Preview this week’s ACANSA Arts Festival tonight from 6pm to 7pm

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This evening, Join in the Discussion of the 2015 ACANSA Arts Festival from 6pm to 7pm tonight.

It will take place at Fosters at the Arkansas Repertory Theatre, 2nd Floor

(Not in the Rep’s Black Box as listed in the ACANSA brochure; Parking is available in the parking deck behind and adjacent to the Rep)
Join Arkansas Repertory Theatre Producing Artistic Director Bob Hupp and Arkansas Symphony Orchestra Conductor Philip Mann as they offer exclusive insight into the various festival performances. Bob and Philip are two amazing guys who provide leadership in Arkansas arts as well as ACANSA Arts Festival.
This is a one-hour discussion from 6:00 to 7:00 pm to enable you to enjoy dinner afterwards in one of the great restaurants in the area!

Robinson Center to welcome PHANTOM OF THE OPERA to Little Rock in March 2017

The-Phantom-of-the-Opera-North-American-Tour (1)Celebrity Attractions announced today that the U.S. national tour of The Phantom of the Opera will play at the newly reopened Robinson Center Music Hall during the 2016-2017 season. It will be here from March 8 to 19 in 2017.

The production will be the largest musical to play in the building ever.  It will eclipse Beauty and the Beast and Wicked, which both have played at Robinson twice.

The musical, based on a novel by Gaston Leroux, features music by Andrew Lloyd Webber and book & lyrics by Charles Hart, Richard Stilgoe and Lloyd Webber.  The production was produced by Cameron Mackintosh and directed by Harold Prince.

After opening in London in 1986, The Phantom of the Opera opened on Broadway in January 1988. It is still running over 27 years later. Phantom is the longest running show in Broadway history.  Nominated for 10 Tony Awards in 1988, it won seven: Best Musical, Actor in a Musical (Michael Crawford), Featured Actress in a Musical (Judy Kaye), Director of a Musical (Harold Prince), Scenic Design (Maria Bjornson), Costume Design (Bjornson) and Lighting Design (Andrew Bridge).

More details about other bookings at Robinson Center in 2016-2017 will be announced in the coming months.

Little Rock Look Back: The City responds to September 11

The Little Rock arts and culture community responded to September 11 as all sectors did.

Two of the groups in particular come to mind. When airspace was closed on September 11, several flights were grounded in Little Rock. The passengers on those planes became unexpected visitors to Little Rock.   Little Rock Mayor Jim Dailey and Assistant City Manager Bruce Moore led efforts to make sure that everyone had a place to stay that evening.

The Arkansas Rep had opened its production of You Can’t Take It with You on Friday, September 7. The show was already scheduled to be dark on September 11, but on Wednesday, September 12, 2001, the performances resumed. That night the Rep offered these unexpected Little Rock guests free tickets to the performance.  Seeing a play which was both heartwarming, comic and full of Americana was the perfect balm for audiences who were weary, confused and nervous in the wake of the terrorist attacks. Most of the cast of that production was from New York City. Luckily, all of their friends and family back in New York were all safe.

Also on September 12, 2001, the Arkansas Symphony Orchestra presented a previously scheduled concert with Michael Bolton.  He had been traveling by bus so was able to get to Little Rock.  His concert was cathartic for the 2000 plus attendees at Robinson Center Music Hall. It offered not only a communal experience but also a welcome break from 24 hour coverage.  Three days later, on September 15, the ASO kicked off its MasterWorks series.  As has been tradition since the days of Francis McBeth as conductor, that first concert of the season began with the National Anthem.  The audience and musicians gathered and sang and played with unprecedented gusto that night.

Today at Clinton School – Ark Rep production of Shakespeare’s “Scottish Play”

ScottishPlayThe Arkansas Repertory Theatre works in partnership with the Clinton School of Public Service to participate in the UACS’s Distinguished Speaker Series, hosting educational panel discussions on various Rep productions.

The latest in these takes place today, Thursday, September 10 at 12 noon at Sturgis Hall in Clinton Presidential Park.  It focuses on the Rep’s upcoming production of William Shakespeare’s Scottish Play.

Arkansas Repertory Theatre producing artistic director, Bob Hupp, will host a panel discussion on the upcoming production of Shakespeare’s tragedy set in the moors of Scotland. Telling the tale of the Thane of Cawdor, his wife, and Duncan, Banquo, Malcolm, Fleance and others, it explores the meaning of valor, honor, treachery and destiny.

“The original House of Cards. It’s fitting to start off a milestone season with the English language’s greatest author,” said Bob Hupp, Producing Artistic Director at Arkansas Repertory Theatre. “Shakespeare keeps us honest, and tests our mettle when we seek to tell great stories that demand to live on a stage

The play opens officially on Friday evening and runs through Sunday, September 27.

Today at noon – The Rep offers “Macbeth 101”

ScottishPlayMACBETH 101

Dramaturg and Assistant Director Paige Reynolds leads a brown bag lunch that will enrich your play-going experience. Paige will explore the real Macbeth and his influence on William Shakespeare’s production.

Paige Martin Reynolds also worked on The Rep’s production of Henry V. She holds a Ph.D. in British Renaissance Drama and is an Assistant Professor of English at the University of Central Arkansas, where she specializes in Shakespeare Studies. Paige supervises the dramaturgy program for the Arkansas Shakespeare Theatre, where she has also performed such roles as Olivia (Twelfth Night), Prospera (The Tempest), Desdemona (Othello), Luciana (The Comedy of Errors), and Lady Capulet (Romeo and Juliet).

Go “Behind the Theme” of Ark Rep’s production of The Scottish Play tonight at 7

11217159_10152962291451105_7983945027521499908_nTonight, the Arkansas Rep launches a our new speaker series for their 40th anniversary season, Behind the Theme.

The programs are designed to enhance audience understanding of the themes present in each of our MainStage productions. For the production of The Scottish Play (‪#‎MacbethatArkRep‬), UALR Professor Michael Heil will discuss the nature of kingship and power in medieval Europe at the time of the historical Thane of Cawdor.

The discussion will begin at 7 p.m. in Foster’s at The Rep. To attend, please RSVP to agattin@therep.org.

The production opens on Friday, September 11 and runs through Sunday, September 27.  There will also be opportunities to learn more about the production at a September 9 brown bag, September 10 Clinton School Speaker Series program, and pre-show director talks on September 9 & 10 prior to the preview performances.

Through these, audience members can “Brush Up Their Shakespeare.”

Studio Show series of Arkansas Arts Center Children’s Theatre launches with THE UGLY DUCKLING

aac ct ss UglyDuckling_posterThis year, the Arkansas Arts Center Children’s Theatre features three Studio Shows in addition to its mainstage shows.  Up first, The Ugly Duckling, Aug. 28-Sept. 6, 2015.

Devised and directed by Katie Campbell, The Ugly Duckling is a reimagining of the classic fairytale by Hans Christian Andersen. It follows a young girl as she embarks on a journey of self-discovery and personal transformation. This shadow play unfolds with three actor-puppeteers, two overhead projectors, nearly 100 paper puppets.

“The striking and graphic simplicity of the paper cutting along with the inherently cinematic quality of overhead projector puppetry lays the aesthetic foundation for the production,” Campbell said. “There is no dialogue as the narrative unfolds entirely in the visual language of puppetry and the emotional topography of music.”

Campbell, a North Carolina native, made her home in Little Rock eight years ago when she became a company member with the Arkansas Arts Center Children’s Theatre. The Ugly Duckling stemmed from a thesis project as she pursed an MFA in directing theatre for young audiences at the University of North Carolina at Greensboro.

“It happened out of necessity—I needed a story that could be told with very few actors and a minimalist set in order to share a tour van with another student,” Campbell said. “But I believe in the story so much. I love telling stories of personal transformation, so it was a natural fit for me to reimagine Andersen’s classic but to adapt it from my personal life lens.”

After touring in North Carolina, Campbell contacted the AACCT to gauge their interest in her show. “There’s never been a single idea that Brad [Bradley Anderson, AACCT artistic director] has said ‘no’ to,” Campbell said. “He and the Arts Center are just so supportive and encouraging of anyone with artistic ambition.”

Before the show could begin at the AAC Children’s Theatre, Campbell needed to find new music since the University of North Carolina at Greensboro owned the rights to the original scores. Enter the Jim Henson Foundation.

The Ugly Duckling was the recipient of a 2015 Jim Henson Foundation Family Grant which celebrates innovation and excellence in puppetry. The grant allowed Campbell to approach Jessica Drake Mosher to compose and arrange new, original music.

The two met through a mutual friend on Facebook, and after only a few months of comparing notes, the ensemble was complete. Mosher’s music will be performed live by a 15-piece ensemble from the Arkansas Symphony Youth Orchestra, directed by Geoffrey Robson.

“I have long been interested in collaborating with the Arkansas Arts Center and this is a wonderful opportunity for a first collaboration,” said Robson, associate conductor for the Arkansas Symphony Orchestra.

“I was even more excited that Katie was commissioning new music to be written for this production,” Robson said. “It is always a thrill to be involved in a world premiere, and to give students the opportunity to work with a living composer. Performing a piece of music for the first time is a unique learning experience, and it is a thrill that all of this is happening as the Arts Center kicks off its Studio Series.”

“This is a true collaboration of arts organizations,” Campbell said. “I just consider myself a caretaker of this project because it would not have been possible without any of them.”

After the 36-minute show, the audience is invited to participate in a hands-on demonstration of the shadow puppetry process.

The Ugly Duckling is presented by The Philip R. Jonsson Foundation and sponsored by the Jim Henson Foundation. The 2015/2016 season of the Arkansas Arts Center Children’s Theatre is sponsored by: Presenting Sponsor, Arkansas BlueCross Blue Shield; Fall Season Sponsor, Centennial Bank; Spring Season Sponsors, The Fine Arts Club of Arkansas and Dr. Loren Bartole, ‘Family Foot Care’; Additional Support Provided by The Morris Foundation and Media Sponsor, Little Rock Family Magazine.

Show times: Fridays at 7 p.m., Saturdays at 2 p.m. and 7 p.m., Sundays at 2 p.m.

Ticket prices: $10 General admission, $8 for Arkansas Arts Center members