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The 72nd Tony Awards take place on Sunday, June 10 at Radio City Music Hall (broadcast on CBS).
Over the years, the Arkansas Repertory Theatre has had several Tony nominees work on stage and backstage.
Among these are:
Julie Andrews, who headlined a 2002 fundraiser for Arkansas Rep. That evening she shared stories about her life and career. A two-time Tony Award host, she has been nominated three times for Actress in a Musical: My Fair Lady (1957), Camelot (1961) and Victor/Victoria (1996).
Jane Lanier, who choreographed Ring of Fire at Arkansas Rep. In 1989, she was nominated as Featured Actress in a Musical for her work in Jerome Robbins’ Broadway.
Mercedes McCambridge, who appeared in ‘night, Mother at the Rep in the spring of 1986. She was nominated as Featured Actress in a Play for The Love Suicide at Schofield Barracks for the 1972 awards.
Austin Pendleton, who directed A Loss of Roses at Arkansas Rep. After appearing in the original cast of Tony winning Best Musical Fiddler on the Roof, he later received a Tony nomination for directing the 1981 revival of The Little Foxes which starred Elizabeth Taylor and Maureen Stapleton.
Jane Summerhays, who starred in the Arkansas Rep production of A Loss of Roses. In 1987, she was nominated for Featured Actress in a Musical for Me and My Girl.
John Tartaglia, who directed 2013’s Because of Winn Dixie. He was nominated for the 2004 Tony for Actor in a Musical for his performance in Avenue Q.
Japhy Weideman, who was the Rep’s lighting designer in the early 2000’s. While he was at the Rep, he lit several shows including The Grapes of Wrath, All My Sons and God’s Man in Texas. He has received Tony nominations for lighting design for his work on The Nance (2013), Of Mice and Men (2014), Airline Highway (2015), The Visit (2015), and Dear Evan Hansen (2017).
The fact that the Arkansas Repertory Theatre has been able to work with theatre artists of this calibre is a testament to the quality of work it has produced. Giving the opportunity for Arkansas audiences to have this interaction without leaving the state is one of the values of the Rep.
Repertorium Praeter Theatrum