Robinson Redux March

Blackstone adWhile Robinson Center Music Hall is closed for renovations, the Culture Vulture blog is taking a look back at previous bookings in the facility each month.

March 1940 was the first full month that Robinson Auditorium was open.  The month started with Blackstone the magician in performances from March 2 through 4. In addition to his appearance touted by the auditorium, Muswick Beverage & Cigar Company promoted his appearance, and the fact that he endorsed Budweiser beer.  Later that month, appearances included the Shrine Circus, the AAU girls basketball championship, and the Saint Louis Symphony.

March 1950 was a particularly busy month. It featured singer Vaughn Monroe on the 6th and the Arkansas State Symphony playing Beethoven’s Ninth Symphony on the 7th.  On the lower level, a circus took up residency from the 7th through 10th.  Back upstairs in the music hall, Ballet Theatre visited performing Balanchine’s “Theme and Variations” featuring ballerina Nora Kaye and conductor Max Goberman.  The month concluded on the 27th with James Dunn starring in the Pulitzer Prize winning Harvey.

In 1955, Jose Greco and His Spanish Dancers entertained audiences on March 7. Five years later, the Chicago Ballet was featured on March 26, 1960. Earlier that month (the 16th), Max Rudolf conducted the Cincinnati Symphony Orchestra. March 1965 feautured the Chicago Opera Ballet (on the 2nd) and an evening of country music stars including Buck Owens and Kitty Wells (on the 10th).

In March 1970, the national tour of the Broadway musical Mame starring Sheila Smith launched the month on the 6th and 7th. Later that month The Florida Boys were in concert. March 1975 saw much activity at Robinson Center. Guy Lombardo and his orchestra appeared on the 2nd and Richard Fredricks, baritone, gave a recital on the 4th, under the auspices of the Community Concert Series. On March 5 & 6, a statewide touring production of South Pacific played at Robinson. Produced by Vince Insalaco, it starred Judy Pryor (now Judy Trice) as Little Rock native Nellie Forbush. The month closed out with the national tour of Fiddler on the Roof.

March 1980 saw Dawn Wells starring in Neil Simon’s Chapter Two on the 8th. The Arkansas Symphony Orchestra performed on the 15th and 16th with pianist Lorin Hollander as guest artist. Five years later, Marilyn Horne appeared with the ASO on March 2, 1985. At the same time that evening, the Shriners Ball was taking place on the lower level. Later that month a national tour of Sophisticated Ladies stopped by Robinson on the 12th. The ASO returned on March 20 & 21 with pianist Garrick Ohlsson.

The Sharks and the Jets lept on the stage on March 20, 1990, as a tour of West Side Story came to Robinson Center. The month concluded with pianist Jose Carlos Cocarelli in concert with the ASO.

Marilyn Horne returned to Little Rock, ten years and one day after her previous appearance, and performed with the ASO again on March 3, 1995. The month also included The Will Rogers Follies on March 10-12, Jazz Explosion II (with George Duke, Dianne Reeves, Phil Perry, Howard Hewett, and George Howard) on March 15, and the ASO in concert with cellist Jeffrey Solow on March 18 & 19. On March 22, the musical Raisin was performed. The cast included Peabo Bryson, Jeffrey Osborne and Lynette Hawkins.

As the 2000s rolled around, Robinson Center continued to feature an eclectic mix. In March 2000, Ann Hampton Callaway performed with the ASO on March 4 & 5. Later that month the original cast of Red, White & Tuna played at Robinson from March 14 through 19. In 2005, the national tour of Mamma Mia! played at Robinson from March 1-6. Later that month the ASO performed Broadway a la Carte with an eveningn of songs from the Great White Way (on March 18 & 19).

In 2010, the ASO performed a concert version of Porgy & Bess on March 12 & 13. It was the first time that title had ever been performed in its entirity in Arkansas. Irish dance took the stage the next night as Lord of the Dance took up residence at Robinson Center.

Ballet Arkansas gala tonight features music, dance and honors David Knight

 

Tonight Ballet Arkansas presents Turning Pointe, a gala with ballet performances and also jazz.  

The festivities will commence at 6pm with a cocktail hour, buffet dining and shopping at the silent auction.  Tickets will be available at the door.

Attendees will then be entertained with performances by the Ballet Arkansas Youth Division and the Ballet Arkansas company members in the beautiful Albert Pike Memorial Temple Theatre.

DAVID KNIGHT is the 2015 ABOVE THE BARRE AWARD recipient. Among his many accomplishments in support of the arts, he has published a book of photographs celebrating Ballet Arkansas.

The performances will include a new piece by Brandon Ragland, company members Justin Metcalf-Burton and Amanda Sewell performing an excerpt from Giselle, and members of the Ballet Arkansas Youth Division will perform a piece choreographed by company member Deanna Karlheim

The evening will be topped off with dessert and coffee bars and dancing to the music of Dizzy 7!

Michael Bearden is the Artistic Director of Ballet Arkansas; Karen Bassett is the Executive Director.

Governor’s Arts Awards presented today

Today at noon at the Arkansas Governor’s Mansion, Governor Asa Hutchinson will join with the Arkansas Arts Council to present the annual Governor’s Arts Awards.

Lifetime Achievement Award-Jana L. Beard, Little Rock

Arts Community Development Award-Remica Gray, Texarkana

Arts in Education Award-DeltaARTS, West Memphis

Corporate Sponsorship of the Arts Award-Entergy Arkansas, Inc.

Folklife Award-Margaret Jones Bolsterli, Fayetteville

Individual Artist Award-Kevin Kresse, Little Rock

Patron Award-Curt & Chucki Bradbury, Little Rock

Judges Recognition Award-Kaki Hockersmith, Little Rock

 

The annual Governor’s Arts Awards were established in 1991 to recognize Arkansas artists, arts patrons and corporations for their outstanding contributions to the arts community. The recipients are nominated by the public and selected by distinguished panel of arts professionals from around the state.

The Arkansas Arts Council is an agency of the Department of Arkansas Heritage.

Light Up the Night This Weekend with LANTERNS! at Wildwood

Don’t miss THE MOON! at this year’s LANTERNS! Festival March 6 – 8. You can check out our giant moon balloon, delight in a moon-pie, and sip on a Blue Moon beer. Visit six locations spread throughout the park!

Located in Wildwood’s award-winning Asian Woodland Garden, the Asian Vista is a perennial highlight of LANTERNS! Don’t miss the wide variety of foods, including sushi, dumplings, egg rolls and fried rice. Sake and beer will be available as well as hot jasmine tea. Two bands, The Lemon Drops and The News Kids will perform in the garden’s Tea House while a Chinese harpist and a calligrapher will be on hand to showcase their art!

Wildwood is alive with the sound of music! Austria comes to Arkansas in the lobbies of Wildwood’s Cabe Theatre. Piping hot Viennese beef soup with crepe slivers will be served with apple strudel and delectable pastries. Be on the lookout for bands of gypsy vagabonds. The theatre’s south lobby has been transformed into a Alpine winter wonderland – complete with gourmet chocolate shoppe, mountain goats and polka band!

There is a literal pot of gold at the end of Wildwood’s Ireland rainbow, and a bit o’ gold for everyone who makes it through the leprechaun’s maze. Traditional Irish dancers entertain while festival goers dine on two Irish staples: beer and potatoes. For those looking to stay warm, there’s a steaming cup of Irish coffee waiting for you, and there’s Fizzy Leprechaun punch for the kids! Be careful where you step! Daffodils are a’bloom and William Wordsworth, one of Ireland’s greatest poets, will be on hand to tell you all about them!

Are you ready to live la vida LANTERNS!? All the tastes of Mexico can be found in Wildwood’s gazebo. Beer and tequila shots will be on hand, while a mariachi and DJ get the party started. The festival’s famed floating lanterns are launched from the gazebo, piñatas will be broken nightly!

It is England in 1600 in Wildwood’s Studios, and Shakespeare’s greatest works are being performed on the hour! Smoked turkey legs and brats are for sale and you’ll find a few lovely ladies hawking cherry tarts to passers by. Make your way down High Street and be on the lookout for carnival performers of all kinds. If you’re visiting with someone special, get them a fresh orange – these rare fruits are the ultimate symbol love!

Visit America in the 1950s as the Greatest Generation is home and ready to rock! Stop by your local soda shop to enjoy a Coke Float and snack on some classic American treats. Grab your poodle skirt and get on the dance floor where Elvis, Chuck Berry, and the Supremes are waiting for you. When you’re ready for a break, sit bit and enjoy a show by amazing performance artists!

Buy your tickets at http://bit.ly/1v4DDa4.

Black History Month Spotlight: Fatima Robinson

bhm fatimaAs a critically acclaimed dancer, choreographer and director, Fatima Robinson is the woman behind the moves for some of today’s top music artists including OutKast, the Black Eyed Peas, Will Smith, Mary J. Blige and the late Aaliyah. Her eclectic, fluid, urban style has made her one of the hottest choreographers in the field.

Born in Little Rock, Robinson moved to Los Angeles at the age of four with her mother and two younger sisters. After completing high school at the age of 16, Robinson became a certified cosmetologist and worked for a time as a professional hairdresser while dreaming of operating her own hair salon like her mother. Ultimately, however, Robinson’s love for dance would become the catalyst for dreams even bigger than she ever dared to dream.

Her “big break” came when film director John Singleton asked her to choreograph the video for Michael Jackson’s “Remember the Time” single. Since then, she has gone on to receive numerous accolades and awards including being named by Entertainment Weekly magazine as one of the “100 Most Creative People in Entertainment”, and more recently, the October 2004 issue of Essence magazine singled her out as one of 40 “Women Who are Shaping the World.”

Recognition for Robinson’s art continues to mount. After seven nominations, in 2004 she walked away with the MTV Video Music Award for Best Choreography in a Music Video.  Fatima recently directed and choreographed Cee-Lo Green’s new Las Vegas show “Loberace,” and choreographed commercials for Nike and Heineken with director Rupert Sanders. Fatima also notably choreographed the 2011 Super Bowl Halftime show with the Black Eyed Peas, 2012 Coachella Tupac Hologram, HBO Inauguration event for President Barack Obama, and the Sony Pictures movie Sparkle, starring Jordin Sparks and Whitney Houston. Fatima also choreographed the 2007 and 2009 Oscars, making her the second African American woman in history to do so.

In 2004, she was inducted into the Arkansas Black Hall of Fame.  For more on Fatima Robinson and other inductees into the Arkansas Black Hall of Fame, visit the permanent

Little Rock Look Back: Robinson Auditorium officially opens

auditoriumduskOn February 16, 1940, after three years of planning and construction, the Joseph Taylor Robinson Memorial Auditorium officially opened. It was a cold, rainy night, but those in attendance did not care.

Searchlights painting arcs in the sky greeted attendees. They were borrowed from the Arkansas National Guard. Newspaper accounts noted that only a few of the men who attended were in tuxedos, most were simply in suits. The work to get the building opened had been so harried, that it was discovered there was not an Arkansas flag to fly in front of the building. Mayor Satterfield found one at the last minute courtesy of the Arkansas Department of the Spanish War Veterans.

The weather delayed arrivals, so the program started fifteen minutes late. Following a performance of Sibelius’ Finlandia by the fledgling Arkansas State Symphony Orchestra, Mayor J. V. Satterfield, Mrs. Joseph T. Robinson, Mrs. Grady Miller (the Senator’s sister-in-law and a member of the Auditorium Commission) and D. Hodson Lewis of the Chamber of Commerce participated in a brief ribbon cutting ceremony. Mrs Robinson cut the ribbon on her second attempt (once again proving that nothing connected with getting the building open was easy).

The ceremony was originally set to be outside of the building but was moved indoors due to the inclement weather. The ribbon cutting took place on the stage with the ribbon stretched out in front of the curtain. The opening remarks were broadcast on radio station KGHI.

Though he had previously discussed how he had voted against the auditorium in 1937 before entering public life, the mayor’s remarks that evening were appropriately gracious, statesmanlike and a testament to the effort he had invested to get it open upon becoming mayor. “We hope you have a very pleasant evening and hope further that it will be the first in a long series which you will enjoy in this, your auditorium.”

20140215-172047.jpgTickets for the event, advertised as being tax exempt, were at four different pricing levels: $2.50, $2.00, $1.50 and $1.00.

The estimated attendance was 1700. Following the ribbon cutting, the main performance took place. The headliner for the grand opening was the San Francisco Opera Ballet accompanied by the new Arkansas State Symphony Orchestra (not related to the current Arkansas Symphony Orchestra). The featured soloist with the ballet was Zoe Dell Lantis who was billed as “The Most Photographed Miss at the San Francisco World’s Fair.”

At the same time that the gala was going on upstairs in the music hall, a high school basketball double-header was taking place in the downstairs convention hall. North Little Rock lost to Beebe in the first game, while the Little Rock High School Tigers upset Pine Bluff in the marquee game.

Robinson Redux – February

grand opening adHere are some of the highlights from the annals of the Robinson Center Music Hall nee Joseph Taylor Robinson Memorial Auditorium.  This entry looks at bookings from Februarys in years ending with an 0 or 5.

The building was officially dedicated on February 16, 1940.  A few days earlier a children’s theatre troupe had entertained school kids with a performance in the music hall.  Also that month high school basketball continued in the exhibition hall.  The month had kicked off with a much more glamorous event as the Movie Ball took place in the exhibition hall.

The year 1945 featured a ecumenical Christian Youth Rally on February 4, a concert featuring Tito Guizar on February 7, the operetta Blossom Time on February 8 and the long-running comedy Life with Father on February 19.   In 1950, Robinson’s offerings ran from the Grand Ole Opry featuring Hank Williams (February 5), to Dick Contino (February 8) to the magician Blackstone (February 10 & 11) as well as the opera Il Trovatore (February 15) and a recital featuring Mrs. Rece Price (February 21).

By the mid 1950s, the touring business was changing.  The only notable booking at Robinson in February 1955 was on February 20 as it featured the Duke of Paducah and a little known singer from Mississippi named Elvis Presley.  Five years later, Jackie Wilson and Jesse Belvin headlined a concert on February 5, 1960. The Venable Quartet and several other gospel groups performed on February 12 and the Beaux Arts Bal de Tete took place on February 19.  In 1965, Donald Voorhees and the Arkansas Symphony Orchestra were in concert on February 21.

February 1970 showed much more activity.  Husband and wife Phil Ford and Mimi Hines starred in the national tour of I Do! I Do! on February 6 & 7. That show had been a hit on Broadway in the 1966-1967 season. Another hit from that season, Cabaret, played on February 19 & 20 with Tandy Cronyn starring.  In between, contralto Bernadette Greevy presented a recital.

Musician Jerry Jeff Walker performed at Robinson on February 23, 1975.  Earlier that month (February 19), the national tour of Pippin stopped by with Barry Williams (aka Greg Brady) in the title role.  Five years later, Ballet Arkansas welcomed Cynthia Gregory and Patrick Bissell in a performance on February 7, 1980. Later that month Mason Williams and his Bluegrass Band performed with the Arkansas Symphony Orchestra on February 23.  The next two nights, a tour of Jesus Christ Superstar took the stage.

David Copperfield kicked off February 1985 with two shows on the 1st.  The next day the musical The Cotton Patch Gospel was performed.  Musican Carman performed on February 25.  In February 1990, Peabo Bryson and jazz extraordinaire Billy Mitchell shared the stage on February 22.

In 1995, the focus was on music.  There was “An Evening with John Bayless” on February 7 as part of the Greater Little Rock Community Concert Association.  On February 11, the Arkansas Symphony Orchestra presented an evening of music of Rodgers & Hammerstein.  A few days later on February 17, various musical groups presented an evening of gospel music. The next night, Gladys Knight shook the house in a concert.  The month ended on February 28 with Nancy Griffith and the Blue Moon Orchestra. A February 8 concert with Della Reese was cancelled due to poor ticket sales.

Five years later, highlights included a tour of Camelot on February 15 – 18, and a staged concert version of the opera La Boheme presented by the Arkansas Symphony Orchestra.  In 2005, Kenny Loggins performed with the Arkansas Symphony on the 11 & 12. The ASO also presented an all Tchaikovsky concert with Jon Kimura Parker on piano.  Earlier in the month, President George W. Bush hosted a town hall forum on Social Security at Robinson Center.

In 2010, the ASO Valentine Pops concert featured Christiane Noll and Doug LaBrecque.  From February 16-18 STOMP rang out throughout Robinson.  The month ended on a more quieter note as the ASO and Philippe Quint presented the Violin Concerto by Jean Sibelius.