Final 2018-2019 Evening with History focuses on End of Reconstruction

Join the UA Little Rock History Department for the last lecture in this year’s Evenings with History series!

In his last public lecture before retirement, Dr. Carl Moneyhon will present “The End of Reconstruction and the Long-Term Cost of Conservative Redemption.” His talk will examine the tactics of Conservative and Democratic opponents of biracial governments during Reconstruction and the long-term social and economic impacts on the South and nation.

The program starts at 7pm at Historic Arkansas Museum.

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The Climate Reality Project is focus of UA Little Rock Downtown talk

“The Climate Reality Project: Need for Change and Reasons for Hope” is the topic of Dr. Jessica Scott’s discussion tonight (3/27) at the UA Little Rock Downtown campus.  The program is free and begins at 6pm.

Must we change? Can we change? Will we change? These three questions will be the focus of Dr. Scott’s presentation on climate change and the work of The Climate Reality Project.

Although climate change is often misunderstood by the public, more than 97 percent of climate scientists agree that it is real and caused by the burning of fossil fuels like oil, coal, and natural gas. Understanding climate change can be overwhelming because our atmosphere, oceans, soil, and weather are driven by a complex network of interconnected factors.

Dr. Scott’s talk, targeted at non-scientists, will not only summarize the evidence for climate change, but will also give an overview of what we know about its impacts and the policy and industry changes that experts predict will be necessary to mitigate these effects.

Dr. Jessica Scott is assistant director of the Donaghey Scholars honors program and anthropology instructor at the University of Arkansas at Little Rock.  She earned her Ph.D. in Environmental Dynamics and M.A. in Anthropology from the University of Arkansas-Fayetteville, and her B.A. in Anthropology and History from UALR.

Tonight – Clinton School and UA Little Rock present program on The Struggle in the South mural

Today (January 16) at noon, UA Little Rock officially cuts the ribbon on the new UA Little Rock Downtown campus in the River Market district.

Tonight at 6pm, the Clinton School Speaker Series in conjunction with UA Little Rock presents a panel discussion on the Joe Jones mural, “The Struggle in the South” which is featured in that new space.  It will take place in the UA Little Rock Downtown location.

In 1935, famed American artist Joe Jones created “The Struggle in the South,” a provocative depiction of Southern sharecroppers, coal miners and a black family in fear of a lynching.

Originally painted in the dining hall at Commonwealth College near Mena, Arkansas, this 44-by-9-foot work was recently restored with a $500,000 grant from Arkansas Natural and Cultural Resources Center.

During this program, moderator Senator Joyce Elliott will join Brad Cushman, UA Little Rock Department of Art and Design Gallery director and curator; author Guy Lancaster; Dr. Brian Mitchell, UA Little Rock professor of history; Dr. Bobby L. Robert, former UA Little Rock archivist and Central Arkansas Library System executive director; and Taemora Williams, UA Little Rock student, to discuss the artwork’s historical significance and importance of its new home in UA Little Rock Downtown’s reflection room.

All Clinton School Speaker Series events are free and open to the public. Reserve your seats by emailing publicprograms@clintonschool.uasys.edu or by calling (501) 683-5239.

Legacies & Lunch today at noon – When Arkansas was part of Missouri

Survey marker erected in 1926 at what is now Louisiana Purchase Historic State Park, photo by Brandon Rush

Today (January 2) at 12 noon, the Central Arkansas Library System Butler Center for Arkansas Studies kicks off its programming for 2019. First up is the monthly Legacies & Lunch program. Today’s focus is on the creation of the Arkansas Territory. The year 2019 marks 200 years since Arkansas was separated from Missouri.

Author and professor S. Charles Bolton, who taught history at University of Arkansas Little Rock for over three decades, will discuss the early history of the geographical region that became the state of Arkansas.

The state was formed on land that was part of the Louisiana Territory for a time before becoming the Missouri Territory. The federal government eventually sent the Hunter-Dunbar Expedition up the Ouachita River, and designated a spot in eastern Arkansas as the starting point for land surveys west of the Mississippi River. The U.S. government also built a military installation on the future site of Fort Smith. These actions  led to the eventual creation of Arkansas Territory in 1819, followed by statehood in 1836.

About Legacies & Lunch

Legacies & Lunch is a free monthly program of the CALS Butler Center for Arkansas Studies that highlights Arkansas-related topics. Programs are held from noon to 1 pm on the first Wednesday of the month. Attendees are invited to bring a sack lunch; drinks and dessert are provided. A library parking discount is available upon request. For more information, contact 501-918-3030.

 

LR Culture Vulture turns 7

The Little Rock Culture Vulture debuted on Saturday, October 1, 2011, to kick off Arts & Humanities Month.

The first feature was on the Arkansas Symphony Orchestra, which was kicking off its 2011-2012 season that evening.  The program consisted of Mendelssohn’s Symphony No. 4 in A, Op. 90, Rossini’s, Overture to The Italian Girl in Algiers, Puccini’s Chrysanthemums and Respighi’s Pines of Rome.  In addition to the orchestra musicians, there was an organ on stage for this concert.

Since then, there have been 10,107 persons/places/things “tagged” in the blog.  This is the 3,773rd entry. (The symmetry to the number is purely coincidental–or is it?)  It has been viewed over 288,600 times, and over 400 readers have made comments.  It is apparently also a reference on Wikipedia.

The most popular pieces have been about Little Rock history and about people in Little Rock.

UALR Historian Dr. Deborah Baldwin to serve as interim provost

baldwin-cropped-700x709Dr. Deborah Baldwin, associate provost of collections and archives and director of the Center for Arkansas History and Culture, has been named the interim provost and vice chancellor of academic affairs for the University of Arkansas at Little Rock.

Baldwin will serve as the interim provost for the spring 2017 semester, following the departure of UALR Executive Vice Chancellor for Academic and Student Affairs and Provost Dr. Zulma Toro, who will begin her tenure as president of Central Connecticut State University on Jan. 3. The university will conduct a search for a permanent provost with an anticipated start date of July 1, 2017.

Baldwin has served the university in a number of positions, including six years as the chair of the Department of History and nearly 20 years as the dean of the College of Arts, Humanities, and Social Sciences.

Throughout her years of administrative service, Baldwin has continued to teach in the public history program and has overseen graduate student work with community organizations. Baldwin holds a Ph.D. in history from the University of Chicago.

Through her public history teaching, Baldwin and her students have helped to document the history of various Little Rock businesses and institutions. Among those are the Arkansas Arts Center, Arkansas Symphony Orchestra, Museum of Discovery and Little Rock Zoo.

Final day to see OUR AMERICA exhibit at the Arkansas Arts Center

Today is the final day to enjoy the Arkansas Arts Center exhibition Our America: The Latino Presence in American Art.  This major collection of modern and contemporary Latino art from the Smithsonian American Art Museum has been here since October.

The exhibition Our America includes 93 works in all media by 72 artists who participated in various artistic styles and movements, including abstract expressionism; activist, conceptual and performance art and classic American genres such as landscape, portraiture and scenes of everyday life.

Our America presents the rich and varied contributions of Latino artists in the United States since the mid-20th century, when the concept of a collective Latino identity began to emerge. The exhibition is drawn entirely from the Smithsonian American Art Museum’s pioneering collection of Latino art.

 

Our America features bilingual labels for each work and a Spanish-language website created by the Smithsonian American Art Museum. Select works also feature podcasts with the artist’s commentary. Museum goers can simply call a number, scan a QR code or visit a website for more background on the artist and background on each piece—in English and Spanish.

Artists featured in the exhibition reflect the rich diversity of Latino communities in the United States. Our Americashowcases artists of Mexican, Puerto Rican, Cuban and Dominican descent, as well as other Latin American groups with deep roots in the United States. By presenting works by artists of different generations and regions, the exhibition reveals recurring themes among artists working across the country.

The 72 artists featured in the exhibition are ADÁL, Manuel Acevedo, Elia Alba, Olga Albizu, Carlos Almaraz, Jesse Amado, Asco (Harry Gamboa Jr., Gronk, Willie Herrón and Patssi Valdez), Luis Cruz Azaceta, Myrna Báez, Guillermo Bejarano, Charles “Chaz” Bojórquez, María Brito, Margarita Cabrera, María Magdalena Campos-Pons, Melesio “Mel” Casas, Leonard Castellanos, Oscar R. Castillo, José Cervantes, Enrique Chagoya, Roberto Chavez, Carlos A. Cortéz, Marcos Dimas, Ricardo Favela, Christina Fernandez, Teresita Fernández, iliana emilia garcía, Rupert García, Scherezade García, Carmen Lomas Garza, Ignacio Gomez, Ken Gonzales-Day, Hector González, Luis C. “Louie the Foot” González, Muriel Hasbun, Ester Hernandez, Judithe Hernández, Carmen Herrera, Carlos Irizarry, Luis Jiménez, Miguel Luciano, Emanuel Martinez, María Martínez-Cañas, Antonio Martorell, Ana Mendieta, Amalia Mesa-Bains, Franco Mondini-Ruiz, Delilah Montoya, Malaquias Montoya, Abelardo Morell, Jesús Moroles, Raphael Montañez Ortiz, Pepón Osorio, Amado M. Peña Jr., Chuck Ramirez, Paul Henry Ramirez, Sophie Rivera, Arturo Rodríguez, Freddy Rodríguez, Joseph Rodríguez, Frank Romero, Emilio Sánchez, Juan Sánchez, Jorge Soto Sánchez, Rafael Soriano, Ruben Trejo, Jesse Treviño, John M. Valadez, Alberto Valdés and Xavier Viramontes.

The exhibition is organized by E. Carmen Ramos, curator of Latino art at the Smithsonian American Art Museum.

Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez, Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for “Treasures to Go,” the museum’s traveling exhibition program, comes from The C.F. Foundation, Atlanta.

Our America is sponsored in Arkansas by Donna and Mack McLarty, The Brown Foundation, Inc., of Houston, Consulate of Mexico in Little Rock and Alan DuBois Contemporary Craft Fund. Media sponsors include ¡Hola! Arkansas and Telemundo Arkansas.