Rock the Oscars: Opening of the Clinton Presidential Center

Probably the largest gathering of Oscar winners and Oscar nominees in Little Rock’s history took place in November 2004.

Though some Oscar winners and nominees had been present for the Clinton election night parties in 1992 and 1996, the opening of the Clinton Presidential Center brought luminaries from Hollywood en masse.

Among those present were Oscar winning actors Barbara Streisand, Robin Williams, and (of course) Arkansan Mary Steenburgen.  Future Oscar winner Morgan Freeman was also in attendance. Among the Oscar nominees who were present were Bono and The Edge (who performed at the ceremony) and Alfre Woodard.

Senator John Glenn, who had been featured as a character in the Oscar winning film The Right Stuff was also present for the festivities.  Former Vice President Al Gore did not actually win an Oscar for An Inconvenient Truth (the documentary awards go to the director), but was closely identified with this Oscar winning documentary.

There were plenty of rumors about other Oscar winners and nominees in town, though they were not true.

 

Arkansas Heritage Month – Public Art comes to Little Rock with Henry Moore’s LARGE STANDING FIGURE: KNIFE EDGE

HenryMooreIt was 1978, Bill Clinton was making his first run for Governor, Dallas and Robin Williams both made their TV debuts, disco was dominating the music scene, and Little Rock received its first major piece of public art.

Arguably Little Rock’s most famous piece of public art is Henry Moore’s 1961 creation Large Standing Figure: Knife Edge, which is known locally as “The Henry Moore Sculpture.”

The original model was created in 1961; this sculpture was cast in 1976 and purchased in June 1978 by the Little Rock Metrocentre Improvement District.

The purchase price was $185,000 — a princely sum at the time but now a bargain for a Henry Moore sculpture. (Adjusted for inflation, that amount would be the equivalent of $705,000 today.)

A committee consisting of Townsend Wolfe (then the director and chief curator of the Arkansas Arts Center), James Dyke and Dr. Virginia Rembert traveled to England to meet with Moore about the sculpture.

It was originally placed on Main Street when the street had been bricked over as part of the Metrocentre Mall pedestrian mall plan. As portions of the street became unbricked and reopened to vehicular traffic, it was moved to the intersection of Capitol and Main. Finally, when the last segment was reopened to vehicular traffic, it was put at its current location of the southeast corner of Capitol and Louisiana. Because it was purchased by the Improvement District, it must stay within the boundaries of the district.

There is currently discussion about the Metrocentre Improvement District disbanding and the sculpture being relocated elsewhere in the City.

A replica of the sculpture is featured in the 1980s classic The Breakfast Club.

Back to School Cinema: DEAD POET’S SOCIETY

Dead_poets_societyWith students returning to school, this week the Culture Vulture will feature seven favorite films about the high school experience.  Up first is 1989’s Dead Poets Society.

While it can be a bit melodramatic, Peter Weir’s movie (from Tom Schulman’s script) captures not only the generational split between students and their teachers & parents, but also the seismic shifts that were happening in the US in the late 1950s. The movie takes place just prior to the JFK-Nixon election time.  It sets the stage for the dichotomy of feelings those candidates represented.

When it first came out, it had a tremendous influence on me.  I appreciated the references to history and literature, the Ralph Lauren designed clothing, the tremendous use of plaid in set decoration and the breathtaking scenery.  The actors playing the students were my age, though playing slightly younger (I was in college, they were playing prep school seniors).  Though I confess, I was not much of a Walt Whitman fan, and still am not.

Robin Williams is stellar as a combination Mr. Chips and Pied Piper who bucks the system at Welton Academy. Though the part was not written for him, he made it his own. It showcased not only his comic talents but also his ability to show pathos.  Even when he is hamming it up for his students, Williams shows a bit of restraint – he keeps his character grounded in 1959.

The actors playing the students had great chemistry – they functioned as a complete unit. They have gone on to varied levels of success.  Robert Sean Leonard has won a Tony and alternated between stage and TV with a few films.  Ethan Hawke was, for a while, a leading actor of his generation and has received Oscar nominations for acting and writing. Josh Charles has worked fairly steadily, especially on TV in shows like “SportsNight” and “The Good Wife.”  James Waterston has also kept busy in various acting roles.  Gale Hansen, who was so magnetic in this film, has disappeared from acting.  Allelon Ruggiero and Dylan Kussman, too, have had only a few credits.

The movie also proved to be a breakout for Kurtwood Smith. He followed up this hellish dad with a kinder version in “That 70’s Show.”  Norman Lloyd, who played the headmaster, celebrated his 100th birthday in November 2014.  He still takes a few acting roles and attends events.  (When I first watched it, I would never have predicted that 25 years later Williams would be dead and Lloyd would be turning 100.)  Several other character actors pop up as faculty members and parents.  (One of my favorites, John Cunningham, plays Ethan Hawke’s father.)

This being a movie that came out in the summer, I was was pleased when it received four Oscar nominations: Best Picture, Actor (Williams), Director (Weir) and Original Screenplay (Schulman).  On Oscar night, Schulman walked home with the trophy.

The ending of the film gives me goosebumps each time – even though I know it is coming.  There are so many other moments I enjoy – the kicking of the ball while reciting inspirational quotes accompanied by Beethoven is certainly another.  And I can still recite Puck’s final speech in A Midsummer Night’s Dream because I learned it from this movie.

I was fortunate to have teachers to inspire me at all levels of schooling.  Though none asked me to stand on desks, I was challenged, cajoled and even on a few times chastised.  And I am the better for it.

 

Go GOOD WILL HUNTING at 10pm tonight at the CALS Ron Robinson Theater

RRT Good WillThe 1997 Oscar winning GOOD WILL HUNTING will be shown at 10pm tonight at the Ron Robinson Theater.  Robin Williams (Best Supporting Actor), Matt Damon & Ben Affleck (Original Screenplay) took home the golden statuettes for their work on this film.

The movie also stars Minnie Driver, Stellan Skarsgård, Casey Affleck, and Cole Hauser. Directed by Gus Van Sant, it tells the story of a janitor at MIT who is a math savant.  As he tries to embrace his genius, he must also grapple with the impact this has on his own self-value and his relationships.

Filmed for an estimated $10 million, it grossed over $138 million in its initial release.

Admission is $5, with refreshments available for purchase.

 

 

Talk Like a Pirate at HOOK this evening

CALS HookArrggghhh Matey!  Today is Talk Like a Pirate Day!

Don’t be a landlubber.  Discover the treasure at the CALS Ron Robinson Theater today at the screening of HOOK.

A Talk Like a Pirate Day pre-party begins at 6 p.m., followed by the movie at 7 p.m. The party will feature a pirate costume contest complete with prizes.  Tickets are $5 per person.

Directed by Steven Spielberg, HOOK features an adult Peter Pan (Robin Williams).  When Captain Hook (Dustin Hoffman) kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.  Also in the cast are Julia Roberts (Tinkerbell), Bob Hoskins (Smee) and Maggie Smith (a grownup Wendy).  The film was nominated for five Oscars.

The screening will feature free theme-related concessions and door prizes.