Creative Class of 2015: Katie Campbell

Katie CampbellKatie Campbell is a director, performer, and teaching artist. She is originally from North Carolina but for six years has found an artistic home in Little Rock as a company member with the Arkansas Art Center Childrenʼs Theater (AACCT), director and performer with the Arkansas Shakespeare Theatre, and improvisor with ImprovLittleRock and The Joint Venture.  She is also the co-founder and co-director of the youth improv comedy company, Armadillo Rodeo.

Campbell is a 2015 Jim Henson Family Grant recipient for her devised and directed shadow puppet play for young people, The Ugly Duckling.  That production recently played to sold out houses at the AACCT Studio Series enrapturing children and adults alike.

She has an MFA in directing Theatre for Young Audiences from The University of North Carolina at Greensboro and a BA in Theatre Arts from the University of North Carolina at Charlotte. She is also an alumna of the North Carolina School of the Arts where she studied acting with Tanya Belov, voice with Mary Irwin, circus arts with Dikki Ellis, and movement/mask work with Robert Francesconni and Mollie Murry.

Some of her favorite roles include Adriana in The Comedy of Errors with the Arkansas Shakespeare Theatre (2010); Roxanne in Cyrano de Bergerac and Barbara in Night of the Living Dead AACCT Studio Series (2008);  Mouse in If You Give A Mouse A Cookie, If You Take a Mouse to School, and Merry Christmas Mouse! (AACCT Mainstage 2007-12).

Monday Musings: Kelly Kinard Fleming

Kelly FlemingToday launches a new feature on the Little Rock Culture Vulture: Monday Musings.

Little Rock cultural personalities will be asked nine questions (there were nine muses).

Up first is Kelly Kinard Fleming. A member of Little Rock’s Arts & Culture Commission, she is also Development Director at the Arkansas Arts Center. A graduate of the Clinton School of Public Service, she has previously worked at the Arkansas Repertory Theatre in development and marketing.

Monday Musings

-My earliest memory was (age and incident)

From birth to age 5 I lived in the booming metropolis of Sikes, Louisiana. The post office was in the general store. My dad was principal of the K-12 school and our house was on the edge of the school’s playground. I remember walking next door for a fresh cookie and carton of cold milk from the sweet lunchroom ladies. Oh, and the water in town was brown. I remember taking baths in clean, but brown, water.

-When I was in high school and imagined my adulthood, I thought I would be

…a novelist, a lawyer or both. Surprise! I’m neither.

-Star Wars, Star Trek, Battle of the Network Stars, or Dancing with the Stars?

If I MUST, Dancing with the Stars.

-I most identify with the Winnie the Pooh character of…

…there’s something in all of them we identify with, don’t you think? Much like the Wizard of Oz characters. But I’ll say Christopher Robin because he is cheerful and gets along well with others.

-The performer I’d drop everything to see is

…Bette Midler.

-My first paying job was

…babysitting. Swore I’d never have kids.

-A book I think everyone should read is

….Cry the Beloved Country by Alan Paton

-My favorite season is…

….Spring. Great convertible weather.

-We are all geeks (or experts) about something. My field is

….shopping on the cheap.

Final Weekend of PUSS IN BOOTS at Ark. Arts Center Children’s Theatre

PussInBoots_posterThis weekend marks St. Francis Day.  He was the patron saint of animals.  It is also the final chance to see the Arkansas Arts Center Children’s Theatre production of Puss in Boots.

Based on Charles Perrault’s world famous feline fun-time fairytale, Puss in Bootsis an electric story set in song and dance. This fun for all ages show will run Fridays at 7 p.m., Saturdays and Sundays at 2 p.m. 

Be amazed as swashbuckling Puss the Cat raises his master, Claude, from a down-and-out miller’s son to the heights of happiness. Enjoy all the madcap fun as Puss brandishes, not his sword, but his superior feline intellect to conquer kings, ogres and even a few rabbits along the way. It’s all about brain over brawn. Oh, and you’ll just love his shoes.

The cast includes:

  • Chad Bradford of Little Rock as Puss
  • Mark Hansen of Little Rock as Claude
  • Katie Campbell of Little Rock as Coquette
  • Nick Spencer of Nashville, Tenn. as Major Domo
  • Jeremy Matthey of Little Rock as the King
  • Lauren Linton of Memphis; Aleigha Morton of Beebe; and Moriah Patterson of Sheridan as the Trio.

Bradley D. Anderson is the artistic director for the production. Costumes are designed by Erin Larkin and Nikki Webster, technical direction by Drew Posey, lighting design by Mike Stacks, setting and properties design by Miranda Young, choreographed by Erin Fowler and Sarah Gasser is the stage manager.  

The 2015/2016 season of the Arkansas Arts Center Children’s Theatre will feature six Main Stage shows: Puss in Boots;The Legend of Sleepy Hollow; The Gingerbread Man; The 13 Clocks; Schoolhouse Rock Live! and The Adventures of Peter Rabbit. And is sponsored by: Presenting Sponsor, Arkansas BlueCross Blue Shield; Fall Season Sponsor, Centennial Bank; Spring Season Sponsors, The Fine Arts Club of Arkansas and Dr. Loren Bartole, ‘Family Foot Care’; Additional Support Provided by The Morris Foundation and Media Sponsor, Little Rock Family Magazine.

$12.50 General admission, $10 for Arkansas Arts Center members, $10 per person for groups of 10 or more (Children 2 years of age and under are free, however the child must remain in an adult’s lap at all times.)

Anne Frank Tree exhibit to be dedicated today at Clinton Center

AnneFrankTreeThe Clinton Foundation and the Sisterhood of Congregation B’nai Israel, in conjunction with the Anne Frank Center USA, have joined together to create a new powerful exhibit, The Anne Frank Tree, which will be located on the grounds of the Clinton Presidential Park.  The permanent installation, which will surround the Anne Frank Tree sapling, will open today.

In 2009, the Clinton Center was one of 11 entities in the United States to be awarded a young chestnut tree by the Anne Frank Center USA’s “Sapling Project.” The sapling was taken from the white horse chestnut tree that stood outside Anne Frank’s Secret Annex when she and her family were in hiding from the Nazis during World War II. The young writer cherished and wrote about the tree frequently in her famous diary.

“As long as this exists,” Anne wrote on February 23, 1944, “how can I be sad?” During the two years she spent in the Secret Annex, the solace Anne found in her chestnut tree provided a powerful contrast to the Holocaust unfolding beyond her attic window. And as war narrowed in on Anne and her family, her tree became a vivid reminder that a better world was possible.

Anne’s tree would outlive its namesake by more than 50 years before being weakened by disease and succumbing to a windstorm in 2010. But today, thanks to dozens of saplings propagated in the months before its death, Anne’s tree lives on in cities and towns around the world. The Anne Frank tree saplings provide an opportunity for these sites to tell the story of Anne Frank and connect it to incidents of injustice witnessed in each locale. To date, seven saplings have been planted at locations as diverse as the U.S. Capitol and the Children’s Museum of Indianapolis.

The Center’s installation consists of five framed, etched glass panels – arranged to evoke the feeling of being inside a room – surrounded by complementary natural landscaping. The two front panels feature quotes from Anne Frank and President Clinton. The three additional panels will convey the complex history of human rights in Arkansas through descriptions of the Indian Removal Act of 1830, the internment of Japanese Americans during World War II, and the Little Rock Central High School desegregation crisis of 1957. These panels will feature quotes from Chief Heckaton, hereditary chief of the Quapaw during Arkansas’ Indian Removal; George Takei, Japanese-American actor who was interned at the Rohwer Relocation Center in Desha County in 1942; and Melba Patillo Beals, member of the Little Rock Nine.

In collaboration with the Clinton Foundation, Little Rock landscape architect Cinde Drilling and Ralph Appelbaum Associates, exhibit designer for both the Center and The National Holocaust Museum, assisted in the design of the exhibit. The installation has been made possible thanks to the support of the Ben J. Altheimer Charitable Foundation and other generous partners.

The Center’s sapling is currently housed in a local nursery where it is acclimating to Arkansas’s environment. And although it will be present during the ceremony, it will be returned to the nursery where it will be cared for until it has matured and can thrive in its new home, located on the grounds of the Park. A similar chestnut tree will be temporarily planted in its place until the Anne Frank tree can be permanently transplanted.

Creative Class of 2015: Susan Altrui

cc15 altruiOctober is Arts & Humanities Month.  This year, the Culture Vulture will be highlighting 31 members of Little Rock’s Creative Class: the Creative Class of 2015.

Up first Susan Altrui.  Earlier this year, Altrui was named Assistant Director of the Little Rock Zoo.  She previously had overseen marketing, public relations and fundraising for the Zoo.  During that time, the Zoo opened the penguin and cheetah exhibits as well as undertaken several other initiatives which involved fundraising and friendraising.

In addition to her work with the Zoo, Altrui is the chair of the Hot Springs Documentary Film Institute board. She has been involved in bringing Hot Springs Documentary Film Festival back from the brink and returning it to higher visibility.  Altrui also served as an executive producer on the documentary Ann Richards’ Texas.

In 2014, she was appointed to the Arkansas Entertainer’s Hall of Fame board.  Altrui is a member of the Junior League of Little Rock and Rotary Club of Little Rock.  In her “spare” time she plays tennis.

Happy 50th Birthday to the National Endowment for the Arts & National Endowment for the Humanities

NEANEH50On September 29, 1965, President Lyndon Baines Johnson signed into law the National Foundation on the Arts and the Humanities Act of 1965 at a White House Rose Garden ceremony, attended by scholars, artists, educators, political leaders, and other luminaries.

The law created the National Endowment for the Humanities as an independent federal agency, the first grand public investment in American culture. It identified the need for a national cultural agency that would preserve America’s rich history and cultural heritage, and encourage and support scholarship and innovation in history, archeology, philosophy, literature, and other humanities disciplines.

On this occasion, President Johnson said: “Art is a nation’s most precious heritage. For it is in our works of art that we reveal ourselves, and to others, the inner vision which guides us as a nation. And where there is no vision, the people perish.”

This new law was the fruit of two presidents, several senators and representatives, and four previous pieces of legislation. Separate bills had been introduced, in previous years, into the House by Representative Frank Thompson (D-NJ), and into the Senate by Senators Hubert Humphrey (D-MN) and Jacob Javits (R-NY). Senator Claiborne Pell (D-RI) had overseen hearings on some of this preliminary legislation, beginning in October 1963, before the death of President John F. Kennedy.

Over the years, the NEA and NEH have awarded millions of dollars to Little Rock based institutions, organizations and individuals through direct appropriations.  They have also impacted Little Rock cultural life through funding of the Mid-America Arts Alliance, Arkansas Arts Council, Department of Arkansas Heritage, Arkansas Department of Parks & Tourism, and U.S. Conference of Mayors among others. These groups have either re-granted the dollars to Little Rock entities or undertaken projects which have directly impacted and improved life in Little Rock.

 

SeptemBEER is theme of this month’s Science after Dark at Museum of Discovery

mod septbeerThe Museum of DIscovery’s monthly Science after Dark is tonight.  This month’s theme: SeptemBEER!

It runs from 6pm to 9pm.  Admission is $5, free for museum members.  The program is for those 21 and up.

Participating breweries:
Stone’s Throw Brewing
Damgoode Pies River Market
Vino’s Pizza-Pub-Brewery
Lost Forty Brewing
Diamond Bear Brewing Company

Activities:
-Tinkering with Solo Cups
-Tinkering with beer bottles (make beer bottles into glasses)
-Beer pong physics
-Flip Cup physics
-Trick Shots (using a catapult, vacuum cannon, trebuchet, hair dryer and strike launcher)