Category Archives: History

Rock the Oscars 2019: Sam Waterston

Posted on by

On February 15, 2008, Oscar nominated actor Sam Waterston appeared at the Clinton Presidential Center in a Kumpuris Distinguished Lecture Series program sponsored by the Clinton School for Public Service and the Clinton Foundation.

Waterston was joined by the nation’s leading authority on Abraham Lincoln, Harold Holzer in presenting “Lincoln Seen and Heard,” featuring excerpts from Lincoln’s speeches, photographs of the late president and historical commentary.

He received a Best Actor Oscar nomination for 1984’s The Killing Fields.  He has also appeared in the Oscar winning The Great Gatsby and the Oscar nominated Heaven’s Gate, Interiors, Crimes & Misdemeanors, and Nixon.  On stage, Waterston was nominated for a Tony Award and received the Drama League Award for his performance in a revival of Abe Lincoln in Illinois.

Little Rock Look Back: Public facilities in Little Rock ordered to be integrated

Posted on by

Following the March 1962 lawsuit by twenty-two (22) African Americans seeking the integration of public facilities in Little Rock, Federal Judge J. Smith Henley issued a order on February 15, 1963.  Judge Henley ordered the end to segregation in City parks, playgrounds, golf courses, tennis facilities, community centers, and Robinson Auditorium.

Regarding the auditorium, the order allowed for single event, short-term leasing of wholly private meetings for membership and immediate friends of members.  But it did stress that there could be no racial discrimination in the selection of or terms of leases.

The judge’s order did not cover “other facilities not identified in the record.”  Which meant, the order did not apply to swimming pools.  At the time, War Memorial pool was operated for whites and Gillam Park pool was operated for African Americans.   The judge wrote that he saw no reason to extend it to facilities not mentioned, but did not rule out the ability for future lawsuits.  In asking for a summary judgement in January 1963, the defendants had listed many types of facilities but not swimming pools.

Judge Henley’s decision did not mean that a municipality was required to integrate.  It just could not enforce segregation.  As with many other court decisions at the time, it was narrow in scope.

The end result was that Little Rock facilities were now integrated.  Except for the swimming pools.  Those would have their own story.  It would take the 1964 Civil Rights act and more legal actions for that to happen.

Tonight’s QQA Preservation Conversation explores the National Register of Historic Places

Posted on by

In this month’s Preservation Conversation, the National Register of Historic Places will be discussed.  The program, featuring Callie Willliams, begins today (February 14) with a 5:30 reception and a 6:00 lecture.  It will be in the Mixing Room at the Old Paint Factory in the East Village (1306 East 6th Street).  Preservation Conversations are a program of the Quapaw Quarter Association.

RSVP: The event is free and open to the public, but please RSVP because space is limited.

Parking: There is parking directly in front of the doors that are marked “Live,” “Print,” “Meet.” If those spots are taken. park in the parking lot to the right. There is also street parking in front of the building.

Entrance: Enter the event space through the door facing 6th Street marked “Meet.”

Questions? Call 501-371-0075 ext. 3 or email qqa@quapaw.com

Cfd7e5ed 5b07 457a 8688 f8f5b807f487The National Register of Historic Places is the official list of the Nation’s historic places worthy of preservation. Authorized by the National Historic Preservation Act of 1966, the National Park Service’s National Register of Historic Places is part of a national program to coordinate and support public and private efforts to identify, evaluate, and protect America’s historic and archeological resources. The Arkansas Historic Preservation Program (AHPP) is responsible for National Register implementation in Arkansas. February’s presentation will be on the history and development of the National Register of Historic Places (NRHP) as well as the research and process used to pursue listing in the Register.

Callie is a native of Arkansas and graduated from the University of Arkansas in 2008 with a Bachelors of Science in Architectural Studies. In 2010 she earned a Masters in Architectural History from the University of Virginia. As part of her graduate requirements, she completed a thesis entitled “Euine Fay Jones: Architecture is invention-is innovation-but it is also remembering”. After completing her graduate degree, she worked as the University of Virginia Registrar aboard the Semester at Sea Spring 2011 voyage around the world. In 2011, Callie returned to Arkansas and now works for AHPP. As the Education and Outreach Coordinator, she has worked with individuals and groups across the state to identify, research, and nominate historic structures to the National Register of Historic Places.

Rock the Oscars 2019: Elia Kazan

Posted on by

William H. Alden/Evening Standard, via Getty Image

Oscar winning director Elia Kazan married his second wife, actress Barbara Loden, in his son’s house on Alpine Court in Little Rock in 1967.  Chris Kazan was, by that time, a copy editor for the Arkansas Gazette.  He was also a Pulaski County Justice of the Peace and performed his father’s ceremony.  (At the time, the Pulaski County Quorum Court had so many justices of the peace-467-that it was the world’s largest legislative body.)

Elia Kazan’s first wife had died in 1963. He and Loden had known each other for several years before the wedding.  Kazan visited Little Rock frequently in the 1960s visiting his son.  While here, he would go to War Memorial Park to play tennis.

Kazan won two Oscars for directing: Gentlemen’s Agreement and On the Waterfront.  He was also nominated for helming A Streetcar Named Desire, East of Eden, and America America.  On the latter film he was also nominated for producing the film and for being a screenwriter.  All together, his films won 21 Oscars and received an additional 37 nominations.

In 1999, Kazan received an Honorary Oscar in tribute to his career.  Because he had “named names” before the House Un-American Activities Committee thereby abetting in the blacklisting of people suspected of being Communists, this recognition was not without controversy.  Approximately 250 people picketed that ceremony, and some in attendance did not applaud when he came out.  Earlier in the ceremony, comedian Robin Williams made light of the controversy by opining “Let Lainie Sing” a joking reference to the singer and actress Lainie Kazan (no relation).

Little Rock Look Back: First TABRIZ Gala in 1971

Posted on by

After a casual evening on Friday, February 12, 1971, the next night, several hundred people donned their tuxedos and maxi-length formal wear to attend the first Tabriz Gala.

After eating a gourmet dinner, guests were treated to a live auction with over 90 items.  The auctioneers were Edwin C. Jenkins of Los Angeles and Little Rock’s Dalton Dailey.

Among the items in the live auction (which raised $30,000)  were usage of a billboard for a month, a five day cruise in the Bahamas and the opportunity to help create a sculpture.  One of the more unique items was a lot in Pleasant Valley, which went for $11,500 (the equivalent of $72,000 in 2019).  The final item in the live auction was lunch with Martha Mitchell. The Pine Bluff native was married to US Attorney General John Mitchell. Little did anyone know at the time that President Nixon would one day blame Watergate on Martha Mitchell making life difficult for John Mitchell.

The Fine Arts Club had desired that Tabriz would be a unique event in Little Rock’s social calendar.  It appeared they succeeded.  The Arkansas Gazette noted that the crowd was livelier than normally happened at black tie events in Little Rock.

Due to the success of Tabriz, the Arts Center more than had the money it needed for the National Endowment for the Arts challenge match program.

Rock the Oscars 2019: James Earl Jones

Posted on by

Actor James Earl Jones has made several appearances in Central Arkansas over the years.  He has appeared at Robinson Center with the Arkansas Symphony Orchestra.  On February 12, 1999, he narrated Aaron Copland’s “Lincoln Portrait” and Alexander Miller’s “Let Freedom Ring” with the Symphony in a concert at Robinson Center.  (It was the 190th birthday for Lincoln.)

Born in Mississippi, he spent most of his childhood in Michigan.  After service in the Army during the Korean War, he moved to New York to study theatre.  In the late 1950s he started alternating between Broadway (where he often played a servant) and Off Broadway (where he played leading roles).  His first film appearance was in Dr. Strangelove….  From the 1960s onward he has alternated between stage, film and TV.  In the 1980s, he added voice work to his repertoire.

In 1969 and in 1987, he won Tony Awards for Actor in a Play (The Great White Hope and Fences, respectively).  His other Tony nominations have been for revivals of On Golden Pond and The Best Man.  He was nominated for an Oscar in 1970 for reprising The Great White Hope on film.  He received two Emmy Awards in 1991 – the only actor to ever win two in the same year.

In 2008, he won the Screen Actors Guild Lifetime Achievement Award, and in 2011 he was given an Honorary Oscar.  In 2002, he was a Kennedy Center Honors recipient.

He is probably best loved for his work as the voice of Darth Vader in many of the Star Wars films as well as his voicework in The Lion King.

Little Rock Look Back: First night of first TABRIZ

Posted on by

After over a decade of the Beaux Arts Bal (it was spelled the French way with only one “L”), a change was afoot in 1971. Because of the need to raise more money for the Arkansas Arts Center, the Fine Arts Club decided to replace their evening of dining and dancing with an auction event.

While there had undoubtedly been thrift sales and small-scale bidding on items to raise money in Little Rock, this effort would be the first large-scale endeavor to use an auction as part of a fundraiser.   In order to maximize the fundraising potential, it was decided this would be a two-night event. The first night (Friday, February 12) would be casual with a silent auction while the second (Saturday, February 13) would be formal.

There were two major reasons the Fine Arts Club needed to raise more money.  The National Endowment for the Arts had issued the Arts Center a challenge grant which required a $10,000 match. In addition, the Arkansas Arts Center was trying to build up an endowment for future purchases.  (This was less than three years after the facility had been faced with closing its doors.)

The name Tabriz was chosen because it was the name of a cultural city in the Mideast known for its marketplace.  The first edition had the tagline of “A Persian Market of All Things.”

The logo was designed by Jim Johnson of the firm then-known as Cranford/Johnson Associates. The decorations echoed the exotic theme employing palm trees, ferns, ceramic elephants, paisley fabric swaths, and turbans.

Among those working on the first Tabriz were Jane McGehee Wilson, Betty Mitchell, Betty Terry, Frances Cranford, Feetie Hurst, Tina Poe, Annette Connaway, Willie Oates, Phyllis Brandon, Jane Wolfe, and Mary Worthen.

Over 650 people attended the Friday night event. Admission of $5 provided sandwiches (conflicting newspaper accounts indicate either coldcut sandwiches or hot dogs) and beer.  Mixed drinks were an additional $1.

Newspaper coverage indicated that men wore “sports outfits,” suits without ties, or colorful parkas. It attracted men with “longhair and beards” and “conventional haircuts.” (Depending on who the writer was, “longhair” could have meant anything over one inch.)  The women that Friday favored maxi or midi skirts. There were no mini skirts on hand, but a Gazette reporter noted that some women were wearing hot pants which might make a mini skirt look long.

Music was provided by the trio of Tom, Jerry, and Barbara.

Because a Silent Auction was such a new thing, newspaper coverage pointed out that the rooms were actually quite full of sound as people chatted with each other both about bidding on the items and socializing in general.

To give people a preview of the auction items, the Arts Center galleries had been opened for viewing on the Sunday and Monday prior to the Friday and Saturday events.  An auction catalog was also available for pickup in advance of Friday.

Among the items up for bid were tennis and golf lessons, visits to beauty salons, credit at a pharmacy, a tour of the Municipal Courts building and lunch with city prisoners, a tour of the Little Rock Zoo, jewelry, artwork, tickets to Razorback games, a football jersey worn by Lance Alworth, a week in Las Vegas (one of only three items with a minimum bid), and a subscription to an answering service.

When all was said and done, the evening raised $9,500 for the Arkansas Arts Center.