Tag Archives: Robinson Center Performance Hall

Little Rock Look Back: LR Votes FOR a Municipal Auditorium

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On January 26, 1937, Little Rock voters went to the polls to vote on three different municipal bond issues.  One of them was the construction of a municipal auditorium.

The bonds for the auditorium would be $468,000 in general obligation bonds which would be paid off between 1940 and 1971. This was toward a total cost of $760,000 for the entire project.

The official campaign for the auditorium was sponsored by the Little Rock Forward Committee which was led by W. H. Williams. In campaign advertisements it showed the value of conventions in New York City which was estimated at $100 per convention attendee. Little Rock organizers were estimating a $10 a day expenditure by visitors, which the committee stressed was very conservative. The campaign committee emphasized the importance of acting at that time due to the federal government money involved.

Various committees and organizations endorsed the auditorium project including the Little Rock Chamber of Commerce, Little Rock Federation of Women’s Clubs, and the Young Business Men’s Association.

The thrust of the campaign focused on the economic benefit to Little Rock as well as the fact that the auditorium would be for all citizens. This message was picked up in editorials by both the Democrat and Gazette. In editorials on January 23 and 25, the Democratopined that the benefits of the auditorium would be distributed among all classes of the citizenry. The next day, both papers ran editorials which touted the economic boon an auditorium would bring through conventions and meetings.

The Democrat’s approach broke down the current value of conventions to Little Rock with, what it termed, the city’s “existing inadequate” facilities. The paper emphasized a conservative estimate of what the added value to Little Rock’s economy would be with the new auditorium.

In expressing support for the auditorium the Gazette stressed the values for local, statewide and national groups. “An auditorium would provide a more convenient and better adapted community center for all kinds of local gathering,” and continued that it would make Little Rock “the logical meeting place for state conventions of every sort.” In discussing the value of state, regional and national meetings the paper stressed that the outside money spent by convention attendees has an impact beyond stores, hotels and restaurants.

Both papers also echoed the importance of the federal government financing to make this possible. The Democrat noted that the Public Works Administration grant and federal low cost loan made this an ideal time.

On January 26, 1937, Little Rock voters approved the auditorium bond by a vote of 1,518 to 519. It passed in each of the city’s 23 precincts. Little Rock Mayor R. E. Overman expressed his pleasure at the outcome of the vote and extended his thanks to the voters.

After the election, a Gazette editorial commented on the low turnout for the special election by commenting that the weather had been nice and there were no other barriers to voting. The editorial writer opined that those not voting in the election must not have been opposed to the endeavor.

Little Rock Look Back: LR FINALLY takes possession of Robinson Auditorium

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Robinson Auditorium

On January 25, 1940, the City of Little Rock officially took complete possession of the Joseph Taylor Robinson Memorial Auditorium. By assuming custody of the structure from the contractor and the PWA, the City accepted responsibility for any of the remaining work to be completed.  This event happened one day shy of the third anniversary of the election which approved plans to issue bonds for an auditorium.  The act took place only about five months behind schedule.

E. E. Beaumont, the Auditorium Commission chairman, stated that an opening date could not be set until more work was completed. A major unfinished task was the laying of the front sidewalk which had been delayed due to cold weather.

The night before Little Rock took possession, Robinson Auditorium had been a topic of discussion at the Little Rock Chamber of Commerce annual meeting. The new Chamber president Reeves E. Ritchie (who as an Arkansas Power & Light executive had been engaged in the lengthy discussions about the installation of the steam line and transformers of the building) pledged that the Chamber would work to bring more and larger conventions to Little Rock at the Joseph Taylor Robinson Memorial Auditorium.

Little Rock Look Back: HAIR’s Sun Shines In to Robinson Auditorium

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Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Ad for the original production of HAIR in Little Rock. Note the ticket prices. And that they could be purchased at Moses Music Shops.

Forty-six years ago today, on January 18, 1972, the musical Hair settled in for a week-long run at Robinson Auditorium.  The saga to bring the national tour to Little Rock had actually begun eleven months earlier.

In February 1971, a young Little Rock attorney named Phil Kaplan petitioned the Little Rock Board of Censors to see if it would allow a production of Hair to play in the city. He was asking on behalf of a client who was interested in bringing a national tour to Arkansas’ capital city. The show, which had opened on Broadway to great acclaim in April 1968 after an Off Broadway run in 1967, was known for containing a nude scene as well for a script which was fairly liberally sprinkled with four-letter words. The Censors stated they could not offer an opinion without having seen a production.

By July 1971, Kaplan and his client (who by then had been identified as Southwest Productions) were seeking permission for a January 1972 booking of Hair from the City’s Auditorium Commission which was charged with overseeing operations at Robinson Auditorium. At its July meeting, the Commissioners voted against allowing Hair because of its “brief nude scene” and “bawdy language.”

Kaplan decried the decision. He stated that the body couldn’t “sit in censorship of legitimate theatrical productions.” He noted courts had held that Hair  could be produced and that the Auditorium Commission, as an agent for the State, “clearly can’t exercise prior censorship.” He proffered that if the production was obscene it would be a matter for law enforcement not the Auditorium Commission.

The Commission countered that they had an opinion from City Attorney Joseph Kemp stating they had the authority. One of the Commissioners, Mrs. Grady Miller (sister-in-law of the building’s namesake the late Senator Robinson, she had served on the Commission since 1940), expressed her concern that allowing Hair would open the door to other productions such as Oh! Calcutta!

On July 26, 1971, Southwest Productions filed suit against the Auditorium Commission. Four days later there was a hearing before federal Judge G. Thomas Eisele. At that hearing, Auditorium Commission member Lee Rogers read aloud excerpts from the script he found objectionable. Under questioning from Kaplan, a recent touring production of Neil Simon’s Plaza Suite was discussed. That play has adultery as a central theme of one of its acts. Rogers admitted he found the play funny, and that since the adultery did not take place on stage, he did not object to it. Among those testifying in favor of it was Robert Reddington, who was director of performing arts at the Arkansas Arts Center.

Judge Eisele offered a ruling on August 11 which compelled the Auditorium Commission to allow Hair to be performed. Prior to the ruling, some of the Auditorium Commissioners had publicly stated that if they had to allow Hair, they would close it after the first performance on the grounds of obscenity. To combat this, Judge Eisele stated that the Commission had to allow Hair to perform the entire six day engagement it sought.

Upon hearing of the Judge’s ruling, Commissioner Miller offered a succinct, two word response. “Oh, Dear!”

In the end, the production of Hair at Robinson would not be the first performance in the state.  The tour came through Fayetteville for two performances in October 1971 at Barnhill Arena.

On January 18, 1972, Hair played the first of its 8 performances over 6 days at Robinson Auditorium.  In his review the next day, the Arkansas Gazette’s Bill Lewis noted that Hair “threw out all it had to offer” and that Little Rock had survived.

The ads promoting the production carried the tagline “Arkansas will never be the same.”  Tickets (from $2 all the way up to $8.50) could be purchased at Moses Melody Shops both downtown and in “The Mall” (meaning Park Plaza). That business is gone from downtown, but the scion of that family, Jimmy Moses, is actively involved in building downtown through countless projects. His sons are carrying on the family tradition too.

Little Rock was by no means unique in trying to stop productions of Hair.  St. Louis, Birmingham, Los Angeles, Tallahassee, Boston, Atlanta, Charlotte NC, West Palm Beach, Oklahoma City, Mobile and Chattanooga all tried unsuccessfully to stop performances in their public auditoriums.  Despite Judge Eisele’s ruling against the City of Little Rock, members of the Fort Smith City Council also tried to stop a production later in 1972 in that city. This was despite warnings from City staff that there was not legal standing.

Within a few years, the Board of Censors of the City of Little Rock would be dissolved (as similar bodies also were disappearing across the US). Likewise, the Auditorium Commission was discontinued before Hair even opened with its duties being taken over by the Advertising and Promotion Commission and the Convention & Visitors Bureau staff.  This was not connected to the Hair decision; it was, instead, related to expanding convention facilities in Robinson and the new adjacent hotel.  Regardless of the reasons for their demise, both bygone bodies were vestiges of earlier, simpler and differently focused days in Little Rock.

Little Rock Look Back: Basketball begins at Robinson Auditorium

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Coach Earl Quigley in the 1940s

While Joseph Taylor Robinson Memorial Auditorium is known today as a performance and meeting venue, in its early days it was also the home to sports. Seventy-eight years ago tonight the first basketball game was played at Robinson.

One of the first regular activities which took place in the lower level exhibition hall was a series of boxing and wrestling matches.  Building on the success of this, basketball came to the convention hall in January 1940.

A series of games featuring Little Rock High School and North Little Rock High School were announced by Tiger Coach Earl Quigley to take place from January 11 through February 16, the official opening day for the facility.

At that time, neither high school had a gymnasium; therefore both schools played their basketball games on their school auditorium stages with fans seated in the audience. The convention hall offered a regulation size floor (made of pecan block parquet) with seating for over 1,300 people along the sidelines and in the balcony.  The first men’s basketball game in Robinson Auditorium took place between the Little Rock High School Tigers and the North Little Rock High School Wildcats on January 11, 1940.

The Tigers lost the game before a crowd estimated to be 1,300.  Earlier in the evening there had been an exhibition between two women’s basketball teams.  The cost for admission to the games was 35 cents for the reserved seating and 25 cents for general admission.

Little Rock Look Back: Robinson Auditorium groundbreaking 80 years ago today

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122437 GroundbreakOn December 24, 1937, at 11:30 a.m., Little Rock Mayor R. E. Overman, Ewilda Gertrude Miller Robinson (the widow of Senator Joseph Taylor Robinson) and  Alexander Allaire of the PWA turned dirt to participate in the brief groundbreaking ceremony for Little Rock’s municipal auditorium.  That morning, the Arkansas Gazette ran a brief story on the upcoming groundbreaking.  The story mentioned that the building would be named in memory of the late beloved Arkansas politician.  This appears to be the first public pronouncement of the Robinson name for this civic structure.

Among others in attendance at the groundbreaking were Mrs. Charles Miller (sister-in-law of Mrs. Robinson), Mr. and Mrs. Grady Miller (brother and sister-in-law of Mrs. Robinson), the mayor’s wife, the three architects (George Wittenberg, Lawson Delony and Eugene John Stern), and D. H. Daugherty and Will Terry of the City’s Board of Public Affairs.

Construction had to start by January 1, 1938, in order to receive PWA funds.  By breaking ground on December 24, there was over a week to spare.  The site had been selected in late October 1937, and the purchase had not been finalized.  But the PWA did give permission for the City to let a contract for excavation, demolition and filling on the site.

The groundbreaking took place at the corner of Garland and Spring Streets which was on the northeast corner of the block set aside for the auditorium.  Today, Spring Street does not extend north of Markham; the street was closed to make way for the parking structure and what is now the Doubletree Hotel.  Garland Street is basically an alley that runs parallel to Markham north of City Hall, Robinson Auditorium and the Doubletree Hotel.

20 years of THE LION KING

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On November 13, 1997, THE LION KING opened on Broadway.  It would go on to win six 1998 Tony Awards including Best Musical.  Today it celebrates its 20th Birthday!  It has played 8,325 performances on Broadway.

This coming April the entire Serengeti will come to life inside the newly renovated Robinson Performance Hall when Celebrity Attractions brings this Disney production to Little Rock!

More than 90 million people around the world have experienced the awe-inspiring visual artistry, the unforgettable music, and the uniquely theatrical storytelling of this Broadway spectacular “one of the most breathtaking and beloved productions ever to grace the stage.

THE LION KING brings together one of the most imaginative creative teams on Broadway.  Tony Award®-winning director Julie Taymor brings to life a story filled with hope and adventure set against an amazing backdrop of stunning visuals.  THE LION KING also features the extraordinary work of Tony Award®-winning choreographer Garth Fagan and some of Broadway’s most recognizable music, crafted by Tony Award®-winning artists Elton John and Tim Rice.

Little Rock Look Back: J. N. Heiskell

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At the age of 87, J. N. Heiskell in 1960.

John Netherland (J. N.) Heiskell served as editor of the Arkansas Gazette for more than seventy years.  He was usually called “Mr. Heiskell” by all, but a very few confidantes felt confident to call him “Ned.”

Mr. Heiskell is the person most responsible for Robinson Center Music Hall being located at the corner of Markham and Broadway.  As Chair of the Planning Commission and editor of the Arkansas Gazette he had twin bully pulpits to promote this location when those on the City Council (who actually had the final say) were looking at other locations.  He felt the location would help create a cluster of public buildings with its proximity to the county courthouse and to City Hall.  Mr. Heiskell finally succeeded in winning over the mayor and aldermen to his viewpoint.

He was born on November 2, 1872, in Rogersville, Tennessee, to Carrick White Heiskell and Eliza Ayre Netherland Heiskell. He entered the University of Tennessee at Knoxville before his eighteenth birthday and graduated in three years at the head of his class on June 7, 1893.

His early journalism career included jobs with newspapers in Knoxville and Memphis and with the Associated Press in Chicago and Louisville. On June 17, 1902, Heiskell’s family bought controlling interest in the Arkansas Gazette. Heiskell became the editor, and his brother, Fred, became managing editor.

Governor George Donaghey appointed Heiskell to succeed Jeff Davis in the United States Senate after Davis’s death in office. Heiskell served from January 6, 1913, until January 29, 1913, when a successor was chosen by the Arkansas General Assembly.  His tenure is the shortest in the U. S. Senate history.  His first speech on the Senate floor was his farewell.  He was also only the second US Senator to live to be 100.

On June 28, 1910, Heiskell married Wilhelmina Mann, daughter of the nationally prominent architect, George R. Mann. The couple had four children: Elizabeth, Louise, John N. Jr., and Carrick.

In 1907, he joined a successful effort to build the city’s first public library. He served on the library board from that year until his death and was issued the first library card.  He also served on the City’s Planning Commission for decades.  In 1912, he was instrumental in bringing John Nolen to Little Rock to devise a park plan.

In the paper and in his own personal opinions, he crusaded on a variety of progressive causes.  Perhaps the most famous was the Gazette’s stance in the 1957 Central High desegregation crisis.  It was for this effort that the paper received two Pulitzer Prizes.

Although Heiskell stopped going to the office at age ninety-nine, he continued to take an active interest in the newspaper. He began by having a copy of the newspaper delivered to his home by messenger as soon as it came off the press each night. Eventually, he switched to having his secretary call him daily at his home and read the entire newspaper to him. He operated on the premise that “anyone who runs a newspaper needs to know what’s in it, even to the classified ads.”

A few weeks after turning 100, Heiskell died of congestive heart failure brought on by arteriosclerosis on December 28, 1972. He is buried in Little Rock’s Mount Holly Cemetery.  Interestingly, he is buried in the same cemetery as two of his most notable adversaries: Governor Jeff Davis, and segregationist Congressman Dale Alford.

Mr. Heiskell donated his vast papers to UALR. They are part of the Arkansas Studies Institute collection. These papers give insight into not only his career as a journalist, but also his political and civic affairs.  Thankfully he saved much of his paperwork. Without it, much insight into Little Rock in the 20th Century would be lost.