Nutcracker and New Pieces are part of 2015-16 Ballet Arkansas season

BA_Visions_PromoImageWhile it is only the start of July, cultural institutions are already focused on their 2015-2016 seasons.  This is especially true for Ballet Arkansas, which has its first event on August 22nd.

Ballet Arkansas starts off with the second annual Visions Choreographic Competition to be held in the Center for Performing Arts at UALR on August 22nd at 7:00pm. Thirty-one emerging choreographers from around the country competed for five spots in this competition of which the winner will receive a commission to create a complete new work on Ballet Arkansas’s company dancers for their 2016 spring show. Selected choreographers include Boston Ballet’s Boyko Dossev, former Houston Ballet’s and current University of Oklahoma dance faculty member Ilya Kozadayev, former Ballet West and Visceral Dance Chicago’s Tom Mattingly, former Pacific Northwest Ballet’s Barry Kerollis and Post: Ballet’s Aidan DeYoung.  The guest judge for Visions is Glenn Edgerton, Artistic Director for Hubbard Street Dance in Chicago. Tickets for Visions will go on sale July 1st on the Ballet Arkansas website.

BA_Nutcracker_PromoImage 2In December, Ballet Arkansas joins forces with the Arkansas Symphony Orchestra to present the  annual holiday ballet, Tchaikovsky’s The Nutcracker at the Maumelle Performing Arts Center.  With music provided by the Arkansas Symphony Orchestra, a cast of 200+ youth and adult dancers from the central Arkansas area, professional guest artists and featuring Ballet Arkansas professional company members, The Nutcracker will continue its tradition as a holiday must-see. The Nutcracker performance week includes student matinees for statewide school groups on December 10 & 11, along with the four public performances on December 11, 12 and 13th.  Tickets for The Nutcracker will go on sale in early September on the Arkansas Symphony Orchestra’s website.

BA_UndertheLights_PromoImageOn May 20-22, 2016 Ballet Arkansas will present its annual spring mixed-repertory show,  Under the Lights at the Arkansas Repertory Theatre. This year’s show contains an eclectic group of works of various dance styles including Nashville Ballet dancer Chris Stuarts’ Under the Lights set to Johnny Cash songs including “Walk the Line” and “Jackson”.  This show also features a world premier of a Kiyon Gaines work and Group Therapy, a comedy ballet created for Hubbard Street Dance Chicago by Harrison McEldowney and the expanded Visions winning choreography. Ballet Arkansas is also delighted to announce that itwill again be performing a George Balanchine work, Glinka Pas de Trois. Tickets will go on sale in early fall on the Arkansas Repertory Theatre’s website.

Ballet Arkansas also announced that it has engaged Kiyon Gaines, recently retired Pacific Northwest Ballet soloist, to a 3-year Resident Choreographer Contract.  He choreographed Bolero for the 2013-2014 season.  In addition, Laura Hood Babcock has been named the new ballet mistress.  She worked with Ballet Arkansas last season on the Balanchine Who Cares?  Michael Bearden is the Artistic Director and Karen Bassett is the Executive Director.

On Their Toes – Ballet Arkansas announces 2015-2016 season

BalletArkOn April 17 through 19, Ballet Arkansas will conclude the 2014-2015 season with Who Cares? featuring choreography by George Balanchine and music by George Gershwin.

Not content to rest on their laurels, they have announced their 2015-2016 season.

The season will kick off on August 22 with the second Visions Choreographic Competition.  Several choreographers will be invited to create dance pieces which will be performed that night.  A panel of experts and the audience will select a winner. The winner will be developed further and performed in the spring of 2016.
The annual Nutcracker will take place December 11, 12 and 13 at the Maumelle Performing Arts Center.  (It will return to the re-opened Robinson Center Music Hall in December 2016).
The spring show will be titled Under the Lights and will be at The Rep on May 20-22. Under the Lights is the show’s headline piece set to Johnny Cash music. It was premiered in Nashville recently and now comes full circle to the state of Cash’s birth and boyhood.  Also on the bill for that evening is Glinka Pas de Trois by George Balanchine and Group Therapy by Harrison McEldowney which is a very funny piece.  In addition there will be two new pieces being performed.  Kiyon Gaines, who choreographed a new version of Bolero performed by Ballet Arkansas recently will be back in his first year as the company’s resident choreographer. He will create a new work for a world premiere. The other new piece will be the Visions winner.
Michael Bearden is the Artistic Director of Ballet Arkansas; Karen Bassett serves as Executive Director; Marla Edwards is the Ballet Mistress and Ballet Arkansas Youth Division Director; and Erin Anson is Company & Production Manager.

THE NUTCRACKER this weekend performed by Ballet Arkansas with music by the ASO

nutcracker_1Celebrate the season with your professional ballet company as we continue a favorite Christmas tradition performing The Nutcracker accompanied by the Arkansas Symphony Orchestra, conducted by Maestro Geoffrey Robson. The Nutcracker tells the story of Clara and her magical nutcracker doll and their wondrous journey to the Land of Snow and Kingdom of Sweets. Every year this fun filled production creates lifelong memories for hundreds of Arkansas families.

Under the direction of Artistic Director Michael Bearden with choreography by ballet mistress Marla Edwards and choreographers Allison Stodola Wilson, Jana Beard, and Traci Presley, Ballet Arkansas’ Nutcracker will be the highlight of the holiday season. Accompanied by the largest ever cast of local actors and dance students from across Arkansas, this year’s production will feature Ballet Arkansas company members Leslie Dodge, Toby Lewellen, Justin Metcalf-Burton, Lauren McCarty Horak, Paul Tillman, Amanda Sewell, Lauren Bodenheimer, Deanna Karlheim, Megan Hustel, Tony Sewer, Hannah Bradshaw and apprentice Georgia Quinn. This year’s guest artists include audience favorites UALR professor Stephen K. Stone as Herr Drosselmeyer and Eric Harrison as Mother Ginger, Tom Mattingly appearing courtesy of Visceral Dance as Cavalier opposite Leslie Dodge as the Sugar Plum Fairy and Colin Hathaway appearing courtesy of Ballet West as Snow King opposite Megan Hustel and in Arabian.

The Nutcracker is the perfect yuletide gift, the ideal means of introducing children to the power and beauty of classical dance, and a delightful way for the entire family to ring in the holiday season. Make Ballet Arkansas’ Nutcracker part of your holiday celebration this December! To purchase tickets for the December 12th, 13th or 14th public shows to The Nutcracker, visit balletarkansas.org or call 501-666-1761. Tickets range from $20-$52.

Performances began last night and continue today at 2pm and 7:30pm and tomorrow at 2pm.  This year The Nutcracker is being performed at the Maumelle Performing Arts Center.

Capital Christmas commences tonight with Christmas Tree lighting at 5:30pm

cap christ 2014Last Friday, the twenty-seven (27) feet tall Christmas tree was delivered to the Capital Hotel in downtown.  Since then, the elves of Tipton Hurst have been scurrying to decorate it and put the finishing touches on other decorations throughout the hotel.

Tonight at 5:30, the Capital Hotel Christmas Tree lighting will take place in the lobby of the hotel.  It will feature Santa Claus, dancers from Ballet Arkansas’ production of The Nutcracker, holiday music, treats and some Christmas surprises.  There is no charge.

This only kicks off the Capital Christmas festivities.

On Sunday, December 7, December 14 and December 21, Santa will return to the Capital Hotel lobby from noon to 2:30. Free.

On Tuesday, December 9, Tales from the South will host its Annual Holiday Show in the Capital Ballroom at 6pm. Tickets are $40.  Reserve tickets at www.capitalhotel.com

On Saturday, December 13, the popular Teddy Bear Tea will take place in One Eleven from 1:30pm to 3:30pm.  Tickets are $25 for child and $38 for adult. Reserve a spot at 501.370.7011

On Saturday, December 20 from 10:30am to 12:30pm, the Gingerbread Workshop will take place in the Capital Ballroom.  Cost is $55 for child and $20 for adult. Reserve a spot at 501.370.7011

On Monday, December 22, Storytime with Santa in the Capital Lobby from 6pm to 8pm.  No charge, but reservations are required at 501.374.7474.

In addition, there will be music performances in the Capital Lobby throughout the season.

 

LR Cultural Touchstone: Lorraine Albert Cranford

Lorraine Albert Cranford formalized ballet training and performance in Little Rock.  Together with her husband, she was the founder of Ballet Arkansas—a company that traces its roots to the Little Rock Civic Ballet of the 1960s—as well as a dance teacher.

Lorraine Albert was born on September 4, 1918, in Steubenville, Ohio, to Henri Albert and Arthurine Van Klempette Albert. Her mother was a ballroom dancer who started her daughter in dance classes. By the time she was three, her family lived in Pittsburgh, Pennsylvania.

Albert studied ballet under Karl Heinrich in Pittsburgh and went to New York at age fifteen to continue her dance training. Her training was not limited to classical ballet, and she studied and danced in the same shows as famous performers such as Gene Kelly and George M. Cohen.

She married D. Cater Cranford, a dancer originally from Little Rock, with whom she had performed. They had one daughter. They moved to Dallas, Texas, and lived in a house formerly owned by the outlaw Belle Starr. In 1957, they founded the Cranford House of Ballet, which developed dancers for the Dallas Civic Ballet, later named the Dallas Ballet. The company was dissolved in 1988.

In 1966, D. Cater Cranford moved to Little Rock, where he founded the Little Rock Civic Ballet; Lorraine Cranford joined him in Little Rock later. D. Cater Cranford died in 1977, and Lorraine Cranford founded Ballet Arkansas in 1978. Ballet Arkansas is perhaps best known for its annual production of The Nutcracker, which had begun with the Little Rock Civic Ballet. Ballet Arkansas has also contributed to the formation of most of the other ballet companies in central Arkansas, such as the Arkansas Festival Ballet, established in 2000. In addition to her work establishing ballet schools and companies in Arkansas, Cranford was a teacher herself and even performed as the grandmother in The Nutcracker.

Cranford died on December 3, 2004.

LR Cultural Touchstone: Jana Beard

BeardJana Beard has taught dance in the central Arkansas area for over 30 years and has been the owner and director of her own studio for over twenty of those years.

In addition to being committed to offering the highest quality of instruction and the opportunity to experience all forms of dance, she has enjoyed performing in many Arkansas Rep productions, including Sweet Charity, Guys and Dolls, Chicago, Good Woman of Setzuan, A Soldiers Tale, Evita and Into The Woods.

Jana attended the University of Arkansas at Fayetteville as a dance major, and while at UALR she performed in the productions of Cabaret and Pippin.  She has also been an instructor in the Theatre and Dance Department.

She has served for many years as director and choreographer for the bi-annual legal cast spoof The Gridiron (which returned this year after a hiatus) and has also served as the stage director for the Arkansas Symphony Orchestra’s Christmas Spectacular.

A few years ago, Ballet Arkansas was on the brink of closing its doors.  Jana let the organization use space within her studio complex for offices, classes and rehearsals.  She sometimes served as the only staff member as the ballet was trying to regain its footing.  In addition, for several years she was the coordinator of The Nutcracker which was Ballet Arkansas’ only revenue source during the lean years.

Because of her lifeline, Ballet Arkansas is now poised to grow to heights never seen in the company’s history.  The move to Main Street, the new programming and statewide touring would not have been possible had Jana not offered a home when it needed it.

In addition, Jana choreographed high school musicals in which the Culture Vulture appeared in the 1980s.

New Works and Old Favorites are part of the Ballet Arkansas 2014-2015 season

BalletArkWhile most people know Ballet Arkansas for its long tradition of The Nutcracker, the organization is so much more and this season’s line up truly demonstrates that.” Artistic Director Michael Bearden, a former Principal Dancer with Ballet West in Salt Lake City, is delighted to announce that, for the first time, an Arkansas dance company has been authorized by the George Balanchine Trust to perform a piece from his extensive, world renown collection of works. “By authorizing Ballet Arkansas to perform one of its works, the George Balanchine Trust has put a stamp of approval on the growth our company has made. This is a huge honor and accomplishment!”

Ballet Arkansas will present three productions this season, starting off with their first annual Visions  Choreographic Competition to be held in the CALS Ron Robinson Theater in the River Market on August 23rd at 7:00 pm. Thirty-six emerging choreographers from around the country competed for five spots in this competition. The winner will receive a commission to create a complete new work on Ballet Arkansas’s company dancers for their 2015 spring show. The five choreographers  selected for the competition are: Sayoko Knode,  former principal dancer with Idaho Dance Theatre; Jerry Opdenaker, former principal dancer for ballet companies such as Milwaukee Ballet, Pennsylvania Ballet, Kansas City Ballet and Ballet Florida; Brandon Ragland, dancer with the Louisville Ballet; Christopher Stuart dancer with Nashville Ballet; and Hilary Fullmer Wolfley who graduated in 2013 from Brigham Young University with a bachelor’s degree in Ballet. The five pieces will be judged by Adam Sklute, Artistic Director of Ballet West, Rhythm McCarthy with UALR’s Theatre and Dance Program, former Ballet Arkansas Principal Dancer Michael Tidwell with the Tidwell Project and the audience will be the fourth judge.

“I am very pleased with the talent level of our five guest choreographers” said Artistic Director, Michael Bearden “Their abilities in collaboration with our beautiful dancers will make for an evening you won’t want to miss.”

In December, Ballet Arkansas joins forces with the Arkansas Symphony Orchestra to present the annual holiday ballet, Tchaikovsky’s The Nutcracker at the Maumelle Performing Arts Center.  With music provided by the Arkansas Symphony Orchestra, a cast of 200+ youth and adult dancers from the central Arkansas area, professional guest artists, Ballet Arkansas company members and Youth Division, The Nutcracker will continue its tradition as a holiday must-see. The Nutcracker performance week includes student matinees for statewide school groups on December 11 & 12, along with the four public performances on December 12, 13 and 14th.  The Nutcracker Tea at the Capital Hotel provides a wonderful complement to the performances.

In April, Ballet Arkansas will present its mixed rep show  titled Who Cares? after the production’s finale piece. Dancers will be performing the concert version of Balanchine’s Who Cares? set to music by George Gershwin on the stage of the Arkansas Repertory Theatre in downtown Little Rock April 17-19, 2015, with student matinees scheduled for April 16 and 17 for statewide school  groups.  The concert will also feature the expanded winning choreography from the Visions competition, an excerpt from Val Caniparoli’s Lady of the Camellias, Raymonda, and a new piece by former Hubbard Street dancer Greg Sample, who will be expanding one of his existing works.

Ballet Arkansas’ performances in the 2014-2015 Season will also include an appearance at the ACANSA Arts Festival on September 28th at Wildwood Performing Arts Center, a joint collaboration with the Arkansas Symphony Youth Orchestra and Ballet Arkansas’s Youth Division at the Albert Pike Scottish Rite Temple November 14 & 15, a Master Class Series featuring Ballet Arkansas’ guest artists offering classes which can be attended by the general public, a gala in the spring of 2015, a  state-wide touring program and a Student Matinee program, including student matinees at tour sites  around the state.