Little Rock and VIRGINIA WOOLF

On October 13, 1962, Edward Albee’s first Broadway play Who’s Afraid of Virginia Woolf? opened on Broadway.

Though not in the original cast, Little Rock native Ben Piazza had participated in early readings of the play.  In fact the first time the script was ever read through aloud it was by Albee, Piazza, and producers Richard Barr and Clinton Wilder.

After original cast member George Grizzard left the show due to another commitment, Piazza joined the cast in February 1963.  He remained in the production throughout the rest of the run. Piazza holds the record of most performances of any Edward Albee play on Broadway.

The play was selected by the Pulitzer jury for drama to receive the prize in 1963. But because the award criteria still contained language about “moral example” the final committee rejected the choice and no play was recognized that year. The public hue and cry over the decision served to shake up the criteria for future play selection. Albee would receive the Pulitzer for A Delicate Balance, Seascape and Three Tall Women.

The New York Drama Critics Circle recognized the play as Best Play. It also won Tony Awards for Best Play, Best Producer of a Play (Richard Barr and Clinton Wilder), Actor in a Play (Hill), Actress in a Play (Hagen) and Director of a Play (Alan Schneider). Dillon, who received a Tony nomination for Featured Actress in a Play, received a Theatre World Award for her performance.

During the run of Virginia Woolf, Piazza was writing a novel called The Exact and Very Strange Truth. This would be a fictionalized account of his boyhood in Little Rock. Whenever he would stop writing on it, he would put the manuscript in the freezer of his refrigerator to keep it safe.

Piazza would go on to appear in several other Albee plays both on and off Broadway. He would direct and appear in other productions of Virginia Woolf? throughout the country.

Fifty years to the day after Who’s Afraid of Virginia Woolf? first opened on Broadway, the production’s third revival opened. It starred Tracy Letts, Amy Morton, Carrie Coon and Madison Dirks.  It was directed by Pam MacKinnon.  Nominated for five Tony Awards, it won three: Best Revival of a Play, Actor in a Play (Letts) and Direction (MacKinnon).

One of the producers on stage accepting the Best Revival Tony was Little Rock native Will Trice. Like Piazza, he was a graduate of Little Rock Central High School. Now Trice is the Executive Artistic Director of the Arkansas Repertory Theatre.

Little Rock Look Back: Ben Piazza joins cast of WHO’S AFRAID OF VIRGINIA WOOLF? on Broadway

On February 4, 1963, Little Rock native Ben Piazza joined the cast of the original Broadway production of Edward Albee’s Who’s Afraid of Virginia Woolf? replacing George Grizzard.

Grizzard had left the show to play Hamlet during the Guthrie Theatre’s first season.  He had accepted that role prior to the Albee play opening on Broadway and becoming a runaway hit.

Piazza, a friend of Albee’s, had been involved in the play since its early days. At the play’s first read-through, he read the part of Nick (which he would play on Broadway) with Albee and producers Richard Barr and Clinton Wilder reading the other three parts.

Piazza stayed in the role of Nick for the rest of the run of the show until it closed on May 16, 1964. His fifteen months in the role is the longest that anyone has ever played a role in an Albee play on Broadway (or perhaps anywhere).

He joined original cast members Arthur Hill, Uta Hagen and Melinda Dillon (a native of Hope).  Dillon was the next to leave the cast and was followed by Rochelle Oliver in the role of Honey.  As Martha, Hagen was followed by Nancy Kelly, returned to the role, and then left it to star in the London production. Piazza would then play opposite future Little Rock resident (and Arkansas Rep performer) Mercedes McCambridge for the last five months of the run.

As George, Arthur Hill was succeeded by Shepperd Strudwick a month after Hagen left. He returned to the play when Hagen did and joined her in London.  Donald Davis, who had played George in the matinee cast, took over the part in the evenings for the last five months.