Broadway Rocks the Arkansas Symphony this weekend

ASO NewThe Arkansas Symphony Orchestra welcomes Christiane Noll, Capathia Jenkins and Rob Evan for a weekend of Broadway music backed by the ASO.

Under the direction of Associate Conductor Geoffrey Robson, this high energy show brings together exciting vocalists from the Broadway stage performing selections from rock and contemporary Broadway hits. Wicked, The Lion King, Mamma Mia, Rent, The Wiz, The Phantom of the Opera – and many more of your favorites from the stage are featured on this exciting show for all ages!

Act I

  • Rocks Overture (arr. Fleischer)
  • Everybody Rejoice (The Wiz/Smalls)
  • This Is The Moment (Jekyll and Hyde/Wildhorn)
  • Good Morning Baltimore (Hairspray/Shaiman)
  • Jersey Boys Medley
  • Total Eclipse Circle of Life (Lion King/John)
  • Proud Mary (Fogerty)
  • Jesus Christ Superstar Overture (Lloyd Webber)
  • Seasons of Love (Rent/Larsen)
  • You Can’t Stop the Beat (Hairspray/Shaiman)

INTERMISSION

Act II

  • Come Sail Away
  • For Good (Wicked/Schwartz)
  • Anthem (Chess/Andersson/Ulvaeus)
  • I Will Survive
  • Defying Gravity (Wicked/Schwartz)
  • Mamma Mia Medley (Andersson/Ulvaeus)
  • And I Am Tellin’ You (Dreamgirls/Krieger)            
  • Phantom of the Opera (Phantom/Lloyd Webber)
  • Music of the Night (Phantom/Lloyd Webber)

All programs, dates and guest artists subject to change.

Capathia Jenkins, created the role of ‘Medda’ in the hit Disney production of Newsies on Broadway. She made her Broadway debut in The Civil War. She then starred in the Off-Broadway 2000 revival of Godspell. She returned to Broadway in The Look of Love and was critically acclaimed for her performances of the Bacharach/David hits. Ms. Jenkins then created the roles of ‘The Washing Machine’ in Caroline, Or Change and ‘Frieda May’ in Martin Short: Fame Becomes Me, where she sang ‘Stop the Show’ and brought the house down every night.

Christiane Noll was nominated for both the 2010 Tony Award and Drama Desk Award and won a Helen Hayes Award for her portrayal of Mother on Broadway in the Kennedy Center Revival of Ragtime. She made her Broadway debut starring in Jekyll & Hyde, creating the role of Emma. Ms. Noll received an Ovation Award for her comedic turn as Hope Cladwell in the National Tour of Urinetown, wowed audiences again as Vanna Vane in the new musical The Mambo Kings, soared as Jane Smart in the American premiere of The Witches of Eastwick, and most recently received another Drama Desk nomination for her work in Chaplin.

Rob Evan has performed in seven leading roles on the New York Stage including the original Broadway cast of Jekyll & Hyde, playing the title roles for three years and over 1,000 performances worldwide. He also appeared on Broadway as Jean Valjean in Les Miserables, Kerchak in Disney’s Tarzan, “The Dentist” in Little Shop of Horrors, and Count von Krolock in Jim Steinman’s Dance of the Vampires. Off-Broadway, Rob created the roles of The Dancin’ Kid in Johnny Guitar and the hero Miles Hendon in Neil Berg’s m.

Vote Today FOR Little Rock’s Arts+History

Feb9electionlogoToday is Election Day for the Campaign for Arts + History.

By voting FOR on Tuesday, February 9th Little Rock residents can expand and enhance our Arkansas Arts Center, MacArthur Museum of Arkansas Military History, and MacArthur Park. Your vote FOR on February 9th will upgrade facilities and public spaces to ensure the Arkansas Arts Center keeps its accreditation by issuing a bond backed by an existing hotel tax on out of town visitors.

Polling sites are open from 7:30am to 7:30pm.

  • Your for vote will keep the Arkansas Arts Center in Little Rock accredited, with updates to aging facilities over 50 years old, bringing in more world-class exhibitions and educational opportunities.
  • Your for vote will help expand and enhance the Arkansas Arts Center and improve the MacArthur Museum of Arkansas Military History by providing much needed help to aging facilities and addressing landscaping needs in MacArthur Park.
  • Your for vote will spur community involvement by increasing educational opportunities, attracting more world class exhibits, expanding art classes and renovating the Children’s Theatre.
  • Your for vote will establish a public/private partnership between public funding and private donations that ensures our city can expand and enhance the Arkansas Arts Center, MacArthur Museum of Arkansas Military History and MacArthur Park.

In legalese: An issue of bonds of the City of Little Rock, Arkansas in one or more series in the maximum aggregate principal amount of Thirty-Seven Million, Five Hundred Thousand Dollars ($37,500,000.00) for the purpose of financing a portion of the costs of improvements to MacArthur Park, including particularly, without limitation, renovations and additions to, and furnishings and equipment for, the Arkansas Arts Center and renovations and equipment for the MacArthur Museum of Arkansas Military History, including any necessary parking, landscaping, signage, drainage, lighting, road and utility improvements in MacArthur Park. The bonds will be payable from and secured by a pledge of the collections of the taxes levied by the City at an aggregate rate of 2% upon the gross receipts or gross proceeds derived and received from the renting, leasing or otherwise furnishing of hotel, motel, bed and breakfast or short-term condominium or apartment rental accommodations for sleeping for profit in the City, pursuant to Ordinance Nos. 21,140 and 21,141 adopted December 1, 2015. The proceeds of the bonds will also be used to provide a debt service reserve and pay costs of issuing the bonds.

Little Rock Look Back: Carol Channing

Carol C2On January 31, 1921, future “Little Girl from Little Rock” Carol Channing was born. Alas it was in Seattle.

After gaining the notice of New York critics and audiences in the musical revue, Lend an Ear, Channing achieved Broadway stardom playing fictional Little Rock native Lorelei Lee (the creation of Anita Loos) in Gentlemen Prefer Blondes.  In this show, which opened in December 1949, she introduced the Leo Robin-Jule Styne songs “Little Girl from Little Rock” and “Diamonds Are a Girl’s Best Friend.”  Her work in this show predated Tony Award nominations being announced.  (The Tony that year went to Mary Martin for playing another Little Rock native – Nellie Forbush in South Pacific).

Her first Tony nomination came for the The Vamp in 1956. Five years later, she earned a second nomination for Show Girl.  In 1964, she won the Actress in a Musical Tony for her second signature role playing the title character in Hello, Dolly!  Channing also earned a special Tony in 1968 for Dolly when it became the longest-running Broadway musical.

She returned to Lorelei Lee in the reworked update entitled Lorelei and earned a Tony nomination.  In 1995 she earned a Lifetime Achievement Tony.

In the 1960s, she visited Little Rock on a tour of Hello, Dolly! which played at Robinson Auditorium. It was arguably the biggest Broadway show to have played Robinson at that time.  While she was in Little Rock she spent time at the Governor’s Mansion and was made an honorary citizen of Little Rock.  (Nearly 30 years later, she recounted very glowingly her Little Rock visit to the Culture Vulture.)

In 1993, she spent her birthday in Washington DC at a White House dinner for the National Governors’ Association.  This was the Clintons’ first offiical White House dinner after moving in to the residence eleven days prior.  President Bill Clinton led the crowd in singing “Happy Birthday” to her.  She remarked to the President that she was Christian Scientist and didn’t celebrate birthdays, which meant she didn’t get any older.  He replied that it meant the night was her first birthday (it was her 72nd in actuality).

13 CLOCKS next at Arkansas Arts Center Children’s Theatre

AAC CT ClocksThe Arkansas Arts Center Children’s Theatre invites you to join the brave Prince Zorn on a whimsically impossible fantasy quest from the ever-surprising, always entertaining imagination of James Thurber. The 13 Clocks will run January 29 – February 14.

In The 13 Clocks, Thurber tells the story of Princess Saralinda and her evil uncle, the Duke, who holds her prisoner in a tower, refusing to let her marry. That is until Prince Zorn arrives to rescue her. But first, he must complete an impossible task: deliver 1,000 jewels to the Duke just as the 13 castle clocks strike five o’clock.

The cast is led by Samantha Harrington and Geoffrey Eggleston.  Adapted for the stage by Keith Smith from the story by James Thurber, it is directed by Bradley D. Anderson, AACCT artistic director. Costumes are designed by Nikki Webster, technical direction and set design by Drew Posey, lighting design by Mike Stacks, properties design by Miranda Young and Sarah Gasser is the stage manager.

Performances are Fridays at 7 p.m., Saturdays and Sundays at 2 p.m.

 $12.50 General admission, $10 for Arkansas Arts Center members

 

Little Rock Look Back: LR Voters Approve Municipal Auditorium

muni aud elect ad editedOn January 26, 1937, Little Rock voters went to the polls to vote on three different municipal bond issues.  One of them was the construction of a municipal auditorium (what would become Joseph Taylor Robinson Memorial Auditorium, now Robinson Center Music Hall).

The bonds for the auditorium would be $468,000 in general obligation bonds which would be paid off between 1940 and 1971. This was toward a total cost of $760,000 for the entire project.

The official campaign for the auditorium was sponsored by the Little Rock Forward Committee which was led by W. H. Williams. In campaign advertisements it showed the value of conventions in New York City which was estimated at $100 per convention attendee. Little Rock organizers were estimating a $10 a day expenditure by visitors, which the committee stressed was very conservative. The campaign committee emphasized the importance of acting at that time due to the federal government money involved.

Various committees and organizations endorsed the auditorium project including the Little Rock Chamber of Commerce, Little Rock Federation of Women’s Clubs, and the Young Business Men’s Association.

The thrust of the campaign focused on the economic benefit to Little Rock as well as the fact that the auditorium would be for all citizens. This message was picked up in editorials by both the Democrat and Gazette. In editorials on January 23 and 25, the Democrat opined that the benefits of the auditorium would be distributed among all classes of the citizenry. The next day, both papers ran editorials which touted the economic boon an auditorium would bring through conventions and meetings.

The Democrat’s approach broke down the current value of conventions to Little Rock with, what it termed, the city’s “existing inadequate” facilities. The paper emphasized a conservative estimate of what the added value to Little Rock’s economy would be with the new auditorium.

In expressing support for the auditorium the Gazette stressed the values for local, statewide and national groups. “An auditorium would provide a more convenient and better adapted community center for all kinds of local gathering,” and continued that it would make Little Rock “the logical meeting place for state conventions of every sort.” In discussing the value of state, regional and national meetings the paper stressed that the outside money spent by convention attendees has an impact beyond stores, hotels and restaurants.

Both papers also echoed the importance of the federal government financing to make this possible. TheDemocrat noted that the Public Works Administration grant and federal low cost loan made this an ideal time.

On January 26, 1937, Little Rock voters approved the auditorium bond by a vote of 1,518 to 519. It passed in each of the city’s 23 precincts. Little Rock Mayor R. E. Overman expressed his pleasure at the outcome of the vote and extended his thanks to the voters.

After the election, a Gazette editorial commented on the low turnout for the special election by commenting that the weather had been nice and there were no other barriers to voting. The editorial writer opined that those not voting in the election must not have been opposed to the endeavor.

Little Rock Look Back: City Takes Possession of Joseph T. Robinson Auditorium

10.+citylittlerock-2On January 25, 1940, the City of Little Rock officially took complete possession of the Joseph Taylor Robinson Memorial Auditorium. By assuming custody of the structure from the contractor and the PWA, the City accepted responsibility for any of the remaining work to be completed.  This event happened one day shy of the third anniversary of the election which approved plans to issue bonds for an auditorium.

E. E. Beaumont, the Auditorium Commission chairman, stated that an opening date could not be set until more work was completed. A major unfinished task was the laying of the front sidewalk which had been delayed due to cold weather.

The night before Little Rock took possession, Robinson Auditorium had been a topic of discussion at the Little Rock Chamber of Commerce annual meeting. The new Chamber president Reeves E. Ritchie (who as an Arkansas Power & Light executive had been engaged in the lengthy discussions about the installation of the steam line and transformers of the building) pledged that the Chamber would work to bring more and larger conventions to Little Rock at the Joseph Taylor Robinson Memorial Auditorium.

Today, the building is once again a construction site as it is being renovated and repurposed to become a performing arts and event space for the 21st Century.

The show will go on! Ark Rep production of PETER AND THE STARCATCHER opens tonight

 Despite the snow which caused many cancellations this morning, the Arkansas Repertory Theatre production of PETER AND THE STARCATCHER opens tonight.  Think you know all there is to know about Peter Pan? Think again.

This Tony winning play by Rick Elice is based on the novel by Dave Barry and Ridley Pearson.  In this swashbuckling prelude to J. M. Barrie’s fantasy classic, the secret history of the Boy Who Would Never Grow Up is revealed with theatrical panache.

Based on the popular Dave Barry books, and mixing British pantomime with playful elements of childhood make-believe, this raucous adventure journeys into the forgotten realms of the imagination filled with mermaids, fierce natives, pirates and magic. 

Embark upon a treacherous ocean voyage as Molly, a young Starcatcher aboard the good ship Neverland, races to escape the comical clutches of the dread pirate Black Stache. Accompanied by a trio of Lost Boys from a British orphanage, she is soon marooned on a not-so-deserted island filled with otherworldly enchantments and exhilarating danger around every turn. Each breathtaking adventure leads them closer to the mysterious origins of the Peter Pan you know and love.

Peter and the Starcatcher will be presented as a co-production with TheatreSquared in Fayetteville, Ark. The Rep presents the regional premiere of this award-winning play as a perfect outing for young and old alike. It opens tonight and runs through Februry 14. 

The cast includes Seth Andrew Bridges, Marc Carver, Patrick Halley, Carey Hite, Garrett T. Houston, Bryce Kemph, Hugh Kennedy, Steve Pacek, Faith Sandberg, Jason M. Shipman, Nathaniel Stahlke and Bruce Warren.  Moriah Patterson and Garrett L. Whitehead are understudies. 

The production is directed by Mark Shanahan.  Other members of the creative team are Music Director: Mark Binns; Fight Director: D.C. Wright; Set Designer: James J. Fenton; Properties Designer: Brodie Jasch; Lighting Designer: Martin E. Vreeland; Costume Designer: Trish Clark; and Sound Engineer: Allan Branson.