Rock the Oscars 2019: Mercedes McCambridge

Mercedes McCambridge won the Oscar for Best Supporting Actress for her film debut.  The film was All the King’s Men.  She played political operative Sadie Burke.  Seven years later, she received an additional Oscar nomination for her role in Giant with Elizabeth Taylor, James Dean, and Rock Hudson.

By the 1960s, she was spending most of her time on television.  In the early 1970s, she alternated between film, TV and stage.  She provided the voice of the demon in the multiple Oscar nominated film The Exorcist.

In the 1980s, she lived in Little Rock for a few years to be nearer to some family who lived here. Even after she moved away, she visited from time to time. During this period, she appeared at the Arkansas Repertory Theatre in ‘Night, Mother. She also continued to use Fred Poe of Poe Travel to make her travel arrangements.

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Little Rock Look Back: Ben Piazza joins cast of WHO’S AFRAID OF VIRGINIA WOOLF? on Broadway

On February 4, 1963, Little Rock native Ben Piazza joined the cast of the original Broadway production of Edward Albee’s Who’s Afraid of Virginia Woolf? replacing George Grizzard.

Grizzard had left the show to play Hamlet during the Guthrie Theatre’s first season.  He had accepted that role prior to the Albee play opening on Broadway and becoming a runaway hit.

Piazza, a friend of Albee’s, had been involved in the play since its early days. At the play’s first read-through, he read the part of Nick (which he would play on Broadway) with Albee and producers Richard Barr and Clinton Wilder reading the other three parts.

Piazza stayed in the role of Nick for the rest of the run of the show until it closed on May 16, 1964. His fifteen months in the role is the longest that anyone has ever played a role in an Albee play on Broadway (or perhaps anywhere).

He joined original cast members Arthur Hill, Uta Hagen and Melinda Dillon (a native of Hope).  Dillon was the next to leave the cast and was followed by Rochelle Oliver in the role of Honey.  As Martha, Hagen was followed by Nancy Kelly, returned to the role, and then left it to star in the London production. Piazza would then play opposite future Little Rock resident (and Arkansas Rep performer) Mercedes McCambridge for the last five months of the run.

As George, Arthur Hill was succeeded by Shepperd Strudwick a month after Hagen left. He returned to the play when Hagen did and joined her in London.  Donald Davis, who had played George in the matinee cast, took over the part in the evenings for the last five months.

Ben Piazza – born in LR 85 years ago

Actor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock.  Piazza graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

Piazza attended college at Princeton University and graduated in 1955.  While there he continued acting, including an appearance in a Theatre Intime production of Othello.

In February 1958, he starred in Winesburg, Ohio sharing the National (now Nederlander) Theatre stage with James Whitmore, Dorothy McGuire, and Leon Ames. In April 1959, Piazza starred in Kataki at the Ambassador Theatre.  For his performance, Piazza received one of the 1959 Theatre World Awards.

Piazza started the 1960s on Broadway starring at the Eugene O’Neill Theatre in A Second String with Shirley Booth, Jean-Pierre Aumont, Nina Foch, Cathleen Nesbitt, and Carrie Nye.   Following that, he started his association with Edward Albee by appearing as the title character in The American Dream.  That play opened at the York Playhouse in January 1961.  Later that year, he appeared in Albee’s The Zoo Story opposite original cast member William Daniels at the East End Theatre.

In February 1963, he took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? when original actor George Grizzard left to play Hamlet at the Guthrie Theatre.  (He had participated in earlier readings of the play prior to it being mounted on Broadway.)

Piazza played Nick for the remainder of the run and acted with Uta Hagen, Arthur Hill, fellow Arkansan Melinda Dillon, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, Rochelle Oliver and Sheppard Strudwick.

During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, West Side Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.  The Piazza Shoe Store, located on Main Street, was called Gallanti’s.

He appeared with Alfred Drake in The Song of the Grasshopper in September 1967.  In 1968, he returned to Albee and starred in The Death of Bessie Smith and The Zoo Story in repertory on Broadway at the Billy Rose Theatre.

Later that season, in March 1969, his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. As the 1970s progressed, he turned his focus to television and movies.

Piazza’s film debut was in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper, Karl Malden, Maria Schell and George C. Scott in The Hanging Tree.

Throughout the 1950s and 1960s, he appeared in a number of TV shows.  He had a recurring role during one season of Ben Casey and appeared on the soap opera Love of Life. In the 1970s, he starred in the films Tell Me That You Love Me, Junie Moon; The Candy Snatchers and I Never Promised You a Rose Garden.  He also starred as the City Councilman who recruits Walter Matthau to coach a baseball team inThe Bad News Bears.

Among his numerous TV appearances in the 1970s were The Waltons, Mannix, Switch, Barnaby Jones, Gunsmoke, Mod Squad and Lou Grant . In the 1980s, he appeared in The Blues Brothers, The Rockford Files, Barney Miller, Hart to Hart, Family Ties, The Winds of War, Dallas, Dynasty, Too Close for Comfort, The A Team, Saint Elsewhere, Santa Barbara, The Facts of Life, Mr. Belvedere, Moonlighting and Matlock.

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.

In November 2016, a room at the Robinson Conference Center was dedicated to his memory.

Rocking the Tony Awards – Past Tony nominees at Arkansas Rep

Photo by Peter Kramer/ Getty Images Entertainment

The 72nd Tony Awards take place on Sunday, June 10 at Radio City Music Hall (broadcast on CBS).

Over the years, the Arkansas Repertory Theatre has had several Tony nominees work on stage and backstage.

Among these are:

Julie Andrews, who headlined a 2002 fundraiser for Arkansas Rep.  That evening she shared stories about her life and career.  A two-time Tony Award host, she has been nominated three times for Actress in a Musical: My Fair Lady (1957), Camelot (1961) and Victor/Victoria (1996).

Jane Lanier, who choreographed Ring of Fire at Arkansas Rep.  In 1989, she was nominated as Featured Actress in a Musical for her work in Jerome Robbins’ Broadway.  

Mercedes McCambridge, who appeared in ‘night, Mother at the Rep in the spring of 1986.  She was nominated as Featured Actress in a Play for The Love Suicide at Schofield Barracks for the 1972 awards.

Austin Pendleton, who directed A Loss of Roses at Arkansas Rep.  After appearing in the original cast of Tony winning Best Musical Fiddler on the Roof, he later received a Tony nomination for directing the 1981 revival of The Little Foxes which starred Elizabeth Taylor and Maureen Stapleton.

Jane Summerhays, who starred in the Arkansas Rep production of A Loss of Roses.  In 1987, she was nominated for Featured Actress in a Musical for Me and My Girl.

John Tartaglia, who directed 2013’s Because of Winn Dixie.  He was nominated for the 2004 Tony for Actor in a Musical for his performance in Avenue Q.

Japhy Weideman, who was the Rep’s lighting designer in the early 2000’s.  While he was at the Rep, he lit several shows including The Grapes of Wrath, All My Sons and God’s Man in Texas.  He has received Tony nominations for lighting design for his work on The Nance (2013), Of Mice and Men (2014), Airline Highway (2015), The Visit (2015), and Dear Evan Hansen (2017).

The fact that the Arkansas Repertory Theatre has been able to work with theatre artists of this calibre is a testament to the quality of work it has produced.  Giving the opportunity for Arkansas audiences to have this interaction without leaving the state is one of the values of the Rep.

Repertorium Praeter Theatrum

Pulitzers Play Little Rock: ‘NIGHT, MOTHER on Arkansas Rep stage with Oscar winner Mercedes McCambridge

MercedesIt is not often that an Oscar winner has appeared in a play on a Little Rock stage.  But in the spring of 1986, Mercedes McCambridge starred in Marsha Norman’s ‘night, Mother at Arkansas Repertory Theatre.

She had moved to Little Rock a few years prior to live full time to be close to family. From time to time, she and Cliff Baker (the Rep’s founder) would have conversations about potential projects. But it was not until 1986, that the stars aligned.  By this point, she had moved away from Little Rock, but was still back from time to time to visit family.  (In an interview with the Arkansas Gazette, she also praised Fred Poe and noted that he was her travel agent for her many excursions.)

Appearing on stage with McCambridge in Norman’s two-hander was Rep veteran Cathey Crowell Sawyer.

Though noted for her film work, McCambridge had appeared on Broadway several times including opposite Little Rock native Ben Piazza in Who’s Afraid of Virginia Woolf? and receiving a Tony nomination for her work in the play The Love Suicide at Schofield Barracks.

Prior to appearing at the Rep, she had recently toured in the play Agnes of God.  She related to the Gazette that she had been approached to do that play prior to Broadway but did not feel the character she was to play was believable.  When the national tour came about, a conversation with playwright John Pielmeier changed her mind.

Her last Broadway appearance was in Neil Simon’s Pulitzer Prize winning Lost in Yonkers.

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.

Rock the Oscars: Mercedes McCambridge

Mercedes McCambridge won the Oscar for Best Supporting Actress for her film debut.  The film was All the King’s Men.  She played political operative Sadie Burke.  Seven years later, she received an additional Oscar nomination for her role in Giant with Elizabeth Taylor, James Dean, and Rock Hudson.

By the 1960s, she was spending most of her time on television.  In the early 1970s, she alternated between film, TV and stage.  She provided the voice of the demon in the multiple Oscar nominated film The Exorcist.

In the 1980s, she moved to Little Rock. Her son and granddaughters lived here.  While in Little Rock, she appeared at the Arkansas Repertory Theatre in ‘Night, Mother.  Following her son’s death in 1987 (in a grisly murder suicide following financial improprieties on the job and his forger her signature on documents), she moved away from Little Rock.

Little Rock Look Back: Ben Piazza

Actor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock.  Piazza graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

Keeping the Tiger as his mascot, Piazza attended college at Princeton University.  While there he continued acting, including an appearance in a Theatre Intime production of Othello.  Following his 1955 graduation, he moved to New York City and studied at the Actor’s Studio.

piazza

Piazza was an understudy in the 1956 play, Too Late the Phalarope at the Belasco Theatre.  In February 1958, he starred in Winesburg, Ohio sharing the National (now Nederlander) Theatre stage with James Whitmore, Dorothy McGuire, and Leon Ames. Other cast members included Claudia McNeil (who originated the part of Lena in A Raisin in the Sun) and Sandra Church (who originated the part of Gypsy Rose Lee in Gypsy).

In April 1959, Piazza starred in Kataki at the Ambassador Theatre. This two actor play also featured Sessue Hayakawa, who played a Japanese soldier who spoke only his native l

anguage.  Therefore, Piazza’s part was largely a very lengthy monologue.  For his performance, Piazza received one of the 1959 Theatre World Awards.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

Piazza started the 1960s on Broadway starring at the Eugene O’Neill Theatre in A Second String with Shirley Booth, Jean-Pierre Aumont, Nina Foch, Cathleen Nesbitt, and Carrie Nye.   Following that, he started his association with Edward Albee by appearing as the title character in The American Dream.  That play opened at the York Playhouse in January 1961.  Later that year, he appeared in Albee’s The Zoo Story opposite original cast member William Daniels at the East End Theatre.

 

Also in 1961 Piazza starred in several plays during a South American tour sponsored by the American Repertory Company.  He played Christopher Isherwood in I Am a Cameraand Chance Wayne in Sweet Bird of Youth.  In 1962, he starred in a series of plays at the Cherry Lane Theatre.  Piazza returned to Broadway to star along with Jane Fonda and Dyan Cannon in The Fun Couple at the Lyceum Theatre. This play had a troubled rehearsal period, which was documented in a short film about Jane Fonda.

Ben Piazza stayed on Broadway and returned to Albee in February 1963.  He took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? when original actor George Grizzard left to play Hamlet at the Guthrie Theatre.  (He had participated in earlier readings of the play prior to it being mounted on Broadway.)

This play was at the Billy Rose Theatre, which marked a return for Piazza. He had acted at this theatre when it was the National while appearing in Winesburg. Piazza played Nick for the remainder of the run and acted with Uta Hagen, Arthur Hill, fellow Arkansan Melinda Dillon, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, Rochelle Oliver and Sheppard Strudwick.

Exact and Very Strange cover

During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.  The Piazza Shoe Store, located on Main Street, was called Gallanti’s.

Following Virginia Woolf, he starred in The Zoo Story at the Cherry Lane Theatre in 1965.  In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.

As Sunday Agreement was opening, Piazza was in rehearsal for his next Broadway opening. He appeared with Alfred Drake in The Song of the Grasshopper in September 1967.  In 1968, he returned to Albee and starred in The Death of Bessie Smith and The Zoo Story in repertory on Broadway at the Billy Rose Theatre.

Later that season, in March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It was directed by future Tony nominee Peter Masterson and starred Louise Lasser, Robert Walden (who starred in the 2013 production of Death of a Salesman at Arkansas Repertory Theatre), Clinton Allmon and Dolores Dorn-Heft, to whom Piazza was married at the time.

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  During this time period he was in productions of Bus Stop, Who’s Afraid of Virginia Woolf?, You Know I Can’t Hear You when the Water’s Running  and Savages.  In 1970, he starred as Stanley Kowalski in a production of A Streetcar Named Desire in New Orleans.  As the 1970s progressed, he turned his focus to television and movies.

BDP early

Piazza’s film debut was in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper, Karl Malden, Maria Schell and George C. Scott in The Hanging Tree.  Though he received positive reviews for his performances, Piazza chose to return to New York and perform in stage and TV productions.

Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.  He had a recurring role during one season of Ben Casey and appeared on the soap opera Love of Life.

In the 1970s, he starred in the films Tell Me That You Love Me, Junie Moon; The Candy Snatchers and I Never Promised You a Rose Garden.  He also starred as the City Councilman who recruits Walter Matthau to coach a baseball team inThe Bad News Bears.

Among his numerous TV appearances in the 1970s were The Waltons, Mannix, Switch, Barnaby Jones, Gunsmoke, Mod Squad and Lou Grant (where he was reunited with Walden).

BDP final

In the 1980s, he appeared in The Blues Brothers, The Rockford Files, Barney Miller, Hart to Hart, Family Ties, The Winds of War, Dallas, Dynasty, Too Close for Comfort, The A Team, Saint Elsewhere, Santa Barbara, The Facts of Life, Mr. Belvedere, Moonlighting and Matlock.

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.

In November 2016, a room at the Robinson Conference Center was dedicated to his memory.