Quilts are not just coverings for warmth, they often tell a story.  The quilts and quilters of Gee’s Bend, Alabama are the focus of the play Gee’s Bend, which opened on Friday night at the Arkansas Rep and continues through February 1

Gee’s Bend was written by Elyzabeth Gregory Wilder.  It follows a group of women as they turn to quilting to provide comfort and creative expression to their lives. Pieced together from discarded clothes and seasoned with laughter and tears, the women sew a patchwork of inventive abstract designs in rich, blazing colors.

The play opens in 1939, with the beginning of the era of African-American land ownership. The story then advances to 1965, in the midst of the Civil Rights movement and the historic visit to Gee’s Bend by the Rev. Martin Luther King, Jr. The production concludes in 2002, on the eve of the unveiling of “The Quilts of Gee’s Bend” exhibition organized by the Museum of Fine Arts in Houston, Texas.

Gee’s Bend was commissioned by the Alabama Shakespeare Festival’s Southern Writers Project, where it received a staged reading in 2006 and premiered in January 2007. A graduate of the dramatic writing program at New York University, Wilder received the American Theatre Critics Association’s 2008 Elizabeth Osborn New Play Award for an emerging playwright.

Gee’s Bend is directed by Gilbert McCauley, who has directed several plays previously at the Rep.  The cast features Corey Jones, Nambi E. Kelley, Shannon Lamb and Monica Parks.   The design team includes Mike Nichols (scenery), Yslan Hicks (costumes), John Horner (lighting), Allan Branson (sound) and Lynda J. Kwallek (props). Robert Hupp is the Producing Artistic Director of the Arkansas Rep.

The Rep’s production of Gee’s Bend is supported and sponsored by The Design Group, Philander Smith College, Arora, Delta Airlines and the Little Rock Convention and Visitor’s Bureau.  It is also made possible in part by a grant from the Arkansas Black Hall of Fame Foundation, a component fund of the Arkansas Community Fund.