”  Philip Mann, music director

About the violin

The violin was made by Nicolo Gagliano in approximately 1765 (Gagliano marked his violins by decade only, so the exact date is unknown) in Naples, Italy. Headed by Alessandro Gagliano, the Neapolitan school of violin makers is considered to be among the pinnacles of high quality musical artisanship. Alessandro’s son, Nicolo, is possibly the greatest of the Gagliano luthiers. His legacy began with his four sons employed in his workshop and lasted well into the 20th Century, ending when the firm of Vincenzo Gagliano and Sons closed in 1925.

Before 1820 violins had shorter necks set up for gut strings, which have lower tension than modern steel strings. Composers like Beethoven demanded higher pitches and more sound, which drove changes to violin constructions. Violins were refitted with a longer neck for an increased range and the body was reinforced to handle the increased tension of more resonant steel strings.

Michael Purcell of Philadelphia maintains the violin, and Mr. Irvin returns to his shop twice a year for maintenance.