Black History Month Spotlight: Lencola Sullivan

Entertainer and journalist Lencola Sullivan broke many barriers. While she gained recognition as a pageant winner, she also made a name for herself on other arenas.

In 1980, she was crowned Miss Arkansas, becoming the first contestant in pageant history to win the talent award and the title.

In the Miss America pageant, she became the first African American to win a preliminary award and to place among the top five finalists.

Around the time she was competing in pageants, she was employed by KARK as a producer and eventually an on-air reporter.

She eventually moved to New York to focus on her career as a singer and public speaker.

Sullivan had studied piano for seven years and voice and organ for one year. As a vocalist, she performed with the Lionel Hampton Orchestra, with Stevie Wonder, with Kool and the Gang, and at both of President Bill Clinton’s inaugural balls, in 1993 and 1997.

She has also performed throughout The Netherlands, on Dutch National Television, and at Jazz Club 606 in London. Sullivan has also appeared on several television soap operas, in industrial films, and in many television commercials.

In 2002, Sullivan married Roel P. Verseveldt of The Hague. She and her husband are involved in international business activities. Sullivan is a frequent lecturer at Hanze University of Applied Sciences in The Netherlands.

She was inducted into the Arkansas Black Hall of Fame in 2006. For more information on Lencola Sullivan and the other Arkansas Black Hall of Fame inductees, visit the permanent exhibit at the Mosaic Templars Cultural Center, a division of the Department of Arkansas Heritage

The Sea Nanners headline tonight’s Local Live at South on Main

sea_nanners_cropped.jpg.190x140_q60_cropThis week’s installment of the free Local Live concert series, featuring the group Sea Nanners! Presented by the Oxford American magazine, Local Live showcases the best of local and regional music talent. Call ahead to South on Main to make your reservations and ensure a table: (501) 244-9660. Local Live is made possible by the generous sponsorship of Cosmic Cowboy Music.

The music starts at 7:30 pm on the stage at South on Main.

Sea Nanners is a Little Rock band named after the handle of an acclaimed Call of Duty player. The group has expanded in the past year, adding four new members into their rotating door of a lineup. Their sound ranges from stadium rock to beach pop, with a focus on jaunty melodies and hip swinging rhythms. They are recording their first LP this winter in the hopes of a release in late spring /early summer 2015.  Band Members are Lee Petray, Brooks Tipton, Jonathan Jacobs, Michael Inscoe, Thom Asewicz, Clayton Scott Grubbs, Matthew Steel, and Phillip Rex Huddleston.

 

Black History Month Spotlight: John Stubblefield

IMG_5435Tenor saxophonist John Stubblefield ranks among the most powerful and innovative soloists of the last decades of the 20th century.

Born February 4, 1945, in Little Rock, Stubblefield first studied the piano, but moved to saxophone as a teen.
At the age of 17, Stubblefield joined local R&B combo York Wilburn & the Thrillers, with whom he made his recording debut. He then spent a year on the road with legendary soul artist, Solomon Burke before studying music at AM&N College (now UAPB) while leading his own modern jazz quintet.

After graduation, Stubblefield settled in Chicago in 1967, soon signing on with the pioneering avant-garde jazz collective the Association for the Advancement of Creative Musicians (AACM); he studied under Muhal Richard Abrams and appeared on Joseph Jarmans’s landmark 1968 set As If It Were the Seasons.

Stubblefield remained with the AACM until 1970, when he relocated to New York City and joined its East Coast counterpart, the Collective Black Artists. He played with Mary Lou Williams, Tito Puente, and the Thad Jones/Mel Lewis Orchestra. Upon joining Mingus in 1972, Stubblefield added alto saxophone, oboe, flute, and bass clarinet to his arsenal.

During the mid-1970s, Stubblefield also served as an instructor with the famed Jazzmobile program. He cut his first disc as a leader, Midnight Sun, in 1976. Subsequent efforts for the Enja and Soul Note labels include 1984’s Confessin’, 1987’s Countin’ on the Blues, and 1990’s Sophisticatedfunk.

In the 1990s Stubblefield served as the Mingus Big Band’s lead tenor and occasional conductor. Diagnosed with cancer in the spring of 2004, Stubblefield remained the Mingus Big Band’s guiding force, conducting much of its I Am Three album from his wheelchair. He died July 4, 2005.

In 2007, he was posthumously inducted into the Arkansas Black Hall of Fame. To learn more about John Stubblefield and other inductees, visit the permanent exhibit at the Mosaic Templars Cultural Center. That museum is an agency of the Department of Arkansas Heritage.

Winslow Homer

OLYMPUS DIGITAL CAMERAWith the snow today, many cultural facilities are closed and events are postponed.

February 24 is the birthday of American realist painter Winslow Homer. While the Arkansas Arts Center doesn’t have any of his pieces in their permanent collection they do have a portrait of him in their collection.

Entitled W. Homer from the Artists Series (#5), this 1987 monotype mixed media on paper is by Joyce Tremain.

The piece was purchased in 1989 by the Arkansas Arts Center Foundation.

Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and printmaker, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art.

Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations.

Black History Month Spotlight: William Grant Still

bhm StillLong known as the Dean of African American composers, Dr. William Grant Still was a legend in his own lifetime.

Dr. Still, who wrote more than 150 compositions ranging from operas to arrangements of folk themes, is best known as a pioneer. He was the first African-American in the United States to have a symphonic composition performed by a major orchestra. He was the first to conduct a major symphony orchestra in the US; the first to conduct a major symphony in the south; first to conduct a white radio orchestra in New York City; first to have an opera produced by a major company. Dr. Still was also the first African-American to have an opera televised over a national network

Dr. Still was born May 11, 1895 in Woodville, Mississippi to parents who were teachers and musicians. When Dr. Still was only a few months old, his father died and his mother took him to Little Rock. Inspired by RCA Red Seal operatic recordings, his musical education began with violin lessons.

After his studies at Wilberforce University and the Oberlin Conservatory of Music, he played in orchestras and orchestrated for various employers including the great W. C. Handy. For several years he arranged and conducted the “Deep River Hour” over CBS and WOR.

In the 1920’s, Still made his first appearances as a serious composer in New York. Several fellowships and commissions followed. In 1994, his “Festive Overture” captured the Jubilee prize of the Cincinnati Symphony orchestra. In 1953, he won a Freedoms Foundation Award for “To You, America!” which honored West Point’s Sesquicentennial Celebration. In 1961, he received honors for this orchestral work, “The Peaceful Land”. Dr. Still also received numerous honorary degrees from various colleges and universities, as well as various awards and a citation from Arkansas Governor Dale Bumpers in 1972.

In 1939, Dr. Still married journalist and concert pianist Verna Avery, who became his principal collaborator. They remained together until Dr. Still’s death in 1978.  In a proclamation marking the centennial of Dr. Still’s birth, President Bill Clinton praised the composer for creating “works of such beauty and passion that they pierced the artificial barriers of race, nationality and time.”

In 1995, Dr. Still was posthumously inducted into the Arkansas Black Hall of Fame.  For more on William Grant Still and other inductees into the Arkansas Black Hall of Fame, visit the permanent exhibit at the Mosaic Templars Cultural Center. That museum is an agency of the Department of Arkansas Heritage.

 

Little Rock Look Back: Byron Morse, 55th Mayor of Little Rock

On February 23, 1917, future Little Rock Mayor Byron R. Morse was born.
A founder of the real estate firm of Rector-Phillips- Morse, he was long active in civic affairs of Little Rock.

Mayor Morse was first elected to the City Board of Directors in November 1960. In 1963, he was chosen as Little Rock Mayor. After serving two years as Mayor, he chose to not seek re-election to the City Board.

In 1980, he was appointed to the City Board to fill out an unexpired term. He was later asked to fill another unexpired term but declined.

In 1983, he was elected national president of the Society of Industrial and Office Realtors. Mayor Morse also served as president of the Little Rock Chamber of Commerce, the Little Rock United Way, the Little Rock Red Cross, and was a member of the Board of Directors of the Little Rock Boy’s Club. He was a member of the Fifty for the Future.

On July 25, 2001, Mayor Morse died.

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Black History Month Spotlight: Phyllis Yvonne Stickney

mtcc nps stickneyPhyllis Yvonne Stickney is a world-class artist, producer, director, author, motivational speaker, clothing designer, community activist, businesswoman and surrogate mother to many.

Born in Little Rock, Stickney was raised in the various US cities to which her father, a YMCA executive, was transferred. However, she settled in Harlem, where her theater work began at the Frank Silvers Workshop, and the New Heritage Theater, under the late playwright/director Robert Furman.

Her theatrical performances were before sell-out crowds in the 1998 National Black Arts Festival, where she also served as performing arts curator and starred in Nathan Ross Freeman’s The Contract. She  made her national television debut as single mother Cora Lee in the ABC miniseries The Women of Brewster Place, which also starred Oprah Winfrey and Cicely Tyson. Her subsequent television credits include sitcoms New Attitude, The Cosby Show and A Different World, PBS ‘ Great Performances production of The Colored MuseumMs Stickney has also appeared on the silver screen in such notable movies as New Jack City Jungle Fever, Talkin’ Dirty, Malcolm X, The Inkwell; What’s Love Got To Do With It, Die Hard With A Vengeance and How Stella got Her Grove Back.

Ms Stickney’s Conscious Comedy Concerts have been featured in a number of venues across the country, including Harlem’s Apollo Theater, Concert show titles include, Live and in Chocolate, All That and Brains Too, and An Evening, With An Endangered Species. Her written work appears in an anthology of nine black comedy plays, edited by Pamela Faith Jackson. She also created The Crystal Pyramid, a chorepoem for children.

In addition, she served as the first solo female host for Essence’s 1997 Music Festival and was a speaker for the 1998 African American Women on the Tour.In 1983 she won the Audelco Award for her performance in Furman’s adaptation of Moliere’s Tartuffe, and later won a second Audelco for her original on-woman show, Big Mama an Nem

Though she has had success worldwide, she often returns to Little Rock to share her talents. She also played Lena in Lorraine Hansberry’s award-winning play A Raisin in the Sun at the Arkansas Repertory Theatre. The play was produced in January 2011 and received great reviews and exceeded box office expectations. Earlier this month, she headlined an event at the Mosaic Templars Cultural Center highlighting the works of Nikki Giovanni, Maya Angelou, Ruby Dee and Beah Richards.

In 1998, she was inducted into the Arkansas Black Hall of Fame.  For more on Phyllis Yvonne Stickney and other inductees into the Arkansas Black Hall of Fame, visit the permanent exhibit at the Mosaic Templars Cultural Center. That museum is an agency of the Department of Arkansas Heritage.