Category Archives: Design

Final 2 Days of Coca Cola exhibit at Clinton Center

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Coca-Cola-Bottle-History-v2-hiThe Clinton Presidential Center celebrates the art and history of the Coca-Cola Bottle’s 100-year anniversary during its upcoming temporary exhibit, Coca-Cola: An American Original. The exhibit closes on Monday, February 15.
The exhibit is divided into two sections and occupies both the Garden View room, located on the first floor, and the Temporary Gallery, located on the third floor.
Illustrations of an American Original will be located in the Garden View Room and will have as its focus the now-iconic images and advertising campaigns that have helped define the Coca-Cola brand. Illustrations will include three original paintings by Norman Rockwell, an American artist who created a total of six paintings that were ultimately used in finished Coca-Cola ads. The three others, known as the “Missing Rockwells,” have yet to be located. Additionally, Illustrations feature several images of Santa Claus, including the first Coca-Cola Santa painted by Fred Mizen that appeared in The Saturday Evening Post in December of 1930, as well as nine original Haddon Sundblom illustrations.
An American Original at 100 is housed in the Temporary Gallery, bringing together historic bottle “firsts.” It features a 13-bottle chronology, including an original glass bottle produced in 1902, a replica of the prototype contour bottle created by the Root Glass Company in 1915, and a prototype of the aluminum bottle that debuted in 2008.
Also, the exhibit showcases pop art by Andy Warhol—including videos, photographs, prints, and other original works—and folk art by Howard Finster, who incorporated the Coca-Cola bottle into dozens of his pieces over his prolific career. Another portion of this exhibit is dedicated to American presidents and their connection to the global brand. An American Original at 100 was recently on display at the High Museum of Art Atlanta.

 

In addition to Illustrations of an American Original and An American Original at 100, the Center is also displaying a full-size antique Coca-Cola delivery truck produced in 1949 by the White Motor Company and a spectacular hanging installation comprised of more than 750 3D-printed, ribbon-shaped interpretations of the bottle’s classic shape.
Coca-Cola: An American Original is the Center’s 42nd temporary exhibit. It will close on February 15, 2016.  Admission to temporary exhibits is included in the price of Library admission.

A Lincoln Viaduct Portrait

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Photo courtesy of the Arkansas Historic Preservation Program

Photo courtesy of the Arkansas Historic Preservation Program

Since today is Abraham Lincoln’s birthday, it is a good day to pay tribute to the Lincoln Avenue Viaduct.  This arched bridge is traversed by thousands of cars each day, with most having no idea the name of the structure.  The Lincoln Avenue Viaduct is the arched bridge connecting LaHarpe with Cantrell Road which (literally) bridges downtown with the west along Highway 10.

The Lincoln Avenue Viaduct is a reinforced concrete rainbow arch bridge. It was opened at 2:05 p.m. on Friday, December 28, 1928, and, despite later alterations, it remains particularly well-preserved. The Missouri Pacific Railroad Company, considered the most important railroad company in the state, constructed the bridge amid a series of improvements in Little Rock made necessary by the damage wrought by the infamous spring floods of 1927.

Though the bride was constructed by the railroad, the City had to give authorization to do so, this was accomplished by the passing of Ordinance 4,335, at the May 28, 1928, City Council meeting.

Lincoln Avenue was one of several names for stretches of Highway 10 in Little Rock. By the 1960s, the areas west of the Lincoln Avenue viaduct were all renamed Cantrell in honor of the man who had developed much of the area west of the Heights. The longest stretch of the road already carried that name. There had been an effort to rename Highway 10 (including sections named Lincoln, Q, and Cantrell) in Little Rock for Senator Joseph Taylor Robinson in 1930. He declined the offer because he did not want to diminish the contributions of Mr. Cantrell.  Over time the entire stretch bore the name Cantrell.

The stretches east of the viaduct which involved a couple of names were renamed La Harpe Boulevard in honor of the French explorer who first saw the Little Rock.

Though the street has been renamed, the bridge still carries the name of the 16th President of the United States.

Vote Today FOR Little Rock’s Arts+History

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Feb9electionlogoToday is Election Day for the Campaign for Arts + History.

By voting FOR on Tuesday, February 9th Little Rock residents can expand and enhance our Arkansas Arts Center, MacArthur Museum of Arkansas Military History, and MacArthur Park. Your vote FOR on February 9th will upgrade facilities and public spaces to ensure the Arkansas Arts Center keeps its accreditation by issuing a bond backed by an existing hotel tax on out of town visitors.

Polling sites are open from 7:30am to 7:30pm.

  • Your for vote will keep the Arkansas Arts Center in Little Rock accredited, with updates to aging facilities over 50 years old, bringing in more world-class exhibitions and educational opportunities.
  • Your for vote will help expand and enhance the Arkansas Arts Center and improve the MacArthur Museum of Arkansas Military History by providing much needed help to aging facilities and addressing landscaping needs in MacArthur Park.
  • Your for vote will spur community involvement by increasing educational opportunities, attracting more world class exhibits, expanding art classes and renovating the Children’s Theatre.
  • Your for vote will establish a public/private partnership between public funding and private donations that ensures our city can expand and enhance the Arkansas Arts Center, MacArthur Museum of Arkansas Military History and MacArthur Park.

In legalese: An issue of bonds of the City of Little Rock, Arkansas in one or more series in the maximum aggregate principal amount of Thirty-Seven Million, Five Hundred Thousand Dollars ($37,500,000.00) for the purpose of financing a portion of the costs of improvements to MacArthur Park, including particularly, without limitation, renovations and additions to, and furnishings and equipment for, the Arkansas Arts Center and renovations and equipment for the MacArthur Museum of Arkansas Military History, including any necessary parking, landscaping, signage, drainage, lighting, road and utility improvements in MacArthur Park. The bonds will be payable from and secured by a pledge of the collections of the taxes levied by the City at an aggregate rate of 2% upon the gross receipts or gross proceeds derived and received from the renting, leasing or otherwise furnishing of hotel, motel, bed and breakfast or short-term condominium or apartment rental accommodations for sleeping for profit in the City, pursuant to Ordinance Nos. 21,140 and 21,141 adopted December 1, 2015. The proceeds of the bonds will also be used to provide a debt service reserve and pay costs of issuing the bonds.

“Disagree to Agree” is topic of February Architecture and Design Network

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According to architect  Neil Denari, it’s not unusual for parties to disagree when it comes to making decisions about  matters architectural. Stands taken in response to deeply seated concerns about money or commitment to “a specific direction and outcome” sometimes lead to stalemates. In his lecture, Denari will talk about ways in which NMDA deploys  “potentially disagreeable ideas into a welcoming context of agreement”. Equal amounts of “logic and enthusiasm” are key to resolving  differences between architect and client.
Tonight (February 2) Denari will discuss this at the Arkansas Arts Center at 6pm as part of the Architecture and Design Network series.  A reception at 5:30 will precede the address.
 
A native of Fort Worth, Texas, Denari, who earned a BArch at the University of Houston and a MArch from Harvard, founded the firm that bears his name in 1988, the same year he began a five year teaching stint at Southern California Institute of Architecture (SCI-Arc). Currently, he serves as Professor of Architecture and Vice Chair of Architecture and Urban Development (AUD) at UCLA. Living in New York City during the 1980s,  he worked for James Stewart Polshek Partners as a senior designer. Denari has held visiting professorships at UC Berkeley, Columbia, Princeton, University of Pennsylvania and the University of Texas at Arlington. Author, artist and filmmaker as well as architect, Denari has won a number of prestigious awards, including two from the National Academy of Design. 
 
Architecture and Design Network lectures are free and open to the public. Denari’s participation in ADN’s Little Rock lecture series is made possible by the UA Fay Jones School of Architecture and Design. For additional information contact ardenetwork@icloud.com.
 
Supporters of Architecture and Design Network include the Arkansas Arts Center, the Central Section of the Arkansas Chapter of the American Institute of Architecture, the UA Fay Jones School of Architecture and Design and friends in the community. 

Little Rock Look Back: LR Voters Approve Municipal Auditorium

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muni aud elect ad editedOn January 26, 1937, Little Rock voters went to the polls to vote on three different municipal bond issues.  One of them was the construction of a municipal auditorium (what would become Joseph Taylor Robinson Memorial Auditorium, now Robinson Center Music Hall).

The bonds for the auditorium would be $468,000 in general obligation bonds which would be paid off between 1940 and 1971. This was toward a total cost of $760,000 for the entire project.

The official campaign for the auditorium was sponsored by the Little Rock Forward Committee which was led by W. H. Williams. In campaign advertisements it showed the value of conventions in New York City which was estimated at $100 per convention attendee. Little Rock organizers were estimating a $10 a day expenditure by visitors, which the committee stressed was very conservative. The campaign committee emphasized the importance of acting at that time due to the federal government money involved.

Various committees and organizations endorsed the auditorium project including the Little Rock Chamber of Commerce, Little Rock Federation of Women’s Clubs, and the Young Business Men’s Association.

The thrust of the campaign focused on the economic benefit to Little Rock as well as the fact that the auditorium would be for all citizens. This message was picked up in editorials by both the Democrat and Gazette. In editorials on January 23 and 25, the Democrat opined that the benefits of the auditorium would be distributed among all classes of the citizenry. The next day, both papers ran editorials which touted the economic boon an auditorium would bring through conventions and meetings.

The Democrat’s approach broke down the current value of conventions to Little Rock with, what it termed, the city’s “existing inadequate” facilities. The paper emphasized a conservative estimate of what the added value to Little Rock’s economy would be with the new auditorium.

In expressing support for the auditorium the Gazette stressed the values for local, statewide and national groups. “An auditorium would provide a more convenient and better adapted community center for all kinds of local gathering,” and continued that it would make Little Rock “the logical meeting place for state conventions of every sort.” In discussing the value of state, regional and national meetings the paper stressed that the outside money spent by convention attendees has an impact beyond stores, hotels and restaurants.

Both papers also echoed the importance of the federal government financing to make this possible. TheDemocrat noted that the Public Works Administration grant and federal low cost loan made this an ideal time.

On January 26, 1937, Little Rock voters approved the auditorium bond by a vote of 1,518 to 519. It passed in each of the city’s 23 precincts. Little Rock Mayor R. E. Overman expressed his pleasure at the outcome of the vote and extended his thanks to the voters.

After the election, a Gazette editorial commented on the low turnout for the special election by commenting that the weather had been nice and there were no other barriers to voting. The editorial writer opined that those not voting in the election must not have been opposed to the endeavor.

Arts+History campaign event this evening from 4:30 to 6:30

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CfAandHGrab a drink, listen to some music and learn about how you can support Arts + History in Arkansas. Donations of all levels will be appreciated.

When: Wednesday, January 20 at 4:30 – 6:30 p.m.

Where: Arkansas Arts Center Lobby

The Committee for Arts and History is a group of citizen advocates campaigning for Little Rock residents to vote FOR a bond issue backed by an already approved hotel tax on out-of-town visitors to improve the Arkansas Arts Center, MacArthur Museum of Arkansas Military History, and MacArthur Park in a special election on February 9, 2016.

The improvements are of vital importance for the Arkansas Arts Center to keep its accreditation in 2016, to preserve a National Historic Landmark, and for Little Rock citizens to protect our cultural attractions.

Art+History Throwback Thursday: Museum of Fine Arts

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MFA postcardOn February 9, Little Rock voters will have the chance to say Yes to improving the Arkansas Arts Center, MacArthur Museum of Arkansas Military History and MacArthur Park.

Leading up to that election is a good time to look back at the development of these two MacArthur Park sited museums.

The Museum of Fine Arts opened in October 1937.  The groundbreaking was held on January 3, 1936, with the cornerstone laid on October 6 of that year.  Nearly one year later, the Fine Arts Club held its first meeting in the building and hosted a grand open house on October 5, 1937.

The front doorway to the museum is visible today inside a gallery of the Arkansas Arts Center.