Little Rock Look Back: Actor and author Ben Piazza

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Actor-director-playwright-author Ben Piazza was born on July 30, 1933, in Little Rock.  Piazza graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

Keeping the Tiger as his mascot, Piazza attended college at Princeton University.  While there he continued acting, including an appearance in a Theatre Intime production of Othello.  Following his 1955 graduation, he moved to New York City and studied at the Actor’s Studio.

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Piazza was an understudy in the 1956 play, Too Late the Phalarope at the Belasco Theatre.  In February 1958, he starred in Winesburg, Ohio sharing the National (now Nederlander) Theatre stage with James Whitmore, Dorothy McGuire, and Leon Ames. Other cast members included Claudia McNeil (who originated the part of Lena in A Raisin in the Sun) and Sandra Church (who originated the part of Gypsy Rose Lee in Gypsy).

In April 1959, Piazza starred in Kataki at the Ambassador Theatre. This two actor play also featured Sessue Hayakawa, who played a Japanese soldier who spoke only his native language.  Therefore, Piazza’s part was largely a very lengthy monologue.  For his performance, Piazza received one of the 1959 Theatre World Awards.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

Piazza started the 1960s on Broadway starring at the Eugene O’Neill Theatre in A Second Stringwith Shirley Booth, Jean-Pierre Aumont, Nina Foch, Cathleen Nesbitt, and Carrie Nye.   Following that, he started his association with Edward Albee by appearing as the title character inThe American Dream.  That play opened at the York Playhouse in January 1961.  Later that year, he appeared in Albee’s The Zoo Story opposite original cast member William Daniels at the East End Theatre.

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Also in 1961 Piazza starred in several plays during a South American tour sponsored by the American Repertory Company.  He played Christopher Isherwood in I Am a Cameraand Chance Wayne in Sweet Bird of Youth.  In 1962, he starred in a series of plays at the Cherry Lane Theatre.  Piazza returned to Broadway to star along with Jane Fonda and Dyan Cannon in The Fun Couple at the Lyceum Theatre. This play had a troubled rehearsal period, which was documented in a short film about Jane Fonda.

Ben Piazza stayed on Broadway and returned to Albee in February 1963.  He took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? when original actor George Grizzard left to play Hamlet at the Guthrie Theatre.  (He had participated in earlier readings of the play prior to it being mounted on Broadway.)

This play was at the Billy Rose Theatre, which marked a return for Piazza. He had acted at this theatre when it was the National while doing Winseburg.  Piazza played Nick for the remainder of the run and acted with Uta Hagen, Arthur Hill, fellow Arkansan Melinda Dillon, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, Rochelle Oliver and Sheppard Strudwick.

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During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.  The Piazza Shoe Store, located on Main Street, was called Gallanti’s.

Following Virginia Woolf, he starred in The Zoo Story at the Cherry Lane Theatre in 1965.  In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.

As Sunday Agreement was opening, Piazza was in rehearsal for his next Broadway opening. He appeared with Alfred Drake in The Song of the Grasshopper in September 1967.  In 1968, he returned to Albee and starred in The Death of Bessie Smith and The Zoo Story in repertory on Broadway at the Billy Rose Theatre.

Later that season, in March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It was directed by future Tony nominee Peter Masterson and starred Louise Lasser, Robert Walden (who starred in the 2013 production of Death of a Salesman at Arkansas Repertory Theatre), Clinton Allmon and Dolores Dorn-Heft, to whom Piazza was married at the time.

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  During this time period he was in productions of Bus Stop, Who’s Afraid of Virginia Woolf?, You Know I Can’t Hear You when the Water’s Running  and Savages.  In 1970, he starred as Stanley Kowalski in a production of A Streetcar Named Desire in New Orleans.  As the 1970s progressed, he turned his focus to television and movies.

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Piazza’s film debut was in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper, Karl Malden, Maria Schell and George C. Scott in The Hanging Tree.  Though he received positive reviews for his performances, Piazza chose to return to New York and perform in stage and TV productions.

Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.  He had a recurring role during one season of Ben Casey and appeared on the soap opera Love of Life.

In the 1970s, he starred in the films Tell Me That You Love Me, Junie Moon; The Candy Snatchers and I Never Promised You a Rose Garden.  He also starred as the City Councilman who recruits Walter Matthau to coach a baseball team in The Bad News Bears.

Among his numerous TV appearances in the 1970s were The Waltons, Mannix, Switch, Barnaby Jones, Gunsmoke, Mod Squad and Lou Grant (where he was reunited with Walden).

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In the 1980s, he appeared in The Blues Brothers, The Rockford Files, Barney Miller, Hart to Hart, Family Ties, The Winds of War, Dallas, Dynasty, Too Close for Comfort, The A Team, Saint Elsewhere, Santa Barbara, The Facts of Life, Mr. Belvedere, Moonlighting and Matlock.

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.

Three shows closing this weekend in Central Ark

Fiddler ACTTonight, Fiddler on the Roof continues at the Argenta Community Theatre.  It runs through Sunday evening.  Tickets range from $30 to $50.  Directed by Bob Hupp of the Arkansas Repertory Theatre, Fiddler on the Roof is celebrating its 50th anniversary this year. The show opened on Broadway in September 1964. Choreographers are Christen Burke Pitts and Kristof Waltermire, with Kurt Kennedy as music director.

 

Rent CTLRTwo other productions are closing this weekend.  Community Theatre of Little Rock’s Rent closes on Sunday at the new Studio Theatre space.  Winner of both the 1996 Pulitzer Prize and Tony for Best Musical, Jonathan Larsen’s musical is an updated version of La Boheme.  Directed by Frank O. Butler with music direction by Matthew Tatus, tickets for this production range from $8 to $18.

 

Next-to-Normal_smThe Weekend Theater’s Next to Normal, also a Pulitzer Prize winner, closes on Sunday, as well.  The story of a family dealing with the mother’s mental illness, it is both heart-wrenching and humorous.  Directed by Ralph Hyman, with music direction by Lori Isner, tickets range from $16 to $20.

FIDDLER with a Hupp

20140720-134424.jpgToday is the birthday of Arkansas Repertory Theatre Producing Artistic Director Robert Hupp.

While the Rep’s 2014-2015 season hasn’t started yet, he is busy nonetheless. In addition to working on behind-the-scenes work on the upcoming season and planning for the Rep’s new black box and education space as part of Little Rock’s Creative Corridor, he is directing the Argenta Community Theater production of FIDDLER ON THE ROOF.

FIDDLER opens on July 23 and runs through July 27. This year marks the 50th anniversary of the Broadway opening of this Tony winning musical by Jerry Bock, Sheldon Harnick and Joseph Stein.

This marks the third summer the Argenta Community Theater has presented a summer musical. The first one was CABARET, which was also directed by Hupp.

In recognition of all of his efforts for the arts, Hupp was a 2013 recipient of the Governor’s Arts Awards.

“Prepare Ye” for SMTI’s production of GODSPELL at the Arkansas Rep this weekend

ark repIt’s that time of year, again.  The time when the Arkansas Repertory Theatre’s halls reverberate with the sound of song, and walls shake from dancers’ leaps in the rehearsal studio above.  The SMTI young artists have officially taken over The Rep.

Summer Musical Theater Intensive (SMTI) is The Rep’s annual training program for aspiring young artists in Arkansas.  Under the direction of Resident Director and Director of Education Nicole Capri, SMTI is an intensive, audition-based theatre training program designed exclusively for motivated young artists who are serious about the arts and musical theatre.

“The SMTI program, at its core, is a training program.  It’s a program that immerses young people, young artists, in all facets of the performing artists, in a very intensive, intensively focused, two-week summer program,” said Producing Artistic Director Robert Hupp.

The SMTI staff is comprised of professional directors, choreographers, musicians and designers. Daily rehearsals are structured similarly to a professional summer stock experience and include instruction in musical theatre techniques, multi-media, costume and stage make-up, dance and vocal coaching.

Each session – broken up into Senior Session (ages 16-23) and Junior Session (ages 13-15) – involves intensive daily rehearsals culminating in a public workshop performance of a selected musical or musical revue. The first year of SMTI, they performed Godspell.  That musical (which was dreamed up in Little Rock) is returning this summer.

You can catch Godspell on Friday, July 18 at 7pm, Saturday, July 19 at 1pm and again that night at 7pm.

To purchase a ticket to a performance of Godspell, call The Rep Box Office at (501) 378-0405.

Little Rock Look Back: Oscar Hammerstein II

OHIIOn July 12, 1895, Oscar Greeley Clendenning Hammerstein, better known as Oscar Hammerstein II was born. He spent his entire professional life working in the theatre.  One of the musicals he wrote was South Pacific, which featured a character from Little Rock.

In the source novel, Tales of the South Pacific, Forbush is from rural Arkansas.  When Hammerstein, Richard Rodgers and Joshua Logan were adapting it for the stage, they moved the character to Little Rock (or “Small Rock” as the French planter Emil De Becque mistakenly refers to it).

Little Rock is referred to throughout the show.  One song, “My Girl Back Home” contained musical references to Arkansas’ capitol city.  That song was cut before South Pacific opened on Broadway.  It was, however, included in the movie version.  It was also reinstated and included in the 2008 Broadway revival.

Mary Martin won a Tony for originating the role of Nellie Forbush on Broadway. One of the actors who succeeded her was Cloris Leachman. Kelli O’Hara received a Tony nomination in 2008 for the Broadway revival.

South Pacific became the second musical to win the Pulitzer Prize for Drama. It also became the first winner of the Pulitzer for Drama to be based on another Pulitzer prize winner — James Michener won the Pulitzer for Tales of the South Pacific.

Hammerstein’s creation of a character from Little Rock caused problems when the show was being performed in late 1957 and for a few years after.  With the 1957 desegregation crisis still fresh in people’s memories, a show about a woman from Little Rock facing her own racial prejudices was sometimes a bit much for audiences. Apparently some audiences would boo when Little Rock was mentioned.  But Rodgers and Hammerstein did not change her hometown.

At the 1999 celebration marking the 50th anniversary of South Pacific opening on Broadway, a proclamation from then-Little Rock Mayor Jim Dailey was read.  It paid tribute to Nellie Forbush as an ambassador (albeit fictional) for Little Rock. The proclamation noted that her optimism, forbearance and ability to change for the better were emblems of Little Rock.  Since these were attributes which Mr. Hammerstein himself exhibited, one suspects he would be pleased.

Hammerstein died in 1960 during the run of The Sound of Music (which like South Pacific starred Mary Martin).

For those wanting to see an Oscar Hammerstein II show on his birthday or during his birth month, South Pacific has just started a run in Benton at the Royal Players.

LR native and 3 time Tony winner Will Trice headed back to Broadway as a producer of revival of YOU CAN’T TAKE IT WITH YOU.

YCTIWY bwayThree time Tony winner (and Little Rock native) Will Trice is heading back to Broadway this fall as a producer of an all-star revival of the Pulitzer Prize winning comedy You Can’t Take It with You.

The cast will be led by two time Tony winner James Earl Jones.  Additional casting was announced yesterday.  The production will mark a reunion from the recent revival of The Best Man for Jones with actress Elizabeth Ashley and producers Jeffrey Richards and Trice.

The Little Rock Central alum has won a Tony for each of the past three seasons. This marks the first announced project for the Trice for the 2014-2015 season.

First performed on Broadway at the height of the Great Depression, it has not been revived on Broadway since 1983.  You Can’t Take It with You, by George S. Kaufman and Moss Hart, celebrates the American spirit as well as spirited family life.  Others in the cast, which is to be directed by multiple Tony nominee Scott Ellis, are Tony nominee Kristine Nielsen, Tony nominee Reg Rogers, Tony nominee Annaleigh Ashford, Theatre World winner Crystal A. Dickinson and stage veterans Byron Jennings and Julie Halston.

Trice at the 2014 Tony Awards

Trice at the 2014 Tony Awards

Mark Linn-Baker, who has cut his teeth on both stage and TV, is also in the cast. Others in the show include Marc Damon Johnson and Patrick Kerr. Three time Tony winner Jason Robert Brown is composing music for the play.

Performances will start at New York’s Longacre Theatre on August 26 with an official opening night of September 28.

Trice’s Tony Awards came for the 2014 Best Play All the Way, 2013 Best Play Revival Who’s Afraid of Virginia Woolf? and the 2012 Best Musical Revival Porgy and Bess.  He also received a nomination for 2012 Best Play Revival for The Best Man.  This past year, of the 26 Tony Awards presented, seven went to shows produced by Jeffrey Richards and Will Trice.

“Intermission” at Robinson Center comes on July 1

Robinson IntermissionAfter several years of planning and an overwhelming vote of support by the Little Rock electorate, the renovations of Robinson Center Music Hall start after a press conference and ceremony on Tuesday, July 1 at 10am.

The building will be closed for two years as the music hall space is re-envisioned with a new, dynamic design implemented which will create not only an outstanding experience for the audience but also for the performers.

In addition, a new special event space will be built along the north side of the building taking advantage of Arkansas River and Riverfront Park views.

Though the Music Hall interior will be re-purposed and re-designed including a two level lobby space, the historic Markham Street lobby a the top of the stairs will be preserved.  In a nod to the appearance when it opened in February 1940, the lobby will be refurnished to its Art Deco splendor.  While the original chandeliers and accents have been lost to time, they are being recreated and will be installed. In addition, the front doors and windows will be re-designed to mimic the original entrances to the historic lobby.

Following the two year intermission, the building is scheduled to re-open in 2016.

(If two years, seems a long time for an intermission, when one considers that the first act was 74 years, it is actually a proportionally shorter interval than one normally gets at performances.)