At the recent “A Night in the Garden” party, guests chose the recipient of the third annual public art monument design competition. The three finalists were Lorri Acott’s On the Shoulders of Giants, Mark Leichliter’s Through the Looking Glass and Ted Schaal’s Open Window. At stake was a $60,000 commission and placement of the sculpture in Riverfront Park.
The winner was Schaal.
Ted Schaal graduated from Colorado State University, class of 1992, with a BFA concentrating on fiber arts and sculpture. He has been working as an artist and craftsman in Loveland since 1993. Ted chooses to produce his work in bronze and stainless steel so that his pieces will withstand the harshest of natural elements and should last for many generations.
Between 1993 and 2005 Ted’s work focused on functional designs in the form of boxes, treasuries and reliquaries. You will find mountain scenes, native flowers and Art Deco inspired designs embellishing the intricately carved exterior. Some special pieces have hand-woven tapestries adorning the interior walls. “I sculpt functional forms that are designed to enhance the everyday experiences of the user by creating a special and sometimes sacred interaction with the personalized contents of each piece.”
In 2004, he began using his corrugated texture to create strong geometric vessel forms. They are non-functional purely decorative objects for the home. The final compositions are reminiscent of artifacts from antiquity, designed to raise questions about their origins as well as their implied functions.
Recently, Ted has been exploring strong geometric forms in combination with a primitive corrugated texture, smooth and polished surfaces. The goal is an interesting juxtaposition of materials and surface textures. Moving away from the utilitarian boxes and non-functional vessels of his past, Ted’s new work is purely sculptural emphasizing strong horizontal balance, tension, and negative space. Larger forms frame and direct the viewer toward a focal point or focal space. “Functional objects have size limitations whereas sculpture does not.”
Ted publicly exhibits his work in galleries and juried exhibitions in Colorado, Arkansas, Kentucky, Kansas and Texas. He has established a collector base that stretches from New Hampshire to California and across the Oceans to Hawaii, Spain and Japan. His public placements include: The Compass Rose with Solstice Markers (2004) Washington University, St. Louis, MO. The Mirage Monument (2008) Cerritos Sculpture Garden, Cerritos, CA. The Mirage (2007) Sculpture Garden at Riverfront Park, Little Rock, AR.
A list of award winning exhibitions includes: “2005 Bacchus 4th Annual Juried Art Exhibition and Auction,” Denver CO. – Best of Show, 3D. “2005 Conifer Arts Festival,” Conifer CO. – Best of Show, Sculpture. “34th Annual CHUN Capitol Hill Peoples Fair,” Denver CO. – Best of Show, Sculpture. “7th Annual Colorado Arts Festival,” Denver CO. – Best in Show. “2005, 2006, 2007 Englewood Arts National Juried Art Show,” Englewood CO. “The 1993 Wood, Glass, Fiber, Metal and Clay Art Show,” Steamboat Springs CO. – First Place Hope Chest, Second Place Circle.
The 2011 recipient was Chapel for The Center. Last year, Arkansan Bryan Massey won with Nautilus.
Today’s sculpture is passed by tens of thousands of persons each day – and they have no idea. It is Greer Farris’ 1983 sculpture Patronus which sits on the grounds of the John L. McClellan Memorial Veteran’s Hospital. Though it faces I-630, it is hidden by highway berm, chain link fencing and the fact that cars on I-630 are driving at high speeds.
The simplicity of the design and the clean lines make this a powerful piece of abstract art. Its design was inspired by battlements used in World War I, very appropriate for a veteran’s hospital.
