Music from Steinmetz, Debussy, and Poulenc Presented by Arkansas Symphony Musicians at Clinton Center

The Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, presents the fifth concert of the 2018-2019 River Rhapsodies Chamber Music season with Debussy & Poulenc, Tuesday, Apr. 16th at 7:00 p.m. at the Clinton Presidential Center.

ASO musicians present Debussy’s Violin Sonata, Poulenc’s Sextet for Piano and Winds, and music from Steinmetz.

River Rhapsodies Chamber Music Concerts are held in the intimate setting of the Clinton Presidential Center’s Great Hall. A cash bar is open before the concert and at intermission, and patrons are invited to carry drinks into the concert. The Media Sponsor for the River Rhapsodies Chamber Music Series is UA Little Rock Public Radio.

General Admission tickets are $23; active duty military and student tickets are $10 and can be purchased online at www.ArkansasSymphony.org; at the Clinton Presidential Center beginning 60 minutes prior to a concert; or by phone at 501-666-1761, ext. 1.

Artists
Diane McVinney, flute
Leanna Renfro, oboe
Kelly Johnson, clarinet
Susan Bell León, bassoon
David Renfro, horn
Geoffrey Robson, violin
John Krebs, piano
Tatiana Roitman Mann, piano

Program

STEINMETZ – What’s Going On (Consortium Commission)
McVinney, L. Renfro, Johnson, León, D. Renfro

DEBUSSY – Violin Sonata
Robson, Krebs

POULENC – Sextet for Piano and Winds
McVinney, L. Renfro, Johnson, León, D. Renfro, Mann

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Merry Pranks highlight ASO River Rhapsodies concert at Clinton Center this evening

ASO NewArkansas Symphony Orchestra musicians in three different ensembles present music from Beethoven, Vaughn Williams, and a special arrangement of Strauss’s Till Eulenspiegel, the Merry Prankster at 7pm on Tuesday, November 17 in the beautiful Great Hall of the Clinton Presidential Center.

Tickets are $23.

PROGRAM

Strauss – Till Eulenspiegel – einmal anders
Vaughn Williams – Quintet in D Major
Beethoven – Septet in E-flat Major, Op. 20

The musicians who will be featured tonight are:

  • Kelly Johnson, clarinet
  • Lyle Wong, clarinet
  • Susan León, bassoon
  • David Renfro, horn
  • Liz Deitemyer, horn
  • Kiril Laskarov, violin
  • Trisha McGovern Freeney, violin
  • Ryan Mooney, viola
  • David Gerstein, cello
  • Aaron Ludwig, cello
  • Barron Weir, bass
  • May Tsao-Lim, piano

Ludwig & Levis, or Beethoven & Blue Jeans at the Arkansas Symphony this weekend

ASO B&BThe annual audience favorite Beethoven & Blue Jeans concerts are this weekend with the Arkansas Symphony Orchestra!

On the program for this year’s edition are Beethoven’s Symphony No. 8 in F Major, Op. 93; Scott McAllister’s Black Dog; and Tchaikovsky’s Swan Lake Suite, Op. 20a.

Under the direction of music director/conductor Philip Mann, the ASO will feature soloist Kelly Johnson.  She is principal clarinetist with the Arkansas Symphony Orchestra and Associate Professor of Clarinet at the University of Central Arkansas. Johnson has a CD, entitled Child’s Play: Stories, Songs, and Dances.

The concert times are 7:30pm on Saturday and 3pm on Sunday. They will take place at the Maumelle Performing Arts Center.

Again this year, the ASO is teaming up with the Arkansas Foodbank.  Attendees can support the Arkansas Foodbank during the much needed holiday season by dropping off a frozen turkey or other bird  before either concert and as a thank you, turkey donors will receive a pair of free tickets to any future concert from the ASO’s 2015-2016 Season.

 

Tonight at 7 – AR Symphony River Rhapsodies series starts with Jon Kimura Parker

ASO lowres-jkp-321The Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, presents the opening concert of the 2015-2016 River Rhapsodies Chamber Music Series: Artist of Distinction: Jon Kimura Parker on September 29, 2015 at 7:00 PM.

ASO musicians including the Rockefeller Quartet are joined by the 2015-2016 Richard Sheppard Arnold Artist of Distinction, pianist Jon Kimura Parker, for music from Borodin, Hirtz, and Beethoven in the beautiful Great Hall of the Clinton Presidential Center. A cash bar is open at 6 PM and at intermission, and patrons are invited to carry drinks into the hall. Media sponsor for the River Rhapsodies Chamber Music Series is KUAR/KLRE.

Tickets are $23; active duty military and student tickets are $10 are can be purchased online at www.ArkansasSymphony.org; at the Clinton Presidential Center box office beginning 60 minutes prior to a concert; or by phone at 501-666-1761, ext. 100.

Artists

Jon Kimura Parker, piano

Rockefeller Quartet:

  • Katherine Williamson, violin
  • Trisha McGovern, violin
  • Katherine Reynolds, viola
  • Aaron Ludwig, cello

Leanna Booze, oboe

Kelly Johnson, clarinet

Susan Bell León, bassoon

David Renfro, horn

Program

BORODIN                            String Quartet No. 2 in D Major

HIRTZ                                    Wizard of Oz Fantasy

BEETHOVEN                       Quintet for Piano and Winds, Op. 16

Program Notes:

Mr. Parker on Hirtz’s Fantasy, from http://www.jonkimuraparker.com:

My friend and colleague, the composer William Hirtz, can work pianistic miracles out of harmony, rhythm and texture. Several years ago he showed me a piano duet Fantasy that he had composed using several of Harold Arlen’s iconic themes from the “Wizard of Oz” soundtrack. It was joyous, technically raucous, and seemingly featured dozens of notes all at once. I jokingly commented that I if he could arrange this Fantasy for one piano two hands, I would happily play it. I thought nothing more about it.

Fast forward several months: one day my fax machine started up and several insanely dotted pages spewed forth. I recognized the music – it was indeed the Fantasy arranged for two hands – but couldn’t imagine how it might be played. I called Bill and complained, “Hey, didn’t you know that when you rearrange a four hand work for two hands, that you’re supposed to leave out some of the notes!!

Here is the Wizard of Oz music in all its glory. It’s one of the most difficult works I’ve played, period. If you’re a pianist and would like to order a copy of either the two handed or (more reasonably playable) four handed version, feel free to contact William Hirtz directly at w.hirtz@att.net.

About Arkansas Symphony Orchestra

The Arkansas Symphony Orchestra celebrates its 50th season in 2015-2016, under the leadership of Music Director Philip Mann. ASO is the resident orchestra of Robinson Center Music Hall, and performs more than sixty concerts each year for more than 165,000 people through its Stella Boyle Smith Masterworks Series, ACXIOM Pops LIVE! Series, River Rhapsodies Chamber Music Series, and numerous concerts performed around the state of Arkansas, in addition to serving central Arkansas through numerous community outreach programs and bringing live symphonic music education to over 26,000 school children and over 200 schools.

For more information about the Arkansas Symphony Orchestra call 501-666-1761 or visit www.ArkansasSymphony.org

Beethoven, Bernstein, Brahams, Borodin & Blue Jeans with the 2015-16 Arkansas Symphony Masterworks Season

Under the baton of Maestro Philip Mann, the 2015-2016 Arkansas Symphony Orchestra Stella Boyle Smith Masterworks series features a lineup with something old, something new, something borrowed and jeans that are blue.

The borrowed is the location. For the second of two seasons, the Maumelle Performing Arts Center will be the Masterworks home.

The new includes a World Premiere of D.J. Sparr’s Concerto for Jazz Guitar, which will feature Ted Ludwig.  Another new selection is Scott McAllister’s Black Dog which is based in hard rock.

Among the old friends returning are pieces by Grieg, Dvorák, Haydn, Mendelssohn, Borodin, Beethoven, Tchaikovsky, Rossini, Stravinsky, Brahms, Shostakovich and Bernstein.

The season kicks off with Grieg’s Piano Concerto on September 26 & 27. The guest artist that weekend is pianist Jon Kimura Parker.  The concert will include Mendelssohn’s The Hebrides, Op. 26 “Fingal’s Cave,” Grieg’s Piano Concerto in A minor, Op. 16 and Borodin’s Symphony No. 2 in B minor.

Next is Dvorák’s Symphony No. 8 on October 17 & 18. Imre Palló will be the guest conductor, and Cicely Parnas, cello will be the featured artist. The program will include Kodály’s Dances of Galanta; Haydn’s Concerto for Cello in C Major;and Dvorák’s Symphony No. 8 in G Major, Op. 88.

The annual Beethoven and Blue Jeans concert will be November 7 & 8 featuring guest artist Kelly Johnson, clarinet.  The lineup will feature Beethoven’s Symphony No. 8 in F Major, Op. 93; McAllister’s Black Dog; and Tchaikovsky’s Swan Lake Suite, Op. 20a.

2016 will start with Firebird Suite and featured soloist Kiril Laskarov. On January 30 & 31 the program will include Rossini’s La gazza ladra: Overture; Mendelssohn’s Concerto for Violin, Visconti’s Black Bend and Stravinsky’s The Firebird Suite (1919).

February 27 & 28 the program is Bernstein and Brahams.  The concert will have Bernstein’s Chicester Psalms and the Brahms Ein deutsches Requiem. 

The 2015-2016 season will wrap up on April 9 & 10 with Shostakovich’s Symphony No. 5. The concerts will include Bernstein’s Candide Overture; Sparr’s Concerto for Jazz Guitar and Shostakovich’s Symphony No. 5 in D minor, Op. 47. 

Old, New, Borrowed, Blue (Jeans) in 2015-16 Arkansas Symphony Masterworks Series

Under the baton of Maestro Philip Mann, the 2015-2016 Arkansas Symphony Orchestra Stella Boyle Smith Masterworks series features a lineup with something old, something new, something borrowed and jeans that are blue.

The borrowed is the location. For the second of two seasons, the Maumelle Performing Arts Center will be the Masterworks home.

The new includes a World Premiere of D.J. Sparr’s Concerto for Jazz Guitar, which will feature Ted Ludwig.  Another new selection is Scott McAllister’s Black Dog which is based in hard rock.

Among the old friends returning are pieces by Grieg, Dvorák, Haydn, Mendelssohn, Borodin, Beethoven, Tchaikovsky, Rossini, Stravinsky, Brahms, Shostakovich and Bernstein.

The season kicks off with Grieg’s Piano Concerto on September 26 & 27. The guest artist that weekend is pianist Jon Kimura Parker.  The concert will include Mendelssohn’s The Hebrides, Op. 26 “Fingal’s Cave,” Grieg’s Piano Concerto in A minor, Op. 16 and Borodin’s Symphony No. 2 in B minor.

Next is Dvorák’s Symphony No. 8 on October 17 & 18. Imre Palló will be the guest conductor, and Cicely Parnas, cello will be the featured artist. The program will include Kodály’s Dances of Galanta; Haydn’s Concerto for Cello in C Major; and Dvorák’s Symphony No. 8 in G Major, Op. 88.

The annual Beethoven and Blue Jeans concert will be November 7 & 8 featuring guest artist Kelly Johnson, clarinet.  The lineup will feature Beethoven’s Symphony No. 8 in F Major, Op. 93; McAllister’s Black Dog; and Tchaikovsky’s Swan Lake Suite, Op. 20a.

2016 will start with Firebird Suite and featured soloist Kiril Laskarov. On January 30 & 31 the program will include Rossini’s La gazza ladra: Overture; Mendelssohn’s Concerto for Violin, Visconti’s Black Bend and Stravinsky’s The Firebird Suite (1919).

February 27 & 28 the program is Bernstein and Brahams.  The concert will have Bernstein’s Chicester Psalms and the Brahms Ein deutsches Requiem. 

The 2015-2016 season will wrap up on April 9 & 10 with Shostakovich’s Symphony No. 5. The concerts will include Bernstein’s Candide Overture; Sparr’s Concerto for Jazz Guitar and Shostakovich’s Symphony No. 5 in D minor, Op. 47. 

Beethoven, Wagner, Ghosts and Tangos tonight at Ark Symphony’s River Rhapsodies

ASO_revTonight at 7pm, the Arkansas Symphony Orchestra’s final 2013-2014 concert of the Parker Lexus River Rhapsodies Chamber Music Series will feature ASO Musicians playing Wagner, Beethoven, Theofanidis and Piazzolla. The concert will be held at the Clinton Presidential Center.

The program is an intimate showcase of the ASO’s musicians.

General Admission tickets for River Rhapsodies concerts are $23, and Student tickets are available for $10. Tickets can be purchased online at www.ArkansasSymphony.org, over the phone at (501) 666-1761 or at the door.

The program will include:

THEOFANIDIS                    O Vis Aeternitatis for String Quartet and Piano
(Quapaw Quartet, Tatiana Roitman, piano)

BEETHOVEN                      Piano Trio No. 5 in D Major, Op. 70, No. 1, “Ghost”
I.          Allegro vivace e con brio
II.         Largo assai ed espressivo
III.        Presto
(Geoffrey Robson, violin, David Gerstein, cello, Julie Cheek, piano)

INTERMISSION

PIAZZOLLA                         Histoire du Tango
I. Bordello 1900
II.        Café 1930
III.       Night Club 1960
IV. Concert d’Aujourd’hui (Modern Day Concert)
(Kelly Johnson, Karla Fournier, Carina Washington, clarinet; Lyle Wong, bass clarinet)

WAGNER                              Siegfried Idyll
(Diane McVinney, flute; Leanna Booze, oboe; Kelly Johnson, Karla Fournier, clarinet; Susan Bell Leon, bassoon; David Renfro, Brent Shires, French horn; Richard Jorgensen, trumpet; Kiril Laskarov, Andrew Irvin, violin; Katherine Reynolds, viola; Daniel Cline, cello; Barron Weir, contrabass)

 

PROGRAM NOTES
Beethoven’s “Ghost” Trio is so-called because of its eerie slow movement. It is speculated that the ghostly sound may have been influenced by Beethoven’s thoughts of  composing a Macbeth opera.

Originally written for flute and guitar, Histoire du Tango is one of Piazzolla’s most famous compositions. It has been arranged for many ensembles and is presented here as a demonstration of the lush sound of a clarinet quartet. The work attempts to demonstrate the evolution of the Tango, and the composer provided these notes:

Bordello, 1900: The tango originated in Buenos Aires in 1882. It was first played on the guitar and flute. Arrangements then came to include the piano, and later, the concertina. This music is full of grace and liveliness. It paints a picture of the good natured chatter of the French, Italian, and Spanish women who peopled those bordellos as they teased the policemen, thieves, sailors, and riffraff who came to see them. This is a high-spirited tango.

Café, 1930: This is another age of the tango. People stopped dancing it as they did in 1900, preferring instead simply to listen to it. It became more musical, and more romantic. This tango has undergone total transformation: the movements are slower, with new and often melancholy harmonies. Tango orchestras come to consist of two violins, two concertinas, a piano, and a bass. The tango is sometimes sung as well.

Night Club, 1960: This is a time of rapidly expanding international exchange, and the tango evolves again as Brazil and Argentina come together in Buenos Aires. The bossa nova and the new tango are moving to the same beat. Audiences rush to the night clubs to listen earnestly to the new tango. This marks a revolution and a profound alteration in some of the original tango forms.

Modern-Day Concert: Certain concepts in tango music become intertwined with modern music. Bartok, Stravinsky, and other composers reminisce to the tune of tango music. This is today’s tango, and the tango of the future as well.

Wagner composed Siegfried Idyll  – in honor of his son – for his wife, Cosima. The piece was very private and filled with references of personal significance to the composer and his wife, many of which went unknown to the public for a long time.

The Arkansas Symphony Orchestra celebrates its 48th season in 2013-2014.  Under the leadership of Music Director Philip Mann, the ASO performs more than thirty concerts each year for more than 42,000 people through its Stella Boyle Smith Masterworks Series, ACXIOM Pops LIVE! Series and River Rhapsodies Chamber Series, in addition to serving central Arkansas through numerous community outreach programs and bringing live symphonic music education to over 24,000 school children and over 200 schools.