Category Archives: Museum

Happy Birthday George Washington

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George Washington (Lansdowne portrait) by Gilbert Stuart, oil on canvas, 1796

George Washington (Lansdowne portrait) by Gilbert Stuart, oil on canvas, 1796 National Portrait Gallery, Smithsonian Institution. Acquired as a gift to the nation through the generosity of the Donald W. Reynolds Foundation.

Though Monday the 18th was the Federal George Washington Birthday holiday, today is his actual birthday.

George Washington was born on February 22, 1732, in Westmoreland, Virginia. He is one of only two American Presidents to not have any authority over the land now known as Little Rock. Washington never ventured west of the Mississippi River, so never visited Arkansas.

As the first President and Father of his Country, he has many things named after him. In Little Rock, Washington Street is named in his honor.

The Washington Inaugural Bible

In 2013, two Little Rock museums highlighted George Washington artifacts. Historic Arkansas Museum displayed the Washington family Bible for several months. At the start of that time, they also showcased the Bible on which Washington swore his first oath as President (the inaugural inaugural?).

A few months later, the Clinton Presidential Center featured Washington’s personal annotated copy of the 1789 “Acts Passed at a Congress of the United States of America.” This artifact had been purchased by the Mount Vernon Ladies Association in 2012.

In 2004, the Arkansas Arts Center exhibited the 1796 Gilbert Stuart Landsdowne Portrait of Washington. This was on display a few months before the opening of the Clinton Presidential Center.  In 1976, they had an exhibit dedicated to 18th and 19th century portraits of the Washington, Custis and Lee families. Five years earlier, the museum had displayed prints of Washington in April 1971.

Little Rock Look Back: Museum of Discovery opens in River Market

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Museum of Discovery Logo when it opened in 1998

Founded in 1927 as the Arkansas Museum of Natural History and Antiquities in a downtown storefront, by 1997, the museum had been located in at least two other spots and had several different names.

On February 21, 1998, it reopened as the Museum of Discovery in its new location in the recently launched River Market district.  It occupied space on the first floor and basement of the Museum Center building (formerly the Terminal building the erstwhile train station which later was used for printing the Arkansas Democrat.)

The new name and new space reflected a greater emphasis on the science aspect of the museum’s mission.  It featured many hands on and interactive exhibits.

The museum spent one-third of its $10.6 million cost on exhibits.  Of the $10.2 million pledged for the museum, 47 percent — or about $4 million — came from a half-cent city sales tax approved by voters about five years ago. Another 14 percent came from foundations and 2 percent from private organizations and individuals. The remaining 37 percent came from corporations, sometimes in connection with specific exhibits.

Following a February 20, 1998, preview party, the official grand opening was held on February 21, 1998.

The previous museum space (inside the Arsenal building in MacArthur Park) occupied 14,000 square feet, 8,000 of which was display space. After the move, the museum had 35,000 square feet of display space.

Contemporary Craft: A Conversation tonight (2/21) at the Clinton Presidential Center

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Image may contain: textJoin the Clinton Center on Thursday, February 21 at 6 p.m., for a discussion with three nationally-acclaimed, Arkansas-based artists for Contemporary Craft: A Conversation, moderated by Brian Lang. The panel will discuss contemporary craft art in Arkansas, the evolution of their work, how craft art is different than traditional fine art, and the role they think craft art plays in reflecting culture.

Brian J. Lang (moderator)
Brian Lang is the chief curator and Windgate Foundation curator of contemporary craft at the Arkansas Arts Center.

Linda Nguyen Lopez (Panelist)
Linda Nguyen Lopez is first-generation American ceramic artist of Vietnamese and Mexican descent. Her abstract works explore the poetic potential of the everyday by imagining and articulating a vast emotional range embedded in the mundane objects that surround us. She is currently an Instructor and Interim Head of Ceramics at the University of Arkansas in Fayetteville.

James Matthews (Panelist)
James Matthews is a documentary artist with a bias toward the human-made landscape, manual processes, and the physical object. His Eviction Quilts series features works made from clothes and bedding left curbside after an eviction. Matthews lives in Little Rock.

Leon Niehues (Panelist)
From Huntsville, Leon Niehues has been making baskets, sculptural baskets, and bentwood sculpture for 36 years. While using traditional materials and techniques, he adds innovative ideas, methods of construction, and new and unique materials to his pieces. Niehues, and his wife Sharon, were included in The White House Collection of American Crafts.

This program is FREE and open to the public, but reservations are required.

This program is held in conjunction with the Clinton Center’s current temporary exhibition, The White House Collection of American Crafts: 25th Anniversary Exhibit. The collection was originally assembled in 1993, at the request of First Lady Hillary Rodham Clinton. The White House Collection of American Crafts was created to coincide with the year designated “The Year of American Craft: A Celebration of the Creative Works of the Hand” by a Joint Resolution of Congress and a Presidential Proclamation by President George H. W. Bush. The collection includes 73 works created by 78 of America’s foremost craft artisans.

Late Night at Arkansas Arts Center features Art of Motion and Music: Movement and Frida

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Art of Motion and Music: Movement and Frida

Artifact Dance Project Artistic Director Ashley Bowman will discuss her quest to portray Frida Kahlo through movement. The program will begin at 6pm tonight (February 21) at the Arkansas Arts Center Lecture Hall.  A wine reception at 5:30 precedes it.  As part of the Late Night at the Arkansas Arts Center, all galleries, the museum shop, and Watercolor restaurant are open until 9:00 p.m.

Frida Kahlo suffered great physical and emotional pain throughout her life that manifested through her art. Because of her many surgeries, she was often committed to long periods of bed rest and healing time. Portraying Frida through movement is a challenging task because the artist was bound by her body and made that clear throughout her journal and self-portraits. Bowman will discuss how dance became the perfect artform to communicate the inner-workings of an artist who could barely move at times.

Following the lecture, guests are invited to view the galleries, shop in the Museum Shop or enjoy dinner at Watercolor in the Park.

Little Rock Look Back: Arkansas Arts Center celebrates with week of Grand Reopening activities in February 2000

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On February 17, 2000, over three thousand people attended the Arkansas Arts Center members preview of the new and renovated galleries as part of a week long celebration. It culminated in Big Art Weekend in which the building was open for 72 hours with around the clock programming.

Donors to the project, media, and Arkansas museum professionals had each received sneak peeks of the new facility earlier in the week. On Friday, February 18, the Big Art Weekend got underway with a gallery tour of a variety of Little Rock galleries. (This was before 2nd Friday Art Night.)  Lectures, tours, and other special events populated the building on Saturday and Sunday the 19th and 20th.  In addition, the Children’s Theatre was performing Aladdin and the Wonderful Lamp..

The renovation had taken over 18 months and cost $12 million.  It added 30,000 square feet of gallery space.  The expanded gallery space featured these exhibits: Paul Signac Watercolors and Drawings: Selections from the James T. Dyke Collection; Without Parameters: Selections from the Permanent Collection; Recent Acquisitions; Prophets, Parables and Paradoxes: Recent Drawings by David Bailin; Artistic Processes: Drawing; Living with Form: The Horn Collection of Contemporary Crafts; and European Paintings and Drawings.

The latter exhibit included eight pieces that were promised gifts from the Jackson T. Stephens collection.  They were Edgar Degas’ Dance in Blue (Before the Class, Three Dancers (c. late 1880s), Pablo Picasso’s Still Life with Red Bull’s Head (1938), Claude Monet’s Apple Trees Near Vetheuil (1878), Pierre-Auguste Renoir’s Three Partridges (c. 1888-1890), Alfred Sisley’s Road on the Edge of the Loing (1891), Camille Pissarro’s The Raised Terrace of the Pont-Neuf, Place Henri IV in Morning Rain (1902), Berthe Morisot’s The Flute Player (1890) and Bertrand Redon’s Vase of Flowers (c. 1890).

Little Rock Look Back: Polk Stanley Wilcox joins Studio Gang Architects in planning for reimagined Arkansas Arts Center

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On February 16, 2017, the Arkansas Arts Center announced the selection of Polk Stanley Wilcox Architects as associate architect for its upcoming building project. Polk Stanley Wilcox will work in partnership with Studio Gang Architects on a reimagined Arkansas Arts Center. Studio Gang was selected as design architect for the expansion and renovation in December.

Polk Stanley Wilcox Architects is a programming, architectural, planning and interior design firm with offices in Little Rock and Fayetteville. The firm has experience working with clients in a variety of industries, including healthcare, nonprofit, cultural, education, corporate and worship. Polk Stanley Wilcox also focuses on sustainability and creating buildings that operate on minimal energy usage.

“We are thrilled to partner with the Arkansas Arts Center and Studio Gang on this transformative project,” Polk Stanley Wilcox Principal David Porter said. “AAC has cast an exciting vision to rethink not only how the Center upgrades the interior and exterior spaces, but how the AAC connects to and enriches the broad arts and cultural tapestry of Little Rock. Studio Gang is a uniquely talented firm to lead the design effort. PSW is honored to bring our extensive experience from years of important projects in downtown Little Rock to come alongside them and the AAC to help create this next critical milestone for the city, state and region.”

Polk Stanley Wilcox has previously worked on a number of local projects, including the William J. Clinton Presidential Library, Heifer International Headquarters, the Arkansas Studies Institute and the recently opened Robinson Center expansion and renovation.

“We look forward to working with the team at Polk Stanley Wilcox,” said Studio Gang Founding Principal Jeanne Gang. “We hope to build on their strong history of collaborations in the area and believe that their knowledge of Little Rock will be a huge asset as we expand the impact of the Arkansas Arts Center in Little Rock, and in the region.”

Polk Stanley Wilcox Architects was selected from among three finalists to work in partnership with Studio Gang. Ten local firms responded to the RFQ issued last month. Allison and Partners and Cromwell Architects were also finalists.

The three finalist firms presented to the selection committee on February 16. The selection committee for the associate architect included AAC Executive Director Todd Herman, three representatives from Studio Gang, and international museum consultant Deborah Frieden, and AAC Board member Sara Hendricks Batcheller.

“Each of the finalists are strong, well-respected firms,” Arts Center Executive Director Todd Herman said. “Ultimately, Polk, Stanley, Wilcox was the best complement to Studio Gang in terms of experience and strengths. Their work at Robinson auditorium – similar in both scope and complexity – will be an asset as we move through the project. We are very pleased to have PSW on board for this important project that will create wonderful new spaces for the people of Little Rock and Arkansas to enjoy the arts. Having our architectural team in place is a major milestone. We are very excited to move the project forward.”

Little Rock Look Back: First TABRIZ Gala in 1971

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After a casual evening on Friday, February 12, 1971, the next night, several hundred people donned their tuxedos and maxi-length formal wear to attend the first Tabriz Gala.

After eating a gourmet dinner, guests were treated to a live auction with over 90 items.  The auctioneers were Edwin C. Jenkins of Los Angeles and Little Rock’s Dalton Dailey.

Among the items in the live auction (which raised $30,000)  were usage of a billboard for a month, a five day cruise in the Bahamas and the opportunity to help create a sculpture.  One of the more unique items was a lot in Pleasant Valley, which went for $11,500 (the equivalent of $72,000 in 2019).  The final item in the live auction was lunch with Martha Mitchell. The Pine Bluff native was married to US Attorney General John Mitchell. Little did anyone know at the time that President Nixon would one day blame Watergate on Martha Mitchell making life difficult for John Mitchell.

The Fine Arts Club had desired that Tabriz would be a unique event in Little Rock’s social calendar.  It appeared they succeeded.  The Arkansas Gazette noted that the crowd was livelier than normally happened at black tie events in Little Rock.

Due to the success of Tabriz, the Arts Center more than had the money it needed for the National Endowment for the Arts challenge match program.