31 Days of Arkansas Rep: OVATION! in 1999

Upon his retirement (the first time) from Arkansas Rep, founder and artistic director Cliff Fannin Baker was feted with a special performance celebrating his career with the Rep.  The entire evening was called “Ovation!” and included a pre-performance reception, a special revue celebrating Cliff’s career, and a performance of As Bees in Honey Drown, which Cliff directed.

Ruth Shepherd and Helen Buchanan co-chaired the evening, which took place on September 21, 1999.  Jana Beard was involved in the conception and direction of the performance.

The program started with a welcome from Mimi Dortch, the first Rep Board chair; Bill Rector, a former Rep Board chair who had been instrumental in the move to the Rep’s Main Street location; and Carol Corley, who was the 1999-2000 Rep Board chair.

The performers included Michael Davis, Don Bolinger, Shannon Farmer, Vivian Morrison Norman, Candyce Hinkle, Debbie Rawn, Jana Beard, Debbie Weber, Mary Twedt Cantrell, Mark Johnson, Judy Blue., Jean Lind, and Phyllis Blumenfeld.

First Lady Hillary Rodham Clinton sent a videotaped message that was played and followed by a video which highlighted Cliff’s career.  Lt. Governor Winthrop Rockefeller presented Cliff with the 1999 Governor’s Arts Award for Lifetime Achievement.  Also that evening, longtime Rep staffers Lynn Frazier and Guy Couch were presented with Cliff Fanning Baker Awards for extraordinary service to the Rep.

After a brief intermission, the evening continued with As Bees in Honey Drown. The show was directed by Cliff and was the final show of the Cliff Fannin Baker era (Part I).

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31 Days of Arkansas Rep: 1979’s DAMES AT SEA

Guy Couch kicks up his heels while swabbing the deck in DAMES AT SEA.

Take every showbiz cliche imaginable, mix it with a score that is a pastiche of Warner Bros. 1930s musicals, and throw in a bit of World War II nostalgia – you get DAMES AT SEA.  With a cast of six, it was a perfect selection for the Arkansas Rep in the autumn of 1979.

Directed by Cliff Fannin Baker, it featured Jeannie LeMay, Robert Boles, Phyllis Blumenfeld, Guy Couch, and Craig Fuller in the cast.  Also in the cast, as the newest full-time member of the Arkansas Rep company was a young actress/chanteuse named Sharon Douglas. Over the next decade or so she would become closely identified with the Rep.

Multi-talented Jean Lind (who often acted in Rep productions) played the keyboard and served as musical director leading a pit band of three other musicians.

Dames at Sea kicked off the 1979-1980 season.  It ran from September 27 to October 14.  That year the Rep also celebrated ownership of its building. Because of grants it had received, it was able to accelerate the financing for the purchase of the building. As an Arkansas Gazette article pointed out, because of the grant they were able to keep tickets to $5 instead of charging $14.80 for tickets to the shows. (The latter would be the equivalent of $49.97 in 2018 .)

31 Days of Arkansas Rep: KENNEDY’S CHILDREN in 1977

Since October 3, 2018, marks the 55th anniversary of JFK speaking in Little Rock, it seems an appropriate day to feature the 1977 Arkansas Rep production of Robert Patrick’s KENNEDY’S CHILDREN.

The play takes place in a NYC bar on Valentine’s Day 1974 as its denizens speak in intertwining monologues about the 1960s and coping with the disillusions they feel from that earlier decade.  The title comes from the sense that the 1960s after November 1963 were a reaction to the loss of JFK and his idealism.

One of the characters, who was played by Jean Lind at Arkansas Rep, is obsessed with the Kennedy Administration. Others in the cast were Jean Hendrickson, Phyllis Blumenfeld, Scott Edmonds and Barry Carter.  Guy Couch played the important, but non-speaking, role of the bartender who plies the quintet with drinks throughout the play.

In the original production, there is a jukebox which plays musical interludes as transitions. In a nod to director Cliff Fannin Baker’s ingenuity, that role was played by Frank Gordon on jazz clarinet. It actually added a sense of humanity and added soulfulness to the production.

The bar in which the action took place was designed and lit by Byl Harriell.  The physical presence was described by Bill Lewis in the Arkansas Gazette review as a “masterful sleezy bar.”

The production ran from December 1 through 17 in 1977. Tickets were $5.00 a person. (This is the equivalent of $20.80 today.)

31 Day of Arkansas Rep: THE RUNNER STUMBLES in 1979

Pat Brown, director of THE RUNNER STUMBLES

While he directed most shows at the Rep during the early years, Cliff Fannin Baker would bring in guest directors from time to time. One of these was Pat Brown who helmed the February 1979 production of The Runner Stumbles.

A co-founder of Houston’s Alley Theatre, Brown also had connections to Little Rock; she was a niece of Little Rock businesswoman Mae Horn (who dressed ALL the best-dressed men.)

Though Brown had worked all over the US, this was the first time she had directed The Runner Stumbles. This Milan Stitt play had run for 396 performances on Broadway from 1976 to 1978. The Arkansas Rep was one of the first regional theatres to produce the play.  (Side note: the original Broadway production was directed by Austin Pendleton who would later direct A Loss of Roses at Arkansas Rep.)

In his Arkansas Gazette review, Bill Lewis called the production “one of the strongest yet” for the Rep.  He described it as a “compelling, somber drama” that was “impeccably directed and acted with highest octane virtuosity.”  Lewis was not one to mince words, so when he gave praise it was deserved.

The cast for A Runner Stumbles included Craig Fuller, Jean Hendrickson, Scott Edmonds, Jean Lind, Ron Aulgur, Ken Klingenmeier, Jeannine Le May, Robert Boles, and Phyllis Blumenfeld. The show was designed by Byl Harriell.  Guy Couch assisted with set decoration and props.

The production ran from February 1 to 18 of 1979.