Tag Archives: Robinson Center Performance Hall

Little Rock Look Back: LRSD Choirs sing Christmas Carols on Robinson Auditorium steps

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In front of Robinson Center, one of the sculptures is called “Let the Music Play.” 79 years ago today, the music played on the front steps of the building as construction continued on the inside.

On the afternoon of December 18, 1939, 500 school children from elementary schools were joined by the A Capella Choir of Little Rock High School as they sang Christmas carols on the front steps of the auditorium on a weekday afternoon. The singers were accompanied by the Little Rock High School Brass Sextet. The invocation for the event, which was sponsored by the Little Rock Council of Parents and Teachers, was delivered by the Right Reverend Richard Bland Mitchell, the Episcopal Bishop of Arkansas.

A Christmas tree in front of City Hall was lit up as part of the ceremony as well. Media coverage noted that the audience witnessing the program stood on the front steps of the Pulaski County Courthouse, the side lawn of City Hall and in front of the steps of Robinson Auditorium. It was also noted that most windows in the nearby government buildings were filled with people watching the festivities.

Home for the Holidays with the ASO and Maestro Philip Mann this weekend

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Maestro Philip Mann and the musicians of the Arkansas Symphony Orchestra welcome singers Maria Fasciano and Vernon Di Carlo, Arkansas Chamber Singers, and the Episcopal Collegiate School Steel Drum Band to take the Robinson Center Performance Hall stage on December 14-16.

Kids aged one to one hundred will enjoy fun holiday favorites like “Silver Bells,” “O Holy Night,” and “White Christmas,” fun selections from The Nutcracker featuring steel drums, brassy Henry Mancini arrangements and winter-themed orchestral music.

Concerts are tonight at 7:30, Saturday, December 15 at 7:30 and Sunday, December 16 at 3:00.  Because Sunday’s show is nearly sold out, the Entergy Kids’ Ticket program has been extended to tonight’s concert.

ANDERSON – Sleigh Ride
RIMSKY-KORSAKOV – Dance of the Tumblers from The Snow Maiden Suite
LIVINGSTON/EVANS arr. Holcombe – Silver Bells (Vernon Di Carlo, vocal)
MANCINI – Joy
ADAMS/Ryden – O Holy Night (Maria Fasciano, vocal)
BERLIN/Moss – White Christmas (Vernon Di Carlo, vocal)
BIZET – IV. Farandole from L’Arlésienne Suite No. 2
TYZIK – Twelve Gifts of Christmas (Maria Fasciano, vocal)

~INTERMISSION~

MANCINI/Hayes – Christmas Rhapsody
TCHAIKOVSKY – Selections from The Nutracker (with the Episcopal Collegiate School Steel Drum Band)
RICHMAN – Hanukkah Festival Overture
STYNE/Hayes – The Christmas Waltz (with chorus)
COURTNEY – Festival Gloria (with chorus)
HERMAN/Hayes – We Need a Little Christmas (with chorus)
FINNEGAN – Singalong

Extras!
Pre-concert happenings in the marble lobby:

  • Friday: Concertmaster Andrew Irvin’s violin caroling ensemble
  • Saturday: Brent Shires (ASO horn) leads his Hornaments ensemble
  • Sunday: Annual Children’s Fair (begins at 2 p.m.)

Little Rock Look Back: First Ballet Arkansas production of THE NUTCRACKER

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Burton and Tuzer

One of the sure signs of the Christmas season is the return of The Nutcracker to ballet companies across America.  Though the Little Rock Civic Ballet had first presented this ballet in 1968, by the mid-1970s, it was no longer performing the complete ballet.

In 1978, the Little Rock Civic Ballet was reorganized and re-christened Ballet Arkansas.  That first year, it did not perform The Nutcracker.  But on December 11, 1979, the tradition returned as Ballet Arkansas presented its first production of The Nutcracker.  It was once again at Robinson Center Music Hall.

The production was directed and choreographed by Lorraine Cranford, Ballet Arkansas’ Artistic Director.  The music was provided by musicians from the Arkansas Symphony Orchestra under the baton of guest conductor David Schimmell.  This was the first time in several years that the ballet had been accompanied by the ASO.

The guest artists were Anne Burton and Tanju Tuzer, both from Dallas.  The local dancers including David Twillie, Mirana, Peggy Howard, Carol Campbell, Jeffrey Stuart, Haven Cooper, Buddy Harris, Chris Clarke and Jeff Johns.

Tickets were $3.00 for the matinee. Evening performances ranged from $5 to $10 a person.

Little Rock Look Back: LR voters overwhelming support bid to Restore Robinson in 2013

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On Tuesday, Dec. 10, 2013, voters of Little Rock overwhelmingly chose to renovate the historic Joseph Taylor Robinson Memorial Auditorium.

By a vote of 5,183 For and 1,800 Against, Little Rock citizens approved a plan to use a portion of the city’s existing 2 percent restaurant and hotel tax to repay bonds for a renovation of Robinson Center.  The campaign was chaired by businessman Charles Stewart, restaurateur Capi Peck and former LR Mayor Jim Dailey.

Robinson has long been a landmark in central Arkansas. Construction of the Joseph T. Robinson Memorial Auditorium began in 1938 (after a December 1937 groundbreaking under a deadline) and officially opened February 1940. The structure was a PWA (Public Works Administration) project, and is an excellent example of the Art Deco style architecture of the time. The building was added to the National Register of Historic Places in 2007.

The facility is owned by the City of Little Rock and managed by the Little Rock Convention & Visitors Bureau.

The 1940 structure suffered from a wide array of deficiencies, including stage loading and unloading, stage size, acoustical insufficiency, dressing room access and inadequate wing space within the performance hall. Also, structural, mechanical and electrical issues, public circulation and outdated conference center spaces existed within the facility.

Knowing the center is in need of major upgrades if the facility is to continue to serve central Arkansas into the future, the Little Rock Advertising and Promotion Commission (LRA&P) empanelled a Robinson Center Concept Team in October 2011. The group was tasked with evaluating all aspects of the existing facility, researching user needs, proposing conceptual solutions and estimating the cost and construction schedule of the proposed additions and renovations. The concept team was led by Mike Steelman of SCM Architects, PLLC, and included representatives from WD&D Architects, Shuler Shook Theatre Planners, Jaffe-Holden Acoustical Consultants, TME Inc. Mechanical and Electrical Engineers, ECI Inc. Structural Engineers, McClelland Consulting Engineers Inc. Civil Engineers, East Harding Construction, HVS Consulting and Hunt Construction Group.

Additionally, stakeholder and tenant organizations representing the Arkansas Symphony Orchestra, Celebrity Attractions of Tulsa, Oklahoma and the Double Tree Hotel participated in the planning. The concept team findings were presented publicly on June 5, 2012.

On January 17, 2013 the LRA&P announced the selection of Polk Stanley Wilcox Architects, partnered with Ennead Architects, as the architectural and design team for the future renovations. On March 28, 2013 CDI Contractors LLC, partnered with Hunt Construction Group, were selected by LRA&P as the general contractors and construction managers.

On September 23, 2013 the final schematic renderings and cost estimates were presented publicly. The schematic plans depict major interior upgrades within the performance hall including additional volume to create a two-balcony setup, increased lobby space, acoustical improvements, theatrical upgrades, loading dock expansion, a larger stage area, and new dressing room facilities. Additionally, an enhanced modern ballroom and small conference center was unveiled. New technology, mechanical systems, and outdoor plaza spaces were included in the presentation.

Construction would begin on July 1, 2014.  It reopened on schedule and on budget on November 10, 2016.

Little Rock Look Back: Robinson Auditorium achieves a construction milestone

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Many months behind schedule, it was 79 years ago today (December 8, 1939) that the construction of the Joseph Taylor Robinson Memorial Auditorium was declared “substantially finished.”

On December 8, 1939, the work of the general contractor was complete. The building’s utilities were all fully connected as the steam line and electric transformer were hooked up. While the work of the general contractor was through, there was still much work to be done.

Though there were still unfinished portions of the structure, the exterior was complete and finished surfaces had been installed on the interior. Until the building was officially turned over to the City, the federal Public Works Administration still had to give approval for any uses of the building.Mayor J. V. Satterfield, Jr. told the press that he wasn’t sure when the City would formally accept the building. The connection of the utilities had used up the remaining funds, so there was uncertainty as to when the final tasks would be completed.

When it was built, Robinson Auditorium was the first municipal auditorium in the south central United States to be air conditioned. However, the air conditioning unit was not sufficient to cool both the music hall and the convention hall at the same time. In warm weather months concurrent events would not be able to take place on the two levels.

40th Anniversary production of Ballet Arkansas’ THE NUTCRACKER this weekend!

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Ballet Arkansas’ 40th Anniversary Nutcracker Spectacular takes the stage at the Robinson Performance Hall this December 6th – 9th , 2018 for four main stage performances and two student matinee performances. The largest holiday production in Central Arkansas, Ballet Arkansas’ Nutcracker has been a tradition in Little Rock for decades.

A two-act ballet, originally choreographed by Marius Petipa, with a score by Pyotr Ilyich Tchaikovsky, The Nutcracker is a timeless story about a young girl’s journey into a magical land, The Land of the Sweets, on one winter’s eve.

Joining Ballet Arkansas’ fourteen professional dancers onstage is a community cast made up of over 200 children and adults, including local dancers, previous Ballet Arkansas dancers, Ballet Arkansas board members, and local celebrities.

The production is enhanced with live music provided by the talented musicians of the Arkansas Symphony Orchestra, conducted by Geoffrey Robson, and the ethereal voices of the Mount St. Mary Academy Concert Belles or the Episcopal Collegiate Choirs,

“The Nutcracker is a beloved Holiday classic that families look forward to each year as a part of their traditions, and this year’s production features fully updated choreography, a handful of holiday surprises, and much more!” says Associate Artistic Director, Catherine Fothergill.

In 2017, Michael Fothergill, Executive and Artistic Director of the organization took steps to re-vitalize the choreography in the 2nd Act. This year, Ballet Arkansas have renovated the 1st Act, while maintaining some of the time honored and fan favorite traditions. This updated show celebrates the past, breathing new life into the organization’s most beloved holiday tradition.

For the 2nd year in a row, Ballet Arkansas will be live streaming the matinee performances at Arkansas Children’s Hospital.

Performances Friday, December 7, 7:00 pm, Saturday, December 8, 2:00 pm and 7:00 pm, and Sunday, December 9, 2:00pm.

This year’s performance includes an opportunity to purchase ‘sweet seats’ for $99 which includes the best seats in house and a special gift with purchase. Tickets range from $20-99 and are available by calling Celebrity Attractions Box Office at (501)-244- 8800 or by visiting Ticketmaster at https://www1.ticketmaster.com/event/1B0054BEE444598E.

Little Rock Look Back: Aretha Franklin with the Arkansas Symphony Orchestra at Robinson Center

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On November 16, 2004, the rafters of Robinson Center Music Hall were shaken by the vocal prowess of Aretha Franklin.

She shared the Robinson stage with the Arkansas Symphony Orchestra.  The ASO brought Miss Franklin to town as part of the festivities surrounding the opening of the presidential library.  Long a favorite of the Clintons, Miss Franklin sang at his 1993 inaugural festivities the night before he took the oath of office.

Resplendent in a series of white dresses, Miss Franklin was in top form feeding off the love from the audience.  While backstage she may have been dealing with back and knee issues (which the Culture Vulture saw first hand), when she stepped on to the stage she was giving her all as she rolled through hit after hit from her starry career.  She sang, she played the piano, she entertained!

It was a sold out house and her voice and energy reached the last row of the balcony.

Prior to her appearance, the ASO played a few selections including variations on “Hail to the Chief” and “America.”

Earlier in the day, I had the privilege of picking up several copies of Bill Clinton’s autobiography for her to get signed by him.  I delivered them to her as she was resting between rehearsals. She was preparing for an interview with Craig O’Neill, and I hated disturbing her. But I wanted to be sure she got the books.  She was gracious and very appreciative.