Comedies, Dramas and Musicals mark the 2017-18 season at Arkansas Rep

ark repA Southern story that is a favorite, a modern take on a classic comedy, a new musical based on a timeless Christmas tale, a contemporary drama of familial relationships, a joyous romp of a musical, a darkly comic tale of manners (without the manners), and a biting look at the madness of the holidays compose the 42nd season of the Arkansas Rep!

Under the leadership of new Producing Artistic Director John Miller-Stephany, the Arkansas Repertory Theatre, the state’s largest nonprofit professional theatre, announced its 2017-18 Season.

Beginning in August, the new season exemplifies The Rep’s mission of producing diverse work of the highest artistic standards for its Arkansas audience.

The Heart is a Lonely Hunter
Aug. 23 – Sept. 10, 2017; Opening Night on Friday, Aug. 25, 2017
By Rebecca Gilman | Based on the novel by Carson McCullers
Directed by John Miller-Stephany

Based on Carson McCullers’ celebrated debut novel, this haunting Southern drama tells the story of a handful of misfits in a 1930s Georgia mill town. Deaf-mute John Singer becomes confidant and confessor to four of the town’s most colorful eccentrics, forever changing their lives by his sympathetic and gentle presence. Rebecca Gilman’s poignant adaptation for the stage captures all of the loss and longing of the original novel and combines it with a graceful theatricality.

 

The School for Lies
Oct. 11 – 29, 2017; Opening Night on Friday, Oct. 13, 2017
By David Ives | Adapted from The Misanthrope by Molière

Based upon Molière’s classic 17th Century comedy, The Misanthrope, The School for Lies feels surprisingly relevant as it exposes the hypocrisies of polite high society with a sharp wit and even sharper observations about human nature. Comic master David Ives (All in the Timing, Venus in Fur, Is He Dead?) adapts this wicked farce for contemporary audiences, contrasting the high-brow characters with low-brow humor and employing present-day language that breathes fresh air into this rollicking satire.

 

The Gift of the Magi
Nov. 29 – Dec. 24, 2017; Opening Night on Friday, Dec. 1, 2017
A new musical by Jeffrey Hatcher, Maggie-Kate Coleman and Andrew Cooke
Directed by John Miller-Stephany

The Arkansas Repertory Theatre is proud to present the world premiere of a new chamber musical based upon O. Henry’s beloved holiday story. Unwrap a new tradition in this tender tale of love and sacrifice, told with fresh intimacy on The Rep stage. Acclaimed playwright Jeffrey Hatcher (Compleat Female Stage Beauty, Tuesdays with Morrie, Three Viewings) is joined by composer Andrew Cooke and 2017 Jonathan Larson Grant recipient Maggie-Kate Coleman (lyricist).

 

The Call
Jan. 24 – Feb. 11, 2018; Opening Night on Friday, Jan. 26, 2018
By Tanya Barfield

Annie and Peter are a childless couple in their late 30s who have decided to adopt a baby from Africa. But when they receive some surprising news about their potential bundle of joy, anxiety and doubt threaten to tear their world apart. Middle-class cultural sensibilities and global divisions come crashing in on their comfortable existence as they are forced to confront their own preconceived notions about what makes a family a family. As they reach out to friends and neighbors for advice, Annie and Peter become mired in indecision and second thoughts.

 

Mamma Mia!
March 14 – April 8, 2018; Opening Night on Friday, March 16, 2018
Music and lyrics by Benny Andersson and Bjorn Ulvaeus
Some songs with Stif Anderson | Additional material by Martin Koch
Book by Catherine Johnson
Directed by John Miller-Stephany

Young bride-to-be Sophie desperately wants her father to walk her down the aisle. But there’s a catch – she’s not sure which of her mother’s old flames is “the one.” So, she invites all three, hoping she’ll learn the truth, which unleashes an out-of-control flood of memories – and irresistible pop music – into all of their lives.

 

God of Carnage
June 6 – 24, 2018; Opening Night on Friday, June 8, 2018
By Yasmina Reza | Translated by Christopher Hampton
Directed by Cliff Fannin Baker

A simple playground scuffle between their young sons thrusts two sets of affluent parents into an uproarious maelstrom of epic proportions. As they meet to provide a positive example of conflict resolution, what begins as a civil conversation over cocktails and canapés soon devolves into a juvenile war of words and unexpected ferocity.   Winner of three Tony Awards, including Best Play, God of Carnage is a contemporary comedy of manners – minus the manners. From the fertile imagination of playwright Yasmina Reza (Art) comes this hilarious and terrifying descent into the heart of darkness – a searingly dark comedy for uncertain times.

 

PRODUCTION AT THE BLACK BOX THEATRE, The Rep Annex, 518 Main Street
New this Season, The Rep will run concurrent productions throughout the Christmas holiday. With the productions running on different stages and at staggered curtain times, patrons are encouraged to see both productions back-to-back.

 

The Santaland Diaries
Dec. 6 – 24, 2017; Opening Night on Friday, Dec. 8, 2017
By David Sedaris

Crumpet is just your average department store Christmas Elf. He’s your average, every day, chain-smoking, martini-swilling, foul-mouthed, Santa-denying department store Christmas Elf. What starts out as a mundane seasonal job to pay the bills becomes a darkly absurd quest through the grey and slush-filled streets of New York City at Christmastime. If the holidays make you feel more like Scrooge than Cratchit, more Grinch than Cindy Lou Who, more Abominable Snow Monster than Rudolph, then The Santaland Diaries is the perfect show for you!

 

Season Subscriptions are on sale now and start at $132, making subscribing to The Rep the most economical way to see all of the productions included in the 2017-18 Season.

 

For more information on Season Subscriptions, call The Rep’s Box Office at (501) 378-0405, Monday – Friday, 9 a.m. – 5 p.m., or visit http://www.TheRep.org.

Award winning THE MEMBER OF THE WEDDING at Weekend Theater

TWT Member WedNext at the Weekend Theater is The Member of the Wedding, Carson McCullers unflinching yet heart-warming look back at the transition from childhood to adulthood.

Winner of the New York Drama Critics’ Circle Award and the Donaldson Award in 1950 for best play, The Member of the Wedding is based on the Carson McCullers multi-award winning novel by the same name. The play set during World War II takes place over a few days in late August, 1945.

It tells the poignant story of 12-year-old tomboy, Frankie Addams, who, like many prepubescents, feels disconnected from everything in the world; in her words, an “unjoined person.” Frankie’s mother has died in childbirth, and her widowed father is a distant, vacuous figure who has no idea of the anxiety his daughter is experiencing. Her closest companions in her small racially divided hometown are the family’s African American housekeeper and surrogate mother to Frankie, Berenice Sadie Brown, and her six-year-old pesky cousin, John Henry West. She has no other friends in her deeply southern birthplace and dreams of going away with her soldier brother and his bride-to-be on their honeymoon in the Alaskan wilderness. Frankie Addams desperately wants to become “joined” with the newlyweds in The Member of the Wedding.

Directed by Margaret Pierson Bates, the production opens tonight and runs through May 30 on Friday and Saturday evenings.

The cast includes Danette Scott Perry, Ellis Golden, Alex Harkins, Barry Clifton, Elizabeth Bartyzal, Peter Emery, Amanda Oxford, Stacy Williams Jr., Eric Tate, Akasha Hull, Allison Filbert, Claire Green, Jeffrey Oakley, Hannah Smith, Nikolai Gordeev, Drew Ellis, Keith Harper, Tommie Tinker, Alexander White, Terry White and Ryan Whitfield.

 

The 2014-2015 season for the Weekend Theater

WeekendTheaterThe Weekend Theater has announced its 2014-2015 season.  It will kick off next month with the Tony-nominated musical Caroline, or Change.  The season includes classic plays and musicals as well as more recent shows.

Caroline, or Change

Book and Lyrics by Tony Kushner
Score by Jeanine Tesori
June 6, 7, 8, 13, 14, 15, 20, 21, 22, 2014
Directed by Matthew Mentgen
Music Direction by Lori Isner

Winner of the Laurence Olivier Award and the Lucille Lortel Award for Best New Musical, Caroline, or Change centers its action on the Gellman family and their African-American maid, Caroline. It is 1963 in sleepy Lake Charles, Louisiana. Caroline is drifting through her life as a single mother of four working in a service job to a white family. A fragile, yet beautiful friendship develops between the young Gellman son, Noah (who has lost his mother), and Caroline. Noah’s stepmother Rose, unable to give Caroline a raise, tells Caroline that she may keep the money Noah leaves in his pockets. Caroline balks, and refuses to take money from a child, but her own children desperately need food, clothing and shoes. Regardless of the circumstances, whether it is the death of President Kennedy, her daughter’s growing activism and misunderstood dismissal of what she perceives to be Caroline’s choice to remain a maid, her son’s enlistment in Vietnam, a fight with a newly college-bound friend, or a spin with the dryer, Caroline remains unflappable.

 


Next To Normal

Book and Lyrics by Brian Yorkey
Music by Tom Kitt
July 11, 12, 13, 18, 19, 20, 25, 26, 27, 2014
Directed by Ralph Hyman
Music Direction by Lori Isner

Winner of the Pulitzer Prize, Next To Normal tells the story of a mother, Diane Goodman, who struggles with bipolar disorder and the effect that her illness has on her family. This contemporary musical is an emotional powerhouse that addresses such issues as grieving a loss, ethics in modern psychiatry, and suburban life. With provocative lyrics and a thrilling score, this musical shows how far two parents will go to keep themselves sane and their family’s world intact.

 


The Beauty Queen of Leenane

By Martin McDonagh
August 22, 23, 29, 30, September 5, 6, 2014
Directed by Deb Lewis

Co-winner of the 1998 Lucille Lortel Award for outstanding play and set in the mountains of Connemara County, Galway, Ireland, The Beauty Queen of Leenane tells the darkly comic tale of Maureen Folan, a plain and lonely woman in her early forties, and Mag, her manipulative aging mother, whose interference in Maureen’s first and possibly final chance of a loving relationship sets in motion a train of events that leads inexorably towards the play’s terrifying dénouement.


A Quiet End

By Robin Swados
September 26, 27, October 3, 4, 10, 11, 2014
Directed by Ryan Whitfield

Written in 1985, A Quiet End was one of the earliest dramas to deal with the AIDS crisis in the United States. Three men, a teacher, an aspiring jazz pianist and an unemployed actor, are in a rundown Manhattan apartment. All have lost their jobs and are shunned by their families; they have AIDS. Their interaction with a psychiatrist heard but not seen throughout the play and the entrance of an ex-lover healthy yet unsure of his future provide a forum for exploring the meaning of friendship, loyalty and love. By celebrating the lives of men who, in the face of death, become fearlessly life embracing, the play explores the human side of the AIDS crisis.

 


Topdog/Underdog

By Suzan-Lori Parks
October 31, November 1, 7, 8, 14, 15, 2014
Directed by Jermaine McClure

Winner of the 2002 Pulitzer Prize for Drama, Topdog/Underdog, a darkly comic fable of brotherly love and family identity, is Suzan-Lori Parks’ latest riff on the way we are defined by history. The play tells the story of Lincoln and Booth, two African American brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future. Vibrating with the clamor of big ideas, audaciously and exuberantly expressed, this play considers nothing less than the existential traps of being African-American and male in the United States, the masks that wear the men as well as vice versa.

 


Other Desert Cities

By Jon Robin Baitz
December 5, 6, 12, 13, 19, 20, 2014
Directed by Ralph Hyman

A finalist for the 2012 Pulitzer Prize for Drama, Other Desert Cities involves a family with differing political views and a long-held family secret. Brooke Wyeth returns home to Palm Springs after a six-year absence to celebrate Christmas with her parents, her brother, and her aunt. Brooke announces that she is about to publish a memoir dredging up a pivotal and tragic event in the family’s history—a wound they don’t want reopened. In effect, she draws a line in the sand and dares them all to cross it.

 


No Exit

By Jean-Paul Sartre
Adapted from the French by Paul Bowles
January 16, 17, 23, 24, 30, 31, 2015
Directed by Tommie Tinker

In No Exit, winner of the Nobel Prize in Literature, Jean-Paul Sartre tells his story of two women and one man, who are locked up together for eternity in one hideous room in hell. The windows are bricked up; there are no mirrors; the electric lights can never be turned off; and there is no exit. The irony of this hell is that its torture is not of the rack and fire, but of the burning humiliation of each soul as it is stripped of its pretenses by the cruel curiosity of the damned. Here the soul is shorn of secrecy, and even the blackest deeds are mercilessly exposed to the fierce light of hell. It is an eternal torment.

 


The Sound of Music

Music by Richard Rodgers, Lyrics by Oscar Hammerstein II,
Book by Howard Lindsay and Russel Crouse, based on the memoir of Maria von Trapp

February 13, 14, 15, 20, 21, 22, 27, 28, March 1, 2015
Directed by Elizabeth Reha
Music Direction by Lisa Petursson

Winner of five Tony Awards, including Best Musical, this final collaboration between Rodgers & Hammerstein was destined to become the world’s most beloved musical. When a postulant proves too high-spirited for the religious life, she is dispatched to serve as governess for the seven children of a widowed naval Captain. Her growing rapport with the youngsters, coupled with her generosity of spirit, gradually captures the heart of the stern Captain, and they marry. Upon returning from their honeymoon they discover that Austria has been invaded by the Nazis, who demand the Captain’s immediate service in their navy. The family’s narrow escape over the mountains to Switzerland on the eve of World War II provides one of the most thrilling and inspirational finales ever presented in the theatre. The motion picture version of The Sound of Music remains the most popular movie musical of all time.

 


Last Summer at Bluefish Cove

By Jane Chambers
March 13, 14, 20, 21, 27, 28, 2015
Directed by Lana Hallmark

Winner of the Los Angeles Drama Critics Circle Award and seven Hollywood Drama-Logue Awards, Last Summer at Bluefish Cove is the story of a dissatisfied straight woman who leaves her husband to spend some quiet time by herself and who unwittingly and naively wanders into the midst of a group of seven lesbians at the beginning of their annual beachside vacation. She falls in love with the charming leading character who, unknown to her, is dying of cancer. The friendships, the laughter, the love, the fears of being outed, the difficulties of being gay and how it affects relationships with family, children, parents and careers, the demonstrations of what the painful price could be for a gay life 30 years ago in everyday America, had never before been told with such respect. Chambers’ comedic dialogue, sensitivity to human nature and tender treatment of her characters help the play transcend preconceptions and show the universality of these women’s journeys, whether straight or gay.

 


Karski’s Message

By Phillip McMath
April 10, 11, 17, 18, 24, 25, 2015
Directed by Ralph Hyman

A World Premier of local playwright, lawyer and historian Phillip McMath’s well-crafted story of how no one listened or helped when the genocide of the Jews was happening, Karski’s Message is the story of Jan Karski, a Polish World War II resistance movement fighter and later professor at Georgetown University. In 1942 and 1943, Karski reported to the Polish government in exile and the Western Allies, Britain and the United States, on the situation in German-occupied Poland, especially the destruction of the Warsaw Ghetto, and the secretive German-Nazi extermination camps. Karski personally met with President Roosevelt in the Oval Office, telling him about the situation in Poland and becoming the first eyewitness to tell him about the Jewish Holocaust. During their meeting Roosevelt asked about the condition of horses in Poland. Roosevelt did not ask one question about the Jews.

 


The Member of the Wedding

By Carson McCullers
May 15, 16, 22, 23, 29, 30, 2015
Directed by Margaret Pierson Bates

Winner of the 1950 Critics’ Circle Award as the best play, Carson McCullers’ report of a harum-scarum adolescent girl in Georgia is wonderfully—almost painfully—perceptive; and her associated sketches of a Negro mammy and a busy little boy are masterly pieces of writing. This is a study of loneliness is felt, observed and phrased with exceptional sensitivity. The Member of the Wedding deals with the torturing dreams, the hungry egotism, and the heartbreak of childhood in a manner as rare as it is welcome.