Category Archives: Theatre

Fringe Festival of New Student Work presented this week by UA Little Rock Theatre Arts and Dance

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Image may contain: 1 person, textFringe Festival of New Student Work, Presented by the Department of Theatre Arts and Dance. The festival (Fringe V), includes 12 new plays, monologues, and choreographic work from 11 playwrights and one senior capstone.

The festival is divided into two events: PG to OMG night and Women’s Voices night. The events will run in rotating repertory (PG/OMG April 2 – 4) and Women’s Voices (April 3 & 5). Much of the work was created in a Special Topics course: Page to Stage taught in the fall.

This semester student playwrights and directors have revised the written work and brought the pieces to life onstage. Other works on the festival include a Senior Capstone, by Jessi Ley and work generated from Dr. Lawrence Smith’s Intro to Theatre & Dance course. The plays offer a range of content and theatrical styles. Students have been free to explore subject matter that inspires and challenges their ideas of theatre-making.

Fringe V is directed by students and alumni, and for the first time, the Fringe has a design component. Theatre major, Thomas Jackson’s scenic design serves as his senior capstone. In addition, Conor Van Lierop serves as lighting designer and Blake Morris serves as Sound Designer. Mykenzie Gordon, Jessi Ley, Thomas Jackson, and Conor Van Lierop’s work is supported by Signature Experience grants. Stacy Pendergraft, Associate Professor, is the Artistic Director for the event.

WHEN: April 2 & 4 (PG to OMG Theatre), April 3 & 5 (Women’s Voices); All performances are at 7:30pm

WHERE: Haislip Theatre in the Center for the Performing Arts on the UA Little Rock campus + Google Map >

BOX OFFICE & TICKETS: As a grassroots, a student-driven theatre event, the performances are FREE. Tickets are distributed on a first come first seated basis. The theatre doors will open at 7pm.

CONTENT ADVISORY: All viewers should be advised that both nights of theatre contain Adult Themes, Strong Language, Sexual Content & Graphic Violent Situations. The event is suitable for ages 18 and up.

Air Conditioning Pulls April Fool Trick during first play at Robinson Center in 1940

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On Monday, April 1, 1940, Edward Everett Horton came to Little Rock in the comedy SPRINGTIME FOR HENRY.  This was a play in which he had appeared regularly on tours and in summer stock. He would create productions of it in between film roles from the 1930s to the 1950s.

The play concerned a industrial heir whose dalliances put his family’s business in jeopardy.  It was a boulevard comedy (or a sex comedy—without the sex).  Originally performed on Broadway in 1931, it was written by Benn W. Levy.  He would later serve as a member of Parliament.

By the time Horton arrived in Little Rock, he was an accomplished stage and screen actor.  He was a staple of many Astaire-Rogers films.

The performance at Robinson did not go off without a hitch.  Because it was Springtime for Little Rock, it was warmer outside.  This necessitated the air conditioner being turned on.   The fans rumbling through the vents made such a noise that it was difficult for the audience to hear the actors.  The air cooler was turned off for the remainder of the performance.  In the days after the performance, the Auditorium staff put buffering in the vents in the muffle the noise.

Little Rock Look Back: 1940 Open House gives many first view inside Robinson Auditorium

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On March 31, 1940, the City of Little Rock and the Auditorium Commission threw open the doors of Joseph Taylor Robinson Memorial Auditorium to the public for an open house.

The building had officially opened in February 1940 (after construction was completed in January), and events had been taking place in the lower level since October 1939. But this was the first time that the public could tour the entire facility from top to bottom.

The event took place on a Sunday from 1pm to 9pm.  Curiously, it took place two days before a special election to approve the bonds to finish the auditorium. Though no one at the time was cynical enough to comment on the connection.

Members of various Little Rock Boy Scout troops led 4,000 visitors on tours of the auditorium.  Visitors were shown all over the building; one scout calculated that the walking tour equated to two miles.  Though most people were from Little Rock, the guest registry indicated visitors from California and Pennsylvania.  Among the last guests to sign the register were Mayor J. V. Satterfield and his family.

The idea for the open house had first been floated in December by Alderman E. W. Gibb after taking a tour of the construction site. He had enthusiastically professed that everyone should be able to tour and see what a magnificent structure it was going to be.  Mayor Satterfield had to tamper the alderman’s enthusiasm. He agreed with Mr. Gibb that it was a fine building but stated that a public open house could not be scheduled for a few weeks because there was still much work to be done.  Mayor Satterfield noted that the seats in the music hall were going to have to be removed and then reinstalled because they needed to be anchored better.

G-O-N-E. Final weekend for CHARLOTTE’S WEBB at Arkansas Arts Center Children’s Theatre

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Charlotte's WebThe 2018–2019 Arkansas Arts Center Children’s Theatre continues this spring with Charlotte’s Web. The closes on Sunday, March 31, 2019. Performances of Charlotte’s Web are Fridays at 7 p.m. and Saturdays and Sundays at 2 p.m. Tickets are $10 each for Arkansas Arts Center members or $12.50 for non-members.

Wilbur the piglet is the runt of his litter. But under the loving care of eight-year-old Fern Arable—and due in no small part to the delicious and plentiful slops on her Uncle Homer’s farm—Wilbur grows up into a fine specimen of a pig. Pink and plump and so polite.

Yep. Wilbur is no ordinary pig, and thanks to the acrobatic web-writing of his friend Charlotte, a kindly barn spider, the world soon learns just how “terrific” and “radiant” he is. But Charlotte’s greatest gift to Wilbur goes beyond just flattering words spun in a web. Through this gentle creature, he experiences the true meaning of responsibility, friendship, and loyalty. Come join in this heart-warming barnyard adventure and marvel at the wonder of Charlotte’s web.

Charlotte’s Web is based on the book by E. B. White. It was adapted by Joseph Robinette. The Arkansas Arts Center Children’s Theatre’s production of Charlotte’s Webis directed by Katie Campbell. Bradley D. Anderson is the Artistic Director. Original music was composed by Lori Isner, set design by Vandy Scoates, costume design by Erin Larkin, properties design by Cathleen Brignac, and lighting design by Mike Stacks. Rivka Kuperman is the stage manager. Charlotte’s Web is produced with special arrangement with DRAMATIC PUBLISHING, Woodstock, Illinois

The cast includes:

  • Harper Keith of Alexander as Fern Arable
  • Jared Thomas Kneip Gibson of St. Louis as John Arable and Gander
  • Beck Hudelson of Little Rock as Avery Arable
  • Paige Carpenter of Little Rock as Mrs. Arable and President of the Fair
  • Braxton Johnson of Texarkana as Homer Zuckerman
  • Stephen Jones of Little Rock as Lurvy and Judge at the Fair
  • Walt Wenger of North Little Rock as Young Wilbur
  • Anthony McBride of Benton as Adult Wilbur
  • Mark Hansen of Little Rock as Templeton
  • Verda Davenport of Little Rock as Charlotte
  • Mackenzie Holtzclaw of North Little Rock as Goose and Judge at the Fair
  • Georgeann Burbank of Benton as Sheep and Judge at the Fair
  • Bethany Post of Austintown, Ohio as Uncle Pig, Reporter and Mrs. Carter
  • John Isner of Little Rock as Narrator

Darby Haddock, Kennedy Laster, and Reese von Storch are Baby Spiders. Via Benjamine Gahi, Isabelle Marchese, and Dylan Sykes are the ensemble.

Women Making History: Gretchen Hall

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Gretchen HallAt the 2019 Governor’s Conference on Tourism, Gretchen Hall was named Tourism Person of the Year.  This is just the latest honor for her.  In 2017, she was the first woman to solely receive the Downtown Little Rock Partnership’s Top of the Rock Award.

As the President and CEO of the Little Rock Convention and Visitor’s Bureau, she leads a staff that not only brings conventions and tourists to Little Rock, but also creates opportunities for local residents to enjoy their city more.

From 2014 to 2016, she actively oversaw the deconstruction and reconstruction of Robinson Center Performance Hall. Taking a New Deal era assembly hall and making it into a state-of-the-art performance facility was not an easy task. Gretchen and her team have worked with the architects, engineers, designers and consultants to make it happen.

Gretchen joined LRCVB in 2001 and worked her way up through the organization.  In May 2011, she was named to her current position.  Since that time, the LRCVB has undertaken numerous efforts to enhance Little Rock including a new amphitheatre in Riverfront Park, enhanced programming at the River Market, and increased financial support of cultural organizations.  She has worked to improve not only the meeting space available for conventions, but also to enhance the dining and lodging scenes in Little Rock.  In addition, she helped lead the effort to see the additional penny of the hotel tax be dedicated to support the Arkansas Arts Center and MacArthur Museum of Arkansas Military History.

Spring classes for Arkansas Rep announced

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Image may contain: textArkansas Repertory Theatre’s Education Department announces a four-week minimester of theatre classes this April for students ages 5+.

“Whether you’re new to The Rep or continuing your theatre studies, we’ve got something fun for everyone this April,” said Anna Kimmell, Director of Education. “We create a fun, high-energy creative environment where artists of all ages can learn, discover, and grow.”

Spring classes run April 1-29 and include training in musical theatre, improvisation, Shakespeare, theatre dance, tap dance, stage combat, and audition prep for students of all ages and abilities. Scholarships are available.

The Rep provides a professional and encouraging environment for artists of all ages and abilities. With new material every semester, classes can be taken multiple times.

Faculty members include Kimmell, TJ Medel, Kevin Brown, Courtney Baker, Molly Emerson, Joi Hester, Matt Boyce, and Stephen Stone.

Each year, The Rep reaches more than 7,500 Arkansas students through classes, workshops with guest artists, summer programs, community outreach, and the Student Matinee Program. More than $18,000 in scholarships were awarded in 2017-2018 to students for theatre training at The Rep.

The full class schedule, online registration and info on teaching artists can be found therep.org/education

Final Few Days for CHICAGO at Arkansas Rep

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Image may contain: indoorThere are just a few performances (each with only a few seats) left in the Arkansas Repertory Theatre production of Chicago. 

The musical—book by Fred Ebb and Bob Fosse; music by John Kander; lyrics by Fred Ebb—is based on a play of the same name by Chicago Tribune reporter and playwright Maurine Dallas Watkins. Ron Hutchins directs and choreographs Chicago which runs through March 24. Tickets are available online at TheRep.org.

The story, set in the mid-1920s Jazz Age, follows the murder trial of Roxie Hart and her slick-talking attorney, Billy Flynn. Roxie quickly becomes the most popular celebrity in Chicago, dethroning fellow inmate Velma Kelly. This legendary musical takes a tantalizing look at how the allure of fame remains a fundamental motivation for those willing to sacrifice their scruples for the spotlight.

Chicago earned five Tony Awards, a Grammy Award for Best Musical Show Album, seven Drama Desk Awards and two Olivier Awards (for the British production).

The Arkansas Rep cast includes Adriana Milbrath, Daisy Hobbs, Felicia Dinwiddie, Christopher Johnstone, Matt Allen, Z. Spiegel, Matty Rickard, Erik Joshua Clack, Nicholas Karl Brown, Brian Earles, Anthony Bryant, Frederick Webb Jr., Madeleine Corliss, Joi Hester, Rachel Perlman, Sydney Ippolito, Allison Wilson and Sarita Crawford.

The design and creative team includes Trish Clark, costume designer; Lynda J. Kwallek, properties designer; Mike Nichols, resident set designer/technical director; Michael Rice, musical director; and Marty Vreeland, lighting designer. The production manager is Joshua Marchesi and the stage manager is Colin JB. Phillip T. Perez is the assistant stage manager.

Tickets may be purchased online at TheRep.org, by phone at (501) 378-0405 or by visiting the Box Office at 601 Main Street in Little Rock.