Tag Archives: University of Arkansas at Little Rock

Black History Month Spotlight – First Missionary Baptist Church

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The new Arkansas Civil Rights History Audio Tour was launched in November 2015. Produced by the City of Little Rock and the University of Arkansas at Little Rock allows the many places and stories of the City’s Civil Rights history to come to life an interactive tour.  This month, during Black History Month, the Culture Vulture looks at some of the stops on this tour which focus on African American history.

Established in 1845, First Missionary Baptist Church is one of the oldest black congregations in Arkansas. The first church building was completed by 1847, with the current Gothic Revival building constructed in 1882.

In 1891, more than 600 blacks gathered here to protest the state’s recently enacted Separate Coach Law that required racial separation in passenger cars and separate waiting rooms in train stations. They marched from the church to the then state capitol, now the Old State House., to dispute laws that denied black people their constitutional rights. Historians cite that black boycotts in Little Rock, Pine Bluff, and Hot Springs on May 27, 1903, the first day of the streetcar law, caused a 90 percent drop in black patrons on Little Rock streetcars.

In May 1958, Dr. Martin Luther King, Jr., traveled to Little Rock here to attend the graduation ceremony of Ernest Green, the first African American to graduate from Central High School. In 1963, four months before the famous “I Have a Dream” speech, Dr. King visited Little Rock to provide the First Missionary Baptist Church’s 118th anniversary sermon.

The app, funded by a generous grant from the Arkansas Humanities Council, was a collaboration among UALR’s Institute on Race and Ethnicity, the City of Little Rock, the Mayor’s Tourism Commission, and KUAR, UALR’s public radio station, with assistance from the Little Rock Convention and Visitors Bureau.

Black History Month Spotlight – Mosaic Templars Cultural Center

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The new Arkansas Civil Rights History Audio Tour was launched in November 2015. Produced by the City of Little Rock and the University of Arkansas at Little Rock allows the many places and stories of the City’s Civil Rights history to come to life an interactive tour.  This month, during Black History Month, the Culture Vulture looks at some of the stops on this tour which focus on African American history.

The Mosaic Templars Cultural Center and Museum collects, preserves, interprets and celebrates Arkansas’s unique African American political, economic, and social achievement from 1865 to 1950. The Center resides in the footprint of the original Mosaic Templars of America National Headquarters and Annex Buildings.

The permanent museum exhibits depict historic West Ninth Street as a thriving commercial and social hub, focusing on the black entrepreneurship, Templars organization, and the legacy of black legislators. Between 1868 and 1893, eighty-five African Americans served in the Arkansas General Assembly. The majority served in the House, with nine in the Senate. Election laws passed in 1891, together with a poll tax in 1832, ended the election of African Americans to the legislature. No black person served again until the General Assembly in 1973.

In addition to community educational programs, the Center offers a genealogy research room, an art collection created by local talent, and a well-stocked store. The Center’s third floor features a replica of the original Headquarters Building auditorium and the Arkansas Black Hall of Fame galleries.

The Center is a museum of the Department of Arkansas Heritage and admission is free.

The app, funded by a generous grant from the Arkansas Humanities Council, was a collaboration among UALR’s Institute on Race and Ethnicity, the City of Little Rock, the Mayor’s Tourism Commission, and KUAR, UALR’s public radio station, with assistance from the Little Rock Convention and Visitors Bureau.

Black History Month Spotlight – Mosaic Templars of America

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The new Arkansas Civil Rights History Audio Tour was launched in November 2015. Produced by the City of Little Rock and the University of Arkansas at Little Rock allows the many places and stories of the City’s Civil Rights history to come to life an interactive tour.  This month, during Black History Month, the Culture Vulture looks at some of the stops on this tour which focus on African American history.

The Mosaic Templars of America was formed as a business in the late 1870s by Arkansas freedmen John E. Bush and Chester W. Keatts to provide insurance and other services to black people, and was incorporated as a fraternal organization in 1882. The Mosaic Templars name was derived from the biblical Moses who led his people out of bondage and relates to black America’s journey out of slavery.

By the 1920s the Templars’ organization extended to 26 states and six Caribbean nations. At the time, as one of the largest black-owned business enterprises in the world, Templars’ holdings included the original insurance company, a building and loan association, a publishing company, a business college, a nursing school and a hospital. For more than 40 years, the Templars Headquarters Building and the adjoining Annex and State Temple buildings on Broadway anchored the city’s black business district on West Ninth Street. Like many businesses, black and white, the Templars did not survive the era of the Great Depression.

Though the original Headquarters building burned in 2005, the Mosaic Templars Cultural Center is modeled on the original design. Exhibits highlight black business and self-achievement from Reconstruction to the 1950s in Arkansas and the nation.

The app, funded by a generous grant from the Arkansas Humanities Council, was a collaboration among UALR’s Institute on Race and Ethnicity, the City of Little Rock, the Mayor’s Tourism Commission, and KUAR, UALR’s public radio station, with assistance from the Little Rock Convention and Visitors Bureau.

 

Black History Month Spotlight – West Ninth Street

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BHM16 W9thThe new Arkansas Civil Rights History Audio Tour was launched in November 2015. Produced by the City of Little Rock and the University of Arkansas at Little Rock allows the many places and stories of the City’s Civil Rights history to come to life an interactive tour.  This month, during Black History Month, the Culture Vulture looks at some of the stops on this tour which focus on African American history.

As early as the 1840s and reaching 1880, the businesses of both black and white races existed in what is now known as Downtown Little Rock. In the last years of the 1800s, a prolific business broker and social center for African Americans dominated West Ninth Street.

In 1898, D. B. Gaines, a local black doctor who also served as pastor of the Mt. Pleasant Baptist Church, wrote a book called Racial Possibilities as Indicated by the Negroes of Arkansas. The last chapter, “Colored Business Directory of Little Rock,” documents the existence of a vibrant commercial center with almost twenty churches and hundreds of dealers of black people.

The black district was home to doctors, dentists, lawyers and entrepreneurs such as restaurant owners, newspaper editors, pharmacists, barbers, tailors, and merchants.

This city within a city, met the needs of the black community since the early 1880 to the 1950s. West Ninth Street saw its peak between 1870 and 1950. Since the 1960s, a number of factors including desegregation, urbanization, urban renewal and the construction of I-630 caused its decline.

The app, funded by a generous grant from the Arkansas Humanities Council, was a collaboration among UALR’s Institute on Race and Ethnicity, the City of Little Rock, the Mayor’s Tourism Commission, and KUAR, UALR’s public radio station, with assistance from the Little Rock Convention and Visitors Bureau.

Final day to see OUR AMERICA exhibit at the Arkansas Arts Center

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Today is the final day to enjoy the Arkansas Arts Center exhibition Our America: The Latino Presence in American Art.  This major collection of modern and contemporary Latino art from the Smithsonian American Art Museum has been here since October.

The exhibition Our America includes 93 works in all media by 72 artists who participated in various artistic styles and movements, including abstract expressionism; activist, conceptual and performance art and classic American genres such as landscape, portraiture and scenes of everyday life.

Our America presents the rich and varied contributions of Latino artists in the United States since the mid-20th century, when the concept of a collective Latino identity began to emerge. The exhibition is drawn entirely from the Smithsonian American Art Museum’s pioneering collection of Latino art.

 

Our America features bilingual labels for each work and a Spanish-language website created by the Smithsonian American Art Museum. Select works also feature podcasts with the artist’s commentary. Museum goers can simply call a number, scan a QR code or visit a website for more background on the artist and background on each piece—in English and Spanish.

Artists featured in the exhibition reflect the rich diversity of Latino communities in the United States. Our Americashowcases artists of Mexican, Puerto Rican, Cuban and Dominican descent, as well as other Latin American groups with deep roots in the United States. By presenting works by artists of different generations and regions, the exhibition reveals recurring themes among artists working across the country.

The 72 artists featured in the exhibition are ADÁL, Manuel Acevedo, Elia Alba, Olga Albizu, Carlos Almaraz, Jesse Amado, Asco (Harry Gamboa Jr., Gronk, Willie Herrón and Patssi Valdez), Luis Cruz Azaceta, Myrna Báez, Guillermo Bejarano, Charles “Chaz” Bojórquez, María Brito, Margarita Cabrera, María Magdalena Campos-Pons, Melesio “Mel” Casas, Leonard Castellanos, Oscar R. Castillo, José Cervantes, Enrique Chagoya, Roberto Chavez, Carlos A. Cortéz, Marcos Dimas, Ricardo Favela, Christina Fernandez, Teresita Fernández, iliana emilia garcía, Rupert García, Scherezade García, Carmen Lomas Garza, Ignacio Gomez, Ken Gonzales-Day, Hector González, Luis C. “Louie the Foot” González, Muriel Hasbun, Ester Hernandez, Judithe Hernández, Carmen Herrera, Carlos Irizarry, Luis Jiménez, Miguel Luciano, Emanuel Martinez, María Martínez-Cañas, Antonio Martorell, Ana Mendieta, Amalia Mesa-Bains, Franco Mondini-Ruiz, Delilah Montoya, Malaquias Montoya, Abelardo Morell, Jesús Moroles, Raphael Montañez Ortiz, Pepón Osorio, Amado M. Peña Jr., Chuck Ramirez, Paul Henry Ramirez, Sophie Rivera, Arturo Rodríguez, Freddy Rodríguez, Joseph Rodríguez, Frank Romero, Emilio Sánchez, Juan Sánchez, Jorge Soto Sánchez, Rafael Soriano, Ruben Trejo, Jesse Treviño, John M. Valadez, Alberto Valdés and Xavier Viramontes.

The exhibition is organized by E. Carmen Ramos, curator of Latino art at the Smithsonian American Art Museum.

Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez, Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for “Treasures to Go,” the museum’s traveling exhibition program, comes from The C.F. Foundation, Atlanta.

Our America is sponsored in Arkansas by Donna and Mack McLarty, The Brown Foundation, Inc., of Houston, Consulate of Mexico in Little Rock and Alan DuBois Contemporary Craft Fund. Media sponsors include ¡Hola! Arkansas and Telemundo Arkansas.

15 Highlights of 2015 – New Visual Arts Building Announced for UALR thanks to gift from Windgate Foundation

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Entry DriveFor the final fifteen days of 2015, a look back at some of the cultural highlights of 2015.

Up next–

In May, UALR announced plans for a new Visual Arts Building.  With a target date to open in fall 2017, the University of Arkansas at Little Rock’s newest building will be among the finest higher education facilities in the country for visual arts education.

UALR unveiled the design concept for the 71,636 square-foot building during a news conference in the Stella Boyle Smith Concert Hall. The visual arts building will be funded by a $20.3 million grant award approved by the Trustees of the Windgate Charitable Foundation, headquartered in Siloam Springs. The grant, designated for building construction and equipment, is the second largest gift in UALR’s history.

UALR serves about 1,000 students each year who are enrolled in visual arts classes. This semester, 180 students have designated visual arts as their major, and there are 16 full-time faculty devoted to visual arts programs.

The new facility, to be located on the UALR campus at 28th Street and East Campus Drive, will bring together under one roof the applied design program currently located at University Plaza and the art history and studio arts programs currently in the Fine Arts Building, a structure built in 1977 to house the departments of art and music.

The new building will integrate UALR’s Applied Design, Art History and Studio Arts classes into a facility that promotes collaboration and creativity between students, faculty and guests under one roof. Drawing/Painting/Printmaking/Art History and 2D Design and Illustration classrooms will be located on the north side of the building to make use of the large expanse of glass along 28th Street.

Faculty and administrative offices will be oriented on the south side to take advantage of the campus and natural plaza views. Photography and Graphic Design spaces will complete the programs that are housed within the visual arts track.

Students and visitors have the opportunity to experience two generous art galleries within the building showcasing both permanent and transitional exhibits or attend a guest lecturer speaking in the 80-seat lecture hall and reception venue on the ground floor.

The Applied Design spaces will be organized within a single story industrial high bay section of the building to take advantage of the expansive volumes of space necessary for Sculpture/Metalsmithing/Furniture Design /3D Craft & Fibers/Ceramics. Each of these spaces has access to an outdoor studio space that allows work on large pieces with natural ventilation and sunlight.

The building will be designed to achieve a LEED Silver rating with the USGBC LEED (Leadership in Energy and Environmental Design) rating system.

The Bachelor of Fine Arts (BFA) in Art/Applied Design track, a unique program in Arkansas, primarily serves students interested in the study of traditional arts and crafts representative of the South Central region of the U.S., with particular emphasis upon craft practices within Arkansas.

“The vision of the Department of Art is to be a destination center for students intent on pursuing lifelong careers in the visual arts,” said department chair Tom Clifton. “This new facility will enable the department to embrace traditional, contemporary, and technological approaches to the visual arts in central Arkansas and provide opportunities for students throughout the southern region of the United States.

The Windgate Charitable Foundation has provided consistent and visionary support of the UALR Department of Art through scholarships, program support, visiting artists, workshops and gallery exhibitions.

Dr. Susanah Shaw Romney, UALR History Professor, receives NEH fellowship

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Susanah Shaw Romney, assistant professor of history at the University of Arkansas at Little Rock, received a $50,400 fellowship award from the National Endowment for the Humanities to conduct research on the Dutch empire.

Dr. Susanah Shaw Romney, UALR

Dr. Susanah Shaw Romney, UALR professor and author, lands National Endowment for the Humanities Fellowship.

Romney was awarded the maximum amount under the Fellowships for University Teachers category to pursue her project titled “Personal Interactions and Imperial Geographies in Early Modern Dutch Colonies.”

In addition to Romney, the NEH awarded 294 other projects, for a total of $21.8 million in grants. Only two projects from Arkansas received NEH funding.

“NEH provides support for projects across America that preserve our heritage, promote scholarly discoveries, and make the best of America’s humanities ideas available to all Americans,” said NEH Chairman William D. Adams.

Romney, who plans to write a book based on her research, will conduct a comparative study of the early modern Dutch empire in North and South America, southern Africa, and southeast Asia.

“This fellowship lets me do new research on people and places that I haven’t encountered before. It gives me a chance to read records about Munsee Indians in the Hudson Valley, Khoekhoe people of southern Africa, Dutch traders in Guyana, and South Asian slaves on Java,” said Romney.

“I’ll be able to bring that new perspective to students in my classes at UALR and to the scholarly community through the book that I will write,” she added.                                                  

Romney’s previous book on the Dutch empire, “New Netherland Connections: Intimate Networks and Atlantic Ties in Seventeenth-Century America” garnered several awards, including the 2014 Berkshire Conference of Women Historians Book Prize.

Susanah Shaw Romney is originally from California, and did her undergraduate work in history at UC Santa Cruz. She received her Ph.D. from Cornell University, where she worked with Prof. Mary Beth Norton on women in Colonial America. Her research focuses on gender, race, and the fur trade in the seventeenth-century Dutch colony that later became New York. Her book is the winner of the 2014 Berkshire Conference of Women Historians First Book Prize, 2013 Jamestown Prize (given every two years by the Omohundro Institute of Early American History and Culture), and the 2013 Hendricks Prize from the New Netherland Institute. She is now at work on a new project looking at gender, settlement, and land claims in the seventeenth-century Dutch empire in North America, Guyana, South Africa, and Java. Her research has taken her from the Huntington Library in California, to the Stadsarchief in Amsterdam, to the Western Cape Archives in South Africa. She offers classes at UALR on the colonial period, slavery, the frontier, pirates, gender, and other topics.

For more information about recently awarded NEH grants, go to www.neh.gov/news.

About the National Endowment for the Humanities

Created in 1965 as an independent federal agency, the National Endowment for the Humanitiessupports research and learning in history, literature, philosophy, and other areas of the humanities by funding selected, peer-reviewed proposals from around the nation. Additional information about the National Endowment for the Humanities and its grant programs is available at www.neh.gov.