Tag Archives: Who’s Afraid of Virginia Woolf?

Central to Creativity – Ben Piazza

 

benpiazza book coverActor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock, and graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

After graduating from Princeton, he moved to New York City to become an actor.  He made his Broadway debut in 1958 in Winesburg, Ohio.  In April 1959, he starred in Kataki and received a Theatre World Award for his performance.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

In February 1963, he took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? on Broadway.  During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.

In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.  In March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  As the 1970s progressed, he turned his focus to television and movies.

Piazza’s film debut had been in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper in The Hanging Tree.  Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.

In the 1970s and 1980s, his appearances included I Never Promised You a Rose Garden, The Bad News Bears, The Blues Brothers, and Mask.  On TV, he appeared in Dallas, Dynasty, Saint Elsewhere, Barnaby Miller, Moonlighting and Family Ties. 

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.  In 2016, a meeting room in the new Robinson Conference Center was named in his memory.

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Little Rock Look Back: Ben Piazza

Actor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock.  Piazza graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

Keeping the Tiger as his mascot, Piazza attended college at Princeton University.  While there he continued acting, including an appearance in a Theatre Intime production of Othello.  Following his 1955 graduation, he moved to New York City and studied at the Actor’s Studio.

piazza

Piazza was an understudy in the 1956 play, Too Late the Phalarope at the Belasco Theatre.  In February 1958, he starred in Winesburg, Ohio sharing the National (now Nederlander) Theatre stage with James Whitmore, Dorothy McGuire, and Leon Ames. Other cast members included Claudia McNeil (who originated the part of Lena in A Raisin in the Sun) and Sandra Church (who originated the part of Gypsy Rose Lee in Gypsy).

In April 1959, Piazza starred in Kataki at the Ambassador Theatre. This two actor play also featured Sessue Hayakawa, who played a Japanese soldier who spoke only his native l

anguage.  Therefore, Piazza’s part was largely a very lengthy monologue.  For his performance, Piazza received one of the 1959 Theatre World Awards.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

Piazza started the 1960s on Broadway starring at the Eugene O’Neill Theatre in A Second String with Shirley Booth, Jean-Pierre Aumont, Nina Foch, Cathleen Nesbitt, and Carrie Nye.   Following that, he started his association with Edward Albee by appearing as the title character in The American Dream.  That play opened at the York Playhouse in January 1961.  Later that year, he appeared in Albee’s The Zoo Story opposite original cast member William Daniels at the East End Theatre.

 

Also in 1961 Piazza starred in several plays during a South American tour sponsored by the American Repertory Company.  He played Christopher Isherwood in I Am a Cameraand Chance Wayne in Sweet Bird of Youth.  In 1962, he starred in a series of plays at the Cherry Lane Theatre.  Piazza returned to Broadway to star along with Jane Fonda and Dyan Cannon in The Fun Couple at the Lyceum Theatre. This play had a troubled rehearsal period, which was documented in a short film about Jane Fonda.

Ben Piazza stayed on Broadway and returned to Albee in February 1963.  He took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? when original actor George Grizzard left to play Hamlet at the Guthrie Theatre.  (He had participated in earlier readings of the play prior to it being mounted on Broadway.)

This play was at the Billy Rose Theatre, which marked a return for Piazza. He had acted at this theatre when it was the National while appearing in Winesburg. Piazza played Nick for the remainder of the run and acted with Uta Hagen, Arthur Hill, fellow Arkansan Melinda Dillon, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, Rochelle Oliver and Sheppard Strudwick.

Exact and Very Strange cover

During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.  The Piazza Shoe Store, located on Main Street, was called Gallanti’s.

Following Virginia Woolf, he starred in The Zoo Story at the Cherry Lane Theatre in 1965.  In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.

As Sunday Agreement was opening, Piazza was in rehearsal for his next Broadway opening. He appeared with Alfred Drake in The Song of the Grasshopper in September 1967.  In 1968, he returned to Albee and starred in The Death of Bessie Smith and The Zoo Story in repertory on Broadway at the Billy Rose Theatre.

Later that season, in March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It was directed by future Tony nominee Peter Masterson and starred Louise Lasser, Robert Walden (who starred in the 2013 production of Death of a Salesman at Arkansas Repertory Theatre), Clinton Allmon and Dolores Dorn-Heft, to whom Piazza was married at the time.

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  During this time period he was in productions of Bus Stop, Who’s Afraid of Virginia Woolf?, You Know I Can’t Hear You when the Water’s Running  and Savages.  In 1970, he starred as Stanley Kowalski in a production of A Streetcar Named Desire in New Orleans.  As the 1970s progressed, he turned his focus to television and movies.

BDP early

Piazza’s film debut was in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper, Karl Malden, Maria Schell and George C. Scott in The Hanging Tree.  Though he received positive reviews for his performances, Piazza chose to return to New York and perform in stage and TV productions.

Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.  He had a recurring role during one season of Ben Casey and appeared on the soap opera Love of Life.

In the 1970s, he starred in the films Tell Me That You Love Me, Junie Moon; The Candy Snatchers and I Never Promised You a Rose Garden.  He also starred as the City Councilman who recruits Walter Matthau to coach a baseball team inThe Bad News Bears.

Among his numerous TV appearances in the 1970s were The Waltons, Mannix, Switch, Barnaby Jones, Gunsmoke, Mod Squad and Lou Grant (where he was reunited with Walden).

BDP final

In the 1980s, he appeared in The Blues Brothers, The Rockford Files, Barney Miller, Hart to Hart, Family Ties, The Winds of War, Dallas, Dynasty, Too Close for Comfort, The A Team, Saint Elsewhere, Santa Barbara, The Facts of Life, Mr. Belvedere, Moonlighting and Matlock.

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.

In November 2016, a room at the Robinson Conference Center was dedicated to his memory.

RobinsoNovember: Ben Piazza

benpiazza book coverAnother of the spaces in Robinson Center is named in memory of actor-director-playwright-author Ben Piazza.  He was born on July 30, 1933, in Little Rock, and graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

After graduating from Princeton, he moved to New York City to become an actor.  He made his Broadway debut in 1958 in Winesburg, Ohio.  In April 1959, he starred in Kataki and received a Theatre World Award for his performance.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

In February 1963, he took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? on Broadway.  During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.

In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.  In March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  As the 1970s progressed, he turned his focus to television and movies.

Piazza’s film debut had been in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper in The Hanging Tree.  Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.

In the 1970s and 1980s, his appearances included I Never Promised You a Rose Garden, The Bad News Bears, The Blues Brothers, and Mask.  On TV, he appeared in Dallas, Dynasty, Saint Elsewhere, Barnaby Miller, Moonlighting and Family Ties. 

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.

Arkansas Heritage Month – Tony Awards nominations with Will Trice

Trice at the 2014 Tony Awards
Trice at the 2014 Tony Awards
Trice at last year's Tony Awards (photo by Lisa Pacino)
Trice at 2013 Tony Awards (photo by Lisa Pacino)

The Tony Awards nominations were announced today.  Little Rock native Will Trice picked up his eighth nomination as a Broadway producer with year’s nod for the revival of Fiddler on the Roof.

Trice has earned previous Tony nominations for producing the plays All The Way* and Wolf Hall; play revivals The Best Man, The Glass Menagerie, Who’s Afraid of Virginia Woolf?*, and You Can’t Take It With You; and the musical revival Porgy and Bess*.  (An * indicates a Tony win.)

This season, Trice was a producer of four different shows: Sylvia with Matthew Broderick and Annaleigh Ashford; China Doll with Al Pacino; Fiddler on the Roof with Danny Burstein, Jessica Hecht and Ben Rappaport; and American Psycho with Benjamin Walker and Alice Ripley.

Little Rock Look Back: Ben Piazza – actor, author, Little Rock native

BDP LRHS

Actor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock.  Piazza graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

Keeping the Tiger as his mascot, Piazza attended college at Princeton University.  While there he continued acting, including an appearance in a Theatre Intime production of Othello.  Following his 1955 graduation, he moved to New York City and studied at the Actor’s Studio.

BDP PU

Piazza was an understudy in the 1956 play, Too Late the Phalarope at the Belasco Theatre.  In February 1958, he starred in Winesburg, Ohio sharing the National (now Nederlander) Theatre stage with James Whitmore, Dorothy McGuire, and Leon Ames. Other cast members included Claudia McNeil (who originated the part of Lena in A Raisin in the Sun) and Sandra Church (who originated the part of Gypsy Rose Lee in Gypsy).

In April 1959, Piazza starred in Kataki at the Ambassador Theatre. This two actor play also featured Sessue Hayakawa, who played a Japanese soldier who spoke only his native language.  Therefore, Piazza’s part was largely a very lengthy monologue.  For his performance, Piazza received one of the 1959 Theatre World Awards.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

Piazza started the 1960s on Broadway starring at the Eugene O’Neill Theatre in A Second String with Shirley Booth, Jean-Pierre Aumont, Nina Foch, Cathleen Nesbitt, and Carrie Nye.   Following that, he started his association with Edward Albee by appearing as the title character in The American Dream.  That play opened at the York Playhouse in January 1961.  Later that year, he appeared in Albee’s The Zoo Story opposite original cast member William Daniels at the East End Theatre.

piazza

Also in 1961 Piazza starred in several plays during a South American tour sponsored by the American Repertory Company.  He played Christopher Isherwood in I Am a Cameraand Chance Wayne in Sweet Bird of Youth.  In 1962, he starred in a series of plays at the Cherry Lane Theatre.  Piazza returned to Broadway to star along with Jane Fonda and Dyan Cannon in The Fun Couple at the Lyceum Theatre. This play had a troubled rehearsal period, which was documented in a short film about Jane Fonda.

Ben Piazza stayed on Broadway and returned to Albee in February 1963.  He took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? when original actor George Grizzard left to play Hamlet at the Guthrie Theatre.  (He had participated in earlier readings of the play prior to it being mounted on Broadway.)

This play was at the Billy Rose Theatre, which marked a return for Piazza. He had acted at this theatre when it was the National while appearing in Winesburg. Piazza played Nick for the remainder of the run and acted with Uta Hagen, Arthur Hill, fellow Arkansan Melinda Dillon, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, Rochelle Oliver and Sheppard Strudwick.

Exact and Very Strange cover

During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.  The Piazza Shoe Store, located on Main Street, was called Gallanti’s.

Following Virginia Woolf, he starred in The Zoo Story at the Cherry Lane Theatre in 1965.  In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.

As Sunday Agreement was opening, Piazza was in rehearsal for his next Broadway opening. He appeared with Alfred Drake in The Song of the Grasshopper in September 1967.  In 1968, he returned to Albee and starred in The Death of Bessie Smith and The Zoo Story in repertory on Broadway at the Billy Rose Theatre.

Later that season, in March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It was directed by future Tony nominee Peter Masterson and starred Louise Lasser, Robert Walden (who starred in the 2013 production of Death of a Salesman at Arkansas Repertory Theatre), Clinton Allmon and Dolores Dorn-Heft, to whom Piazza was married at the time.

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  During this time period he was in productions of Bus Stop, Who’s Afraid of Virginia Woolf?, You Know I Can’t Hear You when the Water’s Running  and Savages.  In 1970, he starred as Stanley Kowalski in a production of A Streetcar Named Desire in New Orleans.  As the 1970s progressed, he turned his focus to television and movies.

BDP early

Piazza’s film debut was in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper, Karl Malden, Maria Schell and George C. Scott in The Hanging Tree.  Though he received positive reviews for his performances, Piazza chose to return to New York and perform in stage and TV productions.

Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.  He had a recurring role during one season of Ben Casey and appeared on the soap opera Love of Life.

In the 1970s, he starred in the films Tell Me That You Love Me, Junie Moon; The Candy Snatchers and I Never Promised You a Rose Garden.  He also starred as the City Councilman who recruits Walter Matthau to coach a baseball team inThe Bad News Bears.

Among his numerous TV appearances in the 1970s were The Waltons, Mannix, Switch, Barnaby Jones, Gunsmoke, Mod Squad and Lou Grant (where he was reunited with Walden).

BDP final

In the 1980s, he appeared in The Blues Brothers, The Rockford Files, Barney Miller, Hart to Hart, Family Ties, The Winds of War, Dallas, Dynasty, Too Close for Comfort, The A Team, Saint Elsewhere, Santa Barbara, The Facts of Life, Mr. Belvedere, Moonlighting and Matlock.

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.

Tony Awards Week – Will Trice

Trice at the 2014 Tony Awards
Trice at the 2014 Tony Awards

Though he has been referenced in every Tony Awards Week story this week, today’s entry is devoted to three time Tony winning producer Will Trice.

It is fitting he is a young, Tony winning Broadway producer.  When his mother, Little Rock actress and teacher Judy Trice, was pregnant with him, she was directing the Hall High production of The Pajama Game.  The original Broadway production of that title was produced by another young, Tony winner – Hal Prince.

Will Trice literally grew up on stage and backstage. In addition to his mother, his late father Bill Trice and his sister Kathryn Pryor have graced every conceivable stage in Central Arkansas.  Will, himself, has been an actor and entertainer.  Most recently, he and Kathryn performed their cabaret act for patrons at the Arkansas Arts Center’s Tabriz earlier this year.

Trice’s Tony Awards came for the 2014 Best Play All the Way, 2013 Best Play Revival Who’s Afraid of Virginia Woolf? and the 2012 Best Musical Revival Porgy and Bess.  He also received a nomination for 2012 Best Play Revival for The Best Man.  At the 2014 Tonys, of the 26 awards presented, seven went to shows produced by Trice and his producing partner Jeffrey Richards.

This year Trice is nominated for producing Best Play nominee: Wolf Hall Parts One and Two and Best Play Revival nominee: You Can’t Take It with You.  Between those two productions and a revival of The Heidi Chronicles, Trice-produced projects earned fourteen Tony nominations this season.

Not ones to rest on their laurels, Richards and Trice have already announced revivals of Fiddler on the Roof and Sylvia for the 2015-2016 season.

It was fitting that Trice, a 1997 graduate of Central High, was a producer of the Tony-winning 50th anniversary revival of Who’s Afraid of Virginia Woolf? in 2012/2013.  Ben Piazza, a 1951 graduate of then-Little Rock High School, was involved in the development of the play in 1962 and performed in the original Broadway production over 500 performances.

Tony Awards Week – Tony Titles at Arkansas Rep

ark repNext year the Arkansas Repertory Theatre celebrates its 40th anniversary season.  Since its first season, the Rep has often programmed plays and musicals which have been recognized with the Tony for Best Play or Best Musical of the season.

Many other Rep productions have been titles which have also won Tony Awards in some Broadway production.  But this list only looks at those which won or were nominated for the Tony for Best Play and Best Musical.

The first Rep production was The Threepenny Opera.  While it did not win the Tony for Best Musical, it goes on this list because it received a Special Tony in 1956 for its production.  The original production in the 1930s ran for just a few performances. So this production was not eligible for the Best Musical award. But it was so outstanding, it received a Special Tony.

That 1976-77 season also included a Best Play winner – The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade, which took home the silver medallion for Best Play in 1966.

Rep SalesmanOther Tony Best Play winners produced by the Rep have been:

(Tony Year; Title; Rep season)

  • 1949 – Death of a Salesman – 2012-13
  • 1955 – The Diary of Anne Frank – 1977-78; 1981-82
  • 1960 – The Miracle Worker – 2004-05
  • 1963 – Who’s Afraid of Virginia Woolf? – 1978-79
  • 1965 – The Subject Was Roses – 1981-82
  • 1973 – That Championship Season – 1984-85
  • 1979 – The Elephant Man – 2008-09
  • 1981 – Amadeus – 1995-96
  • 1984 – The Real Thing – 1986-87
  • 1985 – Biloxi Blues – 1987-88
  • 1986 – I’m Not Rappaport – 1989-90
  • 1987 – Fences – 2006-07
  • 1990 – The Grapes of Wrath – 2000-01
  • 1991 – Lost in Yonkers – 1994-95 (featuring future Tony winner Will Trice in the cast)
  • 1993 – Angels in America: Millennium Approaches – 1995-96; 1996-97
  • 1994 – Angels in America: Perestroika – 1996-97
  • 1997 – The Last Night of Ballyhoo – 1998-99
  • 1998 – Art – 2001-02
  • 2001 – Proof – 2002-03 (written by LR Hall graduate David Auburn)
  • 2005 – Doubt – 2007-08
  • 2008 – August: Osage County – 2014-15
  • 2010 – Red – 2013-14
  • 2012 – Clybourne Park – 2013-14

 

Next season the Rep will produce Peter and the Starcatcher which was nominated for Best Play in 2012.  Other Best Play nominees produced by the Rep include: Barefoot in the Park; Broadway Bound; Cat on a Hot Tin Roof; Crimes of the Heart; Frost/Nixon; The Gin Game; Glengarry Glen Ross; Having Our Say; Home; Lend Me a Tenor; A Lesson from Aloes; ‘Night, Mother; The Night of the Iguana; Noises Off; The Piano Lesson; The Rainmaker; A Raisin in the Sun; The Retreat from Moscow; Talley’s Folly; The 39 Steps; and A Walk in the Woods.

The Rep also produced House of Blue Leaves six years before it was nominated for Best Play at the Tonys. In addition, it produced All My Sons which received a Special Tony for playwright Arthur Miller at the first ceremony and is sometimes erroneously listed as being the Best Play of 1947. There was none that year.

 

THEREP_MEMPHIS (no credits)-page-001The 1971 Best Musical Company was part of the Rep’s inaugural season in 1976-77.  Other Tony Best Musicals winners produced by the Rep have been:

(Tony Year; Title; Rep season)

  • 1951 – Guys and Dolls – 1989-90
  • 1952 – The King and I – 2006-07
  • 1956 – Damn Yankees – 1999-2000
  • 1957 – My Fair Lady – 2004-05
  • 1960 – The Sound of Music – 2001-02
  • 1964 – Hello, Dolly! – 2007-08
  • 1967 – Cabaret – 2001-02
  • 1975 – The Wiz – 2011-12
  • 1976 – A Chorus Line – 2005-06
  • 1977 – Annie – 2002-03
  • 1978 – Ain’t Misbehavin’ – 1984-85; 2004-05
  • 1980 – Evita – 1989-90; 2010-11
  • 1986 – The Mystery of Edwin Drood – 1988-89
  • 1987 – Les Miserables – 2008-09; 2013-14
  • 2003 – Hairspray – 2010-11
  • 2004 – Avenue Q – 2012-13
  • 2010 – Memphis – 2014-15 (produced at Rep and on Broadway by LR native Remmel T. Dickinson)

In addition, the Rep has produced staged concert versions of 1958 Best Musical The Music Man and 1973 Best Musical A Little Night Music in collaboration with the Arkansas Symphony Orchestra.

Next season the Rep will produce The 25th Annual Putnam County Spelling Bee which was nominated for Best Musical in 2005.  Other Best Musical nominees produced by the Rep include: The Best Little Whorehouse in Texas; Blues in the Night; Chicago; Dreamgirls; Five Guys Named Moe; The Full Monty; Gypsy; Into The Woods; Joseph and the Amazing Technicolor Dreamcoat; Mary Poppins;  Next to Normal; Oh What A Lovely War; Once On This Island; Peter Pan; Pump Boys and Dinettes; Quilters; Side by Side by Sondheim; Smokey Joe’s Café; Stop the World, I Want To Get Off; Sweet Charity; West Side Story; and The Who’s Tommy.