Tag Archives: Academy Awards

Original A STAR IS BORN shown tonight at the CALS Ron Robinson Theater

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A Star Is Born PosterBefore Lady Gaga. Before Barbra. Before Judy.

Janet Gaynor starred in the first film version of A Star is Born, which was released in 1937.  Co-starring Fredric March, Adolphe Menjou, May Robson, Lionel Stander, and Andy Devine, the film was directed by William A. Wellman. Dorothy Parker, Alan Campbell, and Robert Carson wrote the screenplay.

As with the subsequent versions, this film tells the tale of a young woman with dreams of stardom. But she achieves them only with the help of an alcoholic leading man whose best days are behind him.

The film was nominated for seven Academy Awards, including nominations for March and Gaynor (both of whom were previous Oscar winners). It won the award for Best Story, which went to Wellman and Carson. It also received a special Oscar to W. Howard Greene for his color cinematography.

The 1954 version (Judy) received six Oscar nominations and zero wins, while the 1976 version (Barbra) received four nominations with a win for Best Song. The latter is also the only version to date which received no acting nominations. The 2018 version received eight nominations. How many it may pick up will be announced on February 24.

The showing starts tonight at 6:30pm. Admission is $5.00.

Rock the Oscars 2019: THE WAR ROOM

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This Oscar-nominated 1993 American documentary film follows Bill Clinton’s campaign for President of the United States, during the 1992 presidential election.  At the start of the 1992 Democratic primaries, husband and wife filmmakers D.A. Pennebaker and Chris Hegedus requested permission from the Campaign to film its progression. The Clinton Campaign agreed, and Pennebaker and Hegedus were allowed to film Communications Director George Stephanopoulos as well as Lead Strategist James Carville; they were given limited access to Bill Clinton.

At the start of filming, the film team was embedded with the Clinton Campaign in New Hampshire for that state’s Democratic primary. During the onset of the campaign, the film crew traveled around the state with the Clinton campaign.

After the surprise Clinton second place finish in the New Hampshire primary, the crew filmed mostly in Little Rock, home to the Clinton campaign’s national headquarters. As the film focused in on Carville and Stephanopoulos, the film crew saw no need to travel outside of Little Rock as both were present in the city for much if not all of the primary and general election campaigns.

Because of the time spent in Little Rock, numerous buildings and backgrounds familiar to the capital city residents appear throughout the film. Jason D. Williams’ song “Get Back to Little Rock” is featured in the film’s soundtrack.

Though Stephanopoulos and Carville were the film’s main figures, many other prominent figures in the campaign were featured, including Paul Begala, Dee Dee Myers, Mandy Grunwald, Bob Boorstin, Stan Greenberg, Mickey Kantor, Harold Ickes, and Bush deputy campaign manager Mary Matalin, who later married Carville.  Also featured in footage are rivals George H. W. Bush, Ross Perot and Jerry Brown.

Though the film did not win the Oscar for Feature Documentary, Pennebaker would receive an Honorary Oscar in 2013. (Another winner that night was Arkansan Hal Needham.)

Rock the Oscars 2019: Mikhail Baryshnikov

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On July 24, 1983, Mikhail Baryshnikov danced on the stage of Robinson Center under the auspices of Ballet Arkansas.   Nearing the end of his dancing career with American Ballet Theatre, he was leading a summer tour of the Southeast and Midwest US.

In the early spring of 1983, Ballet Arkansas was contacted to see if they would be interested in having him perform in Little Rock.  (The $60,000 sponsorship was paid completely by the ARKANSAS DEMOCRAT.) The performance was announced in April with tickets going on sale shortly thereafter.

Following Baryshnikov’s performance, he and his fellow dancers attended a reception at the Old State House Museum which was hosted by Governor and Mrs. Bill Clinton.  Baryshnikov would later be welcomed by the Clintons to the White House when he received a 2000 Kennedy Center Honors.

He returned to Little Rock in the summer of 1985 for a program entitled “Baryshnikov & Co.” It featured fifteen American Ballet Theater (ABT) dancers along with artistic director Mikhail Baryshnikov.

After dancing with the Mariinsky Ballet for several years, Baryshnikovdefected to Canada while the ballet was performing there in 1974. He later came to the US to dance with American Ballet Theatre and later New York City Ballet. He returned to ABT in 1980 to take on the role of Artistic Director and continue dancing.  It was in this capacity that he visited Little Rock.

He received a 1977 Oscar nomination for Best Supporting Actor for his role in the ballet-themed film The Turning Point.

 

Rock the Oscars 2019: Gregory Peck

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In August 1977, Oscar winner Gregory Peck appeared in Little Rock for the premiere of the film MacARTHUR.  He played the general who had been born in Little Rock but who spent most of his life downplaying (or even denying) that fact.

MacArthur was brought to the screen by Universal Pictures.  It was their attempt to capitalize on the success of the movie Patton, including sharing some of the same members of the production team.

Told entirely in flashback, it starred Peck as the fabled World War II general who was born in Little Rock. It focuses primarily on events in 1942 during the war, his dismissal by Truman in 1952, and his famous address to West Point in 1962.

Peck initially did not care for the subject or the script, but eventually stated that he grew to admire the challenges MacArthur faced.  Peck later called it one of his favorites roles, if not one of his favorite movies.

Producer Frank McCarthy, who worked on both Patton and MacArthur once said of Patton and MacArthur: “Both were complex men but General MacArthur was complex on a much broader scale. Patton had no ambition except to be a soldier and to command a field army. He was strictly command.”

Most of the film was shot on the backlot at the movie studio, which impacted the quality of the film.  The production budget simply would not allow for overseas location filming.

The premiere was a fundraiser for the Museum of Science and History (now the Museum of Discovery).  At the time it was located in the Arsenal Building, in which MacArthur had been born.  Since 1999, that has been home to the MacArthur Museum of Arkansas Military History.  Since MacArthur only spent a few hours in Little Rock as an adult, it is possible that Peck spent more time in the building than the General did.

The evening of August 5, 1977, started with an exclusive reception for 100 people with Gregory and Veronique Peck.  The movie itself was shown at the Cinema 150, where its general run would start on Saturday, August 6.  Following the film, a reception and silent auction brought people back to the museum.  Tickets ran $250 a person for all events, $100 a person for the film and post-show reception, and $25 for the movie.  It sold out.

Governor and Mrs. David Pryor escorted the Pecks into the theatre.  Former Governor (and World War II hero) Sid McMath introduced Mr. Peck to the crowd.  He extolled the virtues of Peck and MacArthur.  (It is interesting that he should admire MacArthur so much, since the General and President Truman had a well-publicized tiff, and McMath and Truman had enjoyed a warm relationship.)  Little Rock City Director Jim Dailey presented Peck with a Key to the City.

MacArthur did not lead to an Oscar nomination for Peck (though he did earn a Golden Globe nomination for the role).  But the actor had enjoyed four nominations prior to his win for To Kill a Mockingbird.  He also received the Jean Hersholt Humanitarian Award from the Academy.  He served as president of the Academy for several years.

Rock the Oscars 2019: Leo Robin and Jule Styne

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Lyricist Leo Robin with composer Jule Styne working together on the score of Gentlemen Prefer Blondes at the time of the original production in 1949.

Lyricist Leo Robin with composer Jule Styne working together on the score of Gentlemen Prefer Blondes at the time of the original production in 1949.

Perhaps the most famous song about Little Rock is “(I’m Just a) Little Girl from Little Rock.”  Written by Leo Robin and Jule Styne, it first appeared on Broadway in Gentlemen Prefer Blondes where it was sung by Carol Channing.  When the title was made into a movie, it was sung by Marilyn Monroe and Jane Russell.

Because it was not written for the screen, the song was not eligible for an Oscar.  However, the duo who wrote it had their fair share of Oscar nominations and wins.

Robin, earned ten nominations between 1934 and 1953.  As a lyricist, he collaborated with seven different composers in earning these nominations. His one Oscar came for “Thanks for the Memory” from The Big Broadcast of 1938.  In the film it was sung by Bob Hope and Shirley Ross.  It would be associated with Hope the rest of his life.

Styne also earned ten nominations; his were between 1940 and 1968.  Seven of the nominations were for collaborations with Sammy Cahn.  (There were three other partners with whom he shared nominations, too.)  His win came for “Three Coins in the Fountain” from the film of the same name.  In the movie it was sung by an uncredited Frank Sinatra during the opening title sequence. During the closing credits, an unnamed chorus repeated the song.

Gentlemen Prefer Blondes received no Oscar nominations, though Charles Lederer did receive a Writers Guild of America nomination for screenplay of an American Musical.  Though Jane Russell introduced an Oscar winning Best Song in Paleface (“Buttons and Bows”) and Oscar nominated Best Song in Son of Paleface (“Am I in Love”) she never received an Oscar nomination.  Monroe never received one either.  Only co-star Charles Coburn had any luck with Oscar.  He received three nominations, winning once.

Ron Robinson Silver on Silver film: PULP FICTION

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Pulp Fiction PosterLast week John Travolta from the 1970s was on the CALS Ron Robinson screen.  This week, a 1990s version of Travolta takes the screen.

Twenty-five years ago, PULP FICTION was released. In honor of its silver anniversary, the CALS Ron Robinson Theatre is showing the movie tonight.  The lives of two mob hitmen, a boxer, a gangster’s wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

The film starred Travolta, Uma Thurman, Samuel L. Jackson, Bruce Willis, Tim Roth, Amanda Plummer, Frank Whaley, Ving Rhames, Eric Stoltz, and Rosanna Arquette.

The movie was nominated for eight Oscars and took home the statue for Original Screenplay (Quentin Tarantino and Roger Avary).

The showing starts at 6:30.  Admission is $5.00.

Rock the Oscars 2019: Broncho Billy Anderson

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At the 1958 Oscars, Gilbert M. “Broncho Billy” Anderson received an Honorary Oscar as a motion picture pioneer.  The citation praised  his contributions to the development of motion pictures as entertainment.

Born in Little Rock in March 1880, he was the son of Esther and Henry Aronson. Both were originally from New York.  Her parents were German-Jewish immigrants and his parents were Russian-Jewish immigrants.

After working as a photographer’s assistant and model, Anderson eventually found his way to vaudeville as a performer and writer.  In 1903, he appeared in the early seminal film The Great Train Robbery in several roles.  He created the western persona of Broncho Billy in front of the cameras.  Behind the scenes, he was a studio owner and director.  Over his career, he directed over 400 films.  By the early 1920s, he retired as an actor and director and devoted himself to owning a Broadway theatre and producing stage shows.

He made occasional film appearances beginning in the 1940s.  In 1958, he appeared in a documentary about Westerns for the TV show “Wide, Wide World.”  Also featured in that special were Little Rock actors Ben Piazza and Gail Davis.  His final screen appearance was in 1965’s The Bounty Killer.  He died in 1971 at the age of 90. He had been married to his wife for sixty years at the time of his death.