Final weekend of Carroll Cloar Exhibit at Arkansas Arts Center

 Carroll Cloar, The Smiling Moon Cafe, 1965, casein tempera on Masonite, 25 in. x 36 in., Private Collection, ©Estate of Carroll Cloar

There are only three days remaining to experience (or experience again) The Crossroads of Memory: Carroll Cloar and the American South exhibit at the Arkansas Arts Center.  It runs through June 1.

The paintings of Carroll Cloar (1913-1993), rank among the most haunting and beautiful evocations ever made of the American South. Drawing upon family stories, photographs of ancestors, rural scenery, small town life, and memories of his childhood on an Arkansas farm, Cloar captured the quiet richness of a simpler world.

Marking the centenary of the artist’s birth, The Crossroads of Memory: Carroll Cloar and the American South will include approximately seventy paintings, ranging from early Realist masterpieces to the poignant pictures of his later career.

An exhibition organized by the Memphis Brooks Museum of Art and the Arkansas Arts Center curated by Stanton Thomas, Curator of European and Decorative Art at the Memphis Brooks Museum of Art, the exhibition will feature works from major public collections as well as rarely seen pictures still in private hands.

Presented in Arkansas by: Arkansas Democrat-Gazette; Lisenne Rockefeller; Stella Boyle Smith Trust.

Sponsored in Arkansas by: Anonymous; Bailey Foundation; Sandra and Bob Connor; Terri and Chuck Erwin; Friday, Eldredge & Clark, LLP; Eileen and Ricardo Sotomora; John Tyson & Tyson Foods, Inc.; Arkansas Farm Bureau/Agriculture Council of Arkansas; Capital Hotel; Cindy and Greg Feltus; Munro Foundation; J.D. Simpson; Don Tilton; Gus and Ellis Walton.

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The Art of Carroll Cloar at the Ark Arts Center

 Carroll Cloar, The Smiling Moon Cafe, 1965, casein tempera on Masonite, 25 in. x 36 in., Private Collection, ©Estate of Carroll Cloar

Carroll Cloar, The Smiling Moon Cafe, 1965, casein tempera on Masonite, 25 in. x 36 in., Private Collection, ©Estate of Carroll Cloar

The Crossroads of Memory: Carroll Cloar and the American South exhibit opens tomorrow and runs through June 1.  There is a member reception tonight.

The paintings of Carroll Cloar (1913-1993), rank among the most haunting and beautiful evocations ever made of the American South. Drawing upon family stories, photographs of ancestors, rural scenery, small town life, and memories of his childhood on an Arkansas farm, Cloar captured the quiet richness of a simpler world.

Marking the centenary of the artist’s birth, The Crossroads of Memory: Carroll Cloar and the American South will include approximately seventy paintings, ranging from early Realist masterpieces to the poignant pictures of his later career.

An exhibition organized by the Memphis Brooks Museum of Art and the Arkansas Arts Center curated by Stanton Thomas, Curator of European and Decorative Art at the Memphis Brooks Museum of Art, the exhibition will feature works from major public collections as well as rarely seen pictures still in private hands.

Presented in Arkansas by: Arkansas Democrat-Gazette; Lisenne Rockefeller; Stella Boyle Smith Trust.

Sponsored in Arkansas by: Anonymous; Bailey Foundation; Sandra and Bob Connor; Terri and Chuck Erwin; Friday, Eldredge & Clark, LLP; Eileen and Ricardo Sotomora; John Tyson & Tyson Foods, Inc.; Arkansas Farm Bureau/Agriculture Council of Arkansas; Capital Hotel; Cindy and Greg Feltus; Munro Foundation; J.D. Simpson; Don Tilton; Gus and Ellis Walton.

The Thursday night lecture is sold out. You will have another chance to hear from the lecturer, Stanton Thomas, Ph.D., on Friday at noon during Feed Your Mind Friday in the galleries.

Lecture on artist Carroll Cloar tonight at Arkansas Arts Center

https://i2.wp.com/arkarts.com/image/Moonstricken-Girls-copy.jpg

Moonstricken Girls, 1968, Arkansas Arts Center Foundation Collection: Purchase, Seth Ward Acquisition Fund. ©Estate of Carroll Cloar

In anticipation of the exhibition, The Crossroads of Memory: Carroll Cloar and the American South, the Arkansas Arts Center is offering a special panel discussion with three scholars on the work of Carroll Cloar.It will take place tonight at 6pm in the Arkansas Arts Center Lecture Hall. A reception starting at 5:30 will precede it.

The panel will be moderated by Stanton Thomas, Ph.D., organizing curator and catalogue author, The Crossroads of Memory: Carroll Cloar and the American South. Panelists: Richard Gruber, Ph.D., Director Emeritus, Ogden Museum of Southern Art, University of New Orleans; David Lusk, representative of the Estate of Carroll Cloar, David Lusk Gallery, Memphis & Nashville; and Patty Bladon, Director of Development, University of Memphis College of Communication and Fine Arts.

The event is free for members, $10 for non-members. Tickets are required to attend. Space is limited.

The exhibit, which will run February 28 through June 1, is presented in Arkansas by the Arkansas Democrat-Gazette; Lisenne Rockefeller and the Stella Boyle Smith Trust.

Among those who are sponsoring it in Arkansas are the Bailey Foundation; Sandra & Bob Connor; Terri & Chuck Erwin; Friday, Eldredge & Clark, LLP; Eileen & Ricardo Sotomora; John Tyson & Tyson Foods, Inc.; Arkansas Farm Bureau/Agriculture Council of Arkansas; the Capital Hotel; Cindy & Greg Feltus; the Munro Foundation; J.D. Simpson; Don Tilton; and Gus & Ellis Walton.

 

Today at Ark Arts Center – Last Chance to See Rembrandt, Van Dyck, Gainsborough and Other Kenwood House treasures in United States

Rembrandt van Rijn Portrait of the Artist, ca. 1665 Oil on canvas Kenwood House, English Heritage, Iveagh Bequest (88028836) Photo courtesy American Federation of Arts

Rembrandt van Rijn
Portrait of the Artist, ca. 1665
Oil on canvas
Kenwood House, English Heritage, Iveagh Bequest (88028836)
Photo courtesy American Federation of Arts

Celebrate the final day of the exhibition with us at the Last Call for Kenwood House Party on Sunday, September 8 from 6-8 p.m.

Guiness and Harp’s beer, London gin tonics and wines, classic Irish pub cheese and savory miniature meat pies will be served. Plus, enjoy traditional fanfare and other surprises, including a special ceremonious closing of the exhibition at the reception’s end.

It’s a farewell you won’t want to miss! Admission is free for members and $20 for non-members and may be paid at the door.

Presented in Arkansas by: Bank of the Ozarks; Harriet and Warren Stephens, Stephens Inc.; Windgate Foundation

Sponsored in Arkansas by: Chucki and Curt Bradbury; Sandra and Bob Connor; Remmel T. Dickinson; Lisenne Rockefeller

Follow your art by taking advantage of the many benefits that a membership to the Arkansas Arts Center brings like free admission to the Last Call for Kenwood House Party as well as special exhibitions.

Visit the Arkansas Arts Center website to become a member today and start enjoying discounts and exclusive access to parties and receptions.

The Perils of Collecting Rembrandt: Ark Arts Center extended hours and lecture tonight

In conjunction with the “Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London ” exhibit, the Arkansas Arts Center will remain open for extended hours this evening.  The galleries will be open until 9pm.  In addition, Dr. Catherine B. Scallen will be presenting a lecture entitled “Collecting Rembrandt: Perils and Pleasures One Hundred Years Ago.”
Catherine Scallen

Catherine Scallen

Professor Scallen is Chair of the Department of Art History and Art at Case Western Reserve University, where she has taught since 1995. She received her BA from Wellesley College, her MA from the Williams College Graduate Program in the History of Art, and her PhD from Princeton University. After receiving her doctorate, she held a graduate internship in the Paintings Department of the J. Paul Getty Museum in Los Angeles.

A specialist on the paintings and prints of Rembrandt van Rijn, her book, Rembrandt, Reputation, and the Practice of Connoisseurship, was published in 2004.  She has been a faculty lecturer on trips to The Netherlands and Belgium for Princeton University and CWRU, and is the author of two courses for The Great Courses Company, Art of the Northern Renaissance and Museum Masterpieces: The National Gallery, London. Attendees are welcome to stay after the lecture to view Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London during the exhibition’s special extended hours.
In addition to the extended gallery hours and lecture, the Best Impressions restaurant will be open until 8:30pm.  Advance reservations are strongly recommended; to make them call (501) 907-5946.
On display through September 8, “The Treasures of Kenwood House” is organized by the American Federation of Arts and English Heritage. It is supported by an indemnity from the Federal Council on the Arts and the Humanities with additional funding from the Samuel H. Kress Foundation. In-kind support is provided by Barbara and Richard S. Lane.

It is presented in Arkansas by: Bank of the Ozarks; Harriet and Warren Stephens, Stephens Inc.; Windgate Foundation.  The exhibition is sponsored in Arkansas by: Chucki and Curt Bradbury; Sandra and Bob Connor; Remmel T. Dickinson; Lisenne Rockefeller.

This special exhibition showcases 48 masterpieces from the collection known as the Iveagh Bequest. These magnificent paintings reside at Kenwood House, a neoclassical villa in London. The tour of Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London will provide a unique opportunity to view superb paintings outside the United Kingdom. Most of these paintings have never traveled to the United States before, and many of them have rarely been seen outside Kenwood. The highly acclaimed works represent the greatest artists of their periods, including Rembrandt van Rijn, Thomas Gainsborough, Anthony van Dyck, Frans Hals, Joshua Reynolds, J.M.W. Turner and more.

Rembrandt, Van Dyck, Gainsborough at Arkansas Arts Center June 7-Sept 8

Rembrandt van Rijn
Portrait of the Artist, ca. 1665
Photo courtesy American Federation of Arts

This special exhibition showcases 48 masterpieces from the collection known as the Iveagh Bequest. These magnificent paintings reside at Kenwood House, a neoclassical villa in London. The tour of Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London will provide a unique opportunity to view superb paintings outside the United Kingdom.

Most of these paintings have never traveled to the United States before, and many of them have rarely been seen outside Kenwood. The highly acclaimed works represent the greatest artists of their periods, including Rembrandt van Rijn, Thomas Gainsborough, Anthony van Dyck, Frans Hals, Joshua Reynolds, J.M.W. Turner and more.

Admission to this exhibition is $12 for adults, $10 for seniors and $6 for youth/students.

The exhibition is organized by the American Federation of Arts and English Heritage. It is supported by an indemnity from the Federal Council on the Arts and the Humanities with additional funding from the Samuel H. Kress Foundation. In-kind support is provided by Barbara and Richard S. Lane.

Presented in Arkansas by: Bank of the Ozarks; Harriet and Warren Stephens, Stephens Inc.; Windgate Foundation

Sponsored in Arkansas by: Chucki and Curt Bradbury; Sandra and Bob Connor; Remmel T. Dickinson; Lisenne Rockefeller.